MickeyXtreme's News Archive May 21-27 2006

Saturday May 27, 2006

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Friday May 26, 2006


 
Volvo plans to stage a worldwide treasure hunt online as part of its global sponsorship of Walt Disney Co.'s much-anticipated sequel "Pirates of the Caribbean: Dead Man's Chest."
 
"Pirates don't drive cars, but they do love searching for buried treasure," said John Maloney, VP-communications of Volvo. The Irvine, Calif.-based division of the Ford Motor Co. will support the movie in the U.S. with a TV commercial and online treasure hunt. The commercial breaks June 12 on national cable networks and on spot TV and will air for a month. The film opens July 7.

The spot, from Euro RSCG, New York, to introduce the online sweepstakes that gives consumers a chance to win a custom-made XC-90 sport utility vehicle shows the SUV being lowered into the ground, along with clips of the movie's star, Johnny Depp, from the flick.

Treasure map
Participants must visit a Volvo U.S. dealership to get a treasure map with a code that directs them to a Web site (volvocars.us/thehunt), which goes live June 12. (They are not required to test-drive any models.) Over the next four weeks, entrants must solve a series of clues to locate where the XC-90 is buried.

Volvo introduces the promotion next week on local gaming message boards and stand-alone blogs to create momentum before the campaign starts. Volvo will run online ads next week on sites like YouTube.com, Movies.com, Google and Fandango.com "just to get the buzz going," Mr. Maloney said. Newspapers ads are also part of the media plan.

The game will be played in silos in other countries. The first three U.S. players to solve all the clues will be flown to a secret location to join finalists from other countries. There, they will participate in physical challenges, which Mr. Maloney likened to reality show "The Amazing Race." Although only one winner gets the one-of-a-kind XC-90, the other finalists will also get prizes.

"It's hard to say how many players we'll have in this game," Mr. Maloney said. The main goal of the contest is to create awareness of Volvo's changed lined of models and drive traffic to showrooms.

Volvo said its U.S. sales through April slid 9% to 38,101 vehicles vs. a year ago and by 11% in calendar 2005 to 123,587 units compared to 2004.

Yacht race
The deal between Volvo and Disney sprang from Disney's sponsorship of a yacht in the year-long Volvo Ocean Race that will eventually cover 31,000-plus miles. Disney executives latched onto the sea-faring event because it closely reflects the movie's theme. There's an American skipper at the helm, along with a 10-person crew on the custom-created boat, aptly named the "Black Pearl," which flies a skull and crossbones flag from the film. The boat's official number, displayed prominently on a sail, is 7706, the date the movie launches.

The sailing event draws media attention and fans in key international territories, meant to build momentum for the movie in places like Australia, Brazil, Spain and Sweden, said Donald Evans, VP-marketing and promotions for Buena Vista Pictures International. "Those [countries] represent a large percentage of our international box office," Mr. Evans said. "These are places that will have a significant impact on our business."

Volvo's last major deal with a Hollywood studio was nine years ago, when it spent an estimated $10 million in advertising to co-market Paramount Pictures' big-screen adaptation of the TV series "The Saint." The alliance was part of the launch of its C70 coupe, which appeared in the film and tied in with the car the title character drove in the original TV show.

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Cars, the latest movie from the geniuses at Pixar Animation Studios, hits theaters next Friday, June 9th. The fun thing about Pixar flicks is that they typically combine fun, artfully-told stories with plenty of computer-animated eye-candy. And from the looks of things Cars will be no exception. Today, we've got an exclusive first look at some production stills from the film. You can click the images below to view a gallery with larger versions.

Set in the world of auto racing, Cars follows Lightning McQueen (voiced by Owen Wilson) a hotshot rookie race car driven to succeed. He discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters - including Sally (a snazzy 2002 Porsche voiced by Bonnie Hunt), Doc Hudson (a 1951 Hudson Hornet with a mysterious past, voiced by Paul Newman), and Mater (a rusty but trusty tow truck voiced by Larry the Cable Guy) - who help him realize that there are more important things than trophies, fame and sponsorship.

In addition to Wilson, Hunt, Newman and Larry, the movie's all-star voice cast also includes Cheech Marin, George Carlin, Richard Petty, Michael Keaton, Tony Shalhoub, John Ratzenberger, Michael Wallis, Paul Dooley and Jenifer Lewis.

Check out the new pics at IGN at this LINK

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Disney's Game Café Offers Two New Games Based on Sudoku Craze

Stop by the Disney’s Game Café to play Disney's Disoku Apprentice or Disney's Disoku Master. Both are available for a free trial or can be purchased for $19.99. Featuring beloved Disney Characters from 12 animated classics including Aladdin, Peter Pan, and Snow White, Disney's Disoku Apprentice lets everyone from puzzle-solving beginners to avid players join their favorite Disney friends for endless puzzle fun while Disney's Disoku Master compbines the popular number puzzle sensation with notorious Disney Villains.
 

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A late day rally allowed shares of Disney to climb to a new 52-week high on Friday. The entertainment giant and component of the Dow Jones Industrial Average gapped open higher at the start of trading and continued to climb in the first hour of trading. However, the stock spent most of the middle of the day in a trading range off its intraday high. In the final hour of trading, Disney rallied once again, eventually finishing higher by 36 cents at $30.51.

The late move allowed the stock to move above a trading range that had held it for the past couple weeks. Disney, which rallied early in the month, reached its highest level since 2001.

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George Aguel, senior vice president for Walt Disney Parks and Resorts, has been honored by "Black Meetings & Tourism" magazine with its 2006 APEX Award for distinguished service.

The award was presented during the recent Travel Professionals of Color conference in Las Vegas.

Previous award recipients include Kweisi Mfume, former president and CEO of the NAACP; talk show host Tom Joyner; and William Norman, former president and CEO of the Travel Industry Association.

He has been inducted into the Convention Industry Council Hall of Leaders and was ranked by the Hospitality Sales and Marketing Association International as one of the most extraordinary sales and marketing minds in the hospitality industry.

Aguel has also been designated a Fellow by the American Society of Association Executives and has been repeatedly recognized as one of the 25 most influential people in the industry.

He is also a recipient of the Don Quijote award from the Orlando Hispanic Chamber of Commerce and the Orlando Hispanic Business Initiative Fund.

Walt Disney Parks and Resorts is the segment of the Walt Disney Co. (NYSE: DIS) that operates the company's theme parks. It is based in Lake Buena Vista, Fla., where Walt Disney World is located.

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Disney Studios is reported to be working on a Bollywood feature film version of a TV musical based loosely on Shakespeare's classic love tale 'Romeo Juliet', starring actors from India and using Indian-flavoured songs.
 
The company will also consider re-shooting its made for TV 'High School Musical' with Spanish speaking actors for Latin markets, according to a report in the Washington Times. Disney has shipped 1.8 million DVDs to retailers with plans to sell it in 100 countries.

The musical centers on Troy, a high school basketball star and wannabe singer, and the nerdy Gabreilla. The mismatched pair meet at a New Year eve karaoke contest, fall in love and decide to audition for their high school musical against the wishes of their friends, thus sealing their fate.

'High School Musical' was simply one of the 65 made for TV movies produced by the Disney channel since its January debut for a modest $4.2 million before its young audience learned the upbeat pop tunes and dance numbers from 'behind the scenes' features and music videos. A hit was thus born.

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This Sunday May 28, 2006, marks the 40th anniversary of the opening of the classic attraction "it's a small world" at "The Happiest Place on Earth." One of the most popular Disney attractions of all time, the show is a fun-filled and whimsical salute to the children of the world that conveys its message of peace and harmony through the international language of music.

The water-borne journey originally debuted on April 22, 1964, at the New York World's Fair, but it was its move to an elaborate new home at Disneyland that firmly cemented its place in pop culture and created, literally, an unforgettable theme song (much to the chagrin of many).

Although it was a hit with visitors to the fair, "it's a small world" did not gain widespread fame as a must-see Disney experience until after Walt Disney himself presided over its official opening ceremonies at Disneyland on May 28, 1966. The attraction's new address in Fantasyland provided a platform where millions of guests from around the world would be annually introduced to its visual charms and catchy title tune (by the Academy Award-winning songwriting team of Richard M. and Robert B. Sherman).

The new Disneyland version of the attraction, with its 900-foot long gleaming white, blue and gold façade, a fanciful 30-foot high chiming glockenspiel clock tower and over 300 singing and dancing Audio-Animatronics performers, became an instant favorite with park guests from around the globe. Through initial merchandise tie-ins (toys, records, music boxes, etc.) and the sheer popularity of its new incarnation, the attraction's theme song became an international sensation (performed by everyone from top-name performers to local school and church choirs), so much so that today it is purported to be one of the most performed and recognized songs in the world.

"Disneyland was the springboard for making our little tune a phenomenal hit," said songwriter Richard M. Sherman whose current projects include successful stage adaptations of his musicals "Chitty Chitty Bang Bang" and "Mary Poppins," soon to debut on Broadway. "The song was originally written as a slow ballad and a prayer for peace and in 1966 the world was in a bad state of affairs so I think the song sparked and resonated even more . . . highlighting that we're all together in this world and we're more alike than we are different."

Due to its popularity at Disneyland, "it's a small world" has been duplicated with similar success at the Magic Kingdom at Walt Disney World Resort in Florida (1971), Tokyo Disney Resort in Japan (1983) and Disneyland Paris Resort in France (1992), ensuring that during every minute of the day its happy anthem is playing somewhere on the planet. Since 1966 more than 100 million people have enjoyed the four different versions of the attraction around the world, resulting in numerous Internet articles citing its title tune as one of the greatest "earworms" (songs or melodies you just can't get out of your head) of all-time.

Inside the attraction the song and melody are repeatedly featured within a soundtrack loop. The loop is played, on average, 1200 times a day during a 16-hour operating day at each Disney Park. It is estimated that the song and melody are therefore played over 4,800 times around the world during any 24-hour period!

The song and attraction have even taken on a holiday motif through the years. On November 27, 1997, Disneyland unveiled "it's a small world holiday," a spectacular seasonal make-over of the attraction (exclusive to Disneyland) that celebrates the winter holidays around the world. Each year the attraction's famous façade is adorned with hundreds of thousands of holiday lights while the interior and its cast of international children receive a festive overlay. Even the familiar "it's a small world" soundtrack gets into the holiday spirit as the attraction's famed song becomes part of a medley featuring "Jingle Bells" and "Deck the Halls."

"Of the many great songs and scores created by the Sherman Brothers, for such classic films as 'Poppins,' 'The Jungle Book,' and 'The Many Adventures of Winnie the Pooh' to name a few, none have the gravitas of international fame as 'it's a small world," stated Jeff Kurtti, co-author of the book "Walt's Time: From Before to Beyond" (a biography of the Sherman Brothers). "From its start as a song for UNICEF at the New York World's Fair to a hit tune synonymous with Disneyland and the Disney parks, the song has become both a beloved and parodied pop culture song staple."

A mainstay of childhood music education, the song has become both cherished and derided. Disney itself has even parodied the song. In the hit 1994 animated feature "The Lion King," the villain, Scar, requests to be serenaded with a bouncy tune to improve his bad mood. His lackey Zazu begins to sing "It's a Small World (After All)," prompting Scar to shout in apparent agony, "No, No! ANYTHING but that!" The song is also playfully poked fun at during the madcap "MuppetVision 3D" attraction at Disney Parks in California and Florida.

"The song's perpetual cheery disposition may be grating on some nerves but there's no denying it's a catchy tune," adds Sherman, with a wink (who confides as an aside that his home doorbell also plays the first few bars of the song). "If this were the only song my brother Bob and I ever wrote we would be most grateful songwriters – to have your song play virtually every minute of the day around the world with a message of peace, childhood hope, understanding between peoples and joy – I don't think it gets any better than that!"

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Disney to donate to Paul Newman's charity

Disney officials will donate $500,000 tonight to a charity organized by actor Paul Newman.

Newman portrays the voice of a character in the new Disney/Pixar animated movie "Cars," which will have its world premiere at Lowe's Motor Speedway tonight. About 30,000 people are expected to be at the premiere.

Newman will receive a check for Association of Hole in the Wall Gang Camps.

The Hole in the Wall Gang Camps, in collaboration with its associated camps in the United States and abroad, provides children with cancer and other serious illnesses and conditions a camping experience.

Newman, 81, spoke Wednesday about the program during a news conference at Lowe's Motor Speedway.

The Hole in the Wall Gang Camps helps more than 1,000 children each summer, offering children a free camp to enjoy.

"We've had parents who would come back and say, 'This is not the same child I left here,' " Newman said. "We had no idea what a life changing experience this would be for these kids."

During the news conference, Newman spoke about several topics, from his racing career, to working in the movie, "Butch Cassidy and the Sundance Kid," to the popularity of NASCAR.

"It's become popular because it's a hell of a sport, and I think people can identify very quickly with the cars," Newman said. "I'm a very competitive person and I always have been and it's hard to be competitive about something as amorphous as acting. But you can be competitive on the track."

While talking about racing, a reporter asked Newman what his credo might be.

"It is useless to put on the brakes when you're upside down," Newman replied, drawing chuckles from the reporters.

Newman also spoke of his marriage to actress Joanne Woodward, whom he married in 1958.

One reporter asked Newman if he could tell them the secret of a successful marriage.

"Impossible," he said. "There's a lot of baloney you can put out there for the record, but I don't have any idea if it holds water. I guess a sense of humor."

Another reporter mentioned Newman's success as an actor, with more than 60 years in the business, and his racing career, which included a win in the Daytona Rolex 24-hour in 1995.

That's when the reporter said it didn't seem as if Newman had any flaws. Newman just smiled.

"Ask my wife," he said. "Just look under the carpet. A lot of murky stuff."

With Newman at the track, other celebrities from the "Cars" movie were at Lowe's Motor Speedway this week, giving media interviews.

Among them were Cheech Marin, Bonnie Hunt, Larry the Cable Guy, John Ratzenberger and Richard Petty.

During the interviews, the actors talked about everything from the first car they had, to their personal lives to future projects.

Cheech Marin

Before he had finished ducking into the room, Cheech Marin was greeting reporters with a broad smile, asking, "How are we doing boys and girls?"

And when he sat down at the table for his questions, he watched as reporters placed their MP3 and tape recorders on the table before him.

Marin didn't miss the chance to crack a joke.

"Please place your offerings," he said. "I shall judge the best one."

Marin was on hand to talk about his role as the 1959 Impala lowrider named Ramone.

During the interview, reporters asked Marin about his plans, including work with Tommy Chong, with whom he acted in "Up in Smoke" in 1978.

"The problem is, I'm perfect and Tommy is crazy," Marin said. "I'm sure that it's the same problem for him."

Marin has also worked closely with director, Robert Rodriguez.

The two have worked together for the movies, "From Dusk Till Dawn," "Desperado" and "Once Upon a Time in Mexico."

Rodriguez's next project is a segment called "Terror Planet" for the anthology movie "Grindhouse."

In typical fashion, Marin made a joke when he was asked about working with Rodriguez on the movie.

"He hasn't called me yet," he said. "Maybe he lost my number."

Larry the Cable Guy

The first car Larry the Cable Guy owned was a 1969 Formula Firebird.

"I had it for about seven days and the cops came and got it," he said. "I got arrested."

He then broke into a smile and talked about how he actually got the car from his sister.

But was that the real story? When people sit down with Larry the Cable Guy, it's hard to tell where the character ends and the real stories begin.

He said he got the deal for the voice of the tow truck character Mater in "Cars" when director John Lasseter heard about 200 voices and none of them seemed right.

Then he was watching a DVD that featured Larry the Cable Guy.

He said Lasseter told him, "The first voice on there was yours. And when I heard it I was like, 'That's the tow truck.' "

Larry continued, twisting things back to a joke, saying, "They sweetened the deal and said, 'We're going to pay you $300.' And I was on it!"

He talked about how "Cars" should attract a good crowd, because it goes for a different target audience than usual.

"They'll go see it just because its got some NASCAR guys in it," he said. "Not only that, Larry the Cable Guy is in it!"

A NASCAR fan himself, Larry spoke about some of the people he roots for, including former driver Dick Trickle as well as current Nextel Cup driver Michael Waltrip.

Larry met Waltrip after a comedy routine at a Charlotte club and the two hung out for a bit.

"He's a better NASCAR driver than a street driver," Larry said.

Larry admits he's earned his fame, but he tries not to let it go to his head.

"I like to be able to walk on my back porch and smell fresh cut hay," he said. "I like doing what I do and it's fun, but at the end of the day I'm the same person I've always been."

Bonnie Hunt

Bonnie Hunt portrays a 2002 Porsche 911 named Sally Carrera in the film "Cars," but her first ride was a far cry from something so nice.

"I had a 1975 Ford Grenada with Bondo on the side and a hole between the gas and the brake and it cost $400 and I had to pay $100 a month," she said. "I actually sold it to another kid the neighborhood."

She said she sold it for about $20 when she was done with it.

"Literally to just get it off my hands," she said.

This is Hunt's third outing with Pixar and she said she's always amazed at what the artists come up with for the movies, especially the early sketches.

"These drawings to them are simple drawings, but to me it's a Picasso," she said.

Hunt said she'll continue working with Pixar as long as they'll have her coming back.

"When you're at Pixar, for me, I'm inspired, I'm included, I'm a collaborator, a student," she said. "It's what you dream show biz would be."

John Ratzenberger

An adventurer, John Ratzenberger is known for his role as Cliff Clavin on "Cheers" and as the host of "Made in America" which had Ratzenberger travel to factories in towns throughout the country.

During his adventures he's met quite a few characters.

"I know a guy who made a carburetor out of a soup can because he didn't have the money for the parts," he said.

That was just one character he met in his travels. And he met even more in Toad Suck, Ark., while on a motorcycle trip from New York to Las Vegas.

He was traveling along the road when he spotted the sign for the community.

"I've got to go explore who this is," Ratzenberger remembers thinking to himself as he pulled into town.

While there he stopped in an Italian restaurant, where his meal came as a bit of a surprise to Ratzenberger.

"It turned out be one of the best Italian meals I've ever eaten," he said.

Ratzenberger did have one wish about going to Toad Suck though:

"I would have loved to have been at the town meeting where they named the town."

Richard Petty

Richard Petty's role in NASCAR has made him known as The King by many race fans.

In "Cars," Petty plays the voice of the legendary car, The King.

"I don't know if it'll make you a stock car fan, but it might get your curiosity up," he said. "It's not a bad selling point for our deal, but I don't know if it's a big selling point. So much of the movie is not about the racing part of it."

Petty said the heart of the movie is about middle America life.

But for many at the speedway, the question was how has NASCAR gone from being a sport to being a major entertainment industry?

"It's gotten to be show biz now," Petty said. "You've got a new crowd people in the country looking for something different. I think I miss just the pure racing part of it. They want more entertainment out of races."

Petty talked about how racing has changed so much that drivers now go to classes to learn how to speak properly and sometimes they even get sent to anger management classes.

He said the "Cars" movie is a good metaphor for racing and one that drivers could pay attention to.

Especially when it comes to the character of Lightning McQueen, who is left in middle America and is trying to make it to the big race to compete for the Piston Cup.

"After being hung out there a while, he realizes there's more to the world then being a winner," Petty said. "You can be a winner without a checkered flag."

