March 2 - 8, 2008
 

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Saturday March 8, 2008

Dive Into A Thrilling Splash On…Your Cell Phone?
'College Road Trip' is a throwback to when 'Disney' meant 'dull'
Disney to Debut Toy Story-The Musical in April
Ms. de Vil is surely the cruellest of Disney villains
"Mermaid" cast album sells swimmingly
Disney tea set could fetch a pretty price

Dive Into A Thrilling Splash On…Your Cell Phone?

Disney News - Introducing the awesome new Disney WAP Site

You and your kids can access Disney Water Park fun before, during and after you actually visit them-with one of today’s hottest Disney stars appearing along the way.

“At the heart of the Disney Water Parks mobile program is a website optimized for the mobile phone,” explained Tom Aronson of Disney Parks Global New Media and Technologies. “It’s filled with exclusive wallpapers, insider tips and an interactive personality quiz.”

Get your head in the phone

The feature Tom told us about that will really have your kids squealing with joy is the one that features “High School Musical” and “Jump In” star Corbin Bleu. He had such a blast when he recently visited both Disney Water Parks, he was happy to help us send messages to express this enthusiasm to his legions of fans.

It starts with a special video message from Corbin to Disney Resort hotel Guests on their in-room televisions. “He will ask our Guests to text H2O to 775274, which spells SPLASH,” said Tom. “Within seconds the phone rings with a message from Corbin.”

Features galore at the touch of a few buttons

“We created a number of interactive features Guests can access by texting H2O to 775274 (SPLASH),” said Tom. “One of the features offers lots of great tips about how to ’surf’ at Disney’s Typhoon Lagoon Water Park and ’ski’ at Disney’s Blizzard Beach Water Park. It’ll let Guests know the best way to enjoy all the attractions for maximum thrills.

“Another section is all about the dos and don’ts of using ‘Surfology’ and ‘Skiology’ lingo. And we even asked artist Jesse LeDoux to create four exclusive wallpapers that can be easily downloaded onto your phone. We’re planning all kinds of other ideas like these all the time.”

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'College Road Trip' is a throwback to when 'Disney' meant 'dull'

Orlando Sentinel - Disney's College Road Trip? That's soooo Raven! Or more than enough Raven.

As in Raven-Symone, the Disney Channel mainstay, who takes up a lot of space in what was ostensibly another step in Martin Lawrence's "I'm a family man, now" movie career rehab. She shows off her TV ham-on-the-hoof "acting" in this comedy about an over-over-OVER-protective dad (Lawrence) who takes his daughter (Symone) on a trip to visit colleges she might want to attend.

Perhaps Symone felt the need to roll the eyeballs, make the funny faces and make sure her movie had a big musical production number (on a bus full of Japanese tourists). Lawrence, so committed to Welcome Home, Roscoe Jenkins, is back to phoning it in here.

Road Trip plays like a That's So Raven TV movie, with fewer laughs. If that's possible. She's the perky "perfect" daughter who longs to go to Georgetown. He's the small town police chief who wants his baby girl to go to nearby Northwestern, and is willing to do most anything to "fix it" so she will.

"I can't tell that man anything," she gripes. No, not a funny line. But typical.

Deadly dull father-daughter bonding gags, cliched G-rated teen partying bits (Disney will be Disney), lame jokes with a brainy younger son and his brainy pet pig, this feels like filler before the next re-broadcast of High School Musical 2.

But there is an obnoxious spark of life, and his name is Donny Osmond. As Doug Greenhut, of the Orlando Greenhuts (naturally), he and daughter Wendy (Molly Ephraim) are a chirpy, nerdy, show-tune singing duo on just the same sort of father-daughter college campus tour.

They sing. And giggle. And sing some more.

Nothing else, not the sorority house mishap (Dad checking up on daughter), the pig who gets blitzed eating coffee beans, the wedding Chief Porter and daughter bust up or the sky-diving party they crash, is remotely as funny.

It's safe enough for little ears, but Road Trip is a throwback to those bad old days when "Disney" meant "dull." And nobody, not even Raven-Symone, wants to go back there.

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Disney to Debut Toy Story-The Musical in April

TheaterMania - Disney Cruise Line will debut Toy Story-The Musical, based on the Oscar-winning animated film, this April aboard its ship, Disney Wonder.

The show, to be directed by Stefan Novinski, will feature a seven-song score by Valerie Vigoda and Brendan Milburn of Groovelily and a book by Mindi Dickstein. It will feature a repertory cast of 21 performers. The show has sets by Sibyl Wickersheimer and costumes by Ann Closs-Farley.

The story explores the true meaning of friendship as toys Buzz Lightyear and Woody transform from jealous adversaries to true friends.

Vigoda and Milburn's previous stage works include Striking 12, A Little Midsummer Night's Music, and Sleeping Beauty Wakes. Dickstein wrote the book for the musical Little Women.

For more information, visit www.disneycruise.com.

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Ms. de Vil is surely the cruellest of Disney villains

Globe and Mail - Disney's animated films have conjured up great villains over the decades, be it the wicked queen in Snow White and the Seven Dwarfs or Professor Ratigan (voiced by Vincent Price) in The Great Mouse Detective, a Sherlock Holmes pastiche that cries out for a special-edition DVD. But it's difficult to match the gleeful villainy of Cruella de Vil, the fur-clad, chain-smoking, skull-faced whirlwind in One Hundred and One Dalmatians (1961), who intends to skin every Dalmatian puppy she can find to make herself a coat. It was a plot point so cruel that The Simpsons naturally borrowed it for the evil Mr. Burns, who dreamed of making a greyhound dinner jacket (and whose song See My Vest was a parody of Be My Guest from Beauty and the Beast).

Cruella has a catchy theme song ("If she doesn't scare you, no evil thing will") and a cackle so chilling it's surprising to note that the voice actor, Betty Lou Gerson, was also the soothing narrator of Disney's Cinderella. Pongo and Perdita, the Dalmatians whose 15 pups are abducted along with dozens of others by Cruella's minions, enlist the help of a network of other dogs, a cat and a horse voiced by Thurl Ravenscroft (the voice of Tony the Tiger: "They're gre-e-eat!") to effect a rescue.

The movie's big technical news was the use of a Xerox camera to permit the copying of the artists' original drawings onto celluloid without the traditional intervening stages of hand-inking and hand-painting. The process had been field-tested on Sleeping Beauty but came into its own with the copying and pasting of 101 dogs. (A special team was still required to paint all those dots.) On this week's two-disc "Platinum Edition" DVD, Disney producer Don Hahn remembers chatting with the director of so many Bugs Bunny and Daffy Duck cartoons for Warner Bros. "Chuck Jones said only Disney would animate a movie called One Hundred and One Dalmatians with, like, six million spots. He said, 'At Warner Brothers we couldn't even do a movie with a dog named Spot that had one spot.' "

Walt Disney was disgruntled since, as Christopher Finch wrote in The Art of Walt Disney, the result was "a more linear and graphic look - quite different from the tonal renderings that were so typical of the earlier features." But the more natural look suits the modern-day story, set in London and environs, and at times echoes the work of artist Ronald Searle. In fact, Pongo at one point admires a copy of Lilliput, the pint-size English magazine of the 1940s and 50s, in which Searle illustrated the humour columns of Patrick Campbell with men who looked like Roger, Pongo's owner. That's also where Searle created the fiendish schoolgirls of St. Trinian's, any one of whom might have grown up to be Cruella.

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"Mermaid" cast album sells swimmingly

Reuters - The Little Mermaid" may take place under the sea, but it's certainly keeping well afloat.

The latest incarnation of the 1989 animated film is a Broadway show featuring the original score by Alan Menken and Howard Ashman, plus 10 new songs by Menken and Glenn Slater.

