March 15 - 21, 2009
 

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Saturday March 21, 2009

Disney Kills -- Lawsuit Claims
Blu-Ray Review: Disney Delivers Another Great Release For Super-Cute ‘Bolt’
Dogs audition in Atlanta park for Disney film
My Life on the Disney College Program
All hail Princess Tiana
Disney protégés moving on
Disney Daze

Disney Kills -- Lawsuit Claims

TMZ - A Burbank family is suing the Walt Disney Company, claiming toxins from its Burbank headquarters contaminated the surrounding community, resulting in death.

Dennis Jackson claims Disney's air conditioning system contained contaminated wastewater laden with toxic chemicals that migrated into nearby residential areas and even contaminated drinking water.

The lawsuit, filed today in L.A. County Superior Court, claims Louise Jackson, who lived with her family in the neighborhood, died as a result of the pollutants. The suit claims residents now live in "terror of emissions."

The suit says Disney has been using the same cooling system since 1957.

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Blu-Ray Review: Disney Delivers Another Great Release For Super-Cute ‘Bolt’

HollywoodChicago - The first word I think of when I read or hear about Disney’s “Bolt” is cute. The movie is just cute, cute, cute. If your threshold for adorable cartoon characters and heartwarming messages is low, stay away, but if you’re looking for a bright smile to break the darkness of daily life, you could do a lot worse than this clever canine, now the subject of yet another nearly-perfect Disney Blu-Ray release.

The Blu-Ray release of the year is still Disney’s “Pinocchio,” but the mouse house makes a strong bid for runner-up position with the gorgeous video transfer for “Bolt” and an entertaining and informative collection of special features.

“Bolt” is a bizarre hybrid of “The Incredibles,” “The Adventures of Milo and Otis,” and “The Truman Show” but it really, truly works. This is not game-changing cinema like “WALL-E” or “Waltz With Bashir,” but it’s not trying to be either. It’s just trying to be cute, clever, and fun. “Bolt” is all three.

The title character (John Travolta) is the star of a hit network

series about a super dog. On the show, Bolt always saves his faithful owner Penny (Miley Cyrus) from the clutches of the evil Dr. Calico (Malcolm McDowell) with his super speed and powerful bark.

Bolt doesn’t know it’s just a show or that his super bark is just an effect. He thinks he’s a real superhero and that Penny will fall into the clutches of evil without him. When the producers make the mistake of having an episode end with a cliffhanger, Bolt escapes his confines to come to the rescue.

Our canine crusader ends up all the way across the country in New York City where he crosses paths with Mittens (Susie Essman) and the two begin a cross-country road trip back to L.A. Bolt slowly comes to terms with the fact that he’s an ordinary dog. The montage where Mittens teaches Bolt about the wonders of just being a pooch is spectacular.

“Bolt” is yet-another “be who you are” and “everyone’s a hero” tale but it’s much smarter than most of its animated brethren. Pixar’s John Lasseter executive produced and you can feel his subtle, clever fingerprints all over “Bolt”.

“Bolt” could have been a bit more unpredictable and could have relied less on modern slang, but it’s a simple, enjoyable ride that works more often than it falters and is likely to put a smile on the face of viewers of any age. It’s just damn cute.

And it’s downright breathtaking in 1080P. I marveled at Bolt’s hair design in theaters and the detail is even more noticable in HD Blu-Ray. The depth, color levels, and line detail is amazing. This is one of the best-looking animated movies yet to hit Blu-Ray. It’s a beauty. There’s an HD TV store using it to sell a four-figure product right now.

The audio is just as remarkable. Audio is bigger part of “Bolt” than your average animated fare because of the action-movie plotline. The opening scenes of the show-within-in-a-movie sound as good as any action Blu-Ray I’ve watched lately with perfectly mixed score, effects, and dialogue.

Before we get to the details on the special features, “Bolt” continues Disney’s brilliant plan to allow fans to watch their films whenever and wherever by putting a Blu-Ray, standard DVD, and digital copy in one set. Kids don’t just watch movies in one room and Disney continues to play to this fact with some of the smartest releases on the market.

Special features in the order they’re presented on the disc:

Bonus Short: “Super Rhino” (4:27)

A new short film with everyone’s favorite supporting hamster that can only be found on the Blu-Ray release of “Bolt”. Featuring the voice talent from the film, “Super Rhino” involves the comic relief from “Bolt” being turned into a superhero himself (or at least dreaming about it). It looks (but doesn’t quite sound) as amazing as the movie itself and features the same clever wit and smile-inducing action. Fun stuff. Kids who loved Rhino in the movie will adore it.

Deleted Scenes With Introductions by the Directors (6:37)

Just two moments in “story reel” form (hand-drawn animation like storyboards). In the first, Bolt gets into a fight in an alley in Las Vegas and learns that he’s not a superhero earlier than he does in the final film. As they say, it didn’t work structurally. They’re right. The second is another version of the moment when Bolt realizes that he doesn’t have superpowers.

“In Session: With John Travolta and Miley Cyrus” (0:59)

Less than a minute of footage with Miley and John singing “I Thought I Lost You” in the recording studio. For hardcore Miley fans only. Seriously.
“I Thought I Lost You” Music Video (1:47)

The former should have just been an introduction to this video which includes a lot of the same footage with clips from the movie. It would still be for hardcore Miley Cyrus fans only. I’m not kidding. The sugar shock could be deadly if you’re not prepared for it.

“Bolt’s Be-Awesome Mission”

Help Bolt defeat the green-eyed man in a Blu-Ray game.

“A New Breed of Directors: The Filmmakers’ Journey” (4:34)

The rookie filmmakers - Chris Williams and Byron Howard - discuss their process and history.

“Act, Speak! The Voices of Bolt” (9:48)

John Travolta, Miley Cyrus, Susie Essman, and more offer insight into the voice work process with a lot of behind-the-scenes footage. It’s actually a good featurette that could introduce young fans into the challenge of vocal work on animation because of the star power of Miley Cyrus.

“Creating the World of Bolt” (6:45)

The directors and their team discuss the backgrounds and art direction for the film, which is actually quite good. They gave the film a warm, comfortable look that’s harder to pull off and more effective in the final product than you might think.

“Bolt Art Galleries”

Design material and storyboards from the film.

The lack of a commentary and generally too-brief running time of the featurettes hold “Bolt” back from the pantheon of Disney Blu-Ray releases like “Pinocchio” or “Sleeping Beauty,” but the film itself and the gorgeous transfer make this a good title to include in your collection not just rent.

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Dogs audition in Atlanta park for Disney film

Atlanta Journal Constitution
 - Like the children of Lake Wobegon, all the dogs that swarmed into Centennial Olympic Park Friday afternoon were above average.

A Brittany Spaniel named Pinto was, literally, a looker: “If I say look over there, he’ll look where I point,” said owner Joann Goldenburg, 39, an Atlanta architectural photographer.

Zoe, a black and white Dalmatian mix in a flouncy pink boa, is “kind of a movie star … a princess in her own way,” said Jen Kanter, 36, of Decatur.

On the first day of spring, with a warm sun burning off a mild chill, Walt Disney Studios invited Atlanta area canines to the downtown park to audition for a walk-on role in an upcoming, still-untitled, straight-to-DVD Disney doggie movie. Or would that be a wag-on role?

The hastily assembled pack of several dozen pooches sported a range of hipster names —- Zebulon, Kahlua, Fenway, Harley and Chanel. Some did tricks, or dressed up cute, or both. Those who did neither were nonetheless celebrated.