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Euro Disney reports tripling in first half loss

Theme park operator Euro Disney reported a tripling in its net loss in the first half of its fiscal year to 101.8 million euros (126 million dollars) from the same period a year earlier.

The company attributed the result in the six months to March 31 to the fact that Easter this year came after the reporting period. It also pointed to a 58.9-million-euro restructuring gain in the year-earlier figures.

Sales fell 1.4 per cent to 467.4 million euros, but theme park attendance and hotel occupancy have since recovered to prior-year levels following a "strong" Easter period, the company said.

"Due to a strong Easter vacation period in April, our results to date reflect stable revenues and good cost containment," Karl Holz, Euro Disney chairman, said in a statement.

"The local Ile de France traffic, including visitation from the Paris tourist market, has been challenging at certain times this year, possibly impacted by social unrest during key periods," he said.

France was rocked by violence in depressed suburbs around Paris and other cities last November when youths burned thousands of cars to protest joblessness and alleged police mistreatment.

Student and trade union groups then took to the streets in March and early April to denounce a controversial youth employment bill, which the government eventually withdrew. Several of the gatherings ended in violent clashes between police and small pockets of demonstrators.

Holz said that with the April 8 opening of the Buzz Lightyear Laser Blast attraction, the company is working to attract more local visitors to the park -- located east of Paris -- in the critical summer season, while continuing to target increased visitation from all of its markets.

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MyNetworkTV Desperate for 'Housewives'

Buena Vista Television, the television distribution division of The Walt Disney Company, has sold "Desperate Housewives" to the Fox-owned MyNetworkTV-affiliated stations for a weekend syndication run.

The one-hour, Emmy winning "Housewives," a crucial piece of ABC's ratings turnaround strategy since it premiered in 2004, will run on the MyTV stations under a two-year deal beginning fall 2008.

As has been the case with most deals in recent years for hour-long off-network weekly series, the stations will not pay a license fee to carry the show's syndicated run. Instead, the advertising time in each show will be divided up between stations and the distributor, with the local stations getting seven minutes per hour to sell locally and Buena Vista getting seven minutes to sell nationally.

Dennis Swanson, president of Fox Stations Group, said he expects "Housewives" serial dramedy style to pair well with Fox's new MyNetworkTV schedule, which kicks off this fall with serialized romance dramas in prime time Monday through Friday.

"It fits consistently in both programming philosophy and promotability with everything we envision for MyNetworkTV," Mr. Swanson said in an interview. "It's 'My Desperate Housewives.' It fits, it's a recognized brand, and it belongs to us in syndication."

A comedic weekend hour launching in fall 2008 may serve MyTV and Buena Vista well, since there are currently no off-network series scheduled to move to syndication that season because of a dearth of viable sitcoms currently airing in broadcast.

The syndication deal for "Housewives" follows a pact Buena Vista made in April with Disney- and Hearst-owned Lifetime Television, which will begin airing the show on a weekly basis starting in August.

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Memories of SBC boycott fade as Disney lake hosts baptisms

In the latest -- and perhaps final -- act of reconciliation in the former war between the Southern Baptist Convention and the Walt Disney empire, First Baptist Church of Orlando leaders baptized more than 100 people May 21 in a Disney World lake.

According to a May 22 Orlando Sentinel story, hundreds of congregants gathered to watch the white-robed baptism candidates in their act of obedience to Christ's command. The service was held on the shores of a lake at one of several resorts in the massive Disney World complex. The ages of those baptized ranged from seven to 88 years old.

The baptisms came at the end of a fading boycott that started in the 1990s, when SBC leaders criticized then-Disney chairman Michael Eisner for instituting gay-friendly products and company policies. SBC members also decried perceived sexual licentiousness in some Disney movies.

Eisner has since left the company, and the SBC formally terminated the boycott in 2005, although small pockets of the anti-Disney sentiment remain.

Jim Henry, the former pastor of the Orlando congregation and a former SBC president, opposed the boycott even while he led the denomination that began it. David Uth, Henry's successor at the church, said he also opposed the action. An assistant pastor suggested the Disney World baptism to Uth, telling reporters, "I'm sure the Lord gave me the idea."

Uth agreed.

"I thought [the boycott] was a mistake," Uth told the Sentinel. "I thought it was wrong; I'm not a big boycott person."

Although Disney officials have said the boycott did not have a noticeable impact on the company's bottom line, they have since worked to endear themselves to a more conservative audience. Disney employed a marketing company to reach out to evangelical Christians during the 2005 release of "The Chronicles of Narnia" movie, based on the first of C.S. Lewis' popular series of children's novels. The series is often interpreted as Christian allegory.

SBC representatives did not immediately return an Associated Baptist Press reporter's phone messages requesting comment on the baptisms.

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Thursday May 25, 2006


 
Disney has shifted into overdrive to rev up interest in its upcoming Cars animated film by its Pixar unit.

On Friday, it will host a huge benefit premiere on Turn 2 of the Lowe's Motor Speedway in Charlotte, site of Sunday's Coca-Cola 600 NASCAR race. More than 30,000 are expected to watch digital projection on four 115-foot-wide screens. Voices of the characters — including actors Paul Newman and Owen Wilson and NASCAR legends Richard Petty and Darrell Waltrip — will be there.

Also, a race car made to look like Cars lead character Lightning McQueen will race there this weekend.

This is just one part of Disney's master marketing plan for Cars, opening in theaters June 9.

Disney can't afford for Cars to be a lemon. It's counting on the movie — its first out of Pixar since 2004's The Incredibles— to fuel an array of businesses: to bolster slumping studio revenue, offer new theme park attractions and supercharge sales of Disney's widest array of movie-related merchandise since 1994's The Lion King.

"The movie leads the parade," says Brett Dicker, executive vice president of marketing at Disney. "That's why it's critical that the movie is a big success."

Adding to the high-octane pressure: It's the first Pixar film since Disney's $7.4 billion purchase of the computer-animation shop closed this month. Previously, they had a production and distribution deal.

With Pixar now part of Disney, investors and marketers will be watching how Cars and its cast of animated autos are promoted — and received by consumers. "This is a potential signal of what the integration will bring to the market," says branding expert Allen Adamson.

The family flick, about a hotshot racer who ends up in a dusty, desert town, is on the fast track with marketing co-promotion. More than a dozen heavyweights — including Goodyear, State Farm and McDonald's — will spend more than $50 million on Cars-related marketing. "It's the largest promotional program we've done for a Disney/Pixar film," says Dicker. That's on top of the millions Disney is spending on movie trailers, TV commercials, print and Internet ads.

Some partners, including State Farm, Hertz and AT&T, have Pixar-created ads for their brands featuring the Cars characters. For example, a State Farm ad stars Lightning McQueen and tattered tow truck Mater.

The merchandise launch includes Disney's biggest film-related deal with Wal-Mart. Shelves at Target and Toys R Us also are piled with Cars products. The primary target is 3- to 6-year-old boys, but there are goods for girls, older boys and dads, too, says Andy Mooney, chairman of Disney's consumer products division.

Licensed product sales from The Incredibles missed expectations. Disney hopes the universal appeal of vehicles will give Cars retail sales more gas. "The Incredibles was tougher to translate into a bigger opportunity relative to Cars," says Mooney.

Among Cars products is an electronics line that includes a $159.99 TV/DVD player in the image of Lightning McQueen. Goods for fans old enough to drive include windshield sunscreens and garage stools.

"Boys, even as they turn into men, never stop falling in love with cars," Mooney says.

Pixar's track record with such hits as Finding Nemo and Toy Story helped Disney secure the big-time retail cooperation, says Marty Brochstein, executive editor of The Licensing Letter. "Pixar has almost ascended to be a brand name in itself. It's like a Good Housekeeping Seal of approval. That gives retailers more comfort."

Yet, Brochstein cautions, there could be retail potholes if Cars underperforms at the box office. "In the licensing business and entertainment business, there are no sure things."

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It's a smaller world -- Disney sells more land

More chunks of the Disney empire are being sold off for housing, including a 349-acre parcel going to the developers of the massive Horizon West community in west Orange County.

The new Disney land sales also include a 60-acre site south of Seidel Road that would be reserved for a new high school serving the Horizon West area.

The Walt Disney Co. reportedly is selling the 349-acre site, set around Panther Lake, north of Seidel and southeast of the Orange County National Golf Center, to Centex Homes.

The Reedy Creek Improvement District, the independent government agency that provides utilities and other services to Walt Disney World, is negotiating to sell the 60-acre site from its utility land holdings, said District Administrator Ray Maxwell. The buyers, who are undisclosed investors, would set it aside for the high school site that Orange County Public Schools has long sought in the area.

Reedy Creek also is selling a 50-acre tract, south of Seidel and just east of the high school reserve, to Centex. The district's board of supervisors authorized the sale of that land for residential development Wednesday, for the proposed price of $8.3 million. That's nearly $166,000 an acre, a price more than 50 percent higher than what some land in the area is listed for.

Andrea Finger, a spokeswoman for Walt Disney Imagineering, the Disney arm that oversees its land holdings, said she could not say how much the Disney tract might sell for because the deal is not yet closed. Likewise, Maxwell said he could not say how much the 60-acre school site might go for, though he told his board it would be far less per acre than the district expects for the residential site.

For Disney, the Panther Lake deal, if it closes, would be the largest Orange County land sale for independent development that the company has made in many years. Disney has sold more land in the Little Lake Bryan and Celebration areas, but the company carefully planned those developments first.

The theme park giant still owns about 30,000 acres in and around Walt Disney World.

Finger said the sales continue the company's new policy of divesting properties that no longer fit Disney's long-term plans. Three other parcels, totaling 130 acres, were put up for sale late last year and early this year. One of those, a 30-acre tract south of Disney World, is back on the market because an earlier deal fell through, she said.

"We're looking at our real estate portfolio. This [Panther Lake tract] is another of those parcels of land that are part of that program, to make sure our land uses complement our core business," she said. "So the land we're talking about, we're not feeling it's integral to our core entertainment business."

Finger would not confirm Centex as the buyer of the 349-acre site. However, on Wednesday Reedy Creek supervisors discussed that the property was going to Centex.

Division President Pat Knight of Maitland-based Centex Homes could not be reached for comment, and no one else from the company was available to discuss the transactions Wednesday.

Finger said that Disney supported the residential development plans for Horizon West, as "the most compatible use for this land."

The Disney tract and the two Reedy Creek parcels are about a mile northwest of the official boundaries of Walt Disney World.

The Disney property is outside the Reedy Creek district's governmental jurisdiction. However, the two other parcels are within the jurisdictional boundaries and would have to be dropped from the district if sold, Maxwell said.

Disney and Reedy Creek initially bought the land to have a place to discharge treated wastewater, by using it to irrigate citrus groves, a common practice in the region. But Disney and Reedy Creek are reducing that practice because technology allows them to use more of the parks' treated wastewater within Walt Disney World.

"We really have no good use for this particular property," Maxwell said.

None of the three parcels has been developed. They are part of the bucolic, rolling plains covered with occasional groves, woodlands, ponds and lakes that still dominate the area.

That will change. Horizon West is a 23,000-acre planned community stretching for miles in west Orange County. When built out, over several decades, it could house 30,000 people, plus a large commercial center. The Disney and Reedy Creek parcels now for sale already are included in the community's "village D" area, Maxwell said.

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Fox network officials would have loved to add Big Ten football to its stable of Major League Baseball, the NFL, NASCAR and BCS games.

But it's not going to happen.

Sources say that barring a late snag, Disney's ABC/ESPN family will remain the exclusive national broadcast home of the Big Ten.

The conference's current deal with ABC/ESPN doesn't expire until June 2007, but the league would like to complete its new contract in the next three to four weeks.

A report on CBS SportsLine.com indicated the contract would include a "side deal" with DirecTV that would create the Big Ten Network.

If formed, that network reportedly would broadcast second-tier football games, some basketball games and competition from minor sports.

But the concept of the Big Ten forming a network to be launched on DirecTV was met with some skepticism Wednesday by industry officials.

The major issue would be DirecTV's reach. The satellite operator is currently in 15.4 million homes, compared with 90.7 million for ESPN.

Other questions: Would the Big Ten Network be available to other satellite providers, such as Dish Network, and cable systems, such as Comcast?

And how many football games would shift from ESPN Regional to the new network?

About 30 professional teams, such as the Yankees, Red Sox and Indians, have formed their own networks.

But only one intercollegiate conference--the Mountain West--has followed suit. The MountainWest Sports Network will make its debut in September.

Big Ten officials, meanwhile, remained tight-lipped about negotiations Wednesday, releasing a statement that the conference's goal "is to reach agreements that give Big Ten fans the widest possible access to all of our sports, while providing the greatest benefit to each institution."

The Big Ten's current deal with ABC/ESPN is said to be worth up to $50 million per year. Linking with DirecTV on a new network would add another revenue source.

Although Fox's parent company, News Corp., owns a sizable share in DirecTV, the formation of the Big Ten Network would not give Fox access to Big Ten programming.

Big Ten officials, athletic directors, coaches and faculty representatives discussed TV rights during their annual meeting last week in Chicago.

Indications are the Big Ten never seriously considered leaving the ABC/ESPN family. One source said the Big Ten extended its exclusive negotiating period with ABC/ESPN and never fielded an offer from Fox.

ESPN/ABC was equally determined to renew the relationship. In March, ESPN Executive Vice President John Skipper reportedly sent a memo to employees asking them to welcome Big Ten Commissioner Jim Delany to their Bristol, Conn., campus by wearing "Bristol is Big Ten Country" buttons.

Who doesn't like a little red-carpet treatment, right?

Musical chairs

College football will sound different this fall. At least if you're watching a game on ABC or ESPN.

Following the departures of Keith Jackson (retirement), Lynn Swann (politics), Aaron Taylor (philanthropy/teaching) and Gary Danielson (CBS Sports), the Disney networks have shuffled their cards.

ABC analyst Dan Fouts will switch to play-by-play and partner with Tim Brant for Saturday afternoon games.

Another ABC Saturday team will feature Brad Nessler, Paul Maguire and Bob Griese--plus sideline reporter Stacey Dales, who plays for the Chicago Sky.

ESPN studio analysts Lou Holtz and Mark May, meanwhile, will call weeknight games.

One thing that hasn't changed: the ESPN "College GameDay" crew of Chris Fowler, Lee Corso and Kirk Herbstreit. This will be their 11th season together.

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Disney/Pixar and the Department of Transportation will launch a new partnership to promote highway safety during the World Premiere of the movie "CARS" this Friday, May 26, 2006 at Lowe's Motor Speedway near Charlotte, NC.
 
As part of this partnership, the "CARS" World Premiere will include a new safety public service announcement developed for the Department's "Click It or Ticket" campaign. The ad contains a strong safety message about the need for families to wear safety belts, and will be distributed to the Department of Transportation's national, state and local highway safety partners.

"Too many highway deaths could easily have been prevented with the simple click of a safety belt," said Secretary of Transportation Norman Y. Mineta, who is expected to attend the premiere. "Working with companies like Disney and Pixar helps us make sure families across the country get the word we all need to buckle up."

Commenting on their participation, Lylle Breier, Senior Vice President, Worldwide Special Events, said, "We're thrilled to have 'Click It or Ticket' on board as a Premiere Partner for this exciting event. The connection between Disney/Pixar's 'CARS' and the Department of Transportation in support of highway safety is perfect."

According to the Department of Transportation's National Highway Traffic Safety Administration, more than 33,000 passenger vehicle occupants died in traffic crashes during 2005 -- and 55 percent of those killed were NOT wearing their safety belts at the time of the crash. Law enforcement agencies throughout the nation are conducting stepped-up enforcement and awareness activities during late May's national "Click It or Ticket" mobilization to remind all drivers and passengers to always remember to wear their safety belts.

"Click It or Ticket" is the national highway safety campaign that each May unites more than 12,000 state and local law enforcement agencies in a national crackdown on safety belt violators to help save more lives on our highways.

"CARS," directed by Academy Award-winning filmmaker John Lasseter, will be shown on four giant custom-built outdoor movie screens (115-feet wide and 50-feet tall) at Turn #2 of the famed superspeedway. With the first-ever multi-screen outdoor digital projection, utilizing twelve DLP Cinema projectors from Barco, Christie and NEC, and state-of-the-art sound, the film will look and sound its very best. The Disney/Pixar film "CARS" is set to open at theatres everywhere on June 9th.

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ESPN Deportes says it will broadcast from Central Florida.
 
A dozen men sit in the back of the community center for hours, hunched over tattered card tables covered with a maze of black-and-white dominoes.

To the casual onlooker, it looks like just a game. But to these players and observers, such as 78-year-old German Colon, it's a lifestyle that allows them to taunt, spar and ultimately make up before they meet again the next day.
 
"Sometimes it gets a little too hot," said Colon, who helped start the informal league among mostly Hispanic men about 10 years ago. "Imagine if we were playing for money."

That's the kind of attitude that ESPN Deportes, the Spanish-language channel of the cable sports network, is banking on as it strives to make dominoes the next television poker. The cable channel and officials from the International Domino Federation in Barcelona, Spain, announced Wednesday that the network will broadcast the World Domino Tournament when it comes to Osceola County in 2008.

"Here's something completely relevant to our marketplace. We want to break new ground about competitive activities and competition," Lino Garcia, general manager of ESPN Deportes, said from New York. "Be on the lookout for the game to pick up steam."

That marketplace is in full view at the Osceola County Council on Aging, where dominoes are a morning ritual for the retired men and the occasional woman.

Mario Santiago, 73, started playing with the group in 1998 after he moved to Kissimmee from New York, where he had played and won national tournaments, he said.

"It's not only a game, but also therapy -- a good therapy," he said. "When you play dominoes, you forget about everything else."

Dominoes, called bones or tiles, have been a part of Santiago's Puerto Rican culture since he was a child. But he didn't start competing until the 1970s, after he watched guys playing outdoors in South Bronx, N.Y.

The game already has worldwide appeal and is most commonly played in Latin America, the Caribbean and China. But the tile-slapping game that has been played for generations in some American homes and parks is making inroads into mainstream culture.

On June 12, ESPN2, the network's hipper sibling, will re-air a domino tourney taped last year in Las Vegas and originally aired on ESPN Deportes.

There are various ways to play the game, depending on the region and country; the most popular version is called Double Six. The goal is to discard all of your dominoes and accrue the fewest points during the course of the game.

On Saturday, the Travelodge Hotel Maingate East in Kissimmee will host the Central Florida Domino Tournament. The entry fee is $30 and includes a one-year membership in the International Domino Federation. The winner gets an expense-paid trip to New York next month to compete in the inaugural Puerto Rican Day Parade Domino Tournament.

Ricky Branch and Philip Scantlebury are members of the Orlando Caribbean Domino Association. Their group, which started eight years ago, has about 30 members.

Both men come from Guyana in South America and decided to create a team because of the camaraderie and competition the game offers.

"It's a simple, grass-roots game," said Branch, who competes around the world. "At the end of the game, you shake hands and you're still friends."

The game, dating to 12th-century China, is easy to learn, which is part of its appeal.

Rick Hall, who teaches game design at the Florida Interactive Entertainment Academy in Orlando, said dominoes, like chess and checkers, is a proven game model.