The original Broadway cast recording of the show enters the Billboard 200 this week at No. 26, selling 20,000 copies and grabbing the highest debut, highest position and biggest debut sales week for a cast album since "Rent" premiered at No. 19 in 1996. ("Rent" sold 43,000 in its debut.)

The success of the "Mermaid" cast album rests on a strategy of extensive promotion that began in summer 2007, when the stage show did a tryout in Denver, and continued through its Broadway previews and official opening in January to the album's February 26 release.

"Bringing ("Mermaid") to Broadway gave us a whole new opportunity to promote the music, and the franchise in general," Walt Disney Records senior vice president of marketing Damon Whiteside said.

For starters, the album was available for pre-order at Amazon and in theater lobbies, where patrons could fill out a form that guaranteed they would receive a collectible "picture disc" featuring a picture of Ariel on their copy of the CD.

In addition, promotional collector cards that offered a free download of the song "She's in Love," a new number for the Broadway show, were available at such places as theater lobbies and concierge desks at New York hotels.

A Web site listed on the card took users to a Disney-created portal with the option to purchase the whole album and "Mermaid" content for mobile devices, as well as behind-the-scenes videos of the cast recording the CD.

Theatergoers who bought tickets for any Disney show on Broadway -- such as "The Lion King" or "Mary Poppins" -- through Ticketmaster received one of the download cards inside the envelope when their tickets were mailed to them. Ticketmaster also paired with iTunes to e-mail consumers about the availability of the free song.
"It's really exciting because it shows Broadway is alive and well," Whiteside said. "It's not just all about our tween music -- there are still the classic Disney properties that do well."

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Disney tea set could fetch a pretty price

DetNews - 'They were in my mother's house from the time I was a little boy," says John Holmes of the coffee pot and teapot decorated with Disney characters from "Snow White and the Seven Dwarfs." "We have had time in the family for many years and know they originated with my mother in England but have no idea exactly when or where."

Curious, John and his wife, Denise, recently brought the pair in for appraisal by David McCarron of McCarron & Associates during a Trash or Treasure session held at Judy Frankel Antiques in Troy.

Marked "Wade Heath by Permission: Walt Disney Productions" on the base, they were bought in Great Britain, says Holmes.

"My English sister-in-law has valued them from an antiques book and said she saw them in an antiques shop at about $2,000, but that seems strange to us as Walt Disney dates surely to the 1940s or early 1950s," he wrote. "The color is still excellent and both are undamaged. Would it be possible to date these and place a value on them? Or are they rarer than we thought?"

"They may be rare and of interest to a very specific area of collector," said McCarron as he examined them more closely. "The condition is not perfect, however, as there is a small chip, which would bring down the value a bit."

According to Internet research at www.ecolectables.co.uk and www.deco

ware.co.uk, Wade Heath and Co. was renowned for its pottery, specifically the nursery ware that included a wide range of Walt Disney characters.

The original pottery works was formed by Henry Hallam about 1810 and later moved to Burslem, England, in the mid-19th century before being taken over by George Wade at the beginning of the 20th century. The company split in the 1920s, and Wade Heath & Co. was born. Wade Heath went on to produce a wide range of products for Disney through the 1930s.

It was during this time that the company obtained the license for "Snow White and the Seven Dwarfs," which was modeled by artist Jessie Van Hallen and produced by Wade Heath in the Royal Victoria Pottery to coincide with the Walt Disney film of the same name.

McCarron says more research would be necessary to determine whether the $2,000 price was fair. If he were to sell the piece at auction here in the U.S., he would set the price at $300-$400. "I would expect to see this for about $600-$800 in an antique shop here in the states. It's possible that they are going for more in England, but I would have to do a lot more research.

"Because they don't come on the market often, it's really hard to tell."

Internet searches revealed no similar items for sale on any sites in the U.S. or U.K. A Wade Heath Pluto model on eBay was listed at $199.

"If you were interested in selling, I'd do a little more research to figure out a fair price," says McCarron. "These just don't come on the market very often.

"That said, they're in good shape and could go for a fair amount because Disney items, especially early ones, often have what we calls 'legs' in the business, meaning they do well with buyers."

Holmes says he's always wondered why his mother purchased the pieces.

"They're not my mother at all," he says. "She was into Royal Doulton vases."

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Friday March 7, 2008

New Toy Story Mania rendering revealed
2008 Shareholder Meeting News and Notes
Disney Partners With Toei Animation For 'Fireball'
With Iger charting the way, Disney sails on smooth seas
'Miqi' Mouse Dons Mao Jacket to Bolster Hong Kong Disneyland
'College Road Trip' like old TV sitcom
Disney steers clear of "Path to 9/11" DVD
Knight to Put 'Madness' in ESPN's March

New Toy Story Mania rendering revealed

Disney News - In this computer-produced rendering, guests enjoy the "Toy Story Mania!" attraction, a cutting-edge, interactive ride-through attraction that combines the fun of a video game, 4-D technology and interaction with favorite Disney-Pixar stars. The all-new attraction is scheduled to open in summer 2008 at Walt Disney World Resort in Florida and Disneyland Resort in California as part of Disney's "Year of a Million Dreams" celebration.

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2008 Shareholder Meeting News and Notes

Disney News - Here are some notable happenings and quotes straight out of the 2008 Annual Meeting of Walt Disney Company Shareholders:

-An exclusive trailer from the upcoming theatrical release from Disney and Pixar, Wall-E, was aired only for those shareholders present for the meeting.

-The Disney company recently purchased rights to a book titled “Peter and the Star Catchers”, a prequel to the story of Peter Pan. When asked if a movie adaptation was in the works, Bob Iger said the company was actively looking into doing so.

-When asked about the possibility of a fourth Pirates film, the company has nothing to say at the moment.

-When questioned as to if the Walt Disney classic animated feature “Song of the South” would ever be released for home entertainment, Iger said there are no plans at the moment to do so.

-A particular shareholder asked if Disney would ever introduce an annual pass that would be valid at all the Disney Parks around the globe, Mr. Iger seemed to be interested in the idea.

-There are currently plans to bring older Disney archived footage (Such as the Wonderful World of Color and the Disneyland program) to Disney.com in the near future.

-Disney is actively looking for new locations to place international parks and location based entertainment worldwide, nothing new on this front to report……yet.

-When asked about Disney fan podcasts out there, Bob Iger said he looks to reach out to the Disney fan community as a whole in ways never seen before. Bob Iger also went on to say he deeply appreciates all the devoted Disney fans out there.

-Bob Iger acknowledged that they are indeed creating a Rapunzel animated feature for a future theatrical release.

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Disney Partners With Toei Animation For 'Fireball'

Forbes - Walt Disney confirmed its intention to partner with Toei Animation, the venerable Japanese anime powerhouse, and two other Japanese companies to produce cartoons tailored to Asian tastes, following a news report early in the day about its plans.

Disney’s production partnership would begin by making a short children’s animation series to be aired in April in Japan, making use of three-dimensional computer graphics. The series, Fireball, features robots in distant future.

Mariko Hisamitsu, a Disney Japan official in charge of the television business, confirmed the news of the agreement with Agence France-Presse, saying, "We aim to provide products that match the taste of the local market" and "We have few precedents for localization. Disney characters are well recognized in Japan and we believe providing contents catering to consumers is necessary to expand the market."

It appears to be a change of strategy for the U.S. entertainment giant, which has so far tried to export Mickey Mouse, the Little Mermaid and its other cuddly American characters to the international market. It would also be the first time that Walt Disney (nyse: DIS) will have moved core production for a program outside of the United States, as it seeks to tap into Japan’s deep pool of animation talent and advanced computer graphics technology.

While the main market is Japan, Hisamitsu said it that the productions might be exported to other Asian countries, although nothing had been decided. Films will be produced in Japan using local animation creators and computer graphics specialists and will not be outsourced to other Asian countries, she added.

