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Saturday
March 21, 2009 |
Disney Kills --
Lawsuit Claims
Blu-Ray Review: Disney Delivers Another Great Release For
Super-Cute ‘Bolt’
Dogs
audition in Atlanta park for Disney film
My Life on the
Disney College Program
All hail Princess Tiana
Disney protégés moving on
Disney Daze |
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Disney Kills -- Lawsuit Claims
TMZ - A Burbank family is suing the Walt Disney Company,
claiming toxins from its Burbank headquarters contaminated the
surrounding community, resulting in death.
Dennis Jackson claims Disney's air conditioning system contained
contaminated wastewater laden with toxic chemicals that migrated
into nearby residential areas and even contaminated drinking
water.
The lawsuit, filed today in L.A. County Superior Court, claims
Louise Jackson, who lived with her family in the neighborhood,
died as a result of the pollutants. The suit claims residents
now live in "terror of emissions."
The suit says Disney has been using the same cooling system
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Blu-Ray Review: Disney Delivers Another Great Release For
Super-Cute ‘Bolt’
HollywoodChicago - The first word I think of when I read or hear
about Disney’s “Bolt” is cute. The movie is just cute, cute,
cute. If your threshold for adorable cartoon characters and
heartwarming messages is low, stay away, but if you’re looking
for a bright smile to break the darkness of daily life, you
could do a lot worse than this clever canine, now the subject of
yet another nearly-perfect Disney Blu-Ray release.
The Blu-Ray release of the year is still Disney’s “Pinocchio,”
but the mouse house makes a strong bid for runner-up position
with the gorgeous video transfer for “Bolt” and an entertaining
and informative collection of special features.
“Bolt” is a bizarre hybrid of “The Incredibles,” “The Adventures
of Milo and Otis,” and “The Truman Show” but it really, truly
works. This is not game-changing cinema like “WALL-E”
or “Waltz With Bashir,” but it’s not trying to be either. It’s
just trying to be cute, clever, and fun. “Bolt” is all three.
The title character (John Travolta) is
the star of a hit network
series about a super
dog. On the show, Bolt always saves his faithful owner Penny (Miley
Cyrus) from the clutches of the evil Dr. Calico (Malcolm
McDowell) with his super speed and powerful bark.
Bolt doesn’t know it’s just a show or
that his super bark is just an effect. He thinks he’s a real
superhero and that Penny will fall into the clutches of evil
without him. When the producers make the mistake of having an
episode end with a cliffhanger, Bolt escapes his confines to
come to the rescue.
Our canine crusader ends up all the way
across the country in New York City where he crosses paths with
Mittens (Susie Essman) and the two begin a cross-country road
trip back to L.A.
Bolt slowly comes to terms with the fact that he’s an ordinary
dog. The montage where Mittens teaches Bolt about the wonders of
just being a pooch is spectacular.
“Bolt” is yet-another “be who you are”
and “everyone’s a hero” tale but it’s much smarter than most of
its animated brethren. Pixar’s John Lasseter executive produced
and you can feel his subtle, clever fingerprints all over
“Bolt”.
“Bolt” could have been a bit more
unpredictable and could have relied less on modern slang, but
it’s a simple, enjoyable ride that works more often than it
falters and is likely to put a smile on the face of viewers of
any age. It’s just damn cute.
And it’s downright breathtaking in 1080P.
I marveled at Bolt’s hair design in theaters and the detail is
even more noticable in HD
Blu-Ray. The depth, color levels, and line detail is amazing.
This is one of the best-looking animated movies yet to hit Blu-Ray.
It’s a beauty. There’s an
HD TV store using it to sell a four-figure product right
now.
The audio is just as remarkable. Audio is
bigger part of “Bolt” than your average animated fare because of
the action-movie plotline. The opening scenes of the
show-within-in-a-movie sound as good as any action Blu-Ray I’ve
watched lately with perfectly mixed score, effects, and
dialogue.
Before we get to the details on the
special features, “Bolt” continues Disney’s brilliant plan to
allow fans to watch their films whenever and wherever by putting
a Blu-Ray, standard DVD,
and digital copy in one set. Kids don’t just watch movies in one
room and Disney continues to play to this fact with some of the
smartest releases on the market.
Special features in the order they’re
presented on the disc:
Bonus Short: “Super Rhino” (4:27)
A new short film with everyone’s favorite
supporting hamster that can only be found on the Blu-Ray release
of “Bolt”. Featuring the voice talent from the film, “Super
Rhino” involves the comic relief from “Bolt” being turned into a
superhero himself (or at least dreaming about it). It looks (but
doesn’t quite sound) as amazing as the movie itself and features
the same clever wit and smile-inducing action. Fun stuff. Kids
who loved Rhino in the movie will adore it.
Deleted Scenes With Introductions by
the Directors (6:37)
Just two moments in “story reel” form
(hand-drawn animation like storyboards). In the first, Bolt gets
into a fight in an alley in Las Vegas and learns that he’s not a
superhero earlier than he does in the final film. As they say,
it didn’t work structurally. They’re right. The second is
another version of the moment when Bolt realizes that he doesn’t
have superpowers.
“In Session: With John Travolta and
Miley Cyrus” (0:59)
Less than a minute of footage with Miley
and John singing “I Thought I Lost You” in the recording studio.
For hardcore Miley fans only. Seriously.
“I Thought I Lost You” Music Video (1:47)
The former should have just been an
introduction to this video which includes a lot of the same
footage with clips from the movie. It would still be for
hardcore Miley Cyrus fans only. I’m not kidding. The sugar shock
could be deadly if you’re not prepared for it.
“Bolt’s Be-Awesome Mission”
Help Bolt defeat the green-eyed man in a
Blu-Ray game.
“A New Breed of Directors: The
Filmmakers’ Journey” (4:34)
The rookie filmmakers - Chris Williams
and Byron Howard - discuss their process and history.
“Act, Speak! The Voices of Bolt”
(9:48)
John Travolta, Miley Cyrus, Susie Essman,
and more offer insight into the voice work process with a lot of
behind-the-scenes footage. It’s actually a good featurette that
could introduce young fans into the challenge of vocal work on
animation because of the star power of Miley Cyrus.
“Creating the World of Bolt” (6:45)
The directors and their team discuss the
backgrounds and art direction for the film, which is actually
quite good. They gave the film a warm, comfortable look that’s
harder to pull off and more effective in the final product than
you might think.
“Bolt Art Galleries”
Design material and storyboards from the
film.
The lack of a commentary and generally
too-brief running time of the featurettes hold “Bolt” back from
the pantheon of Disney Blu-Ray releases like “Pinocchio” or
“Sleeping Beauty,” but the film itself and the gorgeous transfer
make this a good title to include in your collection not just
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Dogs
audition in Atlanta park for Disney film
Atlanta
Journal Constitution -
Like the children of Lake Wobegon, all the dogs that swarmed
into Centennial Olympic Park Friday afternoon were above
average.
A Brittany Spaniel named Pinto
was, literally, a looker: “If I say look over there, he’ll
look where I point,” said owner Joann Goldenburg, 39, an
Atlanta architectural photographer.
Zoe, a black and white
Dalmatian mix in a flouncy pink boa, is “kind of a movie
star … a princess in her own way,” said Jen Kanter, 36, of
Decatur.
On the first day of spring,
with a warm sun burning off a mild chill, Walt Disney
Studios invited Atlanta area canines to the downtown park to
audition for a walk-on role in an upcoming, still-untitled,
straight-to-DVD Disney doggie movie. Or would that be a
wag-on role?