"You can write down all the rules on half a page. You can memorize the rules," he said. "And then play the rest of your life and not master the game."

Manuel Oquendo, director of the U.S. Domino Federation, said there are more than a million combinations linking tile to tile.

Members of the worldwide domino community visited Osceola County for Wednesday's announcement of the world championship tournament. They traveled from Puerto Rico, Spain, Jamaica, Mexico and the Dominican Republic.

Eduard Petrenas, president of the International Federation of Dominoes, said the partnership with Kissimmee will fuel interest.

"Dominoes is a machine to make friends," said Petrenas, whose group is sponsoring the world championship. "We are here to make friends."

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Disney holding talent show

Radio Disney will hold a High School Musical Talent Competition from 1 to 3 p.m. Saturday at Robious Sports & Fitness.

Children 14 and younger can sing along to select tracks from the "High School Musical" soundtrack to win prizes and qualify for the chance to travel to Los Angeles and record a song that will be featured on Radio Disney. The contest is free.

Robious Sports & Fitness is located at 10800 Center View Drive. For details, visit www.radiodisney.com/wdzyam1290 or call (804) 353-7200.

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House Speaker Dennis Hastert might sue ABC News for libel and defamation for a news report that said he was "in the mix" in a corruption investigation, according to a letter sent by Hastert's lawyer on Thursday.

The letter from Hastert counsel J. Randolph Evans said statements in ABC's report constitute libel and defamation, and asked who could "accept service of process to remedy this intentional falsehood."

Citing anonymous law enforcement sources, ABC News reported on Wednesday that Hastert was under scrutiny in an FBI corruption investigation centered around former lobbyist Jack Abramoff.

ABC updated its story later to say Hastert was not a formal "target" or "subject" of the investigation, but was "in the mix."

Hastert's spokesman called the story "absolutely untrue" and demanded a retraction, and the Justice Department said the story was wrong.

At the Capitol, Hastert told Reuters: "They made an accusation. The Justice Department denied it."

Abramoff pleaded guilty to corrupting members of Congress in January and is cooperating with investigators as they examine his links to several Republican lawmakers.

Three former Republican aides have also pleaded guilty in the probe.

"With regard to reports suggesting that the speaker of the House is under investigation or 'in the mix,' as stated by ABC News, I reconfirm, as stated by the department earlier this evening, that these reports are untrue," Deputy Attorney General Paul McNulty said in a statement late Wednesday.

ABC News reporter Brian Ross said he stood by his story.

"The people we're talking to feel very strongly about what they told us," Ross said in a telephone interview.

ABC has not yet been served with legal papers from Hastert's attorney, Ross and ABC News spokesman Jeffrey Schneider said.

In his letter to ABC, Evans said, "We will take any and all actions necessary to rectify the harm ABC has caused and to hold those at ABC responsible for their conduct."

Evans was not immediately reachable for comment.

The ABC News report said investigators were looking at a letter Hastert wrote three years ago, urging the secretary of the Interior Department to block a casino on an Indian reservation that would have competed with casinos of tribes represented by Abramoff.

Hastert wrote the letter shortly after he held a fund-raising event that took in $26,000 from Abramoff and his clients, the report said.

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Commercials get 'Lost'

ABC's cult favorite "Lost" ended its second season on Wednesday night in typically frustrating fashion.

Plenty of questions were answered but many more were raised for loyal viewers, who now have to wait until September for new episodes.

Fortunately for them, the show's producers have devised an elaborate interactive game called "The Lost Experience" that involves a bunch of bizarre Web sites providing more about the mythology behind the hit show.

But this game is more than just a way for "Lost" nerds (like yours truly) to keep themselves occupied during the summer. It's also a way for ABC to try and keep viewers from fast-forwarding through commercials and milk more advertising dollars out of the show.

For the past four weeks, ABC has included an ad for the fictitious Hanso Foundation during commercial breaks on "Lost." These ads have featured phone numbers and Web sites that viewers need to check out for more clues about the game.

But a closer look at the ads and the game itself show that there are actually some marketing tie-ins. The Hanso "commercials" have actually featured small print showing that they are paid for by well-known corporations.

The labyrinthine network of "Lost Experience" web sites includes references to brands such as Coca-Cola's Sprite, DaimlerChrysler's Jeep, Verizon Wireless and Monster.com.

So the question that begs to be asked is will "The Lost Experience" actually be an effective marketing tool for advertisers that are tired of seeing their 30-second spots skipped by viewers with a digital video recorder and an itchy remote-control trigger finger?

"Advertisers are starting to think more like a programmer. How do I create content that people will watch?" said Tracey Scheppach, vice president and video innovations director for Starcom USA, a media buying firm.

But ABC isn't the only network experimenting with games to keep viewers watching commercials.

CBS announced last week that it is partnering with reality guru Mark Burnett and AOL, the online portal owned by Time Warner, on a promotion called Gold Rush this fall. (Time Warner also owns CNNMoney.com.)

Viewers will be able to find clues during CBS shows and commercials, as well as other forms of media, that will help them identify where more than $2 million's worth of gold is hidden in the U.S.

And the new CW network, created from the merger of CBS' UPN and Time Warner's WB, showed advertisers last week a concept that it called "content wraps": blocks of commercial time during shows that actually tell a brief story and can include product placement.

Whether or not these novel ways of advertising will actually work remains to be seen but it's clear that the TV networks and marketers have to do something to combat the growing tendency of DVR-owning couch potatoes to skip ads.

"This is an attempt by media companies to grab hold of a market they are losing control of," said Doug Ryan, chief marketing officer of Y&R Chicago, a subsidiary of ad agency Young & Rubicam.

The big risk that networks and advertisers may face is that they irritate audiences. "Lost" fans for example apparently have an insatiable appetite for more clues about the show.

To that end, "Bad Twin" a novel supposedly written by one of the passengers on the doomed plane in the show is currently among the top 50 best-selling books on both Amazon.com and Barnesandnoble.com. The book was published by Hyperion, which, like ABC, is owned by Walt Disney.

But do fans want more information packaged alongside messages telling them to "Obey their Thirst?" One of the "Lost Experience" sites is called subLYMONal, which is a reference to the so-called lemon-lime (hence lymon) taste of Sprite.

"This blends into entertainment and product integration," said Scheppach. "I would hate to see it forced, where advertising feels unnatural in terms of the viewer experience. How deeply can you embed advertising messages in 'Lost' programming?"

Brian Wieser, vice president and director of industry analysis with MAGNA Global USA, a media buying firm, said that sponsored programming during commercials could work as long as it's entertaining.

"If it's creative, fun and novel it will get viewers' attention. It will definitely add to the engagement for people watching TV without DVRs and maybe it will deter people with DVRs from skipping commercials," Wieser said.

But Adam Hanft, founder and CEO of Hanft Unlimited, branding and advertising consulting firm, is skeptical. He said that marketers need to tread carefully and that things like "The Lost Experience" and "Gold Rush" could backfire.

"The gimmickry of it is so on the surface that it may alienate consumers. It shows how desperate traditional advertisers are to get people to watch their commercials," he said.

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Abigail Disney Assumes a Bigger Role at Shamrock

Having saved the Walt Disney Company, Abigail Disney is now out to save the world. Well, that's a bit of an exaggeration, but given the enthusiasm and passion embodied in this over-scheduled mother of four, almost anything seems possible.

Ms. Disney is the grand-niece of Walt Disney, and daughter of Roy E. Disney. Roy Disney is currently a director emeritus of the company that brought us Mickey Mouse, the Magic Kingdom and several lessons in corporate governance. The family today owns less than 1% of Disney's widely scattered shares, but nonetheless maintains a proprietary vigilance over company affairs.

Roy E. Disney and his partner and former Disney board member Stanley Gold were instrumental in bringing Michael Eisner to revive the inert company in 1984, and were then also behind his exit 21 years later. In the intervening years, Mr. Eisner had helped unlock the enormous value hidden in the characters and stories dreamed up by Walt Disney, bringing about a decade of outstanding stock price gains. Unhappily, over the next ten years Mr. Eisner lost his footing, and the confidence of the family as well.

The experience with Disney has taught Abigail Disney a good deal about shareholder activism, which she is putting to good use in her role as vice chairman of Shamrock Holdings of California. This outfit was founded in 1978 to manage the Disney family's investments. Today, Shamrock is accepting outside funds and has invested approximately $1.3 billion, of which about 10% is from the family. Shamrock manages several private equity funds, including an activist fund, a private equity fund in Israel, and a socially-motivated real estate fund in Southern California.

Ms. Disney describes herself as an active board member, working closely with the senior executives of the firm, helping to raise money and brainstorming on strategy. Amongst her three siblings, Ms. Disney appears to be the next generation's point person for the family's investment arm.

Shareholder activism is hot as can be. Several funds have reached the top of the performance charts by buying stakes in public companies and then pressing for changes in the way a company is run, or in who is running it. Shamrock has been involved in the activist space for two decades, during which time it has funneled $725 million into 28 publicly owned companies. Today the fund has approximately $475 million invested.

The group looks for small or microcap companies (enterprise value less than $1.5 billion) in America that are beneath the radar of the activist megafunds and that are undervalued by dint of governance lapses or poor management. Shamrock typically takes a meaningful position (of $35 to $75 million) and then begins to agitate for change.

Recently, for instance, Shamrock has rocked the boat of a computer networking equipment manufacturer called iPass, of which it owns 12%. Shamrock has complained about excessive executive compensation, governance lapses, and inappropriate investments, more or less threatening a proxy battle if nothing is done to address these charges.

Such programs can turn out extremely well. Last year Shamrock built a 6.83% stake in a company called Intrado, which provides data to route 911 calls across the nation. Shamrock moved to nominate three directors to the board and called for management to undertake a thorough analysis of financial results and operations. Shamrock had bought most of the Intrado shares at an average price of around $12.50; earlier this year the West Corporation bought Intrado for $26 per share.

The companies which appear to attract Shamrock's interest typically have strong balance sheets and cash flows, and a poor record of reinvesting the cash generated from the business. In other words, just like the old Disney Company.

Abigail Disney is not only involved with the activist fund. She serves currently on the board of The Harlem Globetrotters, now partially owned by Shamrock. Ms. Disney received a BA in English literature at Yale, as well as a master's degree from Stanford and a Ph.D from Columbia. She is, she acknowledges, receiving her financial training on the ground. And, not only from her activities with Shamrock.

Ms. Disney is also active in philanthropy. In 1991, she and her husband started up the Daphne Foundation, which each year donates about $1 million to organizations "that confront the causes and consequences of poverty in the five boroughs of New York City." She serves as honorary co-chair of the New York Women's Foundation, which funds numerous community-based undertakings that support women and girls.

From the beginning, Ms. Disney sought to distinguish Daphne from most foundations, by donating hard-to-find operating (as opposed to capital) funds, and by serving New York's most disadvantaged communities. The most notable departure from the norm, perhaps, is that this is not a glitzy operation.

"I am not a glamorous person" Ms. Disney declares, perfectly happy to be true to her family's Midwestern, down-to-earth roots. Like her forebears, too, Ms. Disney has a certain starry-eyed optimism that fuels her efforts, and that may stem from being a person of privilege. Or, it may come from growing up in the Magic Kingdom "where your dreams come true."

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FCC's Martin Orders Probe of TV Stations That Air Ads as News

Federal Communications Commission Chairman Kevin Martin ordered a probe of dozens of television stations after a report found they aired advertisements as if they were news reports, people familiar with the inquiry said.

The April report by the non-profit Center for Media and Democracy found at least 77 stations, including 23 affiliates of Walt Disney Co.'s ABC network and seven Sinclair Broadcast Group Inc. stations, ignored an FCC warning to disclose sponsors. The maximum fine for each violation is $32,500, rising to $325,000 for multiple infractions, said FCC spokesman Clyde Ensslin.

``If the investigation leads to significant fines, the FCC could cause stations to put disclosures in place that make clearer the corporate role in local news,'' said analyst Blair Levin of Stifel Nicolaus & Co. in Washington. ``It depends how hard Martin wants to push it.''

The Washington-based FCC warned TV stations in April 2005 they may be fined for airing news stories provided by the government and companies without disclosing who made them. The agency had received complaints about the use of videos provided by the Bush administration about topics including military success in Iraq.

Since then, 69 stations have aired so-called video news releases and eight showed satellite media tours, which involve a scripted interview with an author or expert promoting a product such as a book, the Madison, Wisconsin-based research group found in April.

Ensslin declined to comment yesterday about the investigation. ``Our affiliates are independently owned and operated,'' ABC spokeswoman Susan Sewell said. ``We don't control their news policies.'' Sinclair Chief Executive Officer David Smith and spokesman Mark Hyman didn't immediately return phone calls seeking comment.

Disclosures Stripped

A Sinclair-owned station in Oklahoma City, for example, aired five video releases exactly as prepared by their corporate publicist as if they were news reports, the research group said. Hunt Valley, Maryland-based Sinclair owns 60 U.S. television stations. Burbank, California-based Disney's ABC has 226 affiliates in the U.S.

Among the companies that sponsored the video news releases in the study were Detroit-based General Motors Corp., the world's largest automaker; Santa Clara, California-based Intel Corp., the biggest maker of semiconductors; and New York-based drugmaker Pfizer Inc., the non-profit group said.

While the companies properly disclosed their sponsorships, the stations stripped the disclosures before airing them, the report said.

``Video news releases are very much like press releases, and we make clear to the media that the material is from GM,'' said GM spokesman Mike Meyerand. Pfizer spokeswoman Alison Lehanski didn't immediately respond to a request for comment.

``We in no way attempt to hide that we are providing the video,' said Intel spokesman Chuck Mulloy. ``In fact, we bend over backward to make this disclosure.''

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Several brands have signed on for tie-ins to Walt Disney Pixar's new release, Cars.

Promotions include:

  • Energizer hosts a sweepstakes that awards 300 grand-prize Mattel Fisher-Price cars. One hundred first-prize winners get a Fisher-Price Fast Talkin' McQueen toy and 100 second-prize winners receive a Fisher-Price Super Tow Mater. Entry is on a promotional web site. The sweeps runs April 14 through Sept. 30. Energizer is also offering a collectible Cars launcher in-pack. Shelf trays support.
  • Kellogg Co. is offering Cars street signs with two UPCs and $2.99 for shipping and handling. Floorstands communicating the promotion support. An account-specific overlay at Ahold USA's Stop & Shop offers a free Cars toy to frequent-shopper cardholders who purchase four Kellogg products.
  • Kimberly Clark's Huggies hosts a "Tune Up with Cars" sweeps awarding a grand-prize 2006 Chrysler Town & Country Minivan. Fifty first-prize winners receive the movie's soundtrack. Entry is on the brand's web site. The sweeps runs through July 31, and earned a feature in the May 10 circular of Albertsons' Jewel-Osco.
  • Georgia-Pacific hosts an instant-win game awarding tickets to the movie. Game codes are provided in-pack and entered on a promotional web site. Participating brands include Sparkle and Angel Soft. The game runs through Aug. 1.

The movie is set to hit theaters on June 9.

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Disney Online Expands Downloadable Games Line-Up With New Kim Possible Game

Young heroes everywhere can now join their favorite crime-fighting cheerleader, Kim Possible, on her fight to save the world! Disney Online today announced the launch of Kim Possible: Legend of the Monkey's Eye, a new downloadable PC game based on Disney Channel's original Emmy-winning animated television series. The 3D-action game is available for download at www.disneygamedownloads.com beginning today.

"Kim Possible continues to be a top-rated show among young girls and we're very excited to add a game that captures her 'cheerleader by day, crime-fighter by night' spirit to Disney Game Downloads," said Steve Parkis, vice president of Premium Products, Disney Online. "Kim Possible: Legend of the Monkey's Eye, allows players to step into Kim's world and experience everything they love about the TV show and more."

One of Disney's newest and most popular characters, Kim Possible is a typical teenage girl who regularly embarks on exciting adventures to save the world while maintaining honor roll grades and her position as cheerleading captain. Kim Possible: Legend of the Monkey's Eye allows fans to join Kim and her friends, Ron Stoppable and Wade Load, in battles against the evil villain, Monkey Fist, including three epic boss battles. Players kick, punch, and jump their way through six different levels in three unique locations to crush Monkey Fist's attempt at world domination. Players use power-ups and special gadgets to gain strength, defeat enemies and secure access to new areas.

Disney Game Downloads presents a broad lineup of fun and exciting downloadable games for kids of all ages. The magic of Disney meets the excitement of online entertainment with these high-quality games that let kids experience amazing game play with their favorite classic Disney characters.

Kim Possible: Legend of the Monkey's Eye is recommended for ages 6 and up and is available at www.disneygamedownloads.com for $19.95. A free trial is also available on the site offering fans access to the game for thirty minutes.

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Puzzle Game Phenomenon Meets Classic Disney Fun

Kids of all ages can now join the worldwide puzzle craze alongside popular classic Disney characters with two new downloadable PC games co-created by The Walt Disney Company's Disney Online and Buena Vista Games. Disney's Disoku Apprentice and Disney's Disoku Master, two new games based on the worldwide number puzzle craze, offer players a huge selection of puzzles, different grid sizes and skill levels, as well as un-lockable exclusive character screensavers and other cool features. Both are available for download beginning today at www.disneygamedownloads.com and www.disneysgamecafe.com.

"Disney Game Downloads and Disney's Game Café offers a wide range of premium entertainment for players of all ages," said Steve Parkis, vice president of Premium Products, Disney Online. "Our new Disoku games combine the most exciting and challenging puzzle features with Disney characters fans know and love."

Featuring beloved Disney Characters from 12 animated classics including Aladdin, Peter Pan, and Snow White, Disney's Disoku Apprentice lets everyone from puzzle-solving beginners to avid players join their favorite Disney friends for endless puzzle fun. With 300,000 mind-boggling puzzles to choose from, Disoku Apprentice features three skill levels and grid sizes offering fun for grown-ups and kids of all ages. Players can save and print out their favorite puzzles or prove themselves as the ultimate Disoku pro by solving enough puzzles to unlock one of 12 screensavers that feature Disney characters. Populate your grid with cool Disney Characters or use numbers to solve your puzzles!

Disney's Disoku Master combines the popular number puzzle sensation with notorious Disney Villains. Players choose from two different grid sizes and three skill levels, and can personalize their puzzle theme from a selection of 12 different wicked Disney Villains such as Cruella De Vil, Captain Hook and Ursula. With 200,000 challenging grids, experienced puzzle solvers will be able to conquer enough puzzles to unlock 12 Disney Villain themed screensavers and can save and print out their favorite puzzles.

Disney Game Downloads presents a broad lineup of fun and exciting downloadable games for kids of all ages. The magic of Disney meets the excitement of online entertainment with these high-quality games that let kids experience amazing gameplay with their favorite classic Disney characters.

Disoku Apprentice (recommended for ages 8 and up) and Disoku Master (for ages 12 and up) are available at www.disneygamedownloads.com for $19.99 each. Free trials of both games are also available on the site offering fans unlimited access to the game for thirty minutes.

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Litzsinger to Return to Broadway's Beauty May 30

Sarah Litzsinger, who recently played the title role in the 25th anniversary tour of Evita, will return to the Broadway company of Beauty and the Beast this month.