For Toei, working with Disney could provide it with stable income from co-production projects, compensating for the film business's inherent unpredictability. It will also give it access to Disney's vast distribution network outside Japan.

In addition to Toei, Disney will work with Madhouse Co. and Jinni's Animation Studios.

Toei Animation, which is owned by the film studio Toei, has produced such animated hits as Dragon Ball, Voltron, Sailor Moon and Digimon. Toei has led the way in many areas of Japan's movie business. It introduced karaoke videos and remains the largest producer of clips for the popular pursuit. Last year, Disney ABC Cable Networks bought the licensing rights to Toei Animation’s popular Digimon series.

Toei Animation's Jasdaq-listed shares rose 3.2%, or 70 yen (68 cents), to close at 2,280 yen ($22.11), in afternoon trading in Tokyo.

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With Iger charting the way, Disney sails on smooth seas

LA Times - Few people would mistake Albuquerque as the happiest place on Earth.

But the city -- the setting (if not the actual filming location) for the fictional East High from one of Walt Disney Co.'s hottest franchises, "High School Musical" -- seemed an appropriate place for President and Chief Executive Robert Iger to tout the year's accomplishments to shareholders.

The reserved yet affable Iger has plenty to celebrate. The annual return to shareholders over the last five years was 15.3% -- outperforming the annual average for the Standard & Poor's 500. And despite worries about a slowing economy, Disney's operating profit at its media networks, parks and resorts, and consumer product groups grew by double digits in its most recent quarter.

Creatively, it's also on a roll. Disney walked away from the Academy Awards with the best picture honor for its Miramax Films' "No Country for Old Men," and a best animated feature nod to "Ratatouille."

Billionaire investor Warren Buffett singled out Iger as one of the country's best CEOs, noting in a CNBC interview Monday how he had done "an absolutely terrific job since coming in a couple years ago. It's not an easy company to manage, and he's done a first-class job."

Iger credited the people around him, telling shareholders Thursday, "The success of our company rests, more than anything else, on the commitment of our 137,000 employees and cast members."

When Iger succeeded Michael Eisner as chief executive in October 2005, after serving as Eisner's No. 2 for five years, critics knocked him for lacking creative vision. Some faulted his role in overseeing the then-struggling ABC and saw him as damaged goods because of his close ties to Eisner, whom shareholders had rebuked with a 45% no-confidence vote in March 2004.

But Iger proved precisely the balm Disney needed after the tumultuous, autocratic final Eisner years. He immediately set to work repairing relationships, starting with Pixar Animation Studios Chairman Steve Jobs, who had broken off talks with the company after a bitter falling out with Eisner, and was actively courting other studio deals.

Investors say Disney's $7.4- billion acquisition of Pixar in 2006 got Iger's tenure off to a great start. It shored up Disney's struggling animation division and assured that Pixar's characters would continue to nourish Disney's theme parks, consumer product division and home video business.

"I really do think animation is the key to so much of Disney's success. It's a critical piece," said Janna Sampson, co-chief investment officer of OakBrook Investments near Chicago, which owns 260,000 Disney shares. "It's something that as an investor, we give him thumbs up for."

One of Iger's first acts as CEO was to dismantle Eisner's hated Strategic Planning Group, which was regarded internally as the place ideas went to die.

"By decentralizing the company's decision-making process and eliminating the Strategic Planning Group, he has enormously improved morale throughout the company," said Jack Liebau, president of investment management firm Liebau Asset Management Co. of Pasadena, who has followed Disney for 20 years.

That decision is paying creative dividends. It can be measured in the number of major creative franchises, which has blossomed from two to 10, Iger said during a recent earnings call with analysts. He told shareholders that creative content could be leveraged across Disney's various businesses.

"Hannah Montana," the Disney Channel series about a teen with a secret life as a pop star, led to a 3-D movie called "Hannah Montana/Miley Cyrus: Best of Both Worlds Concert Tour," which has grossed more than $63 million to date. Disney Fairies, rooted in the 1953 animated film "Peter Pan," has spawned more than 385 books about Tinker Bell and her friends in Pixie Hollow, a line of toys and jewelry, a coming online virtual world and an animated film to be released on DVD.

"He has found great people, many of which were there and not empowered, and many of which are new, and he has created an environment in which creativity is thriving," said Jeffrey Katzenberg, chief executive of DreamWorks Animation and former head of Walt Disney Studios under its last animation renaissance. "The heritage of that company is creativity. It is back and flourishing as much as it's ever done in its history."

Iger credits his mentor, Thomas S. Murphy, founder of ABC's former parent, CapCities, for a management style that emphasizes teamwork and collaboration. In a recent interview with Business Week, Iger said he learned that "you put good people in jobs and give them room to run."

"Bob seems like the perfect person to lead Disney now," said Comcast Corp. Chief Operating Officer Stephen B. Burke, who worked with Iger at ABC. "He is creative and a good businessman, but also is very likable, approachable and great at identifying talent."

Peter Chernin, News Corp.'s president and chief operating officer, said Iger's style helped put an end to the 100-day writers strike, which was resolved last month. The two studio executives were credited with breaking the impasse.

"The same skills that served the industry well during the writers strike are what has led to the resurgence of Disney," Chernin said, describing those talents as "a great knowledge base of all aspects of the business, along with a very straightforward, productive attitude."

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'Miqi' Mouse Dons Mao Jacket to Bolster Hong Kong Disneyland

Bloomberg - Shanghai businessman Yu Jian didn't include Hong Kong Disneyland on his vacation itinerary until his 9-year-old son wore him down with pleas to meet Donald Duck.

``Friends who visited the park said it's very small and too Westernized for us to enjoy it,'' Yu said as son Qitong bit the ear off an ice-cream bar shaped like Mickey Mouse's head.

Those perceptions helped fuel a 23 percent drop in attendance during the park's second year of operation and led one local lawmaker to advocate cutting public financing. The Hong Kong government is the majority owner.

Now Walt Disney Co., the world's biggest theme-park operator, is trying to make the site more Chinese. During Lunar New Year celebrations in February, also known as the Spring Festival, Mickey donned a Mao jacket and Minnie Mouse wore a cherry blossom-red silk dress by designer Vivienne Tam. Chinese music extolled the beauty of spring, and scrolls bearing good- luck messages lined the walkways.

``It should feel this way,'' Managing Director Bill Ernest said. ``This is a theme park based in the U.S., but we are in Hong Kong.''

Disney is striving to prevent the park from turning into a pumpkin after attendance dropped to 4 million in the year ended Sept. 29 from 5.2 million the previous 12 months.

Attendance at Disney resorts worldwide rose 6 percent during the period, according to the Burbank, California-based Themed Entertainment Association. The parks accounted for $1.7 billion, or 22 percent, of Disney's operating income in fiscal 2007.

``The theme park is important in helping position Disney for longer-term growth in China in terms of merchandise sales and films,'' said Michael Kupinski, an analyst at Noble Financial Group Inc. in Boca Raton, Florida.

`A Big Failure'

The Hong Kong government owns 57 percent of the park after investing HK$3.25 billion ($417 million). Local authorities also spent HK$13.6 billion on infrastructure including roads and a light-rail extension. The government initially projected attendance of 5 million to 10 million a year.

In December, lawmaker Emily Lau advocated turning off the public spigot for the ``big failure.'' In a Dec. 21 report to Hong Kong's Legislative Council the city's Tourism Commission said the government wasn't satisfied with the park's performance.

Disney has waived its management fees through September 2009 and pushed back repayment of some of the park's HK$8.4 billion debt. Company officials declined to provide details. On Jan. 21, Ernest said Disney may increase its 43 percent stake.

The Burbank, California-based company has been here before. Euro Disney SCA, which runs Disneyland Resort Paris, posted its first profit three years after the park opened in 1992.