The hastily assembled pack of
several dozen pooches sported a range of hipster names —-
Zebulon, Kahlua, Fenway, Harley and Chanel. Some did tricks,
or dressed up cute, or both. Those who did neither were
nonetheless celebrated.
Kris Rand, who owns the Lucky
Dog Lounge in Marietta, a doggie day care, drove down with
her Australian Shepherd mix Nick and a friend’s rescue dog,
Murphy. Nick was dressed as Batman, Murphy as Superman.
“I was going to make the
costumes, but I went to Wal-Mart and in the little boys’
section I found pajamas, and these are the shirts from
those,” she explained.
There was no winner Friday. All
the dogs were videotaped, and the tapes shipped off to
director Robert Vince to choose which dogs he wants from
auditions in six U.S. cities. So technically, nobody lost,
and nobody had to go home with their tail between their
legs.
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My Life on
the Disney College Program
Stevens Institute of Technology The
Stute - When I was seven, my family and I made our
annual trek to the Walt Disney World Resort in Orlando,
Florida. Ever since, I knew that I wanted to work for Disney
as an engineer. Fast forward fourteen years to find me still
working towards that goal as a Civil Engineering/Art &
Technology student here at Stevens.
I'm Erik, and during the spring of 2008, I decided to get a
head start on my Disney career dreams. I was accepted into
the Disney College Program at the Walt Disney World Resort.
I spent my days in Florida as a pilot for the famous Walt
Disney World® Monorail Transportation System. Driving the
200' long trains high up on the monorail beams and
transporting over 300 guests at a time around Disney
property was exhilarating. I had the opportunity to meet
families from South Africa, Scotland, Japan, and even
Stevens alumni.
Aside from my role as a monorail pilot, the Disney College
Program allowed me to partake in an incredible Engineering
Professional Development Studies course. In one session, a
Walt Disney Imagineer took my class on a guided tour of the
pyrotechnic barges that launch over 1,100 fireworks shells
each night over the World Showcase Lagoon in Epcot. I was
even given the opportunity to test ride the new Toy Story
Mania! attraction before it opened. I'm so excited to share
my Cast Member memories as a new contributor to the Stute.
Stay tuned…in my next column you'll learn what it's like to
move in with space cadets and colonists from 1776.
Visit disneycollegeprogram.com to learn more about the
Disney College Program.
Attend our presentation at Montclair State University: April
8 at 3 PM or 7 PM.
Erik is a campus representative for the Disney College
Program.
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All hail Princess Tiana
Guardian - At the end of this year, Disney will bring yet
another big-budget animated movie to a screen near you. In
keeping with true Disney schmaltz, it will feature a prince
and princess who fall in love and live happily ever after.
Unlike past Disney princesses, however, the one in this
movie is black. The doll version of her will, according to
Disney, be available for purchase at the end of this month.
A black Disney princess is welcome news. This character
is long overdue. Of the eight existing Disney
princesses, the majority have been white. In the past
few decades Disney has worked on its multicultural
efforts – resulting in the introduction of
Native-American (Pocahontas), Arab (Jasmine) and Chinese
(Mulan) princesses. But until now, there has never been
a black one.
Second, this is good for children, particularly those
of color. While on the surface Disney princesses may not
seem like a big issue, the prevailing images of any
culture do influence children's self-perceptions from a
surprisingly young age. Furthermore, the perceptions
held by children of color of what constitutes
attractiveness, beauty and positive qualities are often
skewed by mainstream media images. Disney, with its
powerful hold over generations of children, has
certainly helped shape these perceptions.
The influence of cultural images on children's
identities has been demonstrated in the groundbreaking
"doll test" experiments first performed in the 1940s by
psychologists Kenneth and Mamie Clark, whose findings
were used as evidence in the 1954 Brown v Board case for
desegregating the American school system.
In the original tests, black children between the
ages of three and seven were shown a brown doll and a
white doll and asked to select which one looked more
like them, and which one they considered to be the nice
doll. All of the children accurately identified the doll
they most resembled. The majority, however, preferred
the white dolls and attributed positive characteristics
to them, while assigning the black dolls negative
characteristics. Similar tests conducted since have
found that little has changed: black children still show
preference for white dolls and images, viewing white as
pretty and good, and black as ugly and bad.
There are a number of reasons for this phenomenon.
One is that black people living in the west are less
likely to see images of themselves in the public domain
– and when they do, many of those images are often
negative. This, in turn, can negatively affect
self-perception. Given that playtime for many young
children of all races is based around stories involving
princesses and princes – and given that these royal
figures are generally admired by children – the
introduction of a black princess can only be a good
thing.
The princess's plastic avatar should also please.
Anyone who has gone to look for black or brown dolls in
mainstream stores can attest to how difficult the search
can be. People are often forced to go to specialist
doll-makers, a source of frustration for both black
parents who would like to have their children play with
toys that look like them and non-black parents who would
like a more racially diverse doll set. Last year,
actress Angelina Jolie – who has an adopted Ethiopian
daughter – criticized Disney: "There still isn't a
Disney princess that's African and it's very difficult
because our daughter's getting into princesses right now
and it upsets me."
Still, the creation of the black princess character
has not been unproblematic for Disney. When it first
announced the character, she was a chambermaid called
Maddy who was working for a rich white woman. This upset
many people who felt that not only was her position a
demeaning stereotype, but that her name sounded too much
like "mammy" – another black female stereotype that
recalls the days of slavery and segregation.
I understand the sensitivities regarding the
portrayal of the first black princess, particularly
since Disney has long been accused of racism in its
movies. But since this one is set in 1920s New Orleans
(another fact that has upset some people), it is
possible that a black woman at the time might have
occupied a position as a household domestic. Similarly,
the name Maddy (short for Madeleine) was more popular
during that time than the character's current name,
Tiana, which is not historically accurate.
There was also a questionable voodoo element in the
original treatment of the movie, which raised eyebrows
due to the fact that black people have long been
stereotypically associated with voodoo or mysticism.
Some have asked whether Disney is able to conceive a
black character that exists outside of slavery or
stereotype, and why Tiana can't simply be a normal
princess without historical baggage.
The most controversial aspect of the movie, however,
is the skin tone of Princess Tiana's lover. Although he
is called Prince Naveen and voiced by a Brazilian actor,
he looks white. Some bloggers are upset that Disney
missed out on an opportunity to create a fairytale black
couple. Indeed, that would have been a major first and
timely, considering that the current president and first
lady are black. It has also been argued that Disney is
playing on age-old notions that a hero has to be a white
man. (On the other hand, some have said that Tiana and
Naveen make a great interracial couple.)
I'm not sure that Disney will ever be able to please
everyone. But the introduction of Princess Tiana is
still a great step and sends out a positive message.
Anything that could help black children see themselves
more positively has to end happily ever after.
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Disney protégés moving
on
Variety - It has all the
elements of a Disney movie: a teen-targeted romantic comedy
set in a high school with "High School Musical" franchise
star Zac Efron as its lead.
But "17 Again" was produced by New Line, and like a lot
of studios around town, the company is looking to capitalize
on the young stars who got their big breaks courtesy of the
Mouse House.
Other studios are landing everyone from Efron and his
"High School Musical" co-stars to the Jonas Brothers,
courting them with the chance to star in high-profile pics.
As a result, Disney is losing its grip over the talent it
groomed through the Disney Channel or Hollywood Records,
putting it in an unusual position of watching potential
moneymakers move off the lot.