Litzsinger will again assume the role of Belle beginning May 30. The singing actress replaces Ashley Brown, who will play her final performance May 28. Brown has just been cast in the title role of the forthcoming Disney/Cameron Mackintosh musical Mary Poppins.

Sarah Litzsinger has the distinction of being Broadway's longest-running Belle, and her other Broadway credits include Amour, Les Misérables, Oliver! and Marilyn, An American Fable. Her theatrical credits also include Joseph and the Amazing Technicolor Dreamcoat, The Last Five Years and tick, tick . . . BOOM!. Litzsinger has been seen on screen in "Law and Order Criminal Intent,” "Ed," "Strangers With Candy” and "Knots."

Beauty and the Beast, which plays the Lunt-Fontanne Theatre, currently stars Steve Blanchard as the Beast, Ashley Brown as Belle, Grant Norman as Gaston, Jacob Young as Lumiere, Jeanne Lehman as Mrs. Potts, Christopher Duva as Cogsworth, Jamie Ross as Maurice, Meredith Inglesby as Babette, Gina Ferrall as Madame de la Grande Bouche and Aldrin Gonzalez as Lefou. Trevor Braun and Alexander Scheitinger alternate in the role of the young Chip.

The musical, according to press notes, is "the classic love story of Belle, a young woman in a small, provincial town, and the Beast, who is really a prince trapped in a spell placed on him by an enchantress. If the Beast can learn to love and to be loved, the spell will be broken and he will be transformed back to his former self. But time is running out, and if the Beast does not learn his lesson soon, he will be doomed for all eternity."

Featuring a score by Alan Menken, Tim Rice and the late Howard Ashman, Beauty and the Beast boasts a book by the author of the original screenplay, Linda Woolverton; the musical was directed by Robert Jess Roth.

Tickets may be purchased at the theatre's box office (205 W. 46th Street) or by calling (212) 307-4747. For more information, visit Walt Disney Theatricals on-line at www.disneyonbroadway.com.

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Hanuman on Disney Channel, Kids on Cloud 9

Hanuman, India's biggest animation blockbuster is being showcased in an episodic mini-series format on Disney Channel at 9 a.m. on Saturdays and Sundays. The animated feature about the legendary money god Hanuman, whose values spell victory of good over evil, is rooted in Indian culture yet has universal appeal. The title has won laurels as the most captivating Indian animation film with just the right balance of music, drama, visual appeal and everything that Indian audiences can't get enough of.

Commenting on the success of the new series, Nachiket Pantvaidya, Director Programming and Production, Walt Disney Television-International India, says, "Showcasing great local content is an important pillar of our localization strategy. Hanuman boasts of a truly superlative story with splendid animation featuring an Indian superhero from mythological tales that every Indian kid has been brought up on. We are extremely excited to bring Hanuman as a mini-series for the first time ever on Indian Television screens exclusively for Disney Channel viewers. The title is an inspirational yet action packed treat that contemporary Indian kids can enjoy with their parents. Showcasing the title as episodes on Disney Channel will propel our strong local content offerings to the next level."

For the record nore, Hanuman was born to Anjani, a female Apsara and Vayu the Wind God. He was blessed with supreme intelligence, strength and divine powers. As a baby, Hanuman was quite naughty and used his powers to pester the saints living in the nearby forest. Once when he was hungry he leapt to catch the sun thinking it was a fruit. On the insistence of Vayu, Indra and the other God's came together to bless baby Hanuman with immortal life. Blessed with divine powers Hanuman grew up to be strong and mighty. No harm could befall him from any weaponry, fire and water. He could overcome death and above all he could transform his body to turn into the smallest or largest forms of life. He helped Lord Ram and Laxman in their search for Sita. He also used his super powers to help Lord Ram and Laxman defeat Ravan and secure the release of Sita. Seeing his devotion and love towards him, Lord Ram blessed Hanuman with the boon of immortality.

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Goodbye Yellow Brick Show

Elton John's planned sitcom has hit a dead end at ABC.

"Him & Us," which was on ABC's radar, wasn't included on the network's fall schedule, which was announced last week.

And it now appears to be a goner before it ever got off the ground.

The show, about a gay rock star and his entourage, was supposed to star Anthony Head, of British TV hit "Little Britain" and U.S. hit "Buffy the Vampire Slayer," and former "Sex and the City" gal Kim Cattrall, who'd play the rock star's manager.

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Wednesday May 24, 2006


 
On its first day of availability, the smash hit Disney Channel Original Movie HIGH SCHOOL MUSICAL, sold over 400,000 units on DVD in North America, it was announced today by Bob Chapek, president of Buena Vista Home Entertainment (BVHE). The highest-rated original programming in the history of Disney Channel, HIGH SCHOOL MUSICAL has become the fastest selling television program on DVD for the home entertainment industry this year and the industry's fastest selling television movie of all time on DVD.
 
"The success of HIGH SCHOOL MUSICAL on DVD continues the phenomenon of the franchise. With the triple-platinum selling soundtrack at the top of the charts and the television program the highest rated in the history of Disney Channel, we are delighted that this release has set a new benchmark within our strong lineup of television properties," commented Chapek on the announcement

The debut DVD release of HIGH SCHOOL MUSICAL ENCORE EDITION also contains bonus features including a "Learn the Moves" feature led by Emmy Award-winning director and choreographer Kenny Ortega (XIX Winter Olympics Opening Ceremony), a never-before-seen music video, "I Can't Take My Eyes Off of You," the rousing music video "We're All In This Together," and a Behind-The-Scenes feature providing viewers a glimpse at the making of the movie.

About Walt Disney Home Entertainment

Walt Disney Home Entertainment is distributed by Buena Vista Home Entertainment, Inc., a recognized industry leader. A subsidiary of the Walt Disney Studios, Buena Vista Home Entertainment Inc. is the marketing, sales and distribution company for all Walt Disney, Touchstone, Hollywood Pictures, Miramax and Buena Vista DVDs.

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An online game featuring popular Disney characters will be launched in China next year, under an agreement between the US media giant and a local games company.

Disney and local partner Shanda Interactive Entertainment said that the game is designed to appeal to a broader audience than existing online games, such as female gamers. 

Shanda will develop, distribute and operate an "online casual game based on the magical worlds of Disney and featuring some of Disney's most popular animated characters".

The two companies did not say which characters would feature in the game.

Although the terms of the deal were not revealed, the announcement appears to be positive news for Shanda, one of China's oldest online gaming firms, which has been struggling to adjust to increasing competition.

Shanda built its early popularity, including a Nasdaq IPO, on the 'hack-and-slash' multiplayer online fantasy game Legend of Mir.

The company has been trying recently to shift its focus to a new business based on a home content delivery channel, but without much success.

"We believe that the addition of Disney's wholesome content will further broaden our user demographic, thus making a significant contribution to the implementation of our home strategy," said Shanda chairman and chief executive Tianqiao Chen.

The games agreement comes as part of a series of moves in which Disney is engaging more aggressively with the Chinese market.

"The Disney brand and its line-up of animated characters are already popular in China, and through this agreement we bring this well-known content to China's online game community in the form of an exciting new casual game," said Chen.

Disney characters are so popular, in fact, that they are still widely pirated in China despite the company's efforts to protect its property.

The company has opened a small Disneyland theme park in Hong Kong in an effort to cash in on the popularity of its creations, and huge interest from Chinese tourists has caused overcrowding problems at the park. 

Disney already offers a wide variety of online games that feature its characters, and is close to launching a massively multiplayer game based on the Pirates of the Caribbean series of movies. 

However, the company has focused on an English-speaking audience, and has only made a handful of simple online games available in Chinese through its local Chinese-language website.

Disney's agreement with Shanda appears to be its first serious foray into the Chinese online gaming market.

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ABC, ESPN shuffle college football broadcast teams

ABC and the ESPN family of networks are reworking the platoons for college football this fall, according to media reports.

The new team for the top ABC broadcast will be ESPN's Paul Maguire, Bob Griese and Brad Nessler.

Dan Fouts, who has served as an analyst for the last 19 years, will take on the role of play-by-play man. Fouts' analyst will be Tim Brant. Weekend studio analysts Mark May and Lou Holtz will call weeknight games.

Also joining in the role of a studio analyst for ABC is former Heisman Trophy Doug Flutie, replacing Aaron Taylor, who left his role as studio analyst to devote himself to charitable work.

Pam Ward, the only woman to serve in the play-by-play role, will also remain on to call games.

The ABC/ESPN college football broadcast team has been hit hard with high-profile exits, with analyst Gary Danielson moving to CBS, sideline reporter Lynn Swann working on a gubernatorial bid in Pennsylvania and, most notably, the retirement of venerable play-by-play man Keith Jackson.

ESPN and ABC are under the corporate umbrella of Burbank's Walt Disney Co.

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AP Holders - Take a Tour!

During June 2006, Passholders save $10 off the regular price of two of the most popular Disneyland guided tours.

"From Imagination to Celebration" Tour
Created especially for the 50th Anniversary Celebration, this close-up look at the magic of Walt Disney’s original theme park features:

Express Boarding on selected attractions that represent the five decades of Disneyland Park

Reserved seating for one of the 50th Anniversary Celebration shows

A photo that captures your memories of this tour experience

And more!

"Discover the Magic" Tour
Sharpen your sleuthing skills as you work with Disney Characters to discover clues, hunt for hidden treasure and outwit dastardly villains. This uniquely Disney Tour puts your family at the heart of a high-energy, fun-filled adventure through Disneyland Park! "Discover the Magic" is recommended for kids ages 5 to 9 and features:

Interaction with Disney Characters, including a Disney Princess

Delicious lunch and an exclusive souvenir gift

Reservations for both tours are recommended and may be made up to 30 days in advance by calling (714)781-4400.

Tour Length: Both tours are approximately 3 hours.

Regular Price: "From Imagination to Celebration" $59
"Discover the Magic" $49

Valid Annual Passport required to receive discount. Limit 5 discounted tickets per tour date. Offer valid only on tickets purchased for tours between 06/01-06/30/06. Tours are subject to availability and operating hours. Theme park admission not included. Tour tickets may not be sold or transferred for a commercial purpose. Offer may not be combined with any other discounts or promotions. All offers, events, tickets, services, food options, attractions and entertainment may be seasonal and are subject to restrictions and change without notice.

Guests under 18 must be accompanied by an adult.

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Rumors of 'Malaysia Disneyland'

Could Disneyland be headed for Malaysia? If market insiders in Kuala Lumpur are to be believed, Prime Minister Abdullah Ahmad Badawi, now in Japan for a five-day working trip, will meet with officials from Oriental Land, the Japanese partner for Tokyo Disneyland, with the aim of bringing Disneyland to Nusajaya. Nusajaya is a large "new township development", or planned city, near the Second Link (a bridge between Malaysia and Singapore) in southern Malaysia's Johor state, just across the Johor Strait from Singapore.

Though no official statement has been issued by any of the governments or companies involved, the rumors were lent credence by the fact that officials from UEM World, the biggest landowner in Nusajaya, were said to be accompanying Abdullah. The prime minister's contingent also reportedly includes Azman

Mokhtar, the managing director of Khazanah, which is UEM World's largest shareholder.

Abdullah is said to have already met with top Disney officials early this month, when he was attending the World Congress for Information Technology 2006 in the United States. A source at a top-three regional brokerage familiar with the Disneyland-Nusajaya overture believes that Abdullah's team is in Tokyo to make a serious pitch, with sweeteners that may include offering Disney an internationally competitive package of incentives. Should the pitch be successful, any announcement of Disney making an entry into Malaysia would improve dramatically the values of land near Nusajaya.

While the Disney rumblings are still at the level of rumor, sources say the rumor has a high level of reliability and a decent chance of success. The reports raise several immediate issues.

First, it is believed that Disney will be more positive for the project going ahead if Malaysia can rope in the Japanese operator as a partner. Oriental Land has an excellent track record with the company; its first park in Urayasu, Chiba prefecture, which opened in 1983, and the later addition DisneySea are both still highly successful. By engaging Oriental Land, Disney would have a higher chance of successful execution should the project get the go-ahead. Oriental Land's involvement would also ensure proper follow-through (execution) and a strict adherence to the firm's management style and operational culture. These issues, not just financial viability, are major concerns when it comes to the track record of Malaysian government-linked companies (GLCs), particularly given Disney's strong corporate culture.

Second, the implications for the perpetual, sibling-rivalry-like competition between Singapore and Malaysia are another aspect worth exploring. Some say the Disney overtures could be a retaliatory move on Malaysia's part after the recent disastrous talks over the construction of a new bridge for the causeway between the two countries. Over the past 12 months, Singapore has hogged the limelight in terms of big tourism projects with its huge integrated resort/casino projects at two sites in Marina Bay and Sentosa Island. The winning bidders for the two integrated resorts (IRs) paid a very steep price for their winning bids, but none managed to rope in Disney as partner, reportedly because Disney did not want to tarnish its wholesome image entering a partnership with a casino project. The likely winner for Marina Bay IR is likely to be either Harrah's or MGM, while Genting should get the Sentosa IR with Universal Studios as its partner.

A comparison between the Singapore IRs and the hypothesized Nusajaya Disney park is revealing. The winning IR bidders will have to cough up S$1.2 billion (US$758 million) for the Marina Bay IR and S$605 million for the Sentosa IR for the land alone. But should Disneyland decide to go to Nusajaya, chances are the land will be almost free. Not only that, a Disney park would benefit from tourists visiting the two IRs, in effect getting a free ride on Singapore's promotional efforts. Of the two, the attrition impact would be greater on the Sentosa project, since its Universal Studios theme park would inevitably be competing with, and be compared with, Disneyland just a couple of hours away - no contest, many would say, especially considering that a Disney facility would be able to price its products and services a lot cheaper.

Third, a Nusajaya Disneyland would seem to have excellent prospects with regard to critical market mass and the availability of transportation services. Any viability study would reveal the same factors that already successfully justified the initiation of the Marina Bay and Sentosa IR projects. In addition, there are two potential international landing strips in Johor, which would boost both the hypothetical park's prospects and those of such feeder airlines as AirAsia (the Kuala Lumpur-based low-cost carrier) and Malaysian Airlines.

AirAsia is already proving to be very successful in ferrying regional travelers at very attractive rates. Imagine the ability to offer routes from Phuket, Bangkok, Hat Yai (in southern Thailand), eastern Malaysia, Hong Kong, Bali or Jakarta to Kuala Lumpur or Johor Baru (Malaysia's second-largest city, adjacent to Singapore) for less than RM200 return ($55) - which is approximately AirAsia's current pricing structure. The availability of such low-cost air services could sway Disney's decision. Malaysia's population on its own is insufficient to justify a Disneyland, but the country's low-cost air connections and the additional traffic drawn from Singapore's IRs might be enough to seal the deal. One wonders whether AirAsia founder Tony Fernandes is also part of the Badawi contingent - he should be.

Fourth, the chances of the project being realized are greater given that Disney holds strong cards in terms of negotiating with Malaysian authorities, and the company is liable to be attracted to Nusajaya since it would have a sharply reduced "cannibalizing" effect on the firm's existing parks. Nusajaya has a huge land area, big enough for five or six Disneylands with space for resorts and hotels. Given that a Disney park would be crucial in giving Nusajaya the critical mass for success, Badawi and UEM World would probably agree to most of Disney's requests - which might include free land, a waiver of the requirement for 30% bumiputra (ethnic Malay) holdings, tax incentives, and so on.

From Disney's standpoint, it is running out of room to grow after the opening of Hong Kong Disney last year. A Nusajaya Disney would be far enough away from the locations in Hong Kong, Tokyo and a proposed Shanghai park to capture the regional crowd without cannibalizing the crowds at other regional Disneylands. It would be silly for Disney not to do the project.

In all probability, Singapore has inadvertently helped Malaysia to snare Disney for Nusajaya. However, the development would benefit both countries, and should not be used to score political points on either side of the Johor Strait.

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Disneyland Paris Frontierland Changes

The Keelboats that once cruised the Rivers of the Far West have long ago stopped their operation as an attraction for guests. Nevertheless the signage advertising them as well as their small smuggler's harbor guests boarded / un-boarded in was still in place, just closed with a wooden gate, that allowed guest to peek in. But after internet-rumors last year that we might see a return of the attraction this summer, now the little harbor accessible from the walkway leading to Pocahontas' Indian Village has been closed off with a regular construction fence and the sign pointing out the attraction has been removed, leaving only the small bollards it was held up with. Now it is everyone's guess whether the sign and area is just prepared for a reopening or whether the sign has been taken down for good and the area is redesigned to make it less obvious that an attraction has been closed.

In other news from Frontierland the Cottonwood Creek Ranch area has been covered with numerous posters and banners advertising the long-running stage show "Tarzan - The Encounter" in the Chaparral Theater, going so far as even covering the whole entrance sign of the Ranch with a banner for the show. One needs to wonder whether management is reacting to declining attendance numbers of the show or is just fearing guests may not find the theater since it is placed in the far corner of Frontierland on what is supposed to be the property of the Cottonwood Creek Ranch.

Speaking of the Chaparral Theater: it seems as if some of the paintings at the back of the auditorium have been replaced after they d
eteriorate over the years due to having been exposed to the elements in the early years, when it was the open air Chaparral Stage.

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Significant milestones for both Disney and Indy 500

Indianapolis, May 24: The "Minnie Indy Charity Race" will take place on a specially designed roadway created on the "Brickyard's" larger track.

The race will be led by the original winning car of the 1911 Indy 500 and this year's Indy 500 show car.

Drivers will line up their Autopia cars in the actual Indy 500 race-day grid.

The student in the winning Autopia car will receive an all-expense paid trip to the Disneyland Resort in Southern California, and the winning Indianapolis 500 Driver will win $25,000 for a favorite charity. Each additional driver will receive $1,000 to donate to the charity of choice.

Both of these American traditions are celebrating major milestones this year. This is the 90th Running of the Indianapolis 500 and the 50th Anniversary of Disneyland and Disney Parks around the world.

The tradition will continue this summer when Autopia opens at Hong Kong Disneyland, where it will make its home in Tomorrowland and immerse guests in a cosmic environment.

Guests of all ages will whiz down the highway of tomorrow in their electric space cars and encounter all sorts of alien landscapes, promising a fun adventure for the entire family.

Note: The "Autopia Cars" debuted at Disneyland in Anaheim, California on the park's opening day on July 17, 1955.

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Company gets county's OK to put in 999 high-rise units

The Celebration Co. got permission this week from county commissioners to build up to 999 high-rise apartments or condominiums east of Interstate 4 near Celebration High School. The commission's action Monday will allow the company to pursue talks with developers who want to build an age-restricted apartment complex north of World Drive and a condominium complex south of there.

Celebration Co., Disney's development arm, is approved for about 8,000 homes. Only 4,300 have been built so far. Original plans for the properties near the high school only featured commercial uses, but the company sought the change partly in response to residents' past opposition to hotel rooms near the school, Celebration Co. spokeswoman Andrea Finger said Tuesday.

In 2002, more than 800 residents fought the company's request for 1,000 new hotel rooms in southwestern Celebration.

The commission agreed to a compromise at the time, allowing 500 new rooms for a Four Seasons luxury resort, which has not been built.

Without approval for the apartments and condos, the company would have been allowed to build a 26-story hotel and a 26-story office building, said Kathryn Hattaway, representing Celebration Co.