``If you look at the history of Disney's international expansion, it took some time for them to get other parks running as well,'' Kupinski said.

Cultural Disconnect

Disney's biggest obstacle may be that it has little connection to older people in China and Hong Kong, said Michael Wu, head of the Hong Kong Association of Travel Agents. Chinese account for 70 percent of attendance, the government estimates.

``Disney's always talking about the culture of America,'' Wu said. ``When you come to Hong Kong to build a business you must know the culture of the Chinese people.''

Adults weren't inundated with Disney fare growing up in China and Hong Kong, so they idolized characters in Chinese novels such as ``The Water Margin.''

The second-largest U.S. media company didn't sign a major TV deal in China until 1986, when the ``Mickey and Donald'' cartoon show debuted on national broadcaster CCTV.

Recent efforts to target China include the 1998 animated film ``Mulan,'' based on an ancient Chinese folk tale. The Disney Channel now broadcasts in Chinese and English.

Year of the Mouse

At the park, Disney is promoting the Chinese Year of the Rat as the ``Year of the Mouse'' and restaurants offer local dishes such as fried turnip cake and coconut red-bean pudding.

``This feels like a real Spring Festival celebration,'' Yu, 55, said as vendors pushed carts making cotton candy and caramel popcorn. ``I know Disney is American, but as the Chinese saying goes, `He who enters a village should follow its customs.'''

There have been discussions about celebrating more Chinese holidays, including Mid-Autumn Festival in September, spokesman B.C. Lo said. The park has already added shows featuring Cantonese singers and put Chinese books in ``Mickey's House.''

Iconic Disney characters use Chinese names such as Shui Gongzhu, or ``Sleeping Princess,'' and Baixue Gongzhu, or ``White-Snow Princess.'' Mickey is known as ``Miqi,'' when his name is transliterated into Chinese characters.

Disney has also asked the government to help finance an expansion of the park, which can be covered in a few hours and is perceived as overpriced at HK$350 for adults.

Hong Kong Disneyland has 35 attractions, compared with 60 at the Magic Kingdom in Florida.

Improved Results

Results for the three months through December were promising, Disney said Feb. 6. Chief Financial Officer Thomas Staggs said visitor numbers rose by ``double digits'' from a year earlier as the park celebrated Chinese and Western holidays.

Attendance may have faltered during Lunar New Year after the worst snowstorms in 50 years crippled transportation, he said.

Still, Yu Qitong was a satisfied customer. He said his favorite ride was the Space Mountain roller coaster.

``I want to come back every year,'' he said.

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'College Road Trip' like old TV sitcom

MLive - The tone of "College Road Trip," a mercifully short venture into tedious comedy, vacillates from insipid to mawkish to the kind of noisy silliness that will bore truly silly people.

I used to enjoy Martin Lawrence's raucous craziness and irreverent unpredictability, as evidenced in his concert films and edgy comedies such as "National Security." But this movie, along with the recently released "Welcome Home Roscoe Jenkins," suggests Lawrence may have submitted to a show-biz version of prefrontal lobotomy.
His wonderfully raunchy persona has been replaced by a syrupy impostor out of "Make Room for Daddy," with script emphasis on conservative glee and the joys of suburbia

It not only looks like a television sitcom, it looks like an old television sitcom in which every character was white and, all things considered, quite dull.

Here, Lawrence is James Porter, the police chief of a sunny, clean town a safe distance west of Chicago. Since this is a Disney release, you get a lot of cute graphics to show various locations, along with the various ways the "trip" of the title is accomplished.

It is a crucial time in the life of James and his wife, Michelle (Kym Whitely), for their bright, vivacious daughter, Melanie (Raven-Symone), is ready to leave home for a university education. It's a problematic departure because James wants her to enroll at Northwestern, in nearby Evanston, so he can personally assure her safety (or so he thinks), while the girl has her heart set on a law degree from far-away Georgetown University in Washington.

She gets letters of encouragement from both institutions, but when she makes plans to travel east, Daddy insists on designing the trip and conducting the tour. First, they pay a surprise visit to the Evanston campus, where law enforcement chief James has enlisted the aid of several deputies to act as Northwestern students singing the praises of staying close to home.

Melanie sees through that farce, and they continue eastward. But, as in most "road" films since the invention of cinema, the car breaks down. Not only that, but James discovers his precocious son has stowed away in the trunk, along with the piglet he plays chess with. In search of screen-saving moments, director Roger Kumble throws in pig fiasco stuff every 10 or 15 minutes.

Halfway into their journey, they hitch a ride with another father-daughter team. Played as morons by Donny Osmond and Molly Ephraim, the Florida travelers manifest the family values of commercials and cliches, and every statement they make looks and sounds like karaoke.

There's a swell satire hidden in the uncreative script for "College Road Trip," but I doubt the current version of Martin Lawrence would want to activate it, and that's a pity.

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Disney steers clear of "Path to 9/11" DVD

Reuters - Top brass at Disney were called on Thursday to defend their decision not to release the controversial miniseries "The Path to 9/11" on DVD and to justify CEO Robert Iger's $27.7 million pay package.

"Path," a 2006 ABC miniseries critical of President Bill Clinton's handling of terrorist threats, was so controversial that leading Democrats asked Disney not to air the program. Disney, after making some hasty edits, ran it commercial-free.

At Disney's annual shareholders' meeting in Albuquerque, N.M., one mutual fund portfolio manager said it was high time Disney turned "Path" into a DVD and recouped some of the $40 million it spent on the project.

The fund manager, Tom Borelli, accused Iger of protecting Hillary Clinton's presidential campaign at the expense of shareholders, and pointed out that Iger has been a steady Clinton donor since before the former first lady was elected to the Senate.

He claimed to have a letter from a representative at indie studio Lionsgate proving that Disney has no intention of even selling the DVD rights to another company.

The "Path" question came shortly after another shareholder objected to foul language and persistent sexual innuendos on such ABC shows as "Ugly Betty" and "Good Morning America," prompting Iger to cite ABC's right of free speech. Borelli demanded to know why Iger seemed more interested in protecting curse words than he was in protecting political speech.

The fund manager noted Disney's reported $46 million profit on "Fahrenheit 9/11," also a politically controversial project -- though far more critical of Republicans than Democrats.

Seemingly taken-aback, Iger assured the shareholder that his decision on the DVD was based purely on business considerations and not on politics.

Contacted after the meeting, Lionsgate insiders said there was no serious interest in acquiring the DVD rights to "Path."

It's not the first time advocates have claimed that Disney's refusal to distribute a DVD of "Path" is motivated by politics. "Path" screenwriter Cyrus Nowrasteh has told reporters that a top executive at ABC Studios confided that "if Hillary weren't running for president, this wouldn't be a problem."

Although Iger handled that persistent line of questioning mostly solo, he let board chairman John Pepper Jr. address the issue of the CEO's pay.

Pepper said Iger made less than other CEOs of major media companies and that much of his pay was based on performance. Iger noted earlier -- to applause -- that Disney's stock has returned 15.3% annually to shareholders over the past five years, compared with just 11.5% annually for the S&P 500.

Apparently, Pepper's vigorous defense of Iger's pay wasn't sufficient, however, as another shareholder stood to address the same issue, claiming that Iger didn't deserve to make in three hours what a school teacher earns in a year.

Pepper countered that Iger is "what the doctor ordered" and is a better CEO than all his media counterparts. The issue was put to rest when another shareholder took the microphone to declare: "Mr. Iger's entitled to every damn penny he makes!"

Iger earned a similar endorsement Monday when Warren Buffett, the newly named richest man in the world, called Iger one of the best CEOs in the nation.

As has become customary at these events, yet another shareholder pleaded for Disney to release on DVD "Song of the South," the animated family film that is decidedly politically incorrect by today's standards. "We continue to discuss and debate it," Iger said diplomatically.