Kris Rand, who owns the Lucky Dog Lounge in Marietta, a doggie day care, drove down with her Australian Shepherd mix Nick and a friend’s rescue dog, Murphy. Nick was dressed as Batman, Murphy as Superman.

“I was going to make the costumes, but I went to Wal-Mart and in the little boys’ section I found pajamas, and these are the shirts from those,” she explained.

There was no winner Friday. All the dogs were videotaped, and the tapes shipped off to director Robert Vince to choose which dogs he wants from auditions in six U.S. cities. So technically, nobody lost, and nobody had to go home with their tail between their legs.

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My Life on the Disney College Program

Stevens Institute of Technology The Stute - When I was seven, my family and I made our annual trek to the Walt Disney World Resort in Orlando, Florida. Ever since, I knew that I wanted to work for Disney as an engineer. Fast forward fourteen years to find me still working towards that goal as a Civil Engineering/Art & Technology student here at Stevens.

I'm Erik, and during the spring of 2008, I decided to get a head start on my Disney career dreams. I was accepted into the Disney College Program at the Walt Disney World Resort. I spent my days in Florida as a pilot for the famous Walt Disney World® Monorail Transportation System. Driving the 200' long trains high up on the monorail beams and transporting over 300 guests at a time around Disney property was exhilarating. I had the opportunity to meet families from South Africa, Scotland, Japan, and even Stevens alumni.

Aside from my role as a monorail pilot, the Disney College Program allowed me to partake in an incredible Engineering Professional Development Studies course. In one session, a Walt Disney Imagineer took my class on a guided tour of the pyrotechnic barges that launch over 1,100 fireworks shells each night over the World Showcase Lagoon in Epcot. I was even given the opportunity to test ride the new Toy Story Mania! attraction before it opened. I'm so excited to share my Cast Member memories as a new contributor to the Stute. Stay tuned…in my next column you'll learn what it's like to move in with space cadets and colonists from 1776.
 
Visit disneycollegeprogram.com to learn more about the Disney College Program.

Attend our presentation at Montclair State University: April 8 at 3 PM or 7 PM.

Erik is a campus representative for the Disney College Program.

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All hail Princess Tiana

Guardian - At the end of this year, Disney will bring yet another big-budget animated movie to a screen near you. In keeping with true Disney schmaltz, it will feature a prince and princess who fall in love and live happily ever after. Unlike past Disney princesses, however, the one in this movie is black. The doll version of her will, according to Disney, be available for purchase at the end of this month.

A black Disney princess is welcome news. This character is long overdue. Of the eight existing Disney princesses, the majority have been white. In the past few decades Disney has worked on its multicultural efforts – resulting in the introduction of Native-American (Pocahontas), Arab (Jasmine) and Chinese (Mulan) princesses. But until now, there has never been a black one.

Second, this is good for children, particularly those of color. While on the surface Disney princesses may not seem like a big issue, the prevailing images of any culture do influence children's self-perceptions from a surprisingly young age. Furthermore, the perceptions held by children of color of what constitutes attractiveness, beauty and positive qualities are often skewed by mainstream media images. Disney, with its powerful hold over generations of children, has certainly helped shape these perceptions.

The influence of cultural images on children's identities has been demonstrated in the groundbreaking "doll test" experiments first performed in the 1940s by psychologists Kenneth and Mamie Clark, whose findings were used as evidence in the 1954 Brown v Board case for desegregating the American school system.

In the original tests, black children between the ages of three and seven were shown a brown doll and a white doll and asked to select which one looked more like them, and which one they considered to be the nice doll. All of the children accurately identified the doll they most resembled. The majority, however, preferred the white dolls and attributed positive characteristics to them, while assigning the black dolls negative characteristics. Similar tests conducted since have found that little has changed: black children still show preference for white dolls and images, viewing white as pretty and good, and black as ugly and bad.

There are a number of reasons for this phenomenon. One is that black people living in the west are less likely to see images of themselves in the public domain – and when they do, many of those images are often negative. This, in turn, can negatively affect self-perception. Given that playtime for many young children of all races is based around stories involving princesses and princes – and given that these royal figures are generally admired by children – the introduction of a black princess can only be a good thing.

The princess's plastic avatar should also please. Anyone who has gone to look for black or brown dolls in mainstream stores can attest to how difficult the search can be. People are often forced to go to specialist doll-makers, a source of frustration for both black parents who would like to have their children play with toys that look like them and non-black parents who would like a more racially diverse doll set. Last year, actress Angelina Jolie – who has an adopted Ethiopian daughter – criticized Disney: "There still isn't a Disney princess that's African and it's very difficult because our daughter's getting into princesses right now and it upsets me."

Still, the creation of the black princess character has not been unproblematic for Disney. When it first announced the character, she was a chambermaid called Maddy who was working for a rich white woman. This upset many people who felt that not only was her position a demeaning stereotype, but that her name sounded too much like "mammy" – another black female stereotype that recalls the days of slavery and segregation.

I understand the sensitivities regarding the portrayal of the first black princess, particularly since Disney has long been accused of racism in its movies. But since this one is set in 1920s New Orleans (another fact that has upset some people), it is possible that a black woman at the time might have occupied a position as a household domestic. Similarly, the name Maddy (short for Madeleine) was more popular during that time than the character's current name, Tiana, which is not historically accurate.

There was also a questionable voodoo element in the original treatment of the movie, which raised eyebrows due to the fact that black people have long been stereotypically associated with voodoo or mysticism. Some have asked whether Disney is able to conceive a black character that exists outside of slavery or stereotype, and why Tiana can't simply be a normal princess without historical baggage.

The most controversial aspect of the movie, however, is the skin tone of Princess Tiana's lover. Although he is called Prince Naveen and voiced by a Brazilian actor, he looks white. Some bloggers are upset that Disney missed out on an opportunity to create a fairytale black couple. Indeed, that would have been a major first and timely, considering that the current president and first lady are black. It has also been argued that Disney is playing on age-old notions that a hero has to be a white man. (On the other hand, some have said that Tiana and Naveen make a great interracial couple.)

I'm not sure that Disney will ever be able to please everyone. But the introduction of Princess Tiana is still a great step and sends out a positive message. Anything that could help black children see themselves more positively has to end happily ever after.

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Disney protégés moving on

Variety - It has all the elements of a Disney movie: a teen-targeted romantic comedy set in a high school with "High School Musical" franchise star Zac Efron as its lead.

But "17 Again" was produced by New Line, and like a lot of studios around town, the company is looking to capitalize on the young stars who got their big breaks courtesy of the Mouse House.

Other studios are landing everyone from Efron and his "High School Musical" co-stars to the Jonas Brothers, courting them with the chance to star in high-profile pics.

As a result, Disney is losing its grip over the talent it groomed through the Disney Channel or Hollywood Records, putting it in an unusual position of watching potential moneymakers move off the lot.

• Efron is attached to a "Footloose" redo at Paramount, and is in the running to star in Warner Bros.' adaptation of the popular animated TV series "Jonny Quest";

• The Jonas Brothers are set to make their bigscreeen acting bows in Fox's adaptation of "Walter the Farting Dog," based on the series of kids books, that Peter and Bobby Farrelly may helm, despite having a new series, "J.O.N.A.S." premiering on Disney Channel in May;

• Fox 2000 has cast Selena Gomez, a star of Disney Channel's "Wizards of Waverly Place," and Joey King ("The Suite Life of Zack and Cody") in its adaptation of "Beezus and Ramona," another kidlit series that Walden Media is co-producing;

• Walden also cast "High School Musical" alum Vanessa Hudgens in "Bandslam," a battle-of-the-bands comedy that Summit Entertainment is releasing this summer. Thesp landed a role in Zack Snyder's "Sucker Punch," an anti-Disney version of "Alice in Wonderland" with machine guns.