Half a dozen Celebration residents spoke against the new plan Monday, saying the apartments and condominiums would lead to more parking problems downtown.

Some also said the height of the buildings -- 16 floors, including parking -- was out of character with rest of the community. Four people spoke in favor.

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Kelley Blue Book (http://www.kbb.com/), America's most trusted resource for new- and used-vehicle information, today launches the most up-to-date 'Blue Book' values and long-awaited expert reviews on the hottest "CARS" on the silver-screen -- the cars of "CARS," the Walt Disney Pictures and Pixar Animation Studios feature to be released June 9. In addition to unique and exclusive content for "CARS" movie fans, Kelley Blue Book and kbb.com offers site visitors a chance to win tickets to an advance screening of the highly-anticipated automotive flick.*

As Kelley Blue Book prides itself on providing the most up-to-date pricing and values for new and used vehicles, the site today launches values for a few sought-after vehicles destined to be collector cars. The editors of kbb.com report significant increases to some high-profile vehicles, including "CARS'" Lightning McQueen, Mater and others.

"We were impressed by Lightning McQueen's 200-mile-per-hour top speed, and his remarkably quick 4.5-second zero to 60 mile-per-hour time," said Jack R. Nerad, executive editorial director and market analyst at kbb.com. "With those specifications and the demand we are seeing in the marketplace, this speedster's value is the most expensive in the history of the Kelley Blue Book Official Guide(R)."

The company's famous guide book first produced in 1926, and its 10-year-old Web site kbb.com, also report that today marks the first time ever that the Blue Book has placed a value on a tow truck.

"Tow-Mater, as this specific tow truck likes to be called, was difficult to place a value on without a pink slip or any appropriate badging, but its value has been enhanced due to its low-volume, hard-to-find model status," said Nerad.

For a full-feature review of each of the main characters from the movie, their current Blue Book values, as well as movie trailers and other unique content, visit http://www.kbb.com/. *For sweepstakes details and rules regarding the Kelley Blue Book advance screening of the movie "CARS," please visit http://www.kbb.com/.

Cars Movie

After taking moviegoers magically into the realm of toys, bugs, monsters, fish, and superheroes, the masterful storytellers and technical wizards at Pixar Animation Studios ("The Incredibles," "Finding Nemo," "Monsters, Inc."), and Academy Award(R)-winning director John Lasseter ("Toy Story," "Toy Story 2," "A Bug's Life"), hit the road with a fast-paced comedy adventure set inside the world of cars. A Walt Disney Pictures presentation of a Pixar Animation Studios film, "CARS" is a high octane delight for moviegoers of all ages, fueled with plenty of humor, action, heartfelt drama, and amazing new technical feats.

Lightning McQueen (voice of OWEN WILSON), a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters -- including Doc Hudson (a 1951 Hudson Hornet with a mysterious past, voiced by PAUL NEWMAN), Sally (a snazzy 2002 Porsche voiced by BONNIE HUNT), and Mater (a rusty but trusty tow truck voiced by LARRY THE CABLE GUY) -- who help him realize that there are more important things than trophies, fame and sponsorship.

The all-star vocal cast also includes free-wheeling performances by Tony Shalhoub, Michael Keaton, Cheech Marin, George Carlin, Katherine Helmond, and John Ratzenberger. Delivering more fun and authenticity to the cast for "CARS" are vocal performances from some of the all-time greatest names from the racing world including the legendary Richard Petty, plus "drive-on" roles by Mario Andretti, Dale Earnhardt, Jr., Darrell Waltrip (who holds the record for five-wins at the NASCAR Coca-Cola 600), and Michael Schumacher, the ace German Formula 1 racing legend, who is a seven-times world champion, and is widely considered to be the best Grand Prix racing driver of all-time.

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Tarzan takes the Stage

Disney Insider - Broadway is swinging! Disney's newest musical, "Tarzan," had its world premiere on May 10 at the Richard Rodgers Theatre on Broadway in New York City. In the spectacular tradition of Disney on Broadway, the Lord of the Apes joins such stage gems as "Beauty and the Beast," "The Lion King," and Elton John and Tim Rice's "Aida."

To get a look behind the jungle vines, we turned to David Henry Hwang, who wrote the book for the show (in stage lingo, the book is the script for the non-musical portion of a musical production). David was part of a stellar creative lineup including Phil Collins, who wrote the music and lyrics, Bob Crowley, the director and scenic & costume designer, and Josh Strickland (Tarzan) and Jenn Gambatese (Jane), the stars of the show. He joined the "Tarzan" team in 2001, but he was no stranger to Disney, having worked on Elton John and Tim Rice's "Aida."

"I have to say, I wasn't all that familiar with the Tarzan legend at that time," David tells us. "In fact, there are so many different versions of the tale (movies, TV shows, comic books), that I eventually came to realize that I didn't know the real story at all. So I read the original novel by Edgar Rice Burroughs, and looked again at the Disney movie, which I'd always loved. I discovered a tale of a man caught between two worlds, who has to find his true identity before he can move forward. This was a story that excited me, so I agreed to join the team. So began our 4 1/2 year journey to opening night!"

One of the challenges the creative team faced was bringing the physical adventure of the story to life on stage. Actors swing through the jungle-canopy sets seemingly in defiance of gravity - with a little aid from bungee cords, harnesses, nearly invisible plastic lines, and an innovative inflatable set (not unlike the inflatable "bounce houses" that children love) that moves almost as much as they do. It's breathtaking to watch. However, just as important as the visual excitement to David was the emotional core of the story.

"Thomas Schumacher (President of Disney Theatrical Productions) and Bob Crowley constantly encouraged me to depart from the film when necessary in order to explore the material's deeper themes," David explains. "Both wanted to reinvestigate elements from the original film that felt too 'cartoon-y' to work onstage -- a direction I welcomed and embraced. As a result, the stage play, while following the basic plot points of the movie, is different in many ways. For instance, Kerchak (Tarzan's adoptive gorilla father) is a much more developed, conflicted character, and there are scenes between Jane and Tarzan which don't exist in the film." For that reason, he says, "'Tarzan' differs from the earlier Disney stage musicals in that the script and story depart in significant ways from the film, whereas the other shows hewed very closely to the original screenplays."

The music from the film has been expanded as well, with the addition of nine new songs and incidental music by Phil Collins, who also wrote the songs for Disney's film version of "Tarzan" (including the Oscar®-winning "You'll Be in My Heart"). In the film, the songs served to "narrate" the story; on stage, characters sing for themselves. The music, like the other aspects of the production, helps develop the characters further. The combination of thrilling excitement with a profoundly moving story about love, fear, and not fitting in, however, is very true to the spirit of the film.

"My favorite thing about 'Tarzan' is that it combines lavish spectacle with a deeply personal and intimate story, which I believe gives audiences the best of both worlds," David says. And it's a story that he finds deeply moving. "One of the reasons stories endure is that they contain elements which people of many different backgrounds can appreciate, each from their own point of view. As a Chinese American, I particularly related to a man caught between two worlds (in Tarzan's case, between human and ape families), taking elements from each to become his best self."

TARZAN owned by Edgar Rice Burroughs, Inc. and used by permission. 2006 Edgar Rice Burroughs, Inc. and Disney. All rights reserved.

The Official Home Page of Tarzan at this LINK

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''Cars Soundtrack''- Available June 6, 2006 on Walt Disney Records

On June 6, 2006, Walt Disney (Nachrichten/Aktienkurs) Records releases the highly anticipated "Disney/Pixar Cars Original Motion Picture Soundtrack" featuring all-new, original music performed by superstars Sheryl Crow, James Taylor and Brad Paisley and new recordings of road classics by multi-platinum artists Rascal Flatts and John Mayer. Academy Award(R)- and Grammy-winning composer Randy Newman penned the original song "Our Town" in addition to composing the film score.

"Disney/Pixar Cars Original Motion Picture" - after taking moviegoers magically into the realm of toys, bugs, monsters, fish and superheroes, the masterful storytellers and technical wizards at Pixar Animation Studios ("The Incredibles," "Finding Nemo," "Monsters, Inc.") and Academy Award winning director John Lasseter ("Toy Story," "Toy Story 2," and "A Bugs Life") hit the road with a fast-paced comedy adventure set inside the world of cars. Lightning McQueen (voiced by Owen Wilson), a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. On route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters - including Sally (a snazzy 2002 Porsche, voiced by Bonnie Hunt), Doc Hudson (a 1951 Hudson Hornet with a mysterious past, voiced by Paul Newman), and Mater (a rusty but trusty tow truck voiced by Larry The Cable Guy) - who help him realize that there are more important things than trophies, fame and sponsorship. The all-star vocal cast also includes free wheeling performances by racing legend Richard Petty and Cheech Marin. Fueled with plenty of humor, action, heartfelt drama, and amazing new technical feats, "Cars" is a high octane delight for moviegoers of all ages. Disney/Pixar's "Cars" opens in theatres nationwide June 9, 2006.

"Disney/Pixar Cars Soundtrack" Track List:

1. "Real Gone" - Performed by Sheryl Crow (written by Sheryl Crow and John Shanks)
2. "Route 66" - Performed by Chuck Berry
3. "Life Is a Highway" - Performed by Rascal Flatts
4. "Behind the Clouds" - Written and performed by Brad Paisley
5. "Our Town" - Performed by James Taylor (written by Randy Newman)
6. "Sh-Boom" - Performed by The Chords
7. "Route 66" - Performed by John Mayer
8. "Find Yourself" - Written and performed by Brad Paisley
9. "Opening Race" - Score by Randy Newman
10. "McQueen's Lost" - Score by Randy Newman
11. "My Heart Would Know" - Performed by Hank Williams
12. "Bessie" - Score by Randy Newman
13. "Dirt Is Different" - Score by Randy Newman
14. "New Road" - Score by Randy Newman
15. "Tractor Tipping" - Score by Randy Newman
16. "McQueen and Sally" - Score by Randy Newman
17. "Goodbye" - Score by Randy Newman
18. "Pre-Race Pageantry" - Score by Randy Newman
19. "The Piston Cup" - Score by Randy Newman
20. "The Big Race" - Score by Randy Newman

The "Cars Original Motion Picture Soundtrack" will be available June 6, 2006, for a suggested retail price of $18.98 wherever music is sold. All Buena Vista Records and Walt Disney Records audio products also can be ordered by visiting DisneyRecords.com.

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Disney taking big plunge into new-media world

Whether Walt Disney Co. stock has spiked more than 20% this year on improved results, management's aggressive stance in an uncertain new-media world or both, the entertainment giant's ability to keep market support from turning into fairy dust will have industrywide implications.

Because Disney's uptick was well under way before reporting strong fiscal second-quarter results this month, it appears to reflect investor support for Disney CEO Robert Iger's emphatic articulation of its bold new-media plans, helping to set the industry's bar much higher.

Although Disney is offering no real or projected numbers to suggest that its digital advances will be significant to its bottom line, the mere perception that it is aggressively repositioning itself for new-media fortunes is enough to create market momentum.

More important is whether the momentum can be sustained and accelerated and what returns will come from new media to improve media's overall sanguine shuffle the past two years.

That Disney is the industry's breakout performer -- up 25% year-to-date compared with 5% each for the S&P and the Dow Jones Media Index -- compounds the pressure already gripping management to revive its film animation by integrating Pixar, to build on its continued primetime ratings success by generating as much as a 7% hike in its upfront advertising sales to $2.23 billion and to best the company's historical double-digit growth.

To hear Iger and his lieutenants tell it during a string of recent investor and industry meetings, the prospects are good but not without having to pay some price.

Perhaps the most delicate balance confronting the $60 billion company is deciding how much and how many of its leading primetime programs to release as ad supported or paid downloads from devices or its own streaming media Web sites.

Although Disney has said it eventually will make an estimated $1 billion from the new-media distribution of "Desperate Housewives" and "Lost," it is unclear how its overall cable and broadcast TV content will play in a new-media world given the massive variables, fluctuations and changes afoot.

For instance, it is difficult to know how much of the initial enthusiasm for ABC hit series' $1.99 single-episode downloads on Apple's iTunes (with a 70/30 split in its favor) came in response to the novelty. It is unclear where the iPod offerings will settle in relation to pricey DVD sets of entire seasons, free, ad-supported series downloads and other options.

But what Disney and its peers have lately discovered is that the new tech-savvy consumer is a tough sell. They want to pay for desired content only once with limitless options to play it across all platforms and devices. It is a demand for ubiquity and unlimited access that is nowhere close to existing.

Consumers also are quick to embrace genuine creativity and innovation, which most certainly can be unleashed by the likes of John Lasseter, chief creation officer of the Disney and Pixar animation studios, given the right autonomy and support. Former Pixar chairman Steve Jobs, with a 6.3% Disney stake, says the key is to "make great animation that really affects the culture."

Just how Disney moves through its early new-media initiatives to the next level will be telling, both for the company and the industry.

Iger has promised not to allow traditional practices, alliances or expectations get in the way of increasing Disney's reach and diversifying its revenue streams with distinctive content in the new-media space. The first place he is putting that to test is with ABC's affiliated television stations, by refusing to share new-media proceeds from traditional content sales on new platforms like Fox, CBS and NBC.

"We're not looking to abandon them (ABC-TV affiliates). We're not looking to betray them. We're not looking to do anything that is designed to harm their business. At the same time, we cannot let a fear of that relationship being challenged or creating tension with them get in the way of following consumers who are going to other places," Iger said during an A.G. Edwards-hosted analyst meeting.

"The riskiest thing we could do as a company is protect the status quo," he said. "It's a tough balancing act, because everything is tied (together)."

Iger's vision is shared by his industry peers, many of whom are far less outspoken: New digital technology is giving consumers the means to partake in more media, giving companies with smart investment strategies the opportunity to make more money and extend their branded businesses.

"The trick is to figure out the way to balance current and prior businesses with the need to take advantage of new opportunities," Iger said.

The jolting reality is that consumers do not care about media companies, platforms or devices-only content, and getting it when, where and how they want it. Media companies are giving it to them every way they know how: direct to consumers and through third parties (even BitTorrent!), with and without advertising, free video-on-demand and paid downloads, linear and nonlinear, aggregated and disaggregated.

The chaotic evolution of media access is not likely to settle down any time soon as traditional platforms such as broadcast, cable and theatrical films, continue to stagnate or decline. The only certainty is that the exhibition windows will continue to compress and diversify.

Such unpredictable shift and flow could have a dramatic impact on all media company balance sheets even in the next year. Some analysts already are sounding the alarm that exploding distribution will reduce content to a commodity with diminishing value.

Although Iger and others are pushing the logic that greater returns will come from pushing content across more platforms and devices along with the premium-priced targeted interactive advertising they will carry, they are declining to provide real or projected numbers as evidence even at this early juncture. In fact, only News Corp. has said it expects to generate $350 million in fiscal 2006 from broadly defined new media operations.

Still, Iger's relaxed and wide-ranging discussion about all this at the A.G. Edwards gathering provided some insight justifying his optimism. For instance, existing cable series are generating new audiences and ad support on new-media platforms such as the iPod and Disney's streaming media webs sites.

But, you can be sure Disney will not jeopardize its hefty long-term annuities by streaming the likes of ESPN, for which it received considerable fees from cable, satellite and telephone distributors. ESPN is the industry standard for slicing and dicing a brand for niche new media consumers. Likewise, the recently announced family-friendly Disney phone is the first in a long line of products and services catering to another of its targeted audiences, not to mention the world's largest distribution platform-digital cellular phones.

Although "the list is endless" of companies that want to access Disney content, there are no guarantees that related proceeds will ever match even its most modest existing profit centers, Iger said.

The more traditional television and theatrical film platforms, however vulnerable, provide some level of assured, low-risk financing, he reminded, making it possible for Disney's Starways Mobile and enterprising incubation businesses to conjure up new shortform content for cell phones and other emerging platforms. The best content will always have pricing power.

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ABC gets 'Guy' for summer 

ABC is turning to the creators of "Queer Eye for the Straight Guy" to help women. Scout Prods. is producing "How to Get the Guy," one of five reality series the network said Monday that it will roll out in the summer. "Get the Guy," beginning June 12 at 10 p.m., follows the romantic lives of four young women looking for love in San Francisco. ABC has ordered six hour long episodes. "They are light, fun, engaging series that we believe viewers will make appointments with all summer long," said Andrea Wong, executive vp alternative programming, specials and late-night at ABC Entertainment.

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TV Characters As Action Figures

TV Comedy Stars may not be made into toy action figures, since action poses are limited--seemingly smirks, grins, laughs, don't count. But they should.

Surviving a plane crash is something else. So Disney/ABC's Touchstone TV has struck a deal with McFarlane Toys to create a line of action figures based on characters from the hit "Lost."

Keeping with the action figures premise, each character will come with an associated prop. So Kate (Evangeline Lilly) will include a toy lead plane the character chased down in season one; Hurley (Jorge Garcia) will come with a lottery ticket. Characters will also be frozen in specific key moments, such as when Locke (Terry O'Quinn) first found the hatch.

McFarlane Toys CEO Todd McFarlane said it's rare for a TV to lend itself to action figures--which is typically left to big action-packed or sci-fi theatrical movies such as "Spider-Man" or "Batman" or  "King Kong." Given the show's sci-fi nature, however, "Lost" becomes a perfect candidate.

"The younger guys get it," McFarlane said. "Hurley, his face scanned the best. There's a lot going on there. When he smiles, a lot happens to his face."

With this in mind, we wondered about comedy--a lot happens on those characters' faces, too. Characters on "Two and a Half Men," "Everybody Loves Raymond," or "Seinfeld" would have their own smirking identity: Ray Romano's smirk is different from Jerry Seinfield's smirk or that of Charlie Sheen's.

How far can this go? Perhaps we could have "American Idol"'s Simon Cowell leering - in a karaoke bar; "Desperate Housewives"'s Susan (Teri Hatcher) with frightened  expression after burning down her neighbor's house; and "Prison Break"'s Michael Scofield's (Wentworth Miller) secretive stare at his fellow inmates.

These characters could have alternative looks--a frown, a well-placed mug, a grimace, a far-away look.

Storylines are naturally important to TV series; but the initial essence of TV shows comes with its characters and their faces. Sell every inch of it to the TV public. Have those figurines sneering at you on your mantle during prime time.

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When 'House of Mouse' collapses

In April, my family and I ventured to Orlando for our first, and perhaps our last, trip to Disney World. It wasn’t quite the Griswold’s adventure to Wally World, but it might make a good movie even so.

Long before the trip took place, my husband and I received a lot of advice: "Get to the parks early." And, "Go left." This advice was pretty much meaningless at first except for the fact that everybody said the same thing and everybody had the same reasons.

Going "left" was something we could definitely handle but the "early" thing was a little harder to define; after all, we are the initiators of the "Ten O’clock Sleep In" rule.

Many discussions were held about this "early" thing. Such deep questions as, "How early is "early" anyway?"

And, "If everyone goes "early," then doesn’t it stand to reason that fewer people will go later?" But, "If everyone thinks that everyone is going "early" but really going later, then wouldn’t there be fewer people early?"

We went around and around like that for weeks and finally decided to go the mature parent route; after all, we reminded ourselves, this trip was for the kids.