• Efron is attached to a "Footloose" redo at Paramount,
and is in the running to star in Warner Bros.' adaptation of
the popular animated TV series "Jonny Quest";
• The Jonas Brothers are set to make their bigscreeen
acting bows in Fox's adaptation of "Walter the Farting Dog,"
based on the series of kids books, that Peter and Bobby
Farrelly may helm, despite having a new series, "J.O.N.A.S."
premiering on Disney Channel in May;
• Fox 2000 has cast Selena Gomez, a star of Disney
Channel's "Wizards of Waverly Place," and Joey King ("The
Suite Life of Zack and Cody") in its adaptation of "Beezus
and Ramona," another kidlit series that Walden Media is
co-producing;
• Walden also cast "High School Musical" alum Vanessa
Hudgens in "Bandslam," a battle-of-the-bands comedy that
Summit Entertainment is releasing this summer. Thesp landed
a role in Zack Snyder's "Sucker Punch," an anti-Disney
version of "Alice in Wonderland" with machine guns.
Dealmakers say the attraction is mainly money.
Disney doesn't have the reputation for shelling out a lot
of coin for talent, and got into the business of launching
the careers of young stars from its cable channel or record
label in order to keep costs low and enable it to eke out
more profits per project.
As one producer puts it, "Disney is good at getting stars
on the way up and on the way down."
At the same time, Disney is often averse to participating
in bidding wars on projects.
But that frugal strategy is driving talent away.
"It's almost a matter of it being a free market system,"
says a producer of "17 Again." "They go where the money is."
On paper, the Mouse House would appear to have been the
perfect fit for "17 Again."
Disney based multi-hyphenate Adam Shankman was on board
to produce the comedy through his Offspring shingle and
Efron was attached to star when Jason Filardi's pitch hit
the open market in February 2007.
But it wasn't Efron's ballooning pricetag, driven up by
the "High School Musical" franchise, that muscled the
cost-conscious studio out of contention — the star's salary
wasn't negotiated until long after New Line bought the
project.
Instead, New Line outbid other studios, including Disney,
plunking down $750,000 against $1.5 million, for Filardi's
pitch. The pic was produced before "High School Musical 3:
Senior Year" bowed last year, but was held for an April 17
release to cash in on that film's appeal.
"Disney pursued the project but not nearly as
aggressively as New Line," adds the executive. "It was a
case where New Line was willing to pay more for the script
than Disney. And it was the script that attracted Efron in
the first place."
The Mouse House has been willing to pony up the coin to
keep its biggest star, Miley Cyrus, in the Disney family.
Her "Hannah Montana: The Movie" bows April 10, after last
year's concert pic surprised Hollywood with a $70 million
worldwide haul.
After her titular feature comes a tailor-made Disney
vehicle for Cyrus based on an upcoming Nicholas Sparks book,
tentatively titled "The Last Song," for which he's also
penning the script.
But it's worth noting that the package, again to be
produced by Shankman's Offspring shingle, never went on the
open market.
"Miley might be a little bit more loyal than the others,"
says one Offspring exec, who is involved with "Last Song."
But it also depends on how much an actor may want to shed
the Disney persona.
Sixteen-year-old Cyrus still has a few years to play the
squeaky-clean teen ingenue. But Efron, at 21, can't really
portray the high school hero anymore, and it has become a
necessity for him to begin to distance himself from the
Disney brand if he wants to have a viable leading man
career.
He's sticking with what he knows, though: "17 Again"
features a dance sequence and has Efron's character playing
basketball — not-so-subtle references to "High School
Musical."
The money issue isn't expected to go away anytime soon.
In a recent interview with KCRW's "The Business," Disney
chairman Dick Cook said the recession has forced the studio
to cut back on how much it spends to produce its movies, and
is slashing the paychecks of some stars in half.
"There are some that haven't quite gotten it yet," he
said. "It maybe hasn't hit them. But no one gets by this
downturn. … The discipline on all of us has changed
dramatically in just the last few months. I don't see that
changing quickly at all. People are looking at every single
project with the idea of, ‘How can we make it? Can we make
it so that it's economically viable?'"
"We're proud of fact that we find, nurture, and grow
talent who are then sought after by others," says a Disney
spokesman. Disney also says its stars are free to work for
any studio.
And if they do that, the studio can always go back to
Disney Channel to create more talent. There's newcomer Demi
Lovato, for example, and the fourth installment of "High
School Musical" concentrates on the newer characters.
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Disney Daze
ParentCentral - My five-year-old and I recently spent a week
in Orlando, Florida. We were tagging along to our friends'
timeshare, where (don't hate me) we had a week of glorious
sunshine and great company. My friends and I shared bottles
of sunscreen and wine and engaged in a little pack parenting
of three kids five and under.We splashed in pools,
floated along the "lazy river" in tubes, and stole moments
with magazines in books in lounge chairs. The boys swam,
jumped between the beds in their room and played a lot of
Power Rangers.
With such little kids in tow and an eye on coming home at
least a little refreshed, we opted to leave Sea World and
Gatorland and Epcot Centre and all of that for another time,
but to spend one, long, get-your-money's-worth day at
Disney's Magic Kingdom.
Lori, Kevin and I plotted and planned (well, I brought a
guidebook and they read it) and purchased tickets the night
before . We packed the backpacks and picked out the outfits
the night before. In the morning, we scurried excited kids
through breakfast and got everyone in the van (what else
would we drive in the land of vans and Escalades?) nice and
early.
We arrived just as the place was opening, took the boat
across and started our day. We were Team Disney. We were
psyched. Go big or go home, we were ready. We would embrace
the kitsch. We would get the T-shirts.
Kevin had been to Disney World so many times as a child
that he needed little help from the map to plot our journey.
We made our way down Main Street U.S.A. to the Cinderella
Castle where the kids were wide-eyed at the site of Peter
Pan, the various fairytale princesses, Donald Duck and all
his cohorts. Kev kept an eye on his watch and dashed off at
all the right times to get us the most line-hopping "Fast
Passes" we were allowed so we could minimize whining and
maximize fun.
After a slow start in the line for the Dumbo ride, we
dashed through the next few rides, bagging about half a
dozen successes straight off. We scooted the kids through
the moderate crowds (thank you, recession), kept everybody
fed steadily on crackers, apple slices and juice boxes, and
found THE coolest Mickey Mouse T-shirts before LUNCH.
Refueled by crappy food (even the clam chowder had bacon -
it sucks to be a semi-vegetarian in Florida), we pressed on
with our journey through the rest of the majorly magical
highlights.
I'm not sure if it was the juice boxes or the excitement,
but my normally camel-bladdered kid just seemed to have to
go to the bathroom every 40 minutes. It was so strange.
Halfway up the rope bridge to the Swiss Family Robinson
Treehouse, he had to go. It was an EMERGENCY. We scurried
back the wrong way down the one-way suspension bridges
("Excuse me. Sorry about that. Coming through") so we could
make it to the bathroom. The same thing happened when we
were on a ramp waiting to get into one of those hateful
little diesel-powered cars that the kid is supposed to be
able to drive ("This is the worstest ride!") but that was
extremely hard to steer (especially from the passenger
seat). "Oh, why is this happening to me?" cried Cameron (he
gets his existentialism from me). "Try not to think of it so
much as something that's happening to you, so much as pee.
Think of it as pee," I said.
The kids were tremendously excited to meet Micky Mouse.
If we didn't meet Mickey Mouse the whole day was going to be
a bust. Encouragingly, there was no lineup in front of
Mickey Mouse's House. We rushed in. There was Mickey's
bedroom with his great big reading glasses left right on the
bed. There was his kitchen, his living room...but where was
Mickey? Ah, he would meet us in the "Judges Tent," since
this part of the Kingdom was all about the county fair.