Dealmakers say the attraction is mainly money.

Disney doesn't have the reputation for shelling out a lot of coin for talent, and got into the business of launching the careers of young stars from its cable channel or record label in order to keep costs low and enable it to eke out more profits per project.

As one producer puts it, "Disney is good at getting stars on the way up and on the way down."

At the same time, Disney is often averse to participating in bidding wars on projects.

But that frugal strategy is driving talent away.

"It's almost a matter of it being a free market system," says a producer of "17 Again." "They go where the money is."

On paper, the Mouse House would appear to have been the perfect fit for "17 Again."

Disney based multi-hyphenate Adam Shankman was on board to produce the comedy through his Offspring shingle and Efron was attached to star when Jason Filardi's pitch hit the open market in February 2007.

But it wasn't Efron's ballooning pricetag, driven up by the "High School Musical" franchise, that muscled the cost-conscious studio out of contention — the star's salary wasn't negotiated until long after New Line bought the project.

Instead, New Line outbid other studios, including Disney, plunking down $750,000 against $1.5 million, for Filardi's pitch. The pic was produced before "High School Musical 3: Senior Year" bowed last year, but was held for an April 17 release to cash in on that film's appeal.

"Disney pursued the project but not nearly as aggressively as New Line," adds the executive. "It was a case where New Line was willing to pay more for the script than Disney. And it was the script that attracted Efron in the first place."

The Mouse House has been willing to pony up the coin to keep its biggest star, Miley Cyrus, in the Disney family.

Her "Hannah Montana: The Movie" bows April 10, after last year's concert pic surprised Hollywood with a $70 million worldwide haul.

After her titular feature comes a tailor-made Disney vehicle for Cyrus based on an upcoming Nicholas Sparks book, tentatively titled "The Last Song," for which he's also penning the script.

But it's worth noting that the package, again to be produced by Shankman's Offspring shingle, never went on the open market.

"Miley might be a little bit more loyal than the others," says one Offspring exec, who is involved with "Last Song."

But it also depends on how much an actor may want to shed the Disney persona.

Sixteen-year-old Cyrus still has a few years to play the squeaky-clean teen ingenue. But Efron, at 21, can't really portray the high school hero anymore, and it has become a necessity for him to begin to distance himself from the Disney brand if he wants to have a viable leading man career.

He's sticking with what he knows, though: "17 Again" features a dance sequence and has Efron's character playing basketball — not-so-subtle references to "High School Musical."

The money issue isn't expected to go away anytime soon.

In a recent interview with KCRW's "The Business," Disney chairman Dick Cook said the recession has forced the studio to cut back on how much it spends to produce its movies, and is slashing the paychecks of some stars in half.

"There are some that haven't quite gotten it yet," he said. "It maybe hasn't hit them. But no one gets by this downturn. … The discipline on all of us has changed dramatically in just the last few months. I don't see that changing quickly at all. People are looking at every single project with the idea of, ‘How can we make it? Can we make it so that it's economically viable?'"

"We're proud of fact that we find, nurture, and grow talent who are then sought after by others," says a Disney spokesman. Disney also says its stars are free to work for any studio.

And if they do that, the studio can always go back to Disney Channel to create more talent. There's newcomer Demi Lovato, for example, and the fourth installment of "High School Musical" concentrates on the newer characters.

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Disney Daze

ParentCentral - My five-year-old and I recently spent a week in Orlando, Florida. We were tagging along to our friends' timeshare, where (don't hate me) we had a week of glorious sunshine and great company. My friends and I shared bottles of sunscreen and wine and engaged in a little pack parenting of three kids five and under.

We splashed in pools, floated along the "lazy river" in tubes, and stole moments with magazines in books in lounge chairs. The boys swam, jumped between the beds in their room and played a lot of Power Rangers.

With such little kids in tow and an eye on coming home at least a little refreshed, we opted to leave Sea World and Gatorland and Epcot Centre and all of that for another time, but to spend one, long, get-your-money's-worth day at Disney's Magic Kingdom.

Lori, Kevin and I plotted and planned (well, I brought a guidebook and they read it) and purchased tickets the night before . We packed the backpacks and picked out the outfits the night before. In the morning, we scurried excited kids through breakfast and got everyone in the van (what else would we drive in the land of vans and Escalades?) nice and early.

We arrived just as the place was opening, took the boat across and started our day. We were Team Disney. We were psyched. Go big or go home, we were ready. We would embrace the kitsch. We would get the T-shirts.

Kevin had been to Disney World so many times as a child that he needed little help from the map to plot our journey. We made our way down Main Street U.S.A. to the Cinderella Castle where the kids were wide-eyed at the site of Peter Pan, the various fairytale princesses, Donald Duck and all his cohorts. Kev kept an eye on his watch and dashed off at all the right times to get us the most line-hopping "Fast Passes" we were allowed so we could minimize whining and maximize fun.

After a slow start in the line for the Dumbo ride, we dashed through the next few rides, bagging about half a dozen successes straight off. We scooted the kids through the moderate crowds (thank you, recession), kept everybody fed steadily on crackers, apple slices and juice boxes, and found THE coolest Mickey Mouse T-shirts before LUNCH. Refueled by crappy food (even the clam chowder had bacon - it sucks to be a semi-vegetarian in Florida), we pressed on with our journey through the rest of the majorly magical highlights.

I'm not sure if it was the juice boxes or the excitement, but my normally camel-bladdered kid just seemed to have to go to the bathroom every 40 minutes. It was so strange. Halfway up the rope bridge to the Swiss Family Robinson Treehouse, he had to go. It was an EMERGENCY. We scurried back the wrong way down the one-way suspension bridges ("Excuse me. Sorry about that. Coming through") so we could make it to the bathroom. The same thing happened when we were on a ramp waiting to get into one of those hateful little diesel-powered cars that the kid is supposed to be able to drive ("This is the worstest ride!") but that was extremely hard to steer (especially from the passenger seat). "Oh, why is this happening to me?" cried Cameron (he gets his existentialism from me). "Try not to think of it so much as something that's happening to you, so much as pee. Think of it as pee," I said.

The kids were tremendously excited to meet Micky Mouse. If we didn't meet Mickey Mouse the whole day was going to be a bust. Encouragingly, there was no lineup in front of Mickey Mouse's House. We rushed in. There was Mickey's bedroom with his great big reading glasses left right on the bed. There was his kitchen, his living room...but where was Mickey? Ah, he would meet us in the "Judges Tent," since this part of the Kingdom was all about the county fair.

A slow lineup snaked through the "Judges Tent" where a the kids were taken one group at a time into a room with Mickey and Minnie. When we finally got to the front of the lineup, everyone got their hugs and their pictures taken with the silent celebrated rodents. They were happy. The parents were starting to get exhausted. I seemed to have Cameron stuck to me at all times.

Somewhere between the Jungle Cruise and the Judge's Tent, I had managed to lose my fabulous, wide-brimmed sun hat. My scalp was getting burned. We were running out of water. We stumbled our way, late-afternoon sun pounding on pavement, to an old-fashioned ice cream shop, which was great. We managed a couple more rides and another trip to the the gift shop. We made our way back down Main Street where delightfully friendly people gave me a number to call to see if my hat had made it to lost and found the next day, rather than onto someone else's head.