So, at 7 a.m. sharp on our first day, there I was, sounding like a drill sergeant, trying to get everyone out of bed and ready for the day. We made it to the park each morning by 8:30 and already there was a line of people waiting to get in and the park had only been open for a half hour and by the time we left at around 2 in the afternoon, you could barely move.

We did three parks in three days and I credit the FastPass for this Herculean sightseeing effort. For those of you who don’t know, the FastPass is like making an appointment for a ride, so while everyone else is sweating out (literally) an hour or so in line, you show up at your scheduled time and get on the ride with minimal, if any, wait time. It was what kept us sane. I would’ve cracked so much sooner without it. As it was, we always knew when it was time to leave when our youngest son broke down in tears from sheer exhaustion.

By the third day, I knew it was time when I broke down in tears from sheer exhaustion. By that time, I knew if I had to stand in one more line (not all rides take FastPass) see one more full-grown adult wearing Mickey ears or other Disney clothing, or walk into someone who decided to stop in the middle of the street for no apparent reason, I was going to do something I would have regretted. I just about lost it in the hotel lobby when I noticed that a chip in the tile on the floor was shaped like Mickey ears. Had they done that on purpose? Was it a sign from Walt himself? I really needed to sleep in.

My sons and I revolted on our fourth day; we slept in ( until 9 a.m.) and as my husband pored over the maps and planned which rides to go on at Blizzard Beach while we ate breakfast, the three of us chanted, "Hell no, we won’t go!" Perhaps it wasn’t appropriate language for kids, but we had to make our point and we did. We spent the rest of the vacation by the pool. No mouse ears, no lines, no tears.

Perhaps this person should not have gone during the Spring Break Season?

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Tuesday May 23, 2006


 
Revving up its entertainment platform, AT&T Inc. (NYSE: T) today announced a marketing relationship with Disney-Pixar to jointly promote the June 9 theatrical release of Disney- Pixar's "Cars." The animated movie, featuring a cast of comedic and offbeat automobiles, gives consumers more opportunities for interacting with the most anticipated family movie stars of the summer.

"Cars" is a fast-paced comedy adventure set inside the world of automobiles. Lightning McQueen (voice of Owen Wilson ), a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. En route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town's offbeat characters - including Doc Hudson (a 1951 Hudson Hornet with a mysterious past, voiced by Paul Newman ), Sally (a snazzy 2002 Porsche, voiced by Bonnie Hunt ), and Mater (a rusty, but trusty, tow truck, voiced by Larry the Cable Guy) - who help him realize that there are more important things than trophies, fame and sponsorship.

"The animation team behind 'Cars' knows how to propel its movie characters into the pop-culture landscape so that the names and personalities instantly capture the attention of a very wide consumer base," said Scott Helbing , chief marketing officer, AT&T Consumer. "Also, by creatively linking our brand and products to the fresh, fun characters of this movie, we're helping to strengthen our position as a communications and entertainment company."

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ABC appointed Charles Gibson as the new anchor of its struggling "World News Tonight" broadcast on Tuesday, replacing Elizabeth Vargas.


Vargas, who is pregnant and goes on leave later this summer, will return in the fall to co-anchor the "20/20" newsmagazine, ABC said.

ABC's announcement did not specify a role for Bob Woodruff, Vargas' co-anchor on the evening news until he was seriously wounded in a roadside bombing in Iraq on Jan. 29. Woodruff is still recovering from serious head injuries and broken bones.

In a news release, Woodruff called Gibson a mentor and friend, and said: "I look forward to contributing to his broadcast as soon as I am able."

Gibson starts on Monday. He will continue on "Good Morning America" for June, and then leave that broadcast to concentrate solely on the evening news.

Financial terms of the contract weren't announced.

ABC did not immediately name a replacement for Gibson on "Good Morning America."

ABC News President David Westin's announcement came less than a week after "World News Tonight" fell to last place in the evening news ratings for the first time since 2001, behind NBC and the resurgent CBS. CBS has hired NBC's Katie Couric to become its evening news anchor.

Westin had appointed Vargas and Woodruff in November to replace the late Peter Jennings in ABC News' lead anchor role. He had approached Gibson then about doing the job temporarily before the younger anchors took over, but Gibson balked.

Westin had said he envisioned the job being too much for one person, since he wanted the anchors to travel frequently to news sites and do separate versions of "World News Tonight" online and for West Coast audiences.

But the Vargas-Woodruff team was in place for only a month before Woodruff was injured.

Vargas said her doctors had asked her to cut back her schedule.

"I have loved every day I spent at `World News Tonight' and have endless respect for my colleagues there," she said. "This broadcast needs someone who can give 150 percent, day in and day out. I am not in a position to give that right now and it wouldn't be fair to do any less."

Gibson, 63, said he was "humbled to accept this new assignment."

It sets up a dynamic competition this fall in a tradition-bound television format that has seen its influence and viewership decline over the past few decades. NBC's Brian Williams has led in the ratings since taking over for Tom Brokaw. Couric will be the first woman to be sole evening anchor. Gibson brings a level of age and experience that matches the generally older audience for these shows.

ABC was reportedly reluctant to break up its morning team of Gibson, Diane Sawyer and Robin Roberts. "Good Morning America" was envisioning taking a run at NBC's dominant "Today" in the morning with Couric leaving.

By staying on in the morning until June 30, ABC will have the benefit of having Gibson for a month on "GMA" after Couric leaves "Today." Gibson also gets a head start on Couric at the "CBS Evening News," where she is due to start in the fall.

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"High School Musical," the contemporary movie musical that has captivated kids, tweens and families as part of the blockbuster Disney Channel Original Movie franchise, and is the highest-rated original programming in the history of the network, will debut on Disney DVD, May 23, 2006. A "break into song" production, the comedic "High School Musical" follows two teens, Troy and Gabriella, who must learn to believe in themselves and follow their dreams, despite the polarization of high school cliques.

Allowing fans to experience even more, the DVD will include two versions of the film -- the original telecast version and an exciting sing-along version which displays lyrics on screen during all musical numbers, so audiences can learn the words of the film's chart-topping songs. The debut DVD release also contains bonus features including a "Learning the Moves" feature led by Emmy Award-winning director and choreographer Kenny Ortega (XIX Winter Olympics Opening Ceremony), a never-before-seen music video, "I Can't Take My Eyes Off of You," the rousing music video "We're All In This Together," and a Behind-The-Scenes feature providing viewers a glimpse at the making of the movie. "High School Musical" is available on DVD May 23, 2006, from Walt Disney Home Entertainment.

"High School Musical" is an entertainment industry sensation. A contemporary musical comedy, (as of April 14) it has aired ten times (January 20-March 24) on Disney Channel. Over the course of its ten telecasts, the movie has delivered 34 million unique Total Viewers, 18.8 million Households, 10.0 million Kids 6-11 and 10.5 million Tweens 9-14.

The "High School Musical" soundtrack from Walt Disney Records has been certified double platinum by the R.I.A.A. The duet, "Breaking Free" is a platinum single and four additional singles, including the rhythmic "Get'cha Head in the Game," "What I've Been Looking For," "We're All in this Together," and "Start of Something New" are all gold. "Breaking Free" made the largest jump in the 48-year history of the Billboard Hot 100, catapulting from #86 to #4 in just one week. "Get'cha Head in the Game" broke a 34-year record with its biggest jump ever to #23, from #100. "High School Musical" first reached the #1 position on Billboard's Top 200 the week of February 26, seven weeks after its release and reclaimed the #1 spot on March 22. An exciting "High School Musical Special Edition" 2-CD soundtrack will be released on the same day as the DVD's debut, May 23, 2006.

"High School Musical" follows a popular high school basketball star and a shy, academically gifted newcomer who discover they share a secret passion for singing. When they audition for the lead roles in the school musical, it threatens East High's rigid social order and sends their peers into an uproar. In a desperate effort to maintain the status quo, the "jocks," the "brainiacs" and even the drama club regulars hatch plots to separate the pair and keep them offstage. By defying expectations and taking a chance on their dreams, Troy and Gabriella inspire other students to go public with some surprising hidden talents of their own. Starring are Zac Efron, Vanessa Anne Hudgens, Ashley Tisdale (Disney Channel's "The Suite Life of Zack & Cody"), Corbin Bleu, Lucas Grabeel (Disney Channel Original Movie "Halloweentown High"), Monique Coleman, Bart Johnson, Oleysa Rulin and Alyson Reed.

The movie was written by Peter Barsocchini and directed and choreographed by Kenny Ortega and is Executive Produced by Bill Borden and Barry Rosenbush.

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Disney Online is unveiling the first images and a playable version of the never-before-seen Pirates of the Caribbean Online game at the Electronic Entertainment Expo (E3) on May 10-12th in booth #1024, South Hall. Simultaneous to the game's unveiling at E3, a new promotional Web site will debut at www.pirateslegend.com. The massively multiplayer online role-playing game (MMORPG), slated for release in 2007, is based on the popular film franchise and will allow players to experience the world captured on screen. In the game, players will interact with Jack Sparrow, Will Turner, Elizabeth Swann and other characters made popular in the movie franchise, as they embark on exciting quests in search of treasure and notoriety.

"The unique, expansive world of Pirates of the Caribbean is in many ways ideally suited for an MMO," stated Mike Goslin, vice president, Virtual Reality Studio for Disney Online. "Our development team is having tremendous fun creating an immersive adventure based on these memorable characters, exotic locales, and epic mythology. We have challenged ourselves to create a game that gamers will enjoy but also appeals to a broad audience."

     

Capturing the high seas and swashbuckling action found in both "Pirates of the Caribbean: The Curse of the Black Pearl" and the upcoming "Pirates of the Caribbean: Dead Man's Chest," players embark on quests for adventure and treasure in an effort to become the Caribbean's most legendary pirate. Featuring hundreds of customization options, players create and customize their own pirate, form a crew, and set sail on the high seas. Along the way they will interact with and learn skills from the notorious Jack Sparrow, forge alliances with thousands of other players, hunt for buried treasure on uncharted isles, battle evil undead forces and face off against numerous enemies on land and sea.

"E3 presents an exciting opportunity for us to introduce Pirates of the Caribbean Online to fans of both the film franchise and MMO games," stated Steve Parkis, vice president of Premium Products for Disney Online. "We're looking forward to seeing fans first-hand reactions as they 'live the legend' at E3."

Pirates of the Caribbean Online is in development by Disney Online's VR Studio, creators of the critically acclaimed Disney's Toontown Online, the industry's first MMORPG designed for kids and families. The game is being developed to appeal to a broad audience from teens to adults and will be available for a monthly subscription fee. Pirates of the Caribbean Online will be published by Disney Online Premium Products. Additional game information and exclusive game updates can be found at www.pirateslegend.com.

Official Site click this LINK

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Disney's Preschool Summer Fun!

Walt Disney Home Entertainment presents the entertaining, learning themed "Growing Up With Winnie The Pooh" preschool animated titles: Love & Friendship and It's Playtime With Pooh. Both of these titles are new to Disney DVD. Plus, the seasonal "Growing Up With Winnie The Pooh" favorites Friends Forever and A Great Day of Discovery are re-priced to own. Each title is available on May 23 for $14.99 (SRP), from Walt Disney Home Entertainment.

Growing Up With Winnie The Pooh: It's Playtime With Pooh

When "what should I do?" problems arise, no matter what their size, they're a breeze for Winnie the Pooh and his friends when they tackle them together. Fun is the name of the game in four Pooh-riffic tales that show how honesty and consideration can save the day. Pooh and his pals search for an "April Fool" and take a fantasy trip to the Wild, Wild West. Important lessons are learned about kindness and friendship, and the Hundred Acre Wood gang learns how teamwork can solve even the biggest little challenges.

Bonus Feature: Soccer Playtime With Pooh Game

Growing Up With Winnie The Pooh: Love & Friendship

Whether you're large or small, a little kindness goes a long way. Winnie the Pooh and the Hundred Acre Wood gang discover why getting along helps make the world go 'round. Piglet realizes that even a very small animal can have a huge heart, and finds out why a Tigger without stripes on the outside is still a Tigger on the inside. Through story and song, the Hundred Acre Wood gang show how honesty, helping friends, respecting others and trusting in yourself is fun for everyone.

Bonus Features: Hundred Acre Wood Heart Game; "Up Down, Touch The Ground" Sing-Along Song

Growing Up With Winnie The Pooh: Friends Forever

It's fun-filled adventure for Pooh and friends, where the greatest discovery of all is realizing how much fun it is to grow up with good friends forever. Pooh has his bothersome habit of losing things, and one day that includes Piglet. The Hundred Acre Wood gang put on their thinking caps and try to solve Pooh's problems. Whatever goes awry, as things often do in the Wood, Pooh and his friends always find a way to work together and solve problems by sharing ideas and showing concern for others.

Growing Up With Winnie The Pooh: A Great Day of Discovery

In the Hundred Acre Wood, sometimes the greatest thing is discovering how much fun it is to share "growing up" moments with friends. When Tigger's birthday wishes get out of hand, good behavior gets better results than all the wishes in the world. Favorite friends show how to turn troubles around with a little respect, good behavior, and fun imaginative play.

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THE cars of "Cars," the animated Pixar film that opens nationally on June 9, were designed on Route 66.

But not entirely — they were also designed at Pixar's headquarters in Emeryville, Calif., where 800 animators and other dreamers work on 3,000 computers inside a former fruit processing plant. But to hear Michael Wallis, a historian of the highways, tell it, they were inspired by research expeditions to racetracks, styling studios and car shows.

Inspiration also flowed from the ruins of a Packard plant on East Grand Boulevard in Detroit and from the Detroit Institute of Arts, with its car-factory murals by Diego Rivera — and from what's left of Route 66, the legendary artery through the heart of the American Dream.

A tour guide and author of "Route 66: The Mother Road," among other books, Mr. Wallis led the Pixar crew along Route 66.

The most lovable character in "Cars" is Mater, a rusty tow truck with the voice of Larry the Cable Guy. That's Mater, as in "Tow-Mater," an aptly cornball pun. Mr. Wallis recalls the time and place he was created. "There was an old wrecker in an empty lot by Route 66 in Galena, Kan.," he said. "Joe Ranft, the studio's head of story and a key member of the Pixar team, stopped and noticed it, and Mater was born."

Mr. Wallis acted as a consultant for the Pixar team: Mr. Ranft; John Lasseter, the director; and other top animators.

Just as auto designers have produced cars that come close to cartoons — think of the gangsteresque Chrysler PT Cruiser or the pull-toy Volkswagen New Beetle— cartoon designers have turned to creating cars.

It is not as easy as it seems, Mr. Lasseter said. In January 2005, he came to the Detroit auto show and spoke about his project at the AutoWeek Design Forum. The crucial decision, he said, was to forgo the usual idea of the "face" of a car, with the headlights serving as the eyes and the grille as the mouth. He moved the eyes to the windshield to keep the cars from looking empty and driverless.

The team took constant pains "to keep the cars from looking rubbery, " Mr. Lasseter said. Much effort and computer-processing power went into rendering realistically shifting reflections on the cars' metal surfaces, from the rust of old trucks to the metal-flake custom cars, using a computer technique called ray tracing.

The release of "Cars" was delayed seven months during the negotiations that led to Disney's recent purchase of Pixar for $7.4 billion in stock. The formal premiere is Friday on four giant screens erected on Turn 2 of Lowe's Motor Speedway near Charlotte, N.C. That location is courtesy of Humpy Wheeler, president and general manager of the speedway and Nascar's éminence grise, who provides the movie voice of Tex, a 1959 Cadillac Coupe de Ville with long horns above his grille. Richard Petty, the racing legend, also has a speaking role.

The cars tend to types. George Carlin plays Fillmore, a VW bus whose front license plate suggests a beatnik's goatee. Sarge is a Jeep, Flo a waitress (inspired, Mr. Wallis says, by a real waitress, Dawn Welch, at the Rock Café in Stroud, Okla.). A 1957 Motorama show car, Flo boasts (through chrome lips) of selling "the best gas in 50 states." Ramone, the '59 Chevy Impala lowrider, has the voice of Cheech Marin, the stoner comedian. The more you know about cars and car movies the richer the viewing experience. Paul Newman gives voice to Doc Hudson, a wise retired racer turned mechanic. It helps if you know that the Hudson Hornet, for which the Pixar team dug up vintage paint chips to assure realism, was once a Nascar racer and that Newman acted in a film called "Hud." Yes, the car has blue eyes.

The sheriff of Radiator Springs is a 1949 Mercury, and its voice is Mr. Wallis's. The author is delighted with his role. "That car has always been one of my favorites, and it fits my personality," he said.

Mr. Lasseter recounted how the idea for the film was born in the summer of 2000 when, exhausted after nearly a decade of work on films like "Toy Story" and "Monsters, Inc.," he decided to take a cross-country road trip with his wife and five sons.

A large man habitually garbed in a capacious Hawaiian shirt — a look that suggests a perpetual fantasy vacation — Mr. Lasseter is the son of a onetime Chevrolet parts manager in Whittier, Calif. He had long wanted to make a film about the car culture.

When he returned to the studio from his vacation, he plunged into the new project. One of the first things he did was contact Mr. Wallis, who led the Pixar animators on two trips across Route 66 to research the film. Bypassed by Interstate 40 and other modern highways, Route 66 — the pieces that remain — has been reborn as a tourist road. Real motels and restaurants served as models for those in Radiator Springs, like the Cozy Cone Motel and V-8 Cafe.

"They saw the teepee-shaped motels and gas stations," Mr. Wallis said in the rawhide tones he uses on his road tours. "They felt the wind through the winter wheat. They gulped it all in."

The film follows its hero, Lightning McQueen, a Corvettelike racer with the voice of Owen Wilson, as it travels the racing circuit from town to town, combining the narrative device of the road trip with bursts of action. But the racecar gets sidetracked in Radiator Springs.

"He's speedy and arrogant," Mr. Wallis said. "In our bypassed town we teach him to slow down. In turn, he inspires us to rebuild our town."

Mr. Wallis, along with his wife, Suzanne Fitzgerald Wallis, also wrote a book about the making of the film. The lush pastel and color pencil sketches in "The Art of Cars" (Chronicle, $40) show that Pixar's ideas have roots in the hand, not just in the computer. Sketches by Nat McLaughlin for flowers in the film — their blossoms shaped like taillights — are works of art.

Mr. Lasseter and his group visited design studios for the Big Three automakers in Detroit but particularly hit it off with J Mays, the Ford Motor Company's group vice president for design. "We are on the same wavelength," Mr. Mays said.

He said he admired the cars in "The Incredibles," another Pixar film, because they showed knowledge of auto history and design.

He and Mr. Lasseter bonded and exchanged studio visits. Mr. Lasseter learned how real cars are designed. Mr. Mays was impressed with Pixar's obsessive attention to detail. "They want to get things right even if no one can tell," he said. "If it was wrong, they would know."

The "Cars" cars are more sophisticated than those in "The Incredibles." Computers used for the new film are four times as fast as those, and 1,000 times as fast as the ones for "Toy Story." What gives the cars character is the way they move on their wheels, like creatures on feet.

Of course, designing cars for computer animation is not designing for the real world, but it has similarities. To orchestrate the motion, Pixar used a shared platform, a system not unlike a real carmaker's. The film's cars have a common software "chassis," a "universal rig" of 100 animation controls known as avars. Suspensions are customized: the 50's cars are looser and bouncier.