Iger also alluded to a concept he called "Classic Disney," which might, in the future, be a Web site for showing archived shows like "Davy Crockett" for free or to subscribers. 

Another investor, who said she has made money from buying shares of Disney, Apple and Pixar, wanted to know what companies Disney planned on buying or partnering with in the future. Iger said he has some in mind, but he wouldn't disclose them.

Pepper also thanked a Disney enthusiast for suggesting the company create "a worldwide pass" good for admission to all its theme parks, and Iger disappointed another shareholder who asked him to commit to a fourth "Pirates of the Caribbean" installment. The CEO politely declined.

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Knight to Put 'Madness' in ESPN's March

AP - Props to ESPN for hiring Bob Knight as an analyst during the network's coverage of championship week and the NCAA tournament. If nothing else, it should give new meaning to the term "bracket-buster."

All across America, office pools suddenly became more interesting. Instead of just picking the winner of each game, now you can try and pick the game where an exasperated Knight finally climbs over the desk in the studio and busts up every piece of furniture in sight.

Will it come near the end of one of those triple-headers that stretch from noon to midnight, the second he realizes Dick Vitale has just sucked the last available bit of oxygen out of the room? Maybe right after Fran Frischilla or Jeremy Schaap passes him in the hallway and asks, "What's up, Knight?" Or because he's still seething after discovering all the vending machines in the building are out of "Little Debbie" snack cakes?

As one network executive must have said during the meeting when the pros and cons of Knight's employment were first discussed: Who won't tune in to find out?

Knight's hiring is an inspired move on several levels. He knows more about college basketball than just about anyone, as he never tired of reminding the assembled media, and he has few peers as a teacher of the game. He's got strong opinions on every aspect of it, from proper footwork to improper recruiting, and few people are better equipped to call out the incompetents or coaches who cut corners. He can be insightful, instructive, amusing and sarcastic by turns, but he's rarely dull.

The question is just how much of that will make it onto the airwaves.

Knight hasn't weighed in on the subject yet, eschewing the usual conference call with reporters set up when a network hires a former coach or player as an analyst. In a brief statement last week, he said only, "ESPN has been real good for college basketball and I look forward to working with some of their people who I have known a long time."

A spokesman for Disney-owned ESPN confirmed that as with nearly all the network's other shows, Knight will appear live, without the safety net of a seven-second delay. Anybody who's watched the outtakes from Knight's performance in the now-infamous "Golf Your Way" video, or any of his other memorable clips on YouTube might argue with the wisdom of that decision. But that's a big part of his appeal.

"Obviously he'll do plenty of preparing over the next few days. But rehearsals? No," said his agent, Sandy Montag. "ESPN wants Bob Knight for Bob Knight."

If so, it's hard to picture the General wearing makeup, let alone anything more confining than a sweater.

"He'll be on the air next Thursday," Montag said. "Let's leave something to the imagination of the viewer."

The problem, as this viewer imagines it, won't be with Knight's wardrobe, but with how little of his authentic self comes across on the screen.

He's already got a considerable body of work out there, everything from dry-as-dust weekly coach's shows at Indiana and Texas Tech, to a much-livelier starring role in the "Knight School" reality series two years ago, to funny send-ups playing himself in the movies "Anger Management" and "Blue Chips."

But the man who brings along a clipboard when he reports for work at the ESPN studios next week will also be dragging plenty of baggage behind him.

What remains to be seen is whether anyone who works with Knight -- including pals and fellow studio analysts Vitale, Digger Phelps and Jay Bilas -- will try to draw him out or cut him off on topics where his opinions would be at their sharpest: the commotion surrounding the Indiana program since his departure; the job his son Pat is doing after taking over at Texas Tech; or why he bailed out on the Red Raiders so soon after signing a new contract.

"He'd been coaching for a long time and didn't know what he was going to do next," Montag said. "But when this came along, it intrigued him. He's always been intrigued by TV and the media, but he wasn't expecting anything. He's not the type of guy to plan anything."

Ultimately, that could be the saving grace or the end of the experiment. As ESPN found out when it put radio talk-show host Rush Limbaugh on the air, things don't always go according to the script.

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Thursday March 6, 2008

Disney to make Japanese Lilo and Stitch for TV
Disney wins on housing issues in Anaheim
Shanghai applies to build Asia's third Disneyland
With TV schedule rockin', Disney dives into digital
The DL on Disneyland
CEO Raven-Symoné, chief entertainment officer
Done right, Walt's world is a treat for Mainers of all ages
Fare deals for Disney in spring

Disney to make Japanese Lilo and Stitch for TV

Reuters - Walt Disney Co plans to produce a Japanese version of its "Lilo and Stitch" animation program, its Japanese unit said, underscoring efforts to broaden its global reach by catering to Asian tastes.
 
The U.S. entertainment firm will team up with Japanese animation company Madhouse Ltd to produce a TV version of the animated film for the Disney Channel available on Japanese satellite and cable TV, a Walt Disney Co Japan spokeswoman said.
 
"Japan is an important market with a huge Disney following, especially because we have a Disney resort here," she said, referring to the complex that includes Tokyo Disneyland.
 
Disney also plans to team up with Asia's top animation producer, Toei Animation Co Ltd, to make a robot adventure computer graphics cartoon to go on air this year, Toei and Disney said.
 
Shares of Toei ended 3.2 percent higher at 2,320 yen ($22.36), compared with a 1.9 percent rise in the benchmark Nikkei.
While Disney has sought partners in Japan, it does not plan acquisitions at this point, the local unit's spokeswoman said.
 
Disney Channel Worldwide's entertainment president, Gary Marsh, told Reuters last month that the company aimed to form creative teams around Asia to come up with local content that could then be fed to a global audience.
 
Disney has already localized some TV series, including one that began in Italy and now has versions running in Britain, the United States and Australia.
 
The company last month reached a deal worth around $200 million with Indian TV and movie content maker UTV to raise its holding to 32.1 percent.

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Disney wins on housing issues in Anaheim

LA Times - After 18 months of often fierce debate and $2-million worth of lobbying, Disney finally got what it wanted -- no new housing in the Anaheim Resort District.

Victory came after the City Council agreed Tuesday night to strip itself of its power to decide what can be built in the city's high-powered Resort District. Under the new ordinance, any future decisions -- such as whether to build housing for resort workers -- would have to be approved by a citywide vote, assuming the council approves such a plan in the first place.

Anaheim Mayor Curt Pringle said the vote essentially "ties the hands" of this and future councils from putting housing in "the economic core of the Resort District."

"We can look for other places to build housing in the remaining 95% of the city, and we have," he said.

Pringle, Harry Sidhu and Lucille Kring voted to adopt the ordinance, and Lorri Galloway and Bob Hernandez voted to place it on the ballot. The anti-housing zoning ordinance takes effect April 4. That means that two remaining housing proposals for the Resort District must be altered or face a citywide vote if the council signs off on them.

Disney officials, who did not return phone calls Wednesday, have long wanted to control the feel of the Resort District. The company spent $2 million backing a coalition of business and community leaders that gathered signatures and campaigned for the initiative and a second anti-housing referendum. Disney also filed a lawsuit against the city to block a 1,500-unit condo and low-cost apartment project. That plan fell through last fall when an agreement between the developer and landowner broke off.

The proposed housing development became a sore spot between city leaders and Disney executives, who said housing would be inappropriate in the area around Disneyland and California Adventure that was zoned for tourist uses in 1994.

The issue attracted national and international media attention, threats of a recall of council members and regular City Hall protests.

With no organized opposition, the initiative appeared to be on its way to victory in the June election.

The City Council's approval takes the ordinance off the ballot.

"With the new policy in place granting the general public the right to decide housing issues in the resort area, Disney has been able to shape local democracy in Anaheim to fit its needs," Scott Bollens, a professor of urban planning at UC Irvine, said Wednesday in an e-mail. "Disney's newfound confidence in local democracy is in striking contrast with its less-than-happy response to the elected City's Council's deliberations in the past.