We made our way to the monorail. We'd been at Disney World for 10 hours. The kids were seeming kind of loud. They had a lot of questions about the fake sand outside the tacky theme hotels. We started talking up the "straight to bed, just how lucky are you boys?" stuff as we shuffled onto the parking lot shuttle bus to lot "Dopey 104." The kids couldn't seem to arrange themselves so that none of them would be sitting on the outside, in compliance with the rules. I was hot. Cameron wanted to hold hands.

We got off next to the appropriate dwarf and made our way to the hot van. Everyone eventually managed to get their small bums into boosters and car seats. We were off. Everyone would just be quiet now for a few minutes while we drove back after our great day.

"Mom..." said Cameron, "What was that time when there was a flood and there was no electricity?"

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Friday March 20, 2009

Disney-Pixar’s ‘Up’ to Get Boost at Cannes
Disney Hong Kong Park Expansion On Hold
Disney stations launching LiveWellHD network
Disney, Orlando International Airport reach deal on Magical Express shuttle
Disneynature Says See a Movie, Plant a Tree
Downtown Disney's Tren-D sells icons with edge
Recession deals at Disney World
The Wonderful Green World of Disney
Celebrity Chef Cat Cora To Open New Walt Disney World Restaurant
Thinking 'fast' at Disney? Reverence can wait
What I’ve learned from Disney films

Disney-Pixar’s ‘Up’ to Get Boost at Cannes

New York Times
 - Can you wear 3-D glasses with your micro-bikinis on the ultra-trendy beaches of Cannes? Walt Disney and its Pixar animation unit announced that a 3-D presentation of its coming animated feature “Up” has been selected as the opening-night premiere of this year’s Cannes Film Festival. In a news release the studio said that the film, directed by Pete Docter (“Monsters, Inc.”), about a 78-year-old man who embarks on a journey by tying thousands of balloons to his house, above, would be shown at the opening ceremony on May 13. Disney said it was the first time that either an animated feature or a 3-D feature had been selected as the opening-night film, though animated movies including “Dumbo,” “Fritz the Cat” and “Waltz With Bashir” have been shown at Cannes. “Up” is scheduled to open in the United States on May 29.

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Disney Hong Kong Park Expansion On Hold

Wall Street Journal -  Walt Disney Co. has put the delayed expansion of its Hong Kong theme park on hold and is cutting about 30 jobs after failing to agree with the city's government on a cash infusion, the company said Tuesday.

Disney and the Hong Kong government have been embroiled in discussions over financing a second phase of the world's smallest Disneyland and the first on Chinese soil.

Hong Kong Disneyland's visitor numbers haven't reached initial bullish predictions, and now the Chinese tourist market has been hit by economic problems. Disney said the people losing their jobs are Hong Kong-based employees dubbed "Imagineers" who helped conceptualize and plan the expansion.

"After two years of Disney investment in creative and design work and extensive negotiations with our partner, the Hong Kong government, we have not yet reached a final agreement to expand Hong Kong Disneyland," Leslie Goodman, executive vice president of Walt Disney Parks & Resorts, said in a statement.

The layoffs come a month after the Burbank, Calif., entertainment company said it would shed an unspecified number of workers.

The Hong Kong government, asking Disney to reconsider, expressed "grave concern" about its decision.. A spokesman for the Commerce and Economic Development Bureau said the Imagineers' layoffs "will not be conducive to the discussions."

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Disney stations launching LiveWellHD network

Houston Chronicle
 - KTRK (Channel 13) and its fellow Disney-owned-and-operated stations are preparing for the launch in late April of a new lifestyle network called LiveWellHD that will air in Houston on KTRK’s digital 13.2 channel.

Henry Florsheim, Channel 13’s president and general manager, said each of the stations in the 10-station Disney group will contribute original programming for the digital network, which will be offered in HD over the air and to cable carriers, including Comcast.

“It’s an opportunity to fill a space that up until now has not had a lot of original content,” Florsheim said. “We have program producers at stations in the group that see an opportunity, and we’re excited about it.”

Channel 13’s as-yet-untitled show will focus on trends in fashion, beauty and health. Much like KHOU’s (Channel 11) Great Day Houston, it will include paid product placement and sponsorship opportunities for advertisers.

However, Florsheim said, “The primary goal of the product is to entertain and inform. We would entertain product placement, but that is not the end. The goal is to create product that viewers want to see and find informative.”

Channel 13.2 (channel 314 on Comcast) features re-airings of Channel 13 newscasts and station-produced programs, movies on weekends, high school football games during the fall and occasional reruns of the 1998-2002 show hosted by Deborah Duncan, now host of Channel 11’s Great Day Houston .

“We will continue to create or have some locally produced programs. We will continue to run movies, and it is our intent to run high school football games. But the basis of the programming will be the LiveWell network,” Florsheim said.

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Disney, Orlando International Airport reach deal on Magical Express shuttle

Orlando Sentinel - Walt Disney World and Orlando International Airport completed a deal Wednesday to continue the resort's free passenger and luggage shuttle until at least the end of 2016.

Under the terms of the deal, the airport agreed not to raise the per-passenger fee of 75 cents it charges the resort for Disney's Magical Express. The previous contract would have allowed the airport to raise the fee to as much as $1.50 per passenger under certain circumstances.

Disney buses ferried slightly less than 2.2 million travelers from OIA to either its resort hotels or cruise ships in 2008. That works out to roughly $1.6 million a year in payments to the airport — compared with about $3.2 million had the passenger fee doubled.

The previous agreement had been set to expire at the end of 2011. The new pact also gives Disney the option to extend the agreement until 2021.

Airport leaders have been working to cut costs and raise money — including making plans to eliminate an undisclosed number of jobs — as passenger traffic and revenue tumble amid the global recession.

But Jeff Fuqua, chairman of the Greater Orlando Aviation Authority, said the agency decided it was better served by not raising Disney's fee, in return for securing a longer commitment from the company to operate Magical Express.

Because Disney's Magical Express luggage is processed in a remote hangar at the airport, the service diverts thousands of bags every day away from OIA's main luggage-sorting systems and claim areas. That eases pressure on the airport to spend money expanding its baggage facilities, Fuqua said.

"What they were looking for was control on costs. What we were looking for was to relieve ourselves of capital costs — big costs," Fuqua said.

The airport also agreed to raise the threshold under which it could have forced Disney to open a second customer check-in location at the airport's main terminal.

Under the previous deal, OIA could have required Disney to rent more counter space once Magical Express reached 2.2 million arriving travelers in any 12-month period; now, it can do so only once the shuttle service reaches 2.5 million arriving passengers.

"We're pleased the contract extension will enable us to continue to operate Disney's Magical Express for many years to come," Disney spokeswoman Kim Prunty said.

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Disneynature Says See a Movie, Plant a Tree

Eclipse Magazine - Disney introduces Disneynature, its first new label in sixty years, with a truly unique promotion. For every paid admission over the course of the first of its premiere film, EARTH, Disneynature will plant a tree. If, say, ten million tickets are sold, then ten million trees will be planted [that’s a lot of carbon dioxide being converted to oxygen!].

Disney’s goal is to ensure that it plants trees in areas that conservationists have identified as important hot spots of biodiversity. Disney will oversee the planting of the trees in the Brazilian Atlantic Forest, which is considered the most endangered rain forest in the world. Today, only 7 percent of the Atlantic Forest remains. Disney is committed to ensuring the trees are planted and cared for to provide the greatest long term benefit for the planet.

EARTH, which premieres on Earth Day – April 22, 2009 – follows the lives of three animal families. The film is narrated by the legendary James Earl Jones. If the trailer for EARTH is any indication, the film should be breathtakingly beautiful.