Pixar had to design a whole landscape. In a world of cars, Mr. Lasseter explained, "a restaurant is a gas station and a doctor is a mechanic." The town of Radiator Springs includes a tire (shoe) store run by Luigi, a Fiat with a hairpiece whose voice is that of Tony Shalhoub of the television series "Monk."

For Route 66, Mr. Wallis loaded the animators into rented white Cadillacs. "We rode three big new Detroit sleds," he said. The animators decorated the cars by attaching items found on the roadside: sheaves of wheat, bunches of thistles, sunflowers, snake skins and a road-kill armadillo. "We called this stuff Okie hood ornaments," Mr. Wallis said.

At trip's end, he said, "We buried it all in the high desert," adding: "We had a ceremony. I spoke some words and one of the animators, Bud Luckey, played a few bars on his harmonica. I'll never forget it."

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Disney in the Rain? It's Not That Bad

I've been to Disney in the rain.

And Six Flags, and HersheyPark, and the zoo, and ...

I'm here to tell you — it's really not that bad.

I won't pretend that it's pleasant to be wet — unless you're at a water park on a hot day. And if you're not wearing waterproof shoes, you might just ruin them tromping around through the puddles.

But believe it or not, going to amusement parks or other outdoor attractions on rainy days offers certain advantages. Chief among them: Other, less intrepid families will stay home. That means the lines will be much shorter.

OK, some amusement parks will shut some of the rides down. And park attendants are not always diligent about wiping off wet seats — which means you should bring a hand towel or a roll of paper towels to wipe them off yourself.

And yes, you run the risk, if there's a thunderstorm or the rain is very heavy, that the park will close for safety reasons. Even if you've only been there for an hour, you won't get your admission refunded. And you don't want to be hiking in the woods in a thunderstorm.

But check the forecast. If it's just a light drizzle, that will keep the crowds at bay, but won't ruin your day or shut the park down. If you don't love the feeling of raindrops falling on your head, stick to indoor attractions — shows, in-the-dark coasters, arcades — which may be just as sparsely attended as the outdoor rides.

If a rainy morning should happen to give way to clearing skies, you've got it made.

And by the way, hating the rain is a learned behavior. You can train your kids to embrace those cloudy skies if you start young. It's an attitude that will serve them well in life.

I started my boys' love affair with bad weather when they were toddlers. On rainy days, I'd get out an umbrella, dress them in rubber boots and a red-and-yellow hooded slicker, and announce that we were going puddle-jumping. When all the other mothers were yelling at their kids to avoid the puddles, we'd walk around the neighborhood looking for little pools to stomp in. It was a great alternative to being stuck indoors, and they were wickedly thrilled to be doing something forbidden to other children.

Over the years, we've been to the zoo in the rain, hiked in the rain, and picked apples in the rain (we had the entire orchard to ourselves). And we've spent memorable rainy days at HersheyPark, Six Flags, and yes, Disney. "You just have to walk between the raindrops," is one of our family sayings.

My boys are older now, but we still enjoy rainy days together. When they get new sneakers, they know to save the old pair for wet days when we might be out and about. We even have a reputation, as a family, for maintaining our plans regardless of the weather. Let others cancel if the weather doesn't cooperate; like the Postal Service, there's no downpour, snowfall or heat wave that can keep us from our appointed rounds to visit Grandma, Auntie or cousins.

I bring plastic ponchos that fold up to pocket-size, enough for all of us, on every trip, but the last few times we've been somewhere in the rain, the kids have opted for that soaked-to-the-skin feeling. I prefer to at least attempt to stay dry with an umbrella, raincoat and boots, but if it doesn't bother them to feel wet, I don't see anything wrong with it.

It's only water, right? They won't melt. And if their clothes get soaked, well, that's what dryers are for.

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Long after your trip to Walt Disney World is over, you can still bring a little of that magic to family meals with help from chef Mickey and friends. A new cookbook, Cooking With Mickey and the Disney Chefs by Pam Brandon ($19.95, Disney Editions), offers more than 100 recipes from all the WDW parks and resorts, as well as from the Disneyland parks and resorts and the Disney Cruise Line. The variety is pretty spectacular, from simple dishes such as banana-stuffed French toast served at the Disney Polynesian Resort to more sophisticated fare (maple-glazed salmon from aboard the Disney Magic.)

This recipe is for Mom's Meat Loaf, a top seller at the '50s Prime Time Cafe at Disney-MGM Studios.

MOM'S MEAT LOAF

Serves 4

2 pounds ground beef

1 pound ground pork

4 large eggs, lightly beaten

1 cup seasoned bread crumbs

1/2 cup finely chopped onion

1/4 cup each finely chopped red and green bell pepper

2 tablespoons plus 1/2 teaspoon Worcestershire sauce, divided

1/2 teaspoon each cracked black peppercorns and coarse salt

1/2 cup ketchup

1 tablespoon brown sugar

1 teaspoon Dijon mustard

Preheat oven to 350 degrees. Lightly oil two 8-by-4-inch loaf pans. In a large bowl, combine meats with eggs, bread crumbs, vegetables, 2 tablespoons Worcestershire sauce, pepper and salt. Do not over mix.

Divide mixture in half, shaping into 2 loaves and placing each in prepared loaf pans. Bake for 50 to 60 minutes or until meat thermometer inserted reads 155 degrees.

Meanwhile in a small bowl, blend ketchup, sugar, mustard and remaining Worcestershire sauce. Brush the meat loaves with the mixture and bake another 10 minutes. Remove from oven and allow to stand 10 minutes before serving.

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100,000 and counting

Disneyland Paris - Since its official opening on April 9, 2005 Panoramagique, according to its operators the world's largest captive balloon, is soaring over the Disney Village granting up to 30 guests per trip a bird's eye view of the resort, on clear days reaching as far as Paris from up to 100 meter high in the air.

This unique offer, which has no equal in any of the other Disney resorts around the globe, has becoming a (in the literal meaning) soaring success in the meantime. As the Resort announced now by December 31st, 2005, in other words in less than 6 months the balloon already welcomed more than 100,000 guests - and the story continues! Tickets are available on site for 12 Euro per adult / 6 Euro per child (members of the Shareholders' Club receive a 10% discount).

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ABC Super Soap Weekend Nov. November 11th - 12th Presented by Colgate Total, the annual fan-fest will bring out more than 30 ABC Daytime stars at Disney-MGM Studios. There'll be star-filled parades, autograph sessions, star conversations, concerts and more. Stars from the three soap operas on the ABC Daytime schedule -- "All My Children," "One Life To Live" and "General Hospital" -- will highlight the two-day festival. The fun is included with regular Disney-MGM Studios admission.

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Osborne Lights 2006

Osborne Family Spectacle of Lights November 13th - January 7th, 2007 As snow falls overhead, the Streets of America back lot cityscape at Disney-MGM Studios comes alive with millions of sparkling lights each evening. Snowflakes sparkle while colored lights put on a show twirling as carousels, marching on air as toy soldiers and taking flight as Santa and his reindeer. The lightshow is in collaboration with Arkansas businessman Jennings Osborne, who developed the display for his daughter. When his idea outgrew his home, he worked with Disney to provide a new home for the seasonal fun. The dazzling spectacle is included with Disney-MGM Studios admission.

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Christmas events for 2006

Holidays Around the World/Candlelight Processional November 24th-December 30th An Epcot tradition continues, with holiday customs from around the globe, international storytellers, a nightly character tree-lighting ceremony, a stunning display of snow-white and colored lights, and Candlelight Processional -- guest narrators accompanied by a massed choir and 50-piece orchestra for a retelling of the Christmas story. Every evening concludes with a special holiday-themed finale to the "IllumiNations: Reflections of Earth" show. The holiday fun is included with regular Epcot admission.

Mickey's Very Merry Christmas Party Dates:
Nov 13, 17, 27, 28, 30
Dec 1, 4, 5, 7, 8, 11, 12 ,14, 15, 18, 19, 21, 22

Hours: 7 PM - 12 Midnight

Advance purchase savings are available for select dates only. All party tickets for Dec 1, 8, 15, 18, 19, 21, 22 are priced at gate pricing only. Passholders and Disney Vacation Club Members can save even more by purchasing in advance for the following select nights: Nov 13, 17, 28 Dec 14

Gate Price (including taxes):
Adult (age 10+) $48.94
Child (age 3-9) $40.42

Advance Purchase Savings Price (including taxes):
Adult (age 10+) $42.55
Child (age 3-9) $34.03
Tickets must be purchased at least 1 day prior to event. Select nights only.

DVC or Passholder Advance Purchase Savings Price (including taxes):
Adult (age 10+) $38.89
Child (age 3-9) $29.77
Passholders can purchase for themselves and up to 3 Guests
DVC Members can purchase for themselves and up to 5 Guests
All Passholder tickets and DVC Tickets must be picked up at Will Call to validate discount. Tickets must be purchased at least 1 day prior to event. Select nights only.

This years Holiday highlights:

-Mickey's Very Merry Christmas Parade featuring Santa and Mrs. Claus
-Holiday Wishes - Celebrate the Spirit of the Season Fireworks
-Special Holiday Shows (Celebrate the Season, Twas the Night Before Christmas)
-Snow on Main Street USA
-Complimentary Hot Cocoa and Cookies
-Characters will be decked out in their Holiday Best
-Use of the most popular Magic Kingdom attractions
-Discount PhotoPass Offer (50% off discount code for PhotoPass photos taken during the event to use for purchase on-site or online on all of the 5x7 photos from their experience during the Magic Kingdom Hard Ticket Event)

Guests can now book dining reservations for Tony's Town Square Restaurant or Liberty Tree Tavern's "Liberate Your Appetite" Character Dinner on all Party Event Nights. Party Event Tickets are required.

-Liberty Tree Tavern (All you care to eat meal served family style)
Adult (age 10+) $27.99 plus tax
Child (age 3-9) $12.99 plus tax
Seatings are offered 5 PM - 9 PM

-Tony's Town Square (a la carte menu)
Guest order off the regular menu.
Seatings are offered 6 PM - 8:30 PM

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Disney Adds Diamonds to Mickey Mouse Collection

Walt Disney Inc., for the first time, has targeted the high-end watch segment for its 75-year-old Mickey Mouse character by launching the Retro Mickey Diamond Watch Collection.

The watches are produced and hand-decorated with 26 diamonds weighing 0.5 carats each in Switzerland, and come in four color schemes: Black and white, red and blue, pink, and brown, and sell for (between $550 and $1,350) THB20,000-THB50,000 and more.

Dannis Wu, managing director of Sun Tronic Co Ltd, a Hong Kong merchandise company authorized to handle Mickey Mouse products, said last week the collection was designed to interest both men and women of 20-years of age and older in the middle-high to high-end income brackets.

Sun Tronic considers the collection the new competitor of other high-end watches selling in Thailand. Wu said the collection blended luxury features with the classic "fun and love."

The target customers have grown up with Mickey Mouse, and a lot of them are his fans, he said. He could not provided an exact figure for the grown-up fans, but said there were 200,000 to 300,000 in Thailand from toddlers into the teenager category.

Thailand is one of the top five markets for Mickey Mouse merchandise in Asia, according to Wu, partly because it attracts tourists who like to shop.

Thailand was chosen as the first country in Asia to launch the collection. Of the 999 models in the collection, the Thai market will get 200. Marketing for the collection is budgeted at THB4 million to THB5 million during six months, he said.

Mickey Mouse merchandise performed strongly in 2005, thanks mainly to the opening of Hong Kong Disneyland, he said. Mickey Mouse always pops up in people's heads when they think of the place, and many promotions and activities of Walt Disney, owner of the character, have been held in Thailand.

Wu could not remember the share of Mickey Mouse merchandise in the whole merchandise market here but said it was one of the few characters that was always recognised as an all-time classic with an appeal that was passed on from generation to generation.

In the domestic watch market, character models represent 5 percent by value. The segment seems small, but it grew 20 percent last year and is large by volume, he said.

The exclusive local distributor of Sun Tronic's Mickey Mouse watches, Thai Times Asia Pacific, has opened the first Mickey Mouse watch shop in Southeast Asia at the Siam Paragon shopping complex.

Wu expects it to open more branches in other middle and upper-class department stores and shopping malls.

Sun Tronic has been handling Mickey Mouse watches for eight years, in addition to all the other Mickey Mouse merchandise. Mickey Mouse accounts for 40 percent of the company's total business, second to its Hello Kitty merchandise.

Its Mickey Mouse business gained 25 percent in sales last year.

Sun Tronic expects to see at least 20 percent sales growth from its overall Mickey Mouse watch business in 2006.

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Monday May 22, 2006


 
Texas Instruments (TI) today announced that its DLP Cinema technology has been exclusively chosen as the digital cinema projection technology for the worldwide premiere of Disney/Pixar's thrilling new computer-animated feature, CARS. Manufacturers Barco, Christie, and NEC are supplying a total of twelve DLP Cinema projectors to pull off an amazing feat of lighting up four custom built 115-foot screens for first ever multi-screen outdoor projection event.

CARS, the latest feature from Oscar-winning director John Lasseter ("Toy Story," "A Bug's Life," "Toy Story 2"), follows the adventures of a hot shot rookie race car named Lightning McQueen who discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. The world premiere will take place on Friday, May 26th in the heart of NASCAR country at the Lowe's Motor Speedway in Charlotte, NC before a crowd of 30,000 movie and sports fans. The twelve DLP Cinema projectors will deliver an incredible 240,000 combined lumens and 35 trillion colors to light up the four 115' screens that will be positioned around turn two of the Speedway. This represents the largest square footage delivery of a movie ever.

The utilized projectors include three Barco D-Cine Premier DP-100, six Christie CP2000, and three NEC NC2500S DLP Cinema projectors. DLP Cinema projectors have been showing movies in theatres since 1999, helping realize the advancement of digital cinema. In 2006, the DLP Cinema screen count has more than tripled to 1,400 worldwide, with tens of thousands of additional theatres announced to convert in the next few years. Disney through its Buena Vista Distribution arm has been a pioneer of digital cinema since its inception, first releasing Tarzan for digital distribution in July 1999, and releasing more than 43 more in digital in the last seven years, including such hits as Toy Story 2, Monsters Inc, Signs, Finding Nemo, The Incredibles, and Pirates of the Caribbean.

To top off the weekend, the #96 DLP HDTV Chevrolet will be wrapped as the movie's main character, Lightning McQueen, for the Coca-Cola 600 NASCAR Nextel Cup race on Sunday, May 28th.

"This premiere marks a major leap forward into the digital theatrical age," said Nancy Fares, Business Manager, DLP Cinema Products. "The transition of the industry to digital projection has reached the tipping point this year, and DLP Cinema technology has been a major contributor to the technology advancement and readiness of digital cinema."

"We are pleased to use DLP Cinema technology to bring CARS to the screen in a big way," said Doug Darrow, Brand&Marketing Manager. "As a sponsor of Hall of Fame, we couldn't be more excited that we can showcase our digital cinema technology to the NASCAR fans."

For more information about DLP Cinema technology, or to find a movie theatre near you equipped with DLP Cinema projectors, please visit: http://www.dlpcinema.com/ .

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The government is seeking approval to spend HK$119.5 million to construct a saltwater supply system in Penny's Bay so Hong Kong Disneyland can flush toilets without wasting fresh water.

The planned construction, put off once before and part of the original agreement to construct the theme park, is set to be completed by 2009, if the public works subcommittee approves the measure at a meeting on June 21. According to information from the Economic Labor and Development Bureau to the economic services panel Monday, the original plan was to build a saltwater supply station "on a site to be reclaimed under the Tai Ho development" by this year.

Since no construction has gone forward, Disneyland has been using fresh water to flush its toilets.

The proposed new saltwater service reservoir and the proposed saltwater pumping station will join an existing saltwater main that runs along the North Lantau Highway in Ta Pang Po.

The reservoir will be constructed about 450 meters south of the highway, next to the current Sunny Bay fresh- water reservoir in Yam O Tuk. The reservoir's capacity will be 2,500 cubic meters of water.

A Disney spokeswoman said the company did not keep records of how much flushing water it used per day and it could not forecast how much it would have used by the park's first year anniversary in September. She said the company does not have a preference for saltwater or fresh water to flush toilets but would take whatever is allocated by the government.

Bureau officials believe the construction contract will last longer than 21 months, with the bulk of the costs going on building the pumping station for HK$41.6 million at September 2005 prices. The reservoir would have cost HK$35 million last year.

The pipework, fittings, mechanical and electrical wirings and environmental protection measures stood at HK$27 million, with HK$10 million going toward "contingencies."

In a re-evaluation at 2006 prices, the bill stands at nearly $120 million, with an annual maintenance and operation cost of HK$2.6 million, officials said.

Hong Kong imports much of its fresh water in a bulk contract with the mainland.

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Fans of the Pirates of the Caribbean team on the high seas in the Volvo Ocean Race can now follow The Black Pearl from port to port in exciting 3D. Virtual Spectator, a global innovator in 3D sports technology, has announced the launch of Pirates 3D VS Raceviewer free for download at http://www.blackpearlracing.com.

The Pirates 3D VS Raceviewer has the look and feel of the team including unique Pirates graphics and colors. In addition to keeping an unpatched eye on The Black Pearl, users can track four interactive camera angles, accurately depicted boats (right down to sail selection), weather -- including wind and boat speed and direction, isobars, rain, snow, and clouds -- and race history.

The Pirates 3D VS Raceviewer also offers video updates straight to the individual application. This holds unlimited opportunity for sailing broadcasts, video highlights and more, while fans are enjoying the 3D presentation of the Volvo Ocean Race.

Douglas L. King, Chairman and CEO of Virtual Spectator said, "Virtual Spectator is thrilled to work with Disney's entry in the Volvo Ocean Race. Paul Cayard and all the Pirates of the Caribbean team have an enormous following. We are delighted to offer their fans an experience to follow this team."

Commenting on Pirates 3D VS Raceviewer, Gary Jobson , a world class sailor turned Emmy-winning broadcaster, said, "I obviously can't play favorites in this race, but I can imagine the anticipation from the Pirate fans. I'm sure they will be impressed and have their attention centered on their team the whole race."

Curtis Worthy , Project Executive with Virtual Spectator said, "This collaboration with the Pirates of the Caribbean represents our ability to synergize the branding of teams in an event such as the Volvo Ocean Race. This not only leads to a valuable experience for viewers but for sponsors as well."

Virtual Spectator plans to launch more team versions of the 3D VS Raceviewer in the near future.

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Goodyear Launches Major Push Behind “Cars”

The tire maker, prominently mimicked in the animated movie, last week rechristened one of its blimps “Lightyear” and announced a significant promotional effort behind the movie.

The film’s main character is named Lightening McQueen, a race car that rides on “Lightyear” tires. An animated “Lightyear” blimp also makes an appearance in the movie, which is expected to be a major hit this summer.

Goodyear is hosting an exclusive world premier of the movie on May 26 at Lowe's Motor Speedway in Charlotte, N.C. The movie opens nationwide on June 9.

"We are honored by the recognition we have been given in this film, said Joey Viselli, Goodyear’s director of marketing services. "The connection between Goodyear's racing heritage and Disney-related films that feature racing storylines is nothing new.”