"The good people of Anaheim will not have the time or energy to analyze future housing projects in detail and will likely be influenced by media and marketing efforts by the interest groups involved. And, it is in this realm that Disney is king."

The council's 3-2 decision to adopt the initiative outright was a surprise. Sidhu, who was the deciding vote, said last week he favored letting the voters decide the matter.

On Wednesday, however, Sidhu said he reversed course, in part, because $250,000 in election costs would be saved by bypassing the ballot.

"We could hire two more police officers with the money we saved," he said.

Sidhu said he might have voted to keep the initiative on the ballot if either of the two developers pursuing residential projects had appeared at Tuesday's public hearing. The two projects affected are a planned 449-unit condo high-rise complex, and a 75-room boutique hotel and 191 condominium units on the site of a closed Toys R Us store.

"I was hoping they'd show up saying, 'Please don't enact this, it'll kill us,' " he said. "But I didn't hear from them."

The policy essentially carves out 2.2 square miles where property owners are governed by the wishes of the voters rather than the elected officials. Newport Beach's Greenlight initiative, passed in 2000, also required voters to sign off on major developments.

Thomas Cole-Edwards, who sponsored a counter-initiative to Greenlight, said the Anaheim initiative is similar to Newport Beach's in that both usurp the councils' land-use powers.

"What do you elect a council for except to make decisions?" Cole-Edwards said. "That's why you have representative government. It's sort of what we're founded on as a country."

Pringle, the Anaheim mayor, said he wasn't bothered by the fact that the council has less authority in the city's tourist district.

"It has worried me over the last couple of years to think this council or any future council would reduce the value of the Resort District by pulling out major properties for housing uses," he said. "So I will take this level of protection from the council's actions as a very good and important thing."

Although it appears the council's vote is final, one resident is already appealing the decision. William D. Fitzgerald, a city activist who opposed Pringle in 2006, registered a complaint with a state ethics commission, alleging that Kring had a potential conflict that should have barred her from voting.

Kring owns a soon-to-be-opened wine bar in the Resort District. Fitzgerald said she "enriched herself" by casting the deciding yes vote.

"Because of her vote, the increased improved value of the store owned by council member Kring is conservatively estimated to exceed $100,000," Fitzgerald said in his complaint to the Fair Political Practices Commission.

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Shanghai applies to build Asia's third Disneyland

Reuters - Shanghai has applied to the Chinese central government to build its own Disneyland, Mayor Han Zheng said on Thursday, ending long-standing speculation on whether it would opt for such a park.

 
It would be the third Disneyland in Asia after Japan and Hong Kong.
 
Plans for a Shanghai Disneyland emerged in 2005 but were suspended when the city's Communist Party boss, Chen Liangyu, was implicated in a corruption investigation in 2006. Recent state media reports had said that while Shanghai still planned to build a major theme park by 2020, it had yet to decide on any specific project.
 
"We have applied to the National Development and Reform Commission (the economic planning agency), but so far we have not received any notice of approval," Han told reporters on the sidelines of the annual session of parliament.
 
"Any big-scale project of this kind has to receive central government approval, and Shanghai will of course abide by the central government's decision," he said, adding that the location of the proposed park was not yet fixed.
 
Walt Disney Co signed a statement of intent to build a Disneyland on the mainland in 2002, and then set up a venture to develop the site, which would be about 4.7 times the size of Hong Kong's Disneyland.
 
The plan was soon suspended, partly because of concerns that the Hong Kong park, which opened in 2005, would suffer, state-owned newspapers have reported.
 
Hong Kong's Disneyland has struggled since opening in 2005, falling well short of attendance targets.
 
The park had around 4 million visitors in its second year of operation, a drop of more than 20 percent from its first year.

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With TV schedule rockin', Disney dives into digital

Orlando Sentinel - What can the Walt Disney Co. do for an encore to the High School Musical franchise? Remember this title: Camp Rock, coming this summer on Disney Channel.

"I've seen an early version, and it's very good," said Anne Sweeney, president of the Disney-ABC Television Group. This morning, she will give the keynote address to the American Association of Advertising Agencies meeting in Orlando.

Camp Rock reflects Sweeney's view that content drives everything in the digital age. "It's still true that the size and type of the screen will never be as important as what's on it," she said.

Of Camp Rock, Sweeney said: "Whether it's the next High School Musical is up to kids and their parents. There's a lot of excitement internally about it."

Disney is banking on Jonas Brothers, the film's trio of stars. "I've watched my daughter respond to them," Sweeney said. (Her daughter is 17.) "They're teen magnets. I have watched them attract across teen and tween bases."

Sweeney, who is also co-chair of the Disney Media Networks, touches a lot of bases. She oversees Disney's entertainment and news properties around the world.

ABC Family, which Disney purchased in 2001, recorded its most-watched year in 2007. Disney Channel rode the momentum of High School Musical 2 and Hannah Montana to its most successful year, delivering the biggest cable audience in prime time. ABC won the November ratings period in the 18-to-49 age group before the writers strike disrupted the season.

"American Idol aside, ABC has the shows everybody talks about through most of the year," said Ed Martin, editor of the television industry Web site JackMyers.com.

He said Sweeney makes a difference. "She has a diplomatic and approachable management style," he said. "These are not traits one usually associates with executives who achieve her level of success."

She can point to success on the bottom line. Revenues for the Disney Media Networks increased 10 percent in the quarter that ended in December from the same period the previous year.

The current quarter, when reruns have filled ABC's prime time schedule because of the writers strike, could be less rosy. Season to date, ABC is down 14 percent in the crucial 18-to-49 age group from a year ago.

Sweeney accentuated the positives during the strike. "We didn't go off the air. We had some strong performers," she said, citing Oprah's Big Give.

Scripted series are back in production, and Desperate Housewives and Grey's Anatomy return next month with new episodes.

On the reality side, Dancing With the Stars starts a new season March 17. ABC also will do a reality contest with a tie-in to the feature film High School Musical 3.

Sweeney credited Steve McPherson, president of ABC Entertainment, with drawing up a strong schedule that positions the network for next season. Despite an uncertain economy, she said ABC is seeing no market slowdown in advertising sales for next season.

"We're having early conversations with marketers about doing early deals," Sweeney said. "We have the most upscale network. It's a highly desirable schedule."

ABC and its affiliates will establish a free video-on-demand service that disables the fast-forward option, thereby protecting commercials. A test in Orange County, Calif., revealed that 93 percent of users accepted the commercials in exchange for free access to popular programs.

Shawn Bartelt, general manager of ABC affiliate WFTV-Channel 9, praised Sweeney for reaching out to affiliates.

"In a time when everybody has to have a plan to deal with the Internet and making content available online, she's worked to try to create as good a partnership as she can," she said.

The Disney-ABC Television Group last week started Stage 9 Digital Media, which offers short-form content at ABC.com and YouTube.com. Sweeney will discuss Stage 9 at today's conference, which has the theme "Digital Changes Everything."

She is committed to digital, saying, "This is where it is. This is where it's going to continue to grow."

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The DL on Disneyland

Daily Nexus - After visiting Disney's California Adventure the previous day, head into the park when it opens at eight for shorter lines at those rides you are dying to get on. Sure, the newest ride in the park the Finding Nemo Submarine Voyage is interesting, but check out some less appreciated aspects of the park. After you have braved the two-hour line (at least) at Nemo, remember to expand beyond the realm of major rides.

 
Disney has certain employees distributed throughout the park, giving out Dreams as part of "The Year of a Million Dreams" promotion. This can translate into free meals, fast passes or even a night in the "Dream Suite" above Pirates of the Caribbean. I wouldn't hold your breath for the dream suite, though, as it is only given to one guest per day. In order to score the less extravagant prizes, keep your eyes peeled for employees wearing collared shirts and khaki pants. If you approach them and make nice conversation (winking at them may help), they will probably offer you one of their prizes.
 