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Downtown Disney's Tren-D sells icons with edge

Orlando Sentinel - For shoppers, there's trendy ... and then there's Tren-D — a women's clothing and accessories store now open at Downtown Disney. The concept is Disney meets Anthropologie, with a target audience in the 18-to-35 range.

Here are five things to know about Minnie Mouse getting funky.

1. The interior of Tren-D could be branded as chaotic. "We wanted something eclectic," said Mark Perrotta, Disney director of product design and development. "We wanted chandeliers next to figurines, next to chicken-wire mannequins, next to empty frames."

2. Long, extremely lean versions of a hyper-trendy Minnie appear on columns. Over here, she's downright baby-doll; over there, she's Paris Hilton-like, even toting a tiny Pluto in her arms.

"We've really pushed the envelope with our characters, which I think has been really fresh," Perrotta said.

Some of the designs feature Disney icons, including the Mickey Mouse head, incorporated with another well-known symbol, the peace sign, into bags and T-shirts. Mickey also makes a subtle appearance on a hot brand of British sandals called Fitflops.

3. Disney-generated fashions will share display space with brands such as Roxy and Billabong, and will be priced in that neighborhood.

"Now we have 'Disney-cool' at the right price point," Perrotta said. "You can't tell what's branded versus what's not branded. We wanted a seamless guest experience."

The Tren-D space, near the Marketplace pin-trading area and the Once Upon a Toy store, previously housed the Summer Sands store, which featured brands such as Tommy Bahama.

The space is connected with the Team Disney Athletic Club, which features sporting apparel and equipment.

4. The fixtures are mix-and-match and sometimes recycled from other Disney World properties. A watch case was once a candy display at the Grand Floridian resort, and a set of large cabinets was rescued from Tinkerbell's Treasures, a retail outlet in the Magic Kingdom theme park. They were headed for the junkyard.

5. But how to keep Tren-D, well, trendy? "We'll deliver more often and not buy as deep, because we want that guest to come back," Perrotta said.

The company hopes customers cluster around the clutter.

"This is the fine balance: Is it too messy or too straight?" he said. "We're going to find out a lot in the next 30 to 60 days."

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Recession deals at Disney World

Newsday
 - The Disney magic is still there.

"Fairy godmothers" still sprinkled pixie dust over little girls. Belle, Cinderella and Sleeping Beauty continued to embrace child after child during breakfasts and lunches. Characters still danced down the street to smiles and waves, and restaurants still were crowded with tourists. And as we left the theme parks each day, smiling Disney employees still waved Mickey gloves and greeted us as friends.

But there was, indeed, a change in the air at Disney World this year - and it wasn't just the weather, which was a bit cold for Florida in February, when my family took our 4-year-old daughter on her first trip to Disney World. We never waited on a ride line longer than a half-hour. Fastpasses for even the most popular of rides were available fairly easily. And we found spots in Epcot, for instance, that were, quite literally, quiet and calm, with few people around and plenty of space.

To be sure, Disney is far from recession-proof - park attendance here and at Disneyland in California dropped 5 percent in the first quarter, according to Disney's financial filings. The company's total profits dropped 32 percent, thanks to the economic downturn.
 
But once inside the bubble that is Disney World, we found few were talking about the bad economy and plenty of people were spending plenty of money.

World's population is down a bit

THE SCENE

The theme parks were relatively quiet while we were there - though it was a generally off-peak time for Disney World. Fastpasses, which give you a time later in the day to go back and ride, continue to be the way to go when lines build - and we found that by using them, waiting became unusual rather than the norm.

MAGIC KINGDOM

On our first day, we were able to explore nearly all of Fantasyland in about an hour. Overall, lines were often short, even for newer, popular rides such as Buzz Lightyear's Space Ranger Spin. The biggest line we saw was for the little girls who hoped to meet Tinker Bell and her fellow fairies in Mickey's Toontown - they waited for two hours at times. (My girl was able to meet those fairies on our last day, when we got to the line as it opened.)

EPCOT

A crowd began to build outside Epcot more than a half-hour before it opened, but once inside the park, it was sometimes hard to tell how busy it was because Epcot is so expansive. Thanks to Fastpass, lines were again not much of an issue. Our longest was about 20 minutes - for Soarin' at the very end of our day. World Showcase continued to be relatively quiet throughout the day, too, and there were even some empty tables as we were eating dinner at the United Kingdom pavilion at the end of the day.

ANIMAL KINGDOM

At Animal Kingdom, where fewer rides usually mean longer lines, we walked right on to popular attractions such as the Kali River Rapids Ride and got in to see popular shows such as the "Festival of the Lion King" and "Finding Nemo: The Musical" right before they started, despite the recommendation to get there 45 minutes early.

HOLLYWOOD STUDIOS

Using Fastpass, we cruised through the long lines for the popular Toy Story Mania, Aerosmith and Tower of Terror rides. Older rides, such as the Great Movie Ride and Star Tours, had no wait at all. The shows had plenty of room to spare, except Fantasmic! - which was mobbed. Our daughter was able to meet plenty of characters, too.

HOTELS AND RESTAURANTS

As a Disney guest, you couldn't see a slowdown in the World's restaurants or hotels. But it's unclear how much of that was because people were still spending, or because they got great deals.

Princess lunches at both Cinderella's Royal Table in Magic Kingdom and Epcot's Norway Pavilion were full when we were there with our 4-year-old princess. I was unable to change some of our dining reservations, even at our hotel's restaurant, because they were booked.

SHOPS AND EXTRAS

It seems parents (like us) are still willing to spend money on their children. The Bibbidi Bobbidi Boutique, where little girls and boys can be transformed into princesses and princes, never had a chair empty while we were there. Crowds gathered on Main Street to buy personalized Mickey ears and other goodies. Said Kelly Frank of Wisconsin: "It was so much fun to see it through their eyes. That made it worth every penny."

It's a small (er) price after all

Despite all the bad news about the economy, plenty of families still are coming to Disney - helped in part by the deals Disney is offering.

Wisconsin residents Kelly and David Frank brought their two daughters, ages 4 1/2 and 3, to Disney World last month after six months of planning. As the economy went bad last fall, "we did consider ... canceling the trip," said Kelly Frank, 33. But the fees to cancel, combined with the deal that gave the family two nights for free and a $200 Disney gift card to spend, encouraged them to keep the plans in place.

Here's a sampling of some theme park deals currently offered in Orlando:

Buy Four, Get Three Free


WHAT Seven nights accommodations and park admission for the price of four

WHERE Walt Disney World Resort hotels

WHEN Through Aug. 15 (book by March 29). Some blackout dates apply.

Some say it's the best deal ever from Disney. At a "value" resort, such as All Star Sports or Pop Century, you can bring a family of four to Disney for seven nights - including park admission for seven days - for $1,375, a savings of $416, according to Disney. You may also get a Disney gift card, depending on when you travel and where you stay.

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The Wonderful Green World of Disney

GlobeSt - Walt Disney Co.’s recently announced environmental goals to reduce its facilities’ emissions, waste, electricity and fuel use, and impact on water systems. But, given the number and size of those facilities--stores, parks, offices--operated by the company, are they feasible?

Surprisingly, many of them may well be, environmental experts say, as the company has chosen to focus on elements they can actually control, and given practicable short-term goals.

The environmental goals are part of the company’s 2008 Corporate Responsibility Report, which also discusses other issues such as charitable giving and workplace diversity. Created by an environmental council of senior Disney executives, they include the company’s first comprehensive greenhouse gas inventory. The report covers all of Disney’s facilities, including its theme parks--except for Tokyo Disneyland, which is neither owned nor operated by Disney--resorts, cruise ships, office buildings, and sound stages.