At retail, Goodyear will be supporting its involvement with “Cars” with its "Calling All Cars" tire sale promotion, which runs from May 21 to June 17. During the promotion, consumers can receive a free copy of the “Cars” soundtrack and a $25 to $100 Goodyear cash card for buying a set of tires.

Goodyear also is helping bring “Cars” to life in the Disney/Pixar "Cars Road Trip '06." Goodyear supplied tires for each of the vehicles, including the centerpiece character cars, for the nationwide tour of life-sized models of the film's animated stars. The real-life Lightening McQueen is a race car built on a modified 1978 Pontiac Trans Am body, with Goodyear-made P355/55R19 "Lightyear" racing tires.

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Walt Disney for the first time has targeted the high-end watch segment for its over 75-year-old Mickey Mouse character by launching the Retro Mickey Diamond Watch Collection.

The watches are produced and hand-decorated with 26 diamonds weighing 0.5 carats each in Switzerland and come in four colour schemes, black and white, red and blue, pink, and brown, selling for Bt20,000-Bt50,000 and more.

Dannis Wu, managing director of Sun Tronic Co Ltd, a Hong Kong merchandise company authorized to handle Mickey Mouse products, said last week the collection was designed to interest both men and women aged 20 and up in the middle-high to high-end brackets.

Sun Tronic considers the collection the new competitor of other high-end watches selling in Thailand. Wu said the collection blended luxury features with the classic "fun and love".

The target customers have grown up with Mickey Mouse, and a lot of them are his fans, he said. He could not provided an exact figure for the grown-up fans but said there were 200,000 to 300,000 here from three years of age up to teenagers.

Thailand is one of the top five markets for Mickey Mouse merchandise in Asia, according to Wu, partly because it attracts tourists who like to shop.

Thailand was chosen as the first country in Asia to launch the collection. Of the 999 models in the collection, the Thai market will get 200. Marketing for the collection is budgeted at Bt4 million-Bt5 million over six months, he said.

Mickey Mouse merchandise performed strongly last year, thanks mainly to the opening of Hong Kong Disneyland, he said. Mickey Mouse always pops up in people's heads when they think of the place, and many promotions and activities of Walt Disney, owner of the character, have been held in Thailand.

Wu could not remember the share of Mickey Mouse merchandise in the whole merchandise market here but said it was one of the few characters that was always recognized as an all-time classic with an appeal that was passed on from generation to generation.

In the domestic watch market, character models represent 5 per cent by value. The segment seems small, but it grew 20 per cent last year and is large by volume, he said.

The exclusive local distributor of Sun Tronic's Mickey Mouse watches, Thai Times Asia Pacific, has opened the first Mickey Mouse watch shop in Southeast Asia at the Siam Paragon shopping complex.

Wu expects it to open more branches in other middle- and upper-class department stores and shopping malls.

Sun Tronic has been handling Mickey Mouse watches for eight years, in addition to all the other Mickey Mouse merchandise. Mickey Mouse accounts for 40 per cent of the company's total business, second to its Hello Kitty merchandise.

Its Mickey Mouse business gained 25 per cent in sales last year.

Sun Tronic expects to see at least 20-per-cent sales growth from its overall Mickey Mouse watch business this year.

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Disney chief blasts record labels

Walt Disney CEO Robert Iger yesterday condemned music industry labels for losing money by resisting the move to online retail.

He observed that the labels had lost billions in revenue through trying to fight, rather than embrace, change.

"They completely missed the market opportunity," Iger said in a speech delivered at the Boston College Chief Executives Club. Disney won't make the same mistake, and has already begun to move with the times, he pointed out.

"By focusing on protective legislation rather than marketplace dynamics," Iger said, "the music industry lost billions during the period of 2002 to 2003."

"The consumer is now king," said Iger, who took the helm at Disney in October. "Today, consumers have far more control over where, when, and how they consume media."

"No single business or industry can stand in the way of technology," he concluded.

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Hong Kong Disneyland hosts major resource conference

The stunning Cinderella Ballroom at the Hong Kong Disneyland Hotel was the setting for a prestigious human resource conference yesterday attracting 250 delegates and speakers including CEOs and senior managers from major corporations throughout Hong Kong.

Organized by the South China Morning Post and Hewitt Associates, the conference entitled "Building Leaders for Greater China", included a series of interactive panel discussions and seminars concentrating on the importance of developing talent on the Mainland.

Hong Kong Disneyland Vice President, Sales and Travel Trade Marketing, Josh D'Amaro, said: "We were very pleased to be chosen to host such an important conference and to be given the opportunity to showcase what the Hong Kong Disneyland Conference Center can do. We pride ourselves on what we call the Disney Difference – the ability to host great events with a touch of Disney magic that will ensure every delegate has an unforgettable experience.

"This conference consisted of a number of panel sessions and breakout seminars – which we were able to accommodate within the Cinderella Ballroom and the neighboring Sleeping Beauty Ballroom. The flexibility of the Cinderella Ballroom allows it to divide into as many as seven separate rooms for individual breakout sessions – all of which were utilized for this conference."

South China Morning Post Conferences & Events Manager, Louisa Chiu, remarked: "What our delegates commented on the most was the location – the Hong Kong Disneyland Hotel is right by the South China Sea which gave our delegates the feeling that they had 'escaped' from Hong Kong and the peaceful surroundings really allowed them to concentrate on the task at hand."

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Baptists, Disney have faith in ability to work together

First Baptist Church of Orlando baptized more than 100 people Sunday on the shores of a Walt Disney World lake in the latest act of reconciliation between the entertainment giant and evangelical Christians.

Several hundred congregants and their families gathered late in the afternoon to watch believers ages 7 to 88 as they were immersed in the waters in an act symbolizing their faith in Jesus Christ.

During the simple ceremony, marked by an occasional hymn and acoustic guitar, children, couples and even a family of five gathered under trees thick with Spanish moss on the white sands of Disney's Contemporary Resort's North Lake.

Dressed in white robes, they joined a half-dozen ministers in the lake who dunked them backward into the waters after they proclaimed their new faith. Some quietly walked off; others emerged joyfully throwing their hands in the air.

Once the target of a boycott by a coalition of religious conservatives, including the Southern Baptist Convention, Disney has begun moving closer to evangelical groups recently.

For example, in December the company distributed The Chronicles of Narnia movie, based on the C.S. Lewis book that is a longtime favorite of Christians. Christian-oriented marketing companies were hired to promote the films with churches and pastors.

For their part, Southern Baptists last year declared an end to a boycott of Disney.

It was sparked in the 1990s after the Southern Baptist Convention accused then-Disney Chairman Michael Eisner of undermining the company's reputation for traditional values through products and policies sympathetic to homosexuals. Eisner left the company in September and was replaced by Robert Iger.

For First Baptist of Orlando, Sunday's baptisms were just the latest example of cooperation with Walt Disney World.

The congregation's former pastor, the Rev. Jim Henry, opposed the boycott while serving as president of the Southern Baptist Convention. David Uth, his successor, said he also opposed it while in the pulpit at his former church in Louisiana.

By all accounts, the boycott did little to affect Disney's bottom line.

"I thought it was mistake," Uth recalled. "I thought it was wrong; I'm not a big boycott person."

Holding baptisms at Disney seemed divinely inspired to some.

According to the Bible, Jesus Christ himself was baptized in the Jordan River. Uth is a strong supporter of open-air baptisms, because, he said, "An outdoor venue adds that relevance of celebration and excitement."

So he was receptive when one of his staff, the Rev. Randall James, suggested Disney World.

"I'm sure the Lord gave me the idea," said James, a former assistant to three Orlando mayors.

Jerry Guinn, a member of First Baptist and former Presbyterian, waited 13 years for his baptism, a final conversion to the Baptist faith.

Disney didn't sway the hunter and fisherman to profess his faith, but the idea of an outdoor ceremony did appeal to him.

"I've always been a believer," Guinn, 56, said after the ceremony. "It could have been Lake Conway or Lake Butler -- this was just a beautiful way to do it."

James said most of those baptized Sunday were longtime worshipers at the church, and most were converts from other Christian religions.

The turnout was far more than he expected, he said. "Perhaps my faith was not that strong," he said, "but I expected around 50 or so to attend this thing."

That so many appeared just to watch, he said, "is cause for celebration."

With more than 13,000 members, First Baptist is one of the country's largest protestant churches. It is located on 130 acres off John Young Parkway in southwest Orlando.

Sunday's baptism also was a turnaround from 2002, when Walt Disney World officials announced that regular Sunday-morning services for guests and employees would end.

Citing space problems and concerns about fairness to other faiths, they stopped the Catholic and nondenominational Protestant services that had been held at the Polynesian Luau area since 1975.

First Baptist, which has what James called "scores of members" who work for Disney, approached the company about hosting Sunday's ceremony.

James contacted Al Weiss, who as president of worldwide operations for Walt Disney Parks and Resorts oversees Disney World and who also is a Baptist, although not a member of James' congregation.

"He very quickly responded 'yes,' that he'd have a look," said James.

Disney spokeswoman Lissette Campos said Weiss passed on the request to the convention division. Shortly thereafter James and Uth met with staff at Disney's Contemporary Resort, and they decided on a site at a man-made lake next to the hotel, near showers and lockers.

"Walt Disney World Resort is open to all people, all the time," Campos said. "We pride ourselves on the fact that our resort appeals to a broad range of convention groups."

It's not clear who paid for Sunday's event. The church did not ask Disney to donate its services, James said, but neither did anyone discuss whether it was free.

"As far as we know, we were not charged," he said. "If Disney sends us a bill, we will happily pay it."

Uth said that he would like to have more outdoor baptisms and certainly more at Disney, maybe in a year or so, if the company allows them back.

The pastor said he doesn't think the service and ceremony send any message of religious favoritism.

"It's more a community gesture," he said, "rather than one to a particular church. There's always a possibility of reading something into it, and trying extrapolate hidden agendas. But I think at the core of this is the willingness of Disney to be a part of the local community."

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Hit Disney musical goes Hindi for India

Since January this year, pre-teens and teenagers in the United States have been hung up on just one thing - a made-for-TV musical called, simply, High School Musical.

Thanks to the craze, 18-year-old actors Zac Efron and Vanessa Anne Hudgens are now household names, and the musical's soundtrack is at the top of the charts almost everywhere.

Now, Disney has decided to launch the very same musical as a Hindi movie later this year.

The movie, which will have local Bollywood stars, will also feature the works of specially-commissioned lyricists and singers in Mumbai. Disney executives are tight-lipped about divulging any more information, but told DNA that India is one of the many countries the musical will go to this year. China and Japan are the other Asian countries Disney has chosen to launch the musical as a locally-dubbed movie. Disney executives feel that India is the only country, apart from the US, where a musical like this has a great chance of success as most movies made here have songs as part of the central theme.

Disney Channel Worldwide Rich Ross told The Wall Street Journal on Friday: "We've never had a TV product that's become this big a property so quickly." How successful the show has become in the US can gauged by these figures: The movie has been aired on TV 12 times, and has garnered 3.65 crore viewers, of which 1.1 crore were from the age group 9-14, and more than 1 crore were from 6 to 11.

A novel based on the made-for-TV movie released last week, has already become a bestseller, and the soundtrack has reached 27 on Amazon.com's bestseller list. While Disney movies have always done well in India in their dubbed format, this is the first time that a leading entertainment company has decided to franchise a US musical into a Hindi movie.

Disney hits up until now include animated features such as The Lion King, Alladin, Toy Story, and A Bug's Life. However, this is Disney Channel's first foray into the Indian big screen.

Disney already has a television presence in India with three channels airing live-action and animated shows dubbed in Hindi.

The plot

Troy (Zac Efron) is a basketball star coached by his father at East High when he meets cute, brainy Gabrielle (Vanessa Anne Hudgens). Sparks fly when they come together while auditioning for their school's musical. Of course, there are problems galore, with both Troy and Gabrielle facing a lot of opposition from fellow students. How their romance finally fructifies is the main plot.

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Hail to "Cory" spin-off at Disney Channel

Disney Channel is set to go into production on its first series spin-off, "Cory in the House," which features two characters from the network's hit comedy "That's So Raven."

In the series, Kyle Massey and Rondell Sheridan will reprise the roles they have played for the past four years -- Cory and Victor Baxter, a son and father now making the move to the White House.

While Raven goes off to college and mom Tanya moves to the U.K. to finish law school, Victor is handpicked to be the personal chef to the newly elected president. He and Cory move into the staff quarters of the White House and must contend with characters including the president's sly 8-year-old daughter and his no-nonsense personal adviser.

The show is set to premiere in November on Disney Channel U.S., following soon thereafter on Disney Channels worldwide.

While "Cory" marks Disney Channel's first series spin-off, another one could be making its way to the network as Disney Channel recently picked up a pilot for a spin-off of "The Suite Life of Zack and Cody."

"That's So Raven," which had a fourth season of new episodes premiere in February, has been Disney Channel's No. 1 series in the kids 6-11 demo for six of the past seven quarters. For 2005, it was basic cable's No. 1 series with girls 6-11 and girls 9-14.

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Disney European Partnership Sends Tarzan to Holland in '07

Disney Theatrical Productions and Stage Entertainment, the largest theatrical producing company in Europe, have announced an expansion of their relationship.

Beginning with their first international production of Elton John & Tim Rice’s Aida in 2001, the companies have mounted six Disney musicals that have played to an audience of over 10 million people in Germany and Holland alone. Disney/Stage Entertainment shows have grossed over $400 million in ticket sales.

Continuing this relationship, the two companies announced on May 22nd that Disney’s newest musical, Tarzan, will be their next co-production in Europe, set to open in Holland next spring at the Circustheatre near Amsterdam. Phil Collins made the announcement tonight in Holland at a live telecast of the Dutch Theatre Awards. A second production is scheduled to open in Germany in 2008.

“It’s unusual for a second production to be mounted so soon after a Broadway opening,” said Thomas Schumacher, President, Disney Theatrical Productions, “but Joop van den Ende and his team have been supportive of the show throughout its development and I am very pleased it will have its international premiere in The Netherlands.”

Casting for this Dutch language production begins immediately. “I wish I could clone Josh Strickland and Jenn Gambatese and the whole New York cast,” said Schumacher, “but we need them here and Europe has many excellent performers from whom to choose.”

“We love the show and believe it will make a strong connection with European audiences,” said Joop van den Ende, Stage Entertainment Chairman, “I am also very proud that Disney has once again selected to give us these exclusive rights.”

Stage Entertainment currently has five Disney productions in their theatres, including The Lion King in its fifth year in Germany and its third year in Holland, Beauty and the Beast on tour in Germany and Holland and Elton John & Tim Rice’s Aida on tour in Germany.

Tarzan opened on Broadway just days ago on May 10 at the Richard Rodgers Theatre. The cast album will be released on June 27th on Walt Disney Records.

Disney Theatrical Productions, a unit of Buena Vista Theatrical Group, operates under the direction of Thomas Schumacher. Disney’s hit productions of Beauty and The Beast, The Lion King, and Elton John and Tim Rice’s Aida have been presented in 40 international productions that has been seen by over 60 million people worldwide—making DTP one of the world’s largest producers of live theatre. Mary Poppins, a co-production by Disney and Cameron Mackintosh, is now playing at London’s Prince Edward Theatre, and will arrive on Broadway in October 2006. Further information about productions can be found at www.disneyonbroadway.com.

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ABC.com Draws 3 Million Views

Walt Disney Co.'s ABC Television announced that its online ABC shows have been viewed three million times since its launch two weeks ago.

ABC.com is offering viewers free, ad-supported online versions of its shows "Desperate Housewives" and "Lost." The shows air on the site 12 hours after they are first broadcast on television.

"We're going to experiment with different business models," says Disney CEO Bob Iger on plans to introduce different ad and sponsorship models.

Last year, ABC teamed up with Apple Computer, Inc. to sell ad-free downloads of its shows on Apple's iTunes' online store.

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Sunday May 21, 2006


 
Walt Disney Co. is the favorite entertainment stock of Goldman Sachs Group analyst Anthony Noto, who said the No. 2 U.S. media company may lift profit regardless of overall industry advertising growth.

Revenue from strong ABC ratings, syndicated television shows, TV shows on DVDs, theme parks and Disney's best lineup of films in three years should drive the gain, Noto wrote to investors Thursday. He reinstated coverage of the stock with an "outperform" rating.

"We believe Disney's growth is not contingent on a general advertising recovery, as we believe there are enough other drivers to fuel growth," he wrote.

Disney rose 55 cents, or 1.9 percent, to close Friday at $30.15 on the New York Stock Exchange, bringing its gain for the year to 26 percent.

The S&P 500 Media Index is up 7.5 percent in 2006. Noto wrote that Disney may rise to $39.

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Actors who dress up as Mickey Mouse, Donald Duck and other characters to greet visitors at Hong Kong Disneyland are getting pay raises and longer breaks, the park said Sunday, following complaints of work-related injuries, low pay and quick turnarounds between shifts. 

Hong Kong Disneyland said in a statement it will increase the monthly base pay of the character performers by 11 percent from 9,000 Hong Kong dollars (US$1,160; euro910) to HK$10,000 (US$1,300; euro1,010) starting June 1. 

"This adjustment is the result of benchmarking efforts internally ... with the external Hong Kong market and with other Disney parks,'' the statement said. 

It added that break times for the actors have been increased from 30 minutes every hour to 40 minutes from April until September due to hot weather and that pregnant employees would be stationed at air-conditioned locations and be given lighter work loads if necessary. 

Character actors who greet visitors at the park had complained that night shifts would sometimes be followed by morning shifts and that their pay trailed the HK$11,000 (US$1,420; euro1,112) monthly salary earned by those who appear in shows. 

The performers also said they suffered from muscle pain and neck and waist injuries from wearing the costumes. 

The South China Morning Post Sunday quoted a spokeswoman for the workers, Elaine Hui, as saying they welcome the changes, but that "there is still room for improvement.'' Calls to a local union that works with the Hong Kong Disneyland workers went unanswered Sunday.

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Official podcasts from the Star Wars weekends

A series of podcasts from each Star Wars weekend, featuring interviews with many of the guest celebrities will be available at the Official Star Wars website. Check out the first 4 interviews now at this LINK.

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Ever wonder how Captain Jack Sparrow got his start? Well wonder no more, young pirates and pirate princesses, because Disney Press is launching a whole new book series that answers that and other burning questions. Starring a teenaged Jack Sparrow, the books follow the adventures of this buccaneer-in-training as he evolves into the savvy swashbuckler featured in the hit films. Look for these new titles at the Disneyland Resort, World of Disney store.

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Years ago, it might have made sense for budget travelers to Disney World to stay outside the resort. Accommodations were cheaper elsewhere, and complimentary shuttles to Disney World were often available. All of that is still true, but nowadays there are compelling reasons to at least consider lodging in Walt Disney World.
The addition in recent years of Value Resorts -- Pop Century, All-Star Sports, All-Star Movies, and All-Star Music -- has cut the price of staying on site to as little as $79 a night off-peak. In addition, staying on site gets you free transportation from the Orlando airport on Disney's Magical Express bus service. Guests also get transportation from their lodging to Disney sites, and early admission to selected theme parks on different days.
At the All-Star Music Resort, nearly 400 rooms are being converted to 192 family suites with kitchenettes. The first suites, expected to start at about $200 a night, will open in June. The project should be complete by October.

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