If you are looking for a way to impress your date, head for the railroad and sneakily ask one of the conductors for a tender ride. Not tender that way, but tender, as in the car behind the train engine. It is equipped with a small two-person seat that puts you right into the engine with the fireman and engineer. You can also ask to drive the riverboat around Tom Sawyer's Island. If you board the boat early, climb as fast as you can to the "wheel house" and ask if you can steer. If there is no one else up there, you should be able to, no problem.
 
As a big fan of comedy and fried cheese, I would highly recommend the Golden Horseshoe Saloon for its huge fried mozzarella sticks and great shows. A variety of different "wild west" themed shows run here in the Golden Horseshoe, and my personal favorite is Billy Hill and the Hillbillies. This brief comedy/variety show is one of the funniest things in Disneyland and is a great time to rest your feet while chowing down on some deep fried goodness. If you do plan to have a seat, though, arrive at least 30 minutes early, and send one of your compañeros to snag a table while you wait in line.
 
If you like fireworks, Disneyland is absolutely one of the best places to see them. With a budget of $33,000 per showing, this fireworks display is enough to make any Fourth of July show pale in comparison. Supposedly, the best place to view the show is from the "hub" where the Walt and Mickey statue is. Personally, I never had the patience - or courage - to battle through tired and irritated parents wielding strollers to get to this prized viewing location. All I can tell you is that you absolutely need to be within the roundabout to get the full effect of the show. If you are going in the winter, remember that Disneyland only shows their fireworks on weekends.
 
Don't get me wrong, I am not arguing that you should visit and totally ignore staples like the Matterhorn and the recently remodeled Space Mountain. By all means, go for the rides, but when the line for Pirates of the Caribbean wraps all the way around the park, try one of these lesser-known but also fantastic excursions. If anything, at least you will have a relatively different Disneyland Facebook album than your other friends.

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CEO Raven-Symoné, chief entertainment officer

AP - The future head of the would-be Raven-Symoné Enterprises or Raven-Symoné Inc. sits in a Toluca Lake diner, chewing ice out of a plastic cup, outlining her plans for world domination.

"I want to have a record label and a licensing company," declares Raven-Symoné. "I want to have a publishing company and a management company where I can launch all kinds of artists. I want to do everything."

After a brief pause, Raven-Symoné delivers the bottom line, without a trace of irony: "I want to be Disney."

For the 22-year-old star -- who started out at 5 years old on "The Cosby Show" and was featured in several TV series, such as "Hangin' With Mr. Cooper," before landing as the star and producer of the Disney Channel series "That's So Raven" and "The Cheetah Girls" movies -- it's a distant goal but a very real ambition.

As for now, she'll be content with conquering the big screen.

Next up is Walt Disney Pictures' "College Road Trip," which hits theaters Friday. She plays Melanie Porter, an energetic 17-year-old who finds her plans for a "girls only" road trip to check out prospective universities upended by her overprotective father (Martin Lawrence).

Her character is a mature extension of her aggressively loopy, rubber-faced character, who is at the center of the longest-running series on the Disney Channel (the comedy, which wrapped production in 2006 after four seasons, airs daily on the cable network and on Saturday mornings on ABC). The success of "That's So Raven" and its related merchandise prompted Ebony magazine last year to dub her "The $400 Million Woman" (just the mention of that label makes her cringe). "College Road Trip" also boosts her filmmaker credentials -- she is an executive producer and had script input on many of the exchanges between the two main characters.

Despite the presence of Lawrence, who has often dabbled in raw-edged adults-only comedy in his wide-ranging career, and a title that could conjure up images of sex-crazed frat boys and tasteless high jinks, "College Road Trip" pointedly earns its G rating and is compatible with its star's innocuous TV image. There's even an adorable little pig to amuse the toddlers.

Raven-Symoné's involvement with the squeaky-clean "College Road Trip" may at first glance seem like an unconventional move for an actress easing into young adulthood, particularly when her Hollywood contemporaries are moving in and out of rehab clinics or are seeking edgier fare, such as horror movies or tawdry reality shows.

While Lindsay, Britney, Paris and Jamie-Lynn continue to find new ways to set gossip websites ablaze, that's so not Raven. When it comes to the Hollywood club scene, Raven-Symoné not only flies under the radar, she's not even a blip on the screen -- a factor that makes her star power and appeal to tween audiences shine more brightly. It's all part of her calculated plan to nurture her fans and maintain a devotion to her craft while creating more opportunities for herself and her brand. In addition to the film, she is releasing her fourth album, "Raven-Symoné," next month and is preparing to go on a national tour.

"I'm not in this to be a celebrity," she says. "I'm in this to work."

She adds: "I see this movie as sort of the middle ground to help me move to the next section. I want to help my audience grow with me, and I see this as the perfect vehicle. I love being able to keep that family audience."

She was particularly attracted to "College Road Trip" because of its story about a father and maturing daughter discovering each other: "It's a story that hasn't been done in forever. In today's world, there are difficulties in that relationship, where both people don't know how to tackle it. They have to grow together, and it's not easily done."

And, unlike many of her peers, she is in no rush to find that hard-edged independent movie or project that will redefine her image. Says Raven-Symoné, "I'm not trying to be something I'm not. I like where I am. I don't have a problem with it."

Her demeanor as she sits in the diner -- one of her favorite off-the-beaten-path haunts -- is of a seasoned veteran who is poised and somewhat guarded, though she occasionally loosens up with a smattering of a youthful "Know what I'm sayin'?" and references to some of her musical idols such as Janet Jackson. She arrives at an interview sans entourage, manager or publicist and dressed in a stylish brown hooded sweat shirt. The only hint of show business are large eyelashes accenting her face.

And though she exhibits a polite warmth, Raven-Symoné makes it clear in her terse responses and tone that she is not keen about discussing the roller-coaster exploits of young Hollywood (Lindsay Lohan was her roommate several years ago).

"I don't pay attention to it," she says, looking down at the table. "It's really none of my business what they do. I don't read the tabloids. Maybe they feel they need to go through all of this stuff in the public eye -- I don't really have an opinion about it. There are so many other things to focus on, other than sadness."

She pauses, then adds, "And my personal life is nobody's business."

Despite her career choices, Raven-Symoné is no goody-two-shoes off screen. She loves raunchy comedian Katt Williams and Jay-Z. She's a fan of Lawrence, the late Rodney Dangerfield, Sam Kinison and other stand-up comedians ("That something I really wish I could do"). Alanis Morissette's rough-edged "Jagged Little Pill" "got me through middle school. It was pretty tough."

Roger Kumble, director of "College Road Trip," called the actress a well-adjusted professional who was totally focused on ways to improve the movie and the comedy. "She's very dedicated to her craft. A lot of people have drawn similarities between her and Lucille Ball. She knows how to play broad comedy very well. So many young people her age have problems, but she's so professional. All she wants to do is good work."

Gary Marsh, president of entertainment at Disney Channels Worldwide, said Raven-Symoné was the perfect model for the channel's strategy for its talent roster. "It's not about her just being a talent for the network but for the whole Disney company. You can see in the arc of her career our strategy in the ways we've been able to grow our talent. I see opportunities for her in other divisions such as film. We craft partnerships with our talent so that they understand the opportunities in front of them."

Raven-Symoné says she has a lot of goals in front of her, including her music tour, which she wants to fashion after a pajama party. But here's another that might really surprise her fans. "I want to be Ace Ventura, but as a girl," she says with a broad laugh. "Sure, I can wear a dress and be cute. But I also want to show that I can get buck wild!"