"While Disney has always been a leader in environmental stewardship, we are taking ambitious steps to help preserve our planet for future generations," says Disney senior EVP and CFO Thomas O. Staggs, in the press release introducing the report.

The company has been an Energy Star partner for more than 10 years, and its Florida hotels have all received Florida Green Lodging Certification. The long-term environmental goals outlined in the report are: Zero waste; Zero net direct greenhouse gas emissions from fuels; the reduction of indirect greenhouse gas emissions from electricity consumption; net positive impact on ecosystems; minimizing water use and product imprint.

"It’s not comprehensive," says Lauren Yarmuth, a principal of YRG Sustainability Consultants, New York City. "However, what they’re doing is very impressive."

The idea of zero waste, though, might be astonishing to anyone who has visited a Disney theme park on a peak day. Millions of visitors generate trash. In 2006, Disney’s theme parks and resorts--again, with the exception of Tokyo Disneyland--generated 298,000 tons of trash, 170,000 tons of which were sent to landfills, the report said. A short-term goal is to decrease solid waste to landfill to 50% of the 2006 baseline level and increase percentage of purchases that include post-consumer recycled material by 2013.

"In terms of zero waste, it’s absolutely feasible," Yarmuth says. "It’s a matter of the supply chain."

Disney World in Florida has a major composting facility, and the real trick will be to encourage visitors to separate their trash even as they’re enjoying the resorts, ships, or parks.

"It’s extremely regulated," says Claire Woolley, a former environmental attorney in her native New Zealand, and now a vice president with Chicago-based tenant representation firm Howard Ecker + Co. Woolley has visited the Orlando compost facility. "Behind the scenes, it’s a tight ship." It’s extremely important to note that Disney is only focusing on what it can directly control, Woolley added.

"The trick," Yarmuth noted, "is where they buy cotton candy with packaging from the outside world."

But much like Wal-Mart, Disney’s sheer size can influence vendors to produce greener materials. Last year, the company recommended that its branded plastic bags be made of recycled material and that paper bags be made from approved pulp.

Achieving zero-carbon emissions may be a bit more challenging.

"It’s kind of aspirational," Woolley says. "But it’s not a bad thing. It’s kind of possible."

In 2006, the company reported direct GHG emissions from fuel combustion and refrigerant leaks of 566,042 metric tons, indirect GHG emissions from electricity of 1.1 million metric tons, and 2 billion kilowatt hours of electricity.

Disney seeks to achieve 50% of its long-term goal for direct emissions from fuels through a combination of reductions, efficiencies and offsets by 2012, and to reduce electricity consumption in existing assets by 10% compared to 2006 by 2013. That may be more difficult, even the company acknowledges.

"Achieving zero net direct GHG emissions depends on the ability to reduce or eliminate consumption of carbon-based fuels such as natural gas, gasoline and diesel, and acquire or generate carbon offsets from projects. Alternative fuels, such as biodiesel, are currently available, but only in limited quantities and for limited applications," the report said. "In the case of carbon offsets, there is no formal, governmental oversight or regulation of such efforts in the United States. Therefore, caution is required to choose credible partners to generate carbon offsets. Transparency and completeness in reporting are critical, as well as due diligence in selecting carbon offset programs."

Financing will be required to create an integrated design approach that would maximize efficiencies, and the company would need to identify opportunities for self-generation on a much larger scale than ever before, the report added.

"They wouldn’t have put themselves out there with this kind of detail if they didn’t think they could do it," Woolley says.

The keys, Woolley noted, are the specific median goals that can focus the company and give a sense of accomplishment. "It’s really important they’re making the effort," Yarmuth says. "And it’s the right effort."

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Celebrity Chef Cat Cora To Open New Walt Disney World Restaurant

Disney News - Chef Cat Cora and Disney are joining together to open an exciting new family dining restaurant at Disney’s BoardWalk Resort.  Kouzzina by Cat Cora will feature a menu of Mediterranean-style cuisine that pays tribute to the chef’s Greek roots.

The restaurant, to be owned and operated by Disney, is scheduled to open by fall 2009 in the space currently occupied by Spoodles.

“I am pleased to welcome Cat Cora and her engaging new concept for Kouzzina to the Walt Disney World Resort,” said Jay Rasulo, chairman, Walt Disney Parks and Resorts. “This collaboration between Cat and Disney represents a significant step in our ongoing commitment to offer unique culinary experiences and choices for our guests.”

As a Mississippi native born to a family of Greek restaurateurs, Cora grew up immersed in two different and flavorful cultures , and has taken from that unique background the kitchen “know-how” handed down through generations.  The cuisine at Kouzzina (Greek for “kitchen” and pronounced “koo-zee-nah”) will showcase Mediterranean cuisine and Chef Cora’s philosophy to create simple yet sensational meals.

Cora said that the new restaurant will feature “time-honored recipes passed down from my ancestors, as well as my favorite Greek and Mediterranean dishes that my family loves.” 

She began working with Disney in 2008 by creating a Disney Video on Demand series to showcase ways to help families develop more healthy eating habits. “I’m extremely excited about this latest extension of my relationship with Disney,” she said. “Together, we’re going to develop a truly amazing contemporary Mediterranean restaurant.”

The first and only female Iron Chef on Food Network's hit show “Iron Chef America,” Cora is a graduate of the Culinary Institute of America in New York. She also is Executive Chef for Bon Appétit magazine.  In addition to hosting the instructional cooking demonstrations for Disney Video on Demand, Cora has been a featured chef at the Epcot International Food & Wine Festival and at Disney’s California Food & Wine Festival at Disneyland Resort.

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Thinking 'fast' at Disney? Reverence can wait

StarNewsOnline - Mickey Mouse interfered with my week of Lenten fasting.

Recently, my husband scored some cheap plane tickets to Florida, and suddenly we had two weeks to plan for our daughter's first trip to the Magic Kingdom. I couldn't resist "It's a Small World," "Pirates of the Caribbean" and eating massive turkey legs.

The week we planned our trip was the week I had originally hoped to fast. But I couldn't imagine spending my first few days of Lenten fasting trying to keep up with my preschooler in a theme park through the Florida heat.

So I postponed the fast until after the trip. It was my first weakness. There would be more.

To give some background, I grew up Baptist in a traditional church that did not encourage the act of fasting during Lent. Rather, its emphasis was on Jesus' sacrifice for our sins and the resurrection. So the only time I have purposely fasted in my life was before a major surgery.

I hadn't really given personal fasting during Lent much thought until I spent a month at Duke Divinity School last fall. There, I took a class on fasting and was inspired by the stories I heard.

The students spoke of fasting as if it were the greatest, most spiritually clarifying act they had ever experienced. They said they felt more peace and a greater connection with God.

Fasting sounded like a peace I could use in my life right now. I wanted a way not only to glorify God, but to prove to myself that I needed spirit more than I needed food as my substance.

Several media stories at the start of Lent this year said more people were giving up conveniences and luxuries such as iPods or texting instead of food. That didn't seem as sincere to me. No offense to all you technology-fasters out there.

I don't rely on my iPod or texting like I do on food. But because I've had some trouble with food in my life - more under-indulging than over-indulging - I usually make sure to have my three squares.

So I saw giving up solid food from sunrise to sunset for five days as a sacrifice and somewhat of a risk. What if I lapsed back into my old not-eating habits, I worried.

Oh, ye of little faith, right?