A slow lineup snaked through the "Judges Tent" where a
the kids were taken one group at a time into a room with
Mickey and Minnie. When we finally got to the front of the
lineup, everyone got their hugs and their pictures taken
with the silent celebrated rodents. They were happy. The
parents were starting to get exhausted. I seemed to have
Cameron stuck to me at all times.
Somewhere between the Jungle Cruise and the Judge's Tent,
I had managed to lose my fabulous, wide-brimmed sun hat. My
scalp was getting burned. We were running out of water. We
stumbled our way, late-afternoon sun pounding on pavement,
to an old-fashioned ice cream shop, which was great. We
managed a couple more rides and another trip to the the gift
shop. We made our way back down Main Street where
delightfully friendly people gave me a number to call to see
if my hat had made it to lost and found the next day, rather
than onto someone else's head.
We made our way to the
monorail. We'd been at Disney World for 10 hours. The kids
were seeming kind of loud. They had a lot of questions about
the fake sand outside the tacky theme hotels. We started
talking up the "straight to bed, just how lucky are you
boys?" stuff as we shuffled onto the parking lot shuttle bus
to lot "Dopey 104." The kids couldn't seem to arrange
themselves so that none of them would be sitting on the
outside, in compliance with the rules. I was hot. Cameron
wanted to hold hands.
We got off next to the appropriate dwarf and made our way
to the hot van. Everyone eventually managed to get their
small bums into boosters and car seats. We were off.
Everyone would just be quiet now for a few minutes while we
drove back after our great day.
"Mom..." said Cameron, "What was that time when there was
a flood and there was no electricity?"
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Friday
March 20, 2009 |
Disney-Pixar’s ‘Up’ to Get Boost at Cannes
Disney Hong
Kong Park Expansion On Hold
Disney
stations launching LiveWellHD network
Disney, Orlando International Airport reach deal on Magical
Express shuttle
Disneynature Says See a Movie, Plant a Tree
Downtown Disney's Tren-D sells icons with edge
Recession deals at
Disney World
The Wonderful
Green World of Disney
Thinking
'fast' at Disney? Reverence can wait
What I’ve learned
from Disney films |
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Disney-Pixar’s ‘Up’ to Get Boost at Cannes
New York Times -
Can you wear 3-D glasses with your micro-bikinis on the
ultra-trendy beaches of Cannes? Walt Disney and its Pixar
animation unit announced that a 3-D presentation of its coming
animated feature “Up” has been selected as the opening-night
premiere of this year’s Cannes Film Festival. In a news release
the studio said that the film, directed by
Pete Docter (“Monsters, Inc.”), about a
78-year-old man who embarks on a journey by tying thousands of
balloons to his house, above, would be shown at the opening
ceremony on May 13. Disney said it was the first time that
either an animated feature or a 3-D feature had been selected as
the opening-night film, though animated movies including “Dumbo,”
“Fritz the Cat” and “Waltz With Bashir” have been shown at
Cannes. “Up” is scheduled to open in the United States on May
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Disney Hong
Kong Park Expansion On Hold
Wall Street Journal - Walt Disney
Co. has put the delayed expansion of its Hong Kong theme park on
hold and is cutting about 30 jobs after failing to agree with
the city's government on a cash infusion, the company said
Tuesday.
Disney and the Hong Kong government have been embroiled in
discussions over financing a second phase of the world's
smallest Disneyland and the first on Chinese soil.
Hong Kong Disneyland's visitor numbers haven't reached
initial bullish predictions, and now the Chinese tourist market
has been hit by economic problems. Disney said the people losing
their jobs are Hong Kong-based employees dubbed "Imagineers" who
helped conceptualize and plan the expansion.
"After two years of Disney investment in creative and design
work and extensive negotiations with our partner, the Hong Kong
government, we have not yet reached a final agreement to expand
Hong Kong Disneyland," Leslie Goodman, executive vice president
of Walt Disney Parks & Resorts, said in a statement.
The layoffs come a month after the Burbank, Calif.,
entertainment company said it would shed an unspecified number
of workers.
The Hong Kong government, asking Disney to reconsider,
expressed "grave concern" about its decision.. A spokesman for
the Commerce and Economic Development Bureau said the Imagineers'
layoffs "will not be conducive to the discussions." |
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Disney
stations launching LiveWellHD network
Houston Chronicle - KTRK (Channel 13) and its
fellow Disney-owned-and-operated stations are preparing for the
launch in late April of a new lifestyle network called
LiveWellHD that will air in Houston on KTRK’s digital 13.2
channel.
Henry
Florsheim, Channel 13’s president and general manager, said each
of the stations in the 10-station Disney group will contribute
original programming for the digital network, which will be
offered in HD over the air and to cable carriers, including
Comcast.
“It’s an
opportunity to fill a space that up until now has not had a lot
of original content,” Florsheim said. “We have program producers
at stations in the group that see an opportunity, and we’re
excited about it.”
Channel 13’s
as-yet-untitled show will focus on trends in fashion, beauty and
health. Much like KHOU’s (Channel 11)
Great Day Houston,
it will include paid product placement and sponsorship
opportunities for advertisers.
However,
Florsheim said, “The primary goal of the product is to entertain
and inform. We would entertain product placement, but that is
not the end. The goal is to create product that viewers want to
see and find informative.”
Channel 13.2
(channel 314 on Comcast) features re-airings of Channel 13
newscasts and station-produced programs, movies on weekends,
high school football games during the fall and occasional reruns
of the 1998-2002 show hosted by Deborah Duncan, now host of
Channel 11’s
Great Day Houston
.
“We will
continue to create or have some locally produced programs. We
will continue to run movies, and it is our intent to run high
school football games. But the basis of the programming will be
the LiveWell network,” Florsheim said. |
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Disney, Orlando International Airport reach deal on Magical
Express shuttle
Orlando Sentinel - Walt Disney World and Orlando International
Airport completed a deal Wednesday to continue the resort's free
passenger and luggage shuttle until at least the end of 2016.
Under the terms of the deal, the airport agreed not to raise the
per-passenger fee of 75 cents it charges the resort for Disney's
Magical Express. The previous contract would have allowed the
airport to raise the fee to as much as $1.50 per passenger under
certain circumstances.
Disney buses ferried slightly less than 2.2 million travelers
from OIA to either its resort hotels or cruise ships in 2008.
That works out to roughly $1.6 million a year in payments to the
airport — compared with about $3.2 million had the passenger fee
doubled.
The previous agreement had been set to expire at the end of
2011. The new pact also gives Disney the option to extend the
agreement until 2021.
Airport leaders have been working to cut costs and raise money —
including making plans to eliminate an undisclosed number of
jobs — as passenger traffic and revenue tumble amid the global
recession.
But Jeff Fuqua, chairman of the Greater Orlando Aviation
Authority, said the agency decided it was better served by not
raising Disney's fee, in return for securing a longer commitment
from the company to operate Magical Express.
Because Disney's Magical Express luggage is processed in a
remote hangar at the airport, the service diverts thousands of
bags every day away from OIA's main luggage-sorting systems and
claim areas. That eases pressure on the airport to spend money
expanding its baggage facilities, Fuqua said.
"What they were looking for was control on costs. What we were
looking for was to relieve ourselves of capital costs — big
costs," Fuqua said.
The airport also agreed to raise the threshold under which it
could have forced Disney to open a second customer check-in
location at the airport's main terminal.
Under the previous deal, OIA could have required Disney to rent
more counter space once Magical Express reached 2.2 million
arriving travelers in any 12-month period; now, it can do so
only once the shuttle service reaches 2.5 million arriving
passengers.