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Done right, Walt's world is a treat for Mainers of all ages

Portsmouth Herald News - Southern Maine has a lot going for it: beautiful beaches, fine dining and wonderful museums and shows. But there's one thing that you can't find here: a 6-foot mouse. For that, you'll need to head to Walt Disney World in Florida, and each year, that's exactly what thousands of Mainers do. But when's the right time to go? How do you get there? And once there, where do you stay? For those answers, we offer you our insider's guide to the best Disney has to offer.
 
When to go
 
Sure, spring break is coming and you could fit in a great family vacation without the kids missing a day of school. But just remember that it's a popular time of the year, so there's two things you can count on: bigger crowds and higher prices. On the up side, the weather is terrific in April — warm enough for a day by the pool, but cool enough at night for a light jacket. If your kids can afford some time away from school, consider a November trip. The weather's great, the crowds are sparse and if it's toward the end of the month, the holiday decorations are breathtaking. Times to avoid: the summer (crowded and sweltering hot) and holidays (crazily crowded).
 
Where to leave from?
 
You have a couple of options here. You can take a direct flight from either AirTran or Jet Blue out of the Portland Jetport. Each offers one flight a day, with prices varying. Or, if you need more flights and options, you can drive the hour over to Manchester Airport in New Hampshire and fly out on Southwest. You can pay for long-term parking, or take an early flight out and stay the night before in one of the several airport hotels that offer on-site parking and free airport shuttles. And while some people do drive from Maine to Disney, with discount airline flights available and the price of gas these days (not to mention the inevitable overnight stay or two along the way), you simply won't be saving much if anything at all by getting behind the wheel. And just think how much faster you'll get there by hopping on a plane.
 
Where to stay
 
Off-site hotels are definitely cheaper, and literally dozens of them can be found lined up practically to the gates of Walt Disney World. The closest are probably the hotels right across from the Downtown Disney Marketplace, but fine hotels from Hiltons to Holiday Inns can be found throughout the area. While staying off-site can translate into big savings for some families, there is great appeal to staying on-site as well. First, each Disney resort is as beautifully themed and special as the parks themselves, making them a treat for guests of all ages. And second, with the creation of four "value" resorts — All-Star Sports, All-Star Music, All-Star Movie and Pop Century — on-site rooms can be just as inexpensive (think $100 per night range) as those off-site. On-site guests get a few perks not available to the rest of the guests as well, from entrance into certain parks an hour early, or a few extra hours at night. Free Disney transportation is another benefit, and close proximity makes it easy to break up your day with a dip in the pool and a nap — a bonus for families with young children.
 
If money isn't an issue, you won't find any finer hotels than those on-site, with the Animal Kingdom Lodge offering breathtaking views of live animals feeding right outside your window, and the Yacht and Beach Club featuring the most spectacular pool, complete with sandy bottom, pirate ship water slide and New England style architecture this side of heaven.
 
Like to stay on site but have a large family? Consider renting points from Disney Vacation Club members (Disney's version of a timeshare) for a great deal. With villas ranging up to three bedrooms in size, renting points can give you better accommodations at a much better price — and all DVC locations are at the beautifully themed deluxe resorts.
For information on renting points, check out the DVC thread on www.disboards.com

Car or bus/boat?
 
Here's the scoop: If you're staying off-site, you definitely need a rental car, because you are simply not going to want to wait around for the hotel shuttle, even if your hotel does have one. And part of the appeal of staying offsite is enjoying some of the more sensibly priced off-site restaurants. For that, you will definitely need your own wheels.
 
But do you need a rental car if you're staying on-site? That depends on what time of year you go, how young your kids are, and what else you plan to do while you're down there. Disney resorts offer free transportation to all the parks (water included) as well as Downtown Disney, so if you're staying on-site you can hop a bus, boat or monorail to your desired destination. Transportation usually runs around every 20 minutes or so, and is often so enjoyable (the boats and the monorails, the buses not so much) that to small kids, they're as good as a park ride. If your kids are older, you're going at a quiet time of year and you plan to do Disney only (and eat only at your hotel, Downtown Disney or the parks), you should be fine with Disney transportation.
 
If, however, your kids are young, you're going at a more crowded time of the year, you plan to check out the restaurants at several of the hotels (or even off-site) and/or you'd like to visit another park like Universal Studios or Sea World, you definitely need a car. While the sound of free transportation is appealing (as opposed to the around $200 a week you'll spend for a compact rental car), it becomes a lot less so when you have an exhausted toddler in your arms and need to wait on a line four bus-loads long after a long day in the parks during spring break.

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Fare deals for Disney in spring

Toronto Star - It's March Break month and many travelers have family-friendly Florida on the brain.
 
For most students, March Break is next week, and few deals are left this late in the game.
 
But for those taking their spring break in April or May, Walt Disney World is offering upgrades to its Magic Your Way package, with free Park Hopper and Water Park Fun & More options.
 
Available for bookings until March 21, for travel most dates between March 30 and May 21, the deal includes both upgrades with the minimum purchase of a four-day Magic Your Way package. With the Park Hopper, you get more flexibility to come and go from the various Disney parks each day, while Water Park Fun & More offers visits to your choice of a Disney Water Park, DisneyQuest or the Downtown Disney Pleasure Island nightclubs. See www.disneyworld.ca
 
Starwood break: More spring break savings are available through the many properties of Starwood Hotels & Resorts. Through April 30, participating Sheraton, Westin, Four Points by Sheraton, W and Le Meridien Hotels in Ontario, Quebec and the Maritimes, as well as properties throughout New England, are offering special room rates from $88 per room, per night in Canada and $80 (U.S.) per room, per night in the U.S. Available cities south of the border include Boston, Providence, Manchester and Hartford. See starwoodpromos.com/springbreak08
 
Summer on Sale: With its Summer On Sale promotion, youth-oriented travel company Contiki Holidays is offering savings of up to $200 per person for summer Europe departures booked by March 31.
 
Discounts range from $200 for tours 35 days and longer, $150 for tours 25 to 34 days and $100 for tours 15 to 24 days, for departures on or after July 1.
 
The 16-day European Highlights tour, visiting France, Monaco, Italy, Vatican City, Austria, Germany and the Netherlands (and Belgium, in transit), is one of Contiki's most popular itineraries and is included in Summer On Sale. Contiki caters to travellers ages 18 to 35.
 
See contiki.com
 
Best Buy of the Week: Star Clippers has reduced the price of two 13-night cruise tours to the Far East by $700 (U.S.) per person, for departures later this year and early next year. The cruises, both out of Phuket, Thailand, combine a week's cruise with pre- and post-cruise land tours.
 
With the $700 off, prices start at $3,420 and include return airfare to Bangkok from L.A. or San Francisco.
To request a brochure call 1-800-442-0556, for information call 1-800-442-0551 or see www.starclippers.com

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Wednesday March 5, 2008

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Walt Disney World tinkers with Primeval Whirl ride after fatal accident last fall

Orlando Sentinel -
Walt Disney World is tinkering with a Disney's Animal Kingdom roller coaster to improve safety following the accidental death of an employee there last fall.
Changes are being made in the entry and exit areas of Primeval Whirl -- including the installation of sensor mats in a restricted-access platform area where a Disney worker was reportedly struck by a roller coaster car on Nov. 24.

 

Karen Price, 63, fell and hit her head, and died of her injuries a few days later. The U.S. Occupational Safety and Health Administration still is investigating the incident according to Disney.

Primeval Whirl, located in Animal Kingdom's Dinoland U.S.A. carnival area, actually is two separate coasters systems, woven together. According to the independent website rollercoasterdatabase.com, primeval both tracks are 1,377 feet long and 42-feet high, and the cars reach a maximum speed of 29 mph.

 

The accident, said Disney World spokeswoman Kim Prunty, led the company to consider additional safety enhancements.

"We are always looking at ways to enhance safety," she said.