Of course, I had some rules. I took a few pages from the Muslim fasts for Ramadan in the hours I chose not to eat: sun-up to sundown. And I followed some of the Catholics I know who do not fast on Sundays, a feast day. I decided to fast in secret, though I wanted to write about it afterward to keep myself accountable. Also, I wanted to read scripture and pray before I ate my morning meal and my evening meal.

So that meant I rose earlier, and my family had to wait until about 7:30 p.m. each night for their dinner. Bless you for your patience, family!

A local pastor suggested I should pray when the hunger pangs hit. I took her suggestion to heart.

For the most part, my days passed peacefully. I drank plenty of fluids and didn't dwell on food smells in the newsroom at lunchtime. Truly, I didn't miss the food, and I felt more attentive.

But there were trials. I fasted through newsroom smorgasbords on two different days. And the chow-down spot in the newsroom happens to be right behind my desk. Wings, potato salad, Irish soda bread, strawberry shortcakes, green Rice Krispies treats, fried chicken, pasta salad and more. The smells overwhelmed me.

I had to shut my eyes and pray. I asked for this, and I was doing this for God, I prayed.

As my fast progressed, I began to really enjoy reading Bible passages about fasting or God's love each day. I read scriptures in Jeremiah, Matthew and John and sat contemplating their meanings.

In the end, I realized that giving up day-time solid foods was such a small sacrifice. I felt almost guilty ending the fast.

More than that, having that quiet time to read and pray allowed me to start my days with peace and a greater sense of God's love and a love I needed to reflect to the world.

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What I’ve learned from Disney films

Northwest Herald - In a week, my wife and I will be jetting to the happiest place on earth.

No, not Peoria.

For a week, we’ll be spending time in Walt Disney World in Orlando, Fla., hanging out with Mickey, sailing with pirates and rediscovering that it’s really just a small world after all. Because I haven’t ventured into the Magic Kingdom since I was 6 and haven’t watched a Disney movie (not counting those nifty Pixar productions) in a decade, we’ve been revisiting some of the “classics” over the past few weeks.

Here are a few of the lessons I’ve learned from my time in ’toon town:

• Hyenas and vultures are bad news. Ferocious lions, tigers and bears can be allies – even heroes – in Disney movies, but watch out for those scavengers. Hyenas and vultures are usually harbingers of evil in the animated animal kingdom, often serving as henchmen. One exception: The friendly vulture quartet in 1967’s “The Jungle Book,” who were styled after The Beatles. Maybe the mop-tops were perceived as villains by the older animators.

• I know all the words to all the songs in “The Little Mermaid.” Released when I was a kid and replayed endlessly on video through the early ‘90s by my younger brothers, “Mermaid” and its tunes have apparently been grafted into my cranium. I wasn’t aware of this until, while watching, I discovered I could replicate every mangled French lyric to “Les Poissons.” Sacre bleu.

• Animal relationships are more complicated than human ones. Snow White gets sent off to happily ever after-land following a mere kiss. Prince Eric falls in love with Ariel’s voice. Aladdin and Princess Jasmine bond on a magic carpet ride. Then, let’s get married. Done. Perfect. How many of these quick courtships end up in divorce? Is there an animation alimony fund? Meanwhile, Lady and the Tramp do it on their first date (it’s not seen, obviously, but suggested). Simba and Nala build from a foundation of childhood friendship. Pongo and Perdita have a stable enough marriage to withstand taking care of 99 puppies. Could lazy old Sleeping Beauty handle even one screaming baby without the help of her three fairy godmothers?

• My voice recognition skills have improved since I was young. I think it would have freaked me out as a tyke to realize that Winnie the Pooh sounded suspiciously like Mr. Stork in “Dumbo,” the Cheshire Cat in “Alice in Wonderland” and Kaa the python in “The Jungle Book” (all voiced by Sterling Holloway). Maybe I would have figured it out if the Cheshire cat yearned for a honey pot. Oh, bother.

• Some of these movies don’t hold up. Shocking, I know. Although I didn’t expect all of these films to live up to my childhood memories, I was surprised at some that did and others that didn’t. I used to love “Peter Pan,” but as an adult I found myself identifying more with Captain Hook while watching this haphazard fantasy. I was barely able to endure the 2-hour, 20 minute “Bedknobs and Broomsticks” at 27; I don’t know how I was able to sit through repeat viewings when I was 7. On the other hand, “Fantasia” used to bore me silly and I had no warm feelings toward “Lady and the Tramp.” Now, I see the former for its whimsical, animation breakthroughs and the former for its elegant, mature storytelling.

• You never know where racism will pop up. Due to NAACP protests, Disney has kept 1946’s “Song of the South” (in which former slaves seem affectionate toward the “good old days”) unavailable on DVD. But plenty of other racist characterizations permeate the Disney oeuvre. Jive-talking crows appear in “Dumbo,” the Siamese cats in “Lady and the Tramp” share a Charlie Chan-like dialect and there’s a whole song in “Peter Pan” dedicated to telling us “What Makes the Redman Red.” How helpful.

• Maleficent still gives me the chills. My favorite Disney villain gets all nasty just because she doesn’t get an invitation to the princess’ baptism. Imagine what she’d do if you really made her mad. Plus, the devil-horned sorceress can turn herself into a giant dragon. Beats an apple-toting witch any day.

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Sunday March 15, 2009

'Race to Witch Mountain' takes early box office lead
Disney enthusiasts win prize of their dreams
Theme park etiquette: Reserving parade viewing spots at Disney and Universal
St. Patrick's Day at Disney World, Universal Orlando

'Race to Witch Mountain' takes early box office lead

Entertainment Weekly
 - Dwayne Johnson's Disney update Race to Witch Mountain kicked off the weekend in first position, grossing $6.8 million at the box office on Friday. Family films tend to earn a lot of their money on weekend days, so this movie is well on target to pull further ahead on Saturday and Sunday and win the frame with a gross in the mid-$20 mil range. Meanwhile, the weekend's other new remake, The Last House on the Left, scared up $5.6 mil on Friday the 13th. Fellow freshman flick Miss March was out of the running with just $890,000. And reigning champ Watchmen dropped a hugely disappointing 78 percent from a week ago to bring in a mere $5.4 mil. Friday's figures are below, and please check back here on Sunday for a full weekend recap in the Box Office Report.

1. Race to Witch Mountain -- $6.8 mil
2. The Last House on the Left -- $5.6 mil
3. Watchmen -- $5.4 mil
4. Taken -- $2.1 mil
5. Tyler Perry's Madea Goes to Jail -- $1.5 mil

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Disney enthusiasts win prize of their dreams

The Republican - Two years ago Michael J. Wilk, a Chicopee police officer, proposed to Jessica J. Carroll in front of Cinderella's castle at Walt Disney World in Orlando, Fla.

Wilk has always loved Disney's creations, and Carroll shares his enthusiasm. The walls of their home are covered with hundreds of colorful pins from different Disney attractions, many of which they have visited together.

Now this couple is living out a dream, having won a top prize in Disney's "Year of a Million Dreams" promotion.

The prize is a free 47-year membership in the Disney Vacation Club, which entitles them to visit Disney attractions and stay at Disney's Saratoga Springs Resort (inspired by the historic upstate New York spa) in Florida or at 499 other Disney-owned locations anywhere in the world.

The prize is worth $88,900 - and Disney has already paid the taxes on it, says Wilk.

The couple entered the contest over and over again after finding out about it on a trip to Disney World in 2007.

"When we got back, we both mailed in our names on index cards, separately, every day for four months," says Carroll.