"We're pleased the contract extension will enable us to continue
to operate Disney's Magical Express for many years to come,"
Disney spokeswoman Kim Prunty said. |
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Disneynature Says See a Movie, Plant a Tree
Eclipse Magazine - Disney introduces Disneynature, its first new
label in sixty years, with a truly unique promotion. For every
paid admission over the course of the first of its premiere
film, EARTH, Disneynature will plant a tree. If, say, ten
million tickets are sold, then ten million trees will be planted
[that’s a lot of carbon dioxide being converted to oxygen!].
Disney’s goal is to ensure that it plants trees in areas that
conservationists have identified as important hot spots of
biodiversity. Disney will oversee the planting of the trees in
the Brazilian Atlantic Forest, which is considered the most
endangered rain forest in the world. Today, only 7 percent of
the Atlantic Forest remains. Disney is committed to ensuring the
trees are planted and cared for to provide the greatest long
term benefit for the planet.
EARTH, which premieres on Earth Day – April 22, 2009 –
follows the lives of three animal families. The film is narrated
by the legendary James Earl Jones. If the trailer for EARTH is
any indication, the film should be breathtakingly beautiful. |
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Downtown
Disney's Tren-D sells icons with edge
Orlando
Sentinel - For shoppers, there's trendy ... and then
there's Tren-D — a women's clothing and accessories store now
open at Downtown Disney. The concept is Disney meets
Anthropologie, with a target audience in the 18-to-35 range.
Here are five things to know about Minnie Mouse getting funky.
1. The interior of Tren-D could be branded as chaotic. "We
wanted something eclectic," said Mark Perrotta, Disney director
of product design and development. "We wanted chandeliers next
to figurines, next to chicken-wire mannequins, next to empty
frames."
2. Long, extremely lean versions of a hyper-trendy Minnie appear
on columns. Over here, she's downright baby-doll; over there,
she's Paris Hilton-like, even toting a tiny Pluto in her arms.
"We've really pushed the envelope with our characters, which I
think has been really fresh," Perrotta said.
Some of the designs feature Disney icons, including the Mickey
Mouse head, incorporated with another well-known symbol, the
peace sign, into bags and T-shirts. Mickey also makes a subtle
appearance on a hot brand of British sandals called Fitflops.
3. Disney-generated fashions will share display space with
brands such as Roxy and Billabong, and will be priced in that
neighborhood.
"Now we have 'Disney-cool' at the right price point," Perrotta
said. "You can't tell what's branded versus what's not branded.
We wanted a seamless guest experience."
The Tren-D space, near the Marketplace pin-trading area and the
Once Upon a Toy store, previously housed the Summer Sands store,
which featured brands such as Tommy Bahama.
The space is connected with the Team Disney Athletic Club, which
features sporting apparel and equipment.
4. The fixtures are mix-and-match and sometimes recycled from
other Disney World properties. A watch case was once a candy
display at the Grand Floridian resort, and a set of large
cabinets was rescued from Tinkerbell's Treasures, a retail
outlet in the Magic Kingdom theme park. They were headed for the
junkyard.
5. But how to keep Tren-D, well, trendy? "We'll deliver more
often and not buy as deep, because we want that guest to come
back," Perrotta said.
The company hopes customers cluster around the clutter.
"This is the fine balance: Is it too messy or too straight?" he
said. "We're going to find out a lot in the next 30 to 60 days." |
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Recession deals at Disney World
Newsday - The Disney magic is still there.
"Fairy godmothers" still sprinkled pixie dust over little girls.
Belle, Cinderella and Sleeping Beauty continued to embrace child
after child during breakfasts and lunches. Characters still
danced down the street to smiles and waves, and restaurants
still were crowded with tourists. And as we left the theme parks
each day, smiling Disney employees still waved Mickey gloves and
greeted us as friends.
But there was, indeed, a change in the air at Disney World this
year - and it wasn't just the weather, which was a bit cold for
Florida in February, when my family took our 4-year-old daughter
on her first trip to Disney World. We never waited on a ride
line longer than a half-hour. Fastpasses for even the most
popular of rides were available fairly easily. And we found
spots in Epcot, for instance, that were, quite literally, quiet
and calm, with few people around and plenty of space.
To be sure, Disney is far from recession-proof - park attendance
here and at Disneyland in California dropped 5 percent in the
first quarter, according to Disney's financial filings. The
company's total profits dropped 32 percent, thanks to the
economic downturn.
But once inside the bubble that is Disney World, we found few
were talking about the bad economy and plenty of people were
spending plenty of money.
World's population is down a bit
THE SCENE
The theme parks were relatively quiet while we were there -
though it was a generally off-peak time for Disney World.
Fastpasses, which give you a time later in the day to go back
and ride, continue to be the way to go when lines build - and we
found that by using them, waiting became unusual rather than the
norm.
MAGIC KINGDOM
On our first day, we were able to explore nearly all of
Fantasyland in about an hour. Overall, lines were often short,
even for newer, popular rides such as Buzz Lightyear's Space
Ranger Spin. The biggest line we saw was for the little girls
who hoped to meet Tinker Bell and her fellow fairies in Mickey's
Toontown - they waited for two hours at times. (My girl was able
to meet those fairies on our last day, when we got to the line
as it opened.)
EPCOT
A crowd began to build outside Epcot more than a half-hour
before it opened, but once inside the park, it was sometimes
hard to tell how busy it was because Epcot is so expansive.
Thanks to Fastpass, lines were again not much of an issue. Our
longest was about 20 minutes - for Soarin' at the very end of
our day. World Showcase continued to be relatively quiet
throughout the day, too, and there were even some empty tables
as we were eating dinner at the United Kingdom pavilion at the
end of the day.
ANIMAL KINGDOM
At Animal Kingdom, where fewer rides usually mean longer lines,
we walked right on to popular attractions such as the Kali River
Rapids Ride and got in to see popular shows such as the
"Festival of the Lion King" and "Finding Nemo: The Musical"
right before they started, despite the recommendation to get
there 45 minutes early.
HOLLYWOOD STUDIOS
Using Fastpass, we cruised through the long lines for the
popular Toy Story Mania, Aerosmith and Tower of Terror rides.
Older rides, such as the Great Movie Ride and Star Tours, had no
wait at all. The shows had plenty of room to spare, except
Fantasmic! - which was mobbed. Our daughter was able to meet
plenty of characters, too.
HOTELS AND RESTAURANTS
As a Disney guest, you couldn't see a slowdown in the World's
restaurants or hotels. But it's unclear how much of that was
because people were still spending, or because they got great
deals.
Princess lunches at both Cinderella's Royal Table in Magic
Kingdom and Epcot's Norway Pavilion were full when we were there
with our 4-year-old princess. I was unable to change some of our
dining reservations, even at our hotel's restaurant, because
they were booked.
SHOPS AND EXTRAS
It seems parents (like us) are still willing to spend money on
their children. The Bibbidi Bobbidi Boutique, where little girls
and boys can be transformed into princesses and princes, never
had a chair empty while we were there. Crowds gathered on Main
Street to buy personalized Mickey ears and other goodies. Said
Kelly Frank of Wisconsin: "It was so much fun to see it through
their eyes. That made it worth every penny."
It's a small (er) price after all
Despite all the bad news about the economy, plenty of families
still are coming to Disney - helped in part by the deals Disney
is offering.
Wisconsin residents Kelly and David Frank brought their two
daughters, ages 4 1/2 and 3, to Disney World last month after
six months of planning. As the economy went bad last fall, "we
did consider ... canceling the trip," said Kelly Frank, 33. But
the fees to cancel, combined with the deal that gave the family
two nights for free and a $200 Disney gift card to spend,
encouraged them to keep the plans in place.