"Then they extended the contest to 2008," says Wilk. "So we starting mailing entries every day in December, January and February," says Carroll.

When their efforts did net a prize, it was so fabulous that they could hardly believe it.

The news came in March 2008 in the form of a Federal Express box with "Magic Kingdom Promotions" as the return address. "I opened the box," says Wilk, "and there was a book.

"I figured I had won a book. I didn't think anything of it until I pulled out another book called 'Vacation Planner.'"

As the reality dawned on him, Wilk called his fiancee, who almost drove off the road with excitement.

Carroll called Disney World. "I said, 'Is this true?'" she says. When the answer was affirmative, "we immediately booked a trip for three days!"

The best thing about the prize, says Carroll, is that every caller to the Disney Vacation Club is greeted with the words: "Welcome home!"

Wilk's eyes fill with tears at the mere mention of the words. "It's the most amazing feeling," he says.

Wilk, 41, and Carroll, 33, met three years ago.

Wilk, whose dad was a police chief in Chicopee, has been an officer for 17 years. Carroll works in a behavioral health clinic at Baystate Medical Center in Springfield.

"We're the type of people who would rather do things for others," says Wilk.

They have both struggled with the pain of divorce. They have three children between them.

Carroll remembers growing up without much money. By the time the family could afford a trip to Disney World, her father died of a heart attack.

The vacation prize is "a dream come true," says Carroll, adding that Disney World "is not just make-believe. It's phenomenal. It's a place to be happy, to be yourself, and not to feel the stress of everyday life."

"Disney equals happiness," says Wilk. He learned that many Disney Vacation Club members are police officers like him. He understands why. "It's because of the stress of their jobs," he says. "It's an escape from reality."

Wonderful as their prize is, Wilk and Carroll say having each other is even better.

"It wouldn't mean anything if I didn't have her," says Wilk. "We're soulmates."
Their blue eyes sparkle as they talk.

"Our kids so want us to get married at Disney World," says Wilk, adding that he would like to hire Cinderella's coach for the wedding.

The Disney "Dream Squad" people were waiting to greet the couple the first time they arrived at their Disney World resort hotel as winners.

"They were so happy we won," says Wilk. "They were thrilled to death for us.

"When we walked into the library, they said, 'Welcome home!'" says Wilk, tearing up again. "When we walked into the restaurant, they gave us a standing ovation."

"It was amazing," says Carroll. "Everyone we tell our story to says they get chills."

"This is better than winning the lottery. This is something we can cherish with our kids and our grandkids."

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Theme park etiquette: Reserving parade viewing spots at Disney and Universal

Examiner - Parades are as much a part of the theme park experience as rides, shows, and character greetings. Disney World has daily parades at the Magic Kingdom, Disney Hollywood Studio, and Animal Kingdom. While Epcot doesn't have a parade, the nightly Illuminations show brings up a similar situation. Universal has seasonal offerings at Mardi Gras (pictured at right) and Christmas, and the Mardi Gras parade adds an extra element by having floats that toss out beads to the spectators. While parades should be a fun experience, "reserved spot rage" can flare up and turn them into a nasty confrontation.

In the busy season, the unspoken rule for parade viewing is: if you want a good spot, stake it out early. That may sound simple, but two major etiquette issues come up. The first is, even if you're there early, just how much space can you reasonably expect to take up? Often one or two people will grab a prime spot on Main Street at Disney World an hour beforehand, but try to hold room for their other six family members. Others come along later, see the prime real estate, and try to move in. Mayhem quickly ensues. Or maybe the other family members were there to start with, but needed a potty break or went off to get some ice cream. While they're gone, someone else tries to move in and you're got a confrontation on your hands.

There is no set-in-stone rule, but personally I believe that if seeing the parade is important enough to you, you'll come there early and stay put, other than necessities like a sudden bathroom urge. That goes for the kids too. Once they're past toddler stage, they're old enough to learn how to prioritize. If they want to see the parade but don't want to hang out for an hour, as a parent you can simply say, "Okay, then we won't be able to do that. What would you like to do instead?" Now you've just combined a life lesson with a trip to the theme parks.

I don't have much personal experience, as my husband and I tend to watch the parades in the off-season, so we don't have trouble getting a good spot even if we arrive relatively late. But as far as I can tell, peak season spot holders do so at their own risk. I don't think most have any difficulty holding a spot or two, but when you're holding enough for the entire Brady Bunch, including Alice and Sam, how can you stop people from simply taking the spot? You could try to complain, but since you have no special "right" to that space I don't think you'd find a worker to back you up.

The second etiquette issue is the spot poachers who come at the last minute, then shove themselves up to the front. Often they'll send their child ahead as a "scout," since adults in the front row will often let a small child step in front of them. Suddenly Mom, Dad, five more kids, and a troop of aunts, uncles, and cousins have all trampled the Good Samaritan, who is now staring at their backs.

If you're there early, you have to walk a fine line between being nice and asserting your rights. If you're an adult and you choose to let kids stand in front of you, make it clear that it's the kids only. If the adults say, "I can't let them stand in front of a stranger. I have to stand there too," politely but firmly explain that it's the little ones only or no one. If you're standing there with your own kids and others try to push them out of the way (it happens a lot...some self-absorbed families don't care who they trample and see kids as easy targets), be prepared to step in and be a protective parent. Calmly but loudly call out the offenders ("Why are you pushing my child out of the spot that she's been in for an hour? Do not touch her again or I will call someone over here to deal with you.") This publicly announces their behavior and lets them know that you won't tolerate it,

It's sad that you have to deal with rudeness while you're on vacation, but any time you're out with large groups of the general public, you'll find rude and entitlement minded people among them. Thankfully there are still nice people, too, like those who give away their extra Fastpasses or hand out a pin or balloon to a child. Don't let the rude ones take advantage of you, but don't dwell on them either.

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St. Patrick's Day at Disney World, Universal Orlando

Examiner - If you're at the theme parks or in the Orlando area on St. Patrick's Day, you can join in the celebration quite conveniently. Both Disney and Universal feature their own Irish pubs, and the Lake Buena Vista area, right outside the Mouse's gates, has an offering of its own.

Disney World

Raglan Road located at Downtown Disney, claims to offer authentic Irish fare, although I've often wondered if a "forest" of scallops served on upturned forks or a wild forest mushroom chowder actually fit that description. Still, the food is quite tasty and there are many Irish offerings, too, such as colcannon and bangers and mash. Of course, there are plenty of ales and spirits too if you'd like to wet your whistle in honor of the day. This year's celebration will be held on both March 16 and 17 and feature U2 Elevation, a U2 tribute band. (although the holiday menu may be limited).

Universal Orlando Resort

If you're at Universal Studio, check out Finnegan's, their resident Irish pub, located right across from the Revenge of the Mummy ride. Like Raglan Road, Finnegan's offers a mix of traditional dishes and familiar American favorites, often accompanied by live music. Warning: their soda bread, served with apple butter, is downright addictive. Want to try something adventurous? Order the scotch eggs, which are wrapped in sausage, breaded, and deep fried. Or how about that traditional St. Patty's day delight, corned beef and cabbage? If none of that sounds good, just opt for a regular burger. Their beer flights are a great way to taste some interesting combinations, like beer and cider or beer mixed with soda.

Lake Buena Vista

Kitty O'Shea's Irish Pub is located at 8470 Palm Parkway, a stone's throw from the Disney gate at the Crossroads. The menu is simple but hearty, as the emphasis here is on beer. You'll find TVs, video games, and darts, and pool tables to keep you entertained after dinner.

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