Here's a sampling of some theme park deals currently
offered in Orlando:
Buy Four, Get Three Free
WHAT Seven nights accommodations and park admission for
the price of four
WHERE Walt Disney World Resort hotels
WHEN Through Aug. 15 (book by March 29). Some blackout
dates apply.
Some say it's the best deal ever from Disney. At a "value"
resort, such as All Star Sports or Pop Century, you can bring a
family of four to Disney for seven nights - including park
admission for seven days - for $1,375, a savings of $416,
according to Disney. You may also get a Disney gift card,
depending on when you travel and where you stay. |
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The Wonderful
Green World of Disney
GlobeSt - Walt Disney Co.’s recently announced environmental
goals to reduce its facilities’ emissions, waste,
electricity and fuel use, and impact on water systems. But,
given the number and size of those facilities--stores,
parks, offices--operated by the company, are they feasible?
Surprisingly, many of them may well be, environmental
experts say, as the company has chosen to focus on elements
they can actually control, and given practicable short-term
goals.
The environmental goals are part of the company’s 2008
Corporate Responsibility Report, which also discusses other
issues such as charitable giving and workplace diversity.
Created by an environmental council of senior Disney
executives, they include the company’s first comprehensive
greenhouse gas inventory. The report covers all of Disney’s
facilities, including its theme parks--except for Tokyo
Disneyland, which is neither owned nor operated by
Disney--resorts, cruise ships, office buildings, and sound
stages.
"While Disney has always been a leader in environmental
stewardship, we are taking ambitious steps to help preserve
our planet for future generations," says Disney senior EVP
and CFO Thomas O. Staggs, in the press release introducing
the report.
The company has been an Energy Star partner for more than
10 years, and its Florida hotels have all received Florida
Green Lodging Certification. The long-term environmental
goals outlined in the report are: Zero waste; Zero net
direct greenhouse gas emissions from fuels; the reduction of
indirect greenhouse gas emissions from electricity
consumption; net positive impact on ecosystems; minimizing
water use and product imprint.
"It’s not comprehensive," says Lauren Yarmuth, a
principal of YRG Sustainability Consultants, New York City.
"However, what they’re doing is very impressive."
The idea of zero waste, though, might be astonishing to
anyone who has visited a Disney theme park on a peak day.
Millions of visitors generate trash. In 2006, Disney’s theme
parks and resorts--again, with the exception of Tokyo
Disneyland--generated 298,000 tons of trash, 170,000 tons of
which were sent to landfills, the report said. A short-term
goal is to decrease solid waste to landfill to 50% of the
2006 baseline level and increase percentage of purchases
that include post-consumer recycled material by 2013.
"In terms of zero waste, it’s absolutely feasible,"
Yarmuth says. "It’s a matter of the supply chain."
Disney World in Florida has a major composting facility,
and the real trick will be to encourage visitors to separate
their trash even as they’re enjoying the resorts, ships, or
parks.
"It’s extremely regulated," says Claire Woolley, a former
environmental attorney in her native New Zealand, and now a
vice president with Chicago-based tenant representation firm
Howard Ecker + Co. Woolley has visited the Orlando compost
facility. "Behind the scenes, it’s a tight ship." It’s
extremely important to note that Disney is only focusing on
what it can directly control, Woolley added.
"The trick," Yarmuth noted, "is where they buy cotton
candy with packaging from the outside world."
But much like Wal-Mart, Disney’s sheer size can influence
vendors to produce greener materials. Last year, the company
recommended that its branded plastic bags be made of
recycled material and that paper bags be made from approved
pulp.
Achieving zero-carbon emissions may be a bit more
challenging.
"It’s kind of aspirational," Woolley says. "But it’s not
a bad thing. It’s kind of possible."
In 2006, the company reported direct GHG emissions from
fuel combustion and refrigerant leaks of 566,042 metric
tons, indirect GHG emissions from electricity of 1.1 million
metric tons, and 2 billion kilowatt hours of electricity.
Disney seeks to achieve 50% of its long-term goal for
direct emissions from fuels through a combination of
reductions, efficiencies and offsets by 2012, and to reduce
electricity consumption in existing assets by 10% compared
to 2006 by 2013. That may be more difficult, even the
company acknowledges.
"Achieving zero net direct GHG emissions depends on the
ability to reduce or eliminate consumption of carbon-based
fuels such as natural gas, gasoline and diesel, and acquire
or generate carbon offsets from projects. Alternative fuels,
such as biodiesel, are currently available, but only in
limited quantities and for limited applications," the report
said. "In the case of carbon offsets, there is no formal,
governmental oversight or regulation of such efforts in the
United States. Therefore, caution is required to choose
credible partners to generate carbon offsets. Transparency
and completeness in reporting are critical, as well as due
diligence in selecting carbon offset programs."
Financing will be required to create an integrated design
approach that would maximize efficiencies, and the company
would need to identify opportunities for self-generation on
a much larger scale than ever before, the report added.
"They wouldn’t have put themselves out there with this
kind of detail if they didn’t think they could do it,"
Woolley says.
The keys, Woolley noted, are the specific median goals
that can focus the company and give a sense of
accomplishment. "It’s really important they’re making the
effort," Yarmuth says. "And it’s the right effort."
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Thinking 'fast' at Disney? Reverence can wait
StarNewsOnline - Mickey
Mouse interfered with my week of Lenten fasting.
Recently, my husband scored some cheap plane tickets to
Florida, and suddenly we had two weeks to plan for our
daughter's first trip to the Magic Kingdom. I couldn't
resist "It's a Small World," "Pirates of the Caribbean" and
eating massive turkey legs.
The week we planned our trip was the week I had
originally hoped to fast. But I couldn't imagine spending my
first few days of Lenten fasting trying to keep up with my
preschooler in a theme park through the Florida heat.
So I postponed the fast until after the trip. It was my
first weakness. There would be more.
To give some background, I grew up Baptist in a
traditional church that did not encourage the act of fasting
during Lent. Rather, its emphasis was on Jesus' sacrifice
for our sins and the resurrection. So the only time I have
purposely fasted in my life was before a major surgery.
I hadn't really given personal fasting during Lent much
thought until I spent a month at Duke Divinity School last
fall. There, I took a class on fasting and was inspired by
the stories I heard.
The students spoke of fasting as if it were the greatest,
most spiritually clarifying act they had ever experienced.
They said they felt more peace and a greater connection with
God.
Fasting sounded like a peace I could use in my life right
now. I wanted a way not only to glorify God, but to prove to
myself that I needed spirit more than I needed food as my
substance.
Several media stories at the start of Lent this year said
more people were giving up conveniences and luxuries such as
iPods or texting instead of food. That didn't seem as
sincere to me. No offense to all you technology-fasters out
there.
I don't rely on my iPod or texting like I do on food. But
because I've had some trouble with food in my life - more
under-indulging than over-indulging - I usually make sure to
have my three squares.
So I saw giving up solid food from sunrise to sunset for
five days as a sacrifice and somewhat of a risk. What if I
lapsed back into my old not-eating habits, I worried.
Oh, ye of little faith, right?
Of course, I had some rules. I took a few pages from the
Muslim fasts for Ramadan in the hours I chose not to eat:
sun-up to sundown. And I followed some of the Catholics I
know who do not fast on Sundays, a feast day. I decided to
fast in secret, though I wanted to write about it afterward
to keep myself accountable. Also, I wanted to read scripture
and pray before I ate my morning meal and my evening meal.
So that meant I rose earlier, and my family had to wait
until about 7:30 p.m. each night for their dinner. Bless you
for your patience, family!
A local pastor suggested I should pray when the hunger
pangs hit. I took her suggestion to heart.
For the most part, my days passed peacefully. I drank
plenty of fluids and didn't dwell on food smells in the
newsroom at lunchtime. Truly, I didn't miss the food, and I
felt more attentive.
But there were trials. I fasted through newsroom
smorgasbords on two different days. And the chow-down spot
in the newsroom happens to be right behind my desk. Wings,
potato salad, Irish soda bread, strawberry shortcakes, green
Rice Krispies treats, fried chicken, pasta salad and more.
The smells overwhelmed me.
I had to shut my eyes and pray. I asked for this, and I
was doing this for God, I prayed.
As my fast progressed, I began to really enjoy reading
Bible passages about fasting or God's love each day. I read
scriptures in Jeremiah, Matthew and John and sat
contemplating their meanings.
In the end, I realized that giving up day-time solid
foods was such a small sacrifice. I felt almost guilty
ending the fast.
More than that, having that quiet time to read and pray
allowed me to start my days with peace and a greater sense
of God's love and a love I needed to reflect to the world.
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What I’ve
learned from Disney films
Northwest Herald - In a week, my
wife and I will be jetting to the happiest place on earth.
No, not Peoria.
For a week, we’ll be spending time in Walt Disney World
in Orlando, Fla., hanging out with Mickey, sailing with
pirates and rediscovering that it’s really just a small
world after all. Because I haven’t ventured into the Magic
Kingdom since I was 6 and haven’t watched a Disney movie
(not counting those nifty Pixar productions) in a decade,
we’ve been revisiting some of the “classics” over the past
few weeks.
Here are a few of the lessons I’ve learned from my time
in ’toon town:
• Hyenas and vultures are bad news. Ferocious lions,
tigers and bears can be allies – even heroes – in Disney
movies, but watch out for those scavengers. Hyenas and
vultures are usually harbingers of evil in the animated
animal kingdom, often serving as henchmen. One exception:
The friendly vulture quartet in 1967’s “The Jungle Book,”
who were styled after The Beatles. Maybe the mop-tops were
perceived as villains by the older animators.
• I know all the words to all the songs in “The Little
Mermaid.” Released when I was a kid and replayed
endlessly on video through the early ‘90s by my younger
brothers, “Mermaid” and its tunes have apparently been
grafted into my cranium. I wasn’t aware of this until, while
watching, I discovered I could replicate every mangled
French lyric to “Les Poissons.” Sacre bleu.
• Animal relationships are more complicated than human
ones. Snow White gets sent off to happily ever
after-land following a mere kiss. Prince Eric falls in love
with Ariel’s voice. Aladdin and Princess Jasmine bond on a
magic carpet ride. Then, let’s get married. Done. Perfect.
How many of these quick courtships end up in divorce? Is
there an animation alimony fund? Meanwhile, Lady and the
Tramp do it on their first date (it’s not seen, obviously,
but suggested). Simba and Nala build from a foundation of
childhood friendship. Pongo and Perdita have a stable enough
marriage to withstand taking care of 99 puppies. Could lazy
old Sleeping Beauty handle even one screaming baby without
the help of her three fairy godmothers?
• My voice recognition skills have improved since I
was young. I think it would have freaked me out as a
tyke to realize that Winnie the Pooh sounded suspiciously
like Mr. Stork in “Dumbo,” the Cheshire Cat in “Alice in
Wonderland” and Kaa the python in “The Jungle Book” (all
voiced by Sterling Holloway). Maybe I would have figured it
out if the Cheshire cat yearned for a honey pot. Oh, bother.
• Some of these movies don’t hold up. Shocking, I
know. Although I didn’t expect all of these films to live up
to my childhood memories, I was surprised at some that did
and others that didn’t. I used to love “Peter Pan,” but as
an adult I found myself identifying more with Captain Hook
while watching this haphazard fantasy. I was barely able to
endure the 2-hour, 20 minute “Bedknobs and Broomsticks” at
27; I don’t know how I was able to sit through repeat
viewings when I was 7. On the other hand, “Fantasia” used to
bore me silly and I had no warm feelings toward “Lady and
the Tramp.” Now, I see the former for its whimsical,
animation breakthroughs and the former for its elegant,
mature storytelling.
• You never know where racism will pop up. Due to
NAACP protests, Disney has kept 1946’s “Song of the South”
(in which former slaves seem affectionate toward the “good
old days”) unavailable on DVD. But plenty of other racist
characterizations permeate the Disney oeuvre. Jive-talking
crows appear in “Dumbo,” the Siamese cats in “Lady and the
Tramp” share a Charlie Chan-like dialect and there’s a whole
song in “Peter Pan” dedicated to telling us “What Makes the
Redman Red.” How helpful.
• Maleficent still gives me the chills. My
favorite Disney villain gets all nasty just because she
doesn’t get an invitation to the princess’ baptism. Imagine
what she’d do if you really made her mad. Plus, the
devil-horned sorceress can turn herself into a giant dragon.
Beats an apple-toting witch any day.
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Sunday
March 15, 2009 |
'Race to Witch Mountain' takes early box office lead
Disney
enthusiasts win prize of their dreams
Theme park etiquette: Reserving parade viewing spots at Disney
and Universal
St. Patrick's Day at Disney World, Universal Orlando |
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'Race to Witch Mountain' takes early box office lead
Entertainment Weekly - Dwayne Johnson's Disney update
Race to Witch Mountain kicked off the weekend in first
position, grossing $6.8 million at the box office on Friday.
Family films tend to earn a lot of their money on weekend days,
so this movie is well on target to pull further ahead on
Saturday and Sunday and win the frame with a gross in the
mid-$20 mil range. Meanwhile, the weekend's other new remake,
The Last House on the Left, scared up $5.6 mil on
Friday the 13th. Fellow freshman flick Miss March was
out of the running with just $890,000. And reigning champ
Watchmen dropped a hugely disappointing 78 percent from a
week ago to bring in a mere $5.4 mil. Friday's figures are
below, and please check back here on Sunday for a full weekend
recap in the Box Office Report.
1. Race to Witch Mountain -- $6.8 mil
2. The Last House on the Left -- $5.6 mil
3. Watchmen -- $5.4 mil
4. Taken -- $2.1 mil
5. Tyler Perry's Madea Goes to Jail -- $1.5 mil |
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Disney
enthusiasts win prize of their dreams
The
Republican - Two years ago Michael J. Wilk, a Chicopee police
officer, proposed to Jessica J. Carroll in front of Cinderella's
castle at Walt Disney World in Orlando, Fla.
Wilk has always loved Disney's creations, and Carroll shares
his enthusiasm. The walls of their home are covered with
hundreds of colorful pins from different Disney attractions,
many of which they have visited together.
Now this couple is living out a dream, having won a top prize
in Disney's "Year of a Million Dreams" promotion.
The prize is a free 47-year membership in the Disney Vacation
Club, which entitles them to visit Disney attractions and stay
at Disney's Saratoga Springs Resort (inspired by the historic
upstate New York spa) in Florida or at 499 other Disney-owned
locations anywhere in the world.
The prize is worth $88,900 - and Disney has already paid the
taxes on it, says Wilk.
The couple entered the contest over and over again after
finding out about it on a trip to Disney World in 2007.
"When we got back, we both mailed in our names on index
cards, separately, every day for four months," says Carroll.
"Then they extended the contest to 2008," says Wilk. "So we
starting mailing entries every day in December, January and
February," says Carroll.
When their efforts did net a prize, it was so fabulous that
they could hardly believe it.
The news came in March 2008 in the form of a Federal Express
box with "Magic Kingdom Promotions" as the return address. "I
opened the box," says Wilk, "and there was a book.
"I figured I had won a book. I didn't think anything of it
until I pulled out another book called 'Vacation Planner.'"
As the reality dawned on him, Wilk called his fiancee, who
almost drove off the road with excitement.
Carroll called Disney World. "I said, 'Is this true?'" she
says. When the answer was affirmative, "we immediately booked a
trip for three days!"
The best thing about the prize, says Carroll, is that every
caller to the Disney Vacation Club is greeted with the words:
"Welcome home!"
Wilk's eyes fill with tears at the mere mention of the words.
"It's the most amazing feeling," he says.
Wilk, 41, and Carroll, 33, met three years ago.
Wilk, whose dad was a police chief in Chicopee, has been an
officer for 17 years. Carroll works in a behavioral health
clinic at Baystate Medical Center in Springfield.
"We're the type of people who would rather do things for
others," says Wilk.
They have both struggled with the pain of divorce. They have
three children between them.
Carroll remembers growing up without much money. By the time
the family could afford a trip to Disney World, her father died
of a heart attack.
The vacation prize is "a dream come true," says Carroll,
adding that Disney World "is not just make-believe. It's
phenomenal. It's a place to be happy, to be yourself, and not to
feel the stress of everyday life."
"Disney equals happiness," says Wilk. He learned that many
Disney Vacation Club members are police officers like him. He
understands why. "It's because of the stress of their jobs," he
says. "It's an escape from reality."
Wonderful as their prize is, Wilk and Carroll say having each
other is even better.
"It wouldn't mean anything if I didn't have her," says Wilk.
"We're soulmates."
Their blue eyes sparkle as they talk.
"Our kids so want us to get married at Disney World," says
Wilk, adding that he would like to hire Cinderella's coach for
the wedding.
The Disney "Dream Squad" people were waiting to greet the couple
the first time they arrived at their Disney World resort hotel
as winners.
"They were so happy we won," says Wilk. "They were thrilled to
death for us.
"When we walked into the library, they said, 'Welcome home!'"
says Wilk, tearing up again. "When we walked into the
restaurant, they gave us a standing ovation."
"It was amazing," says Carroll. "Everyone we tell our story to
says they get chills."
"This is better than winning the lottery. This is something we
can cherish with our kids and our grandkids." |
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Theme park etiquette: Reserving parade viewing spots at Disney
and Universal
Examiner - Parades are as much a part of
the theme park experience as rides, shows, and character
greetings. Disney World has daily parades at the Magic Kingdom,
Disney Hollywood Studio, and Animal Kingdom. While Epcot doesn't
have a parade, the nightly Illuminations show brings up a
similar situation. Universal has seasonal offerings at Mardi
Gras (pictured at right) and Christmas, and the Mardi Gras
parade adds an extra element by having floats that toss out
beads to the spectators. While parades should be a fun
experience, "reserved spot rage" can flare up and turn them into
a nasty confrontation.In the busy season, the unspoken rule
for parade viewing is: if you want a good spot, stake it out
early. That may sound simple, but two major etiquette issues
come up. The first is, even if you're there early, just how much
space can you reasonably expect to take up? Often one or two
people will grab a prime spot on Main Street at Disney World an
hour beforehand, but try to hold room for their other six family
members. Others come along later, see the prime real estate, and
try to move in. Mayhem quickly ensues. Or maybe the other family
members were there to start with, but needed a potty break or
went off to get some ice cream. While they're gone, someone else
tries to move in and you're got a confrontation on your hands.
There is no set-in-stone rule, but personally I believe that
if seeing the parade is important enough to you, you'll come
there early and stay put, other than necessities like a sudden
bathroom urge. That goes for the kids too. Once they're past
toddler stage, they're old enough to learn how to prioritize. If
they want to see the parade but don't want to hang out for an
hour, as a parent you can simply say, "Okay, then we won't be
able to do that. What would you like to do instead?" Now you've
just combined a life lesson with a trip to the theme parks.
I don't have much personal experience, as my husband and I
tend to watch the parades in the off-season, so we don't have
trouble getting a good spot even if we arrive relatively late.
But as far as I can tell, peak season spot holders do so at
their own risk. I don't think most have any difficulty holding a
spot or two, but when you're holding enough for the entire Brady
Bunch, including Alice and Sam, how can you stop people from
simply taking the spot? You could try to complain, but since you
have no special "right" to that space I don't think you'd find a
worker to back you up.
The second etiquette issue is the spot poachers who come at
the last minute, then shove themselves up to the front. Often
they'll send their child ahead as a "scout," since adults in the
front row will often let a small child step in front of them.
Suddenly Mom, Dad, five more kids, and a troop of aunts, uncles,
and cousins have all trampled the Good Samaritan, who is now
staring at their backs.
If you're there early, you have to walk a fine line between
being nice and asserting your rights. If you're an adult and you
choose to let kids stand in front of you, make it clear that
it's the kids only. If the adults say, "I can't let them stand
in front of a stranger. I have to stand there too," politely but
firmly explain that it's the little ones only or no one. If
you're standing there with your own kids and others try to push
them out of the way (it happens a lot...some self-absorbed
families don't care who they trample and see kids as easy
targets), be prepared to step in and be a protective parent.
Calmly but loudly call out the offenders ("Why are you pushing
my child out of the spot that she's been in for an hour? Do not
touch her again or I will call someone over here to deal with
you.") This publicly announces their behavior and lets them know
that you won't tolerate it,
It's sad that you have to deal with rudeness while you're on
vacation, but any time you're out with large groups of the
general public, you'll find rude and entitlement minded people
among them. Thankfully there are still nice people, too, like
those who give away their extra Fastpasses or hand out a pin or
balloon to a child. Don't let the rude ones take advantage of
you, but don't dwell on them either. |
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St. Patrick's Day at Disney World, Universal Orlando
Examiner - If you're at the theme parks or in the Orlando area
on St. Patrick's Day, you can join in the celebration quite
conveniently. Both Disney and Universal feature their own Irish
pubs, and the Lake Buena Vista area, right outside the Mouse's
gates, has an offering of its own.Disney World
Raglan Road located at Downtown Disney,
claims to offer authentic Irish fare, although I've often
wondered if a "forest" of scallops served on upturned forks or a
wild forest mushroom chowder actually fit that description.
Still, the food is quite tasty and there are many Irish
offerings, too, such as colcannon and bangers and mash. Of
course, there are plenty of ales and spirits too if you'd like
to wet your whistle in honor of the day. This year's celebration
will be held on both March 16 and 17 and feature U2 Elevation, a
U2 tribute band. (although the holiday menu may be limited).
Universal Orlando Resort
If you're at Universal Studio, check out Finnegan's,
their resident Irish pub, located right across from the Revenge
of the Mummy ride. Like Raglan Road, Finnegan's offers a mix of
traditional dishes and familiar American favorites, often
accompanied by live music. Warning: their soda bread, served
with apple butter, is downright addictive. Want to try something
adventurous? Order the scotch eggs, which are wrapped in
sausage, breaded, and deep fried. Or how about that traditional
St. Patty's day delight, corned beef and cabbage? If none of
that sounds good, just opt for a regular burger. Their beer
flights are a great way to taste some interesting combinations,
like beer and cider or beer mixed with soda.
Lake Buena Vista
Kitty O'Shea's Irish Pub is located at 8470
Palm Parkway, a stone's throw from the Disney gate at the
Crossroads. The menu is simple but hearty, as the emphasis here
is on beer. You'll find TVs, video games, and darts, and pool
tables to keep you entertained after dinner. |
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