November 29 - 30, 2009
 

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Monday November 30, 2009

German tourist arrested in Disney bomb threat
Disney World Growth
ESPN The Magazine’s Body Issue: A Financial Success
Disney reviewing options on Oprah replacement
Disney Reviewing Live Shows After Lambert
Amtrak Auto Train moves cars between Florida and D.C. for Disney fans, snowbirds

Disneyland announces new character breakfast: 'Surf's Up! Breakfast with Mickey & Friends'
High-tech wheelchair causes Disney ruckus for South Florida mayor
Disney World's Candlelight Processional makes holidays bright for musicians

ESPN Deportes to televise World Cup in US
Battle of the Disneylands: Advantage Hong Kong

Get Free Meals at Disneyland Paris
3 Disney OSHA probes remain open
Obama jobs summit to draw Google, Disney chiefs

Music is at center of two new Disney XD programs

German tourist arrested in Disney bomb threat

Orlando Sentinel
 - A German tourist told Walt Disney World employees he had two bombs in his backpack.

Orange County sheriff's deputies on Sunday arrested Jochen Naumann, 37, of Leipzig, on charges of making a false report of a bomb.

Reports show he was going through the security checkpoint at the entrance to the Magic Kingdom at about 10:22 a.m. when he "casually advised a Walt Disney World cast member that he had two bombs in his back pack."

The Disney employee questioned Naumann and he repeated the bomb threat.

A sheriff's deputy stationed at the Disney checkpoint secured Naumann and called a bomb sniffing dog to check Naumann's bag. The dog did not find explosive devices in the bag.

Deputies arrested Naumann and took him to the Orange County Jail.

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Disney World Growth

Orlando Sentinel - Planners at the Reedy Creek Improvement District, the semi-autonomous government that oversees Walt Disney World, are updating their 10-year growth plan, and the changes offer an interesting glimpse of how Disney World has grown over the last 10 years — and how it might grow over the next 10.

Reedy Creek's "projected maximums" show no major theme park being added between 2009 and 2013. On the other hand, the new maximums do allow for one major new theme park to be added during the following five years, through 2018.

Over the past 10 years, the number of hotel rooms at Disney World has grown 13 percent, with 3,252 new rooms pushing the resort's overall total to 28,267 rooms. Looking ahead to the next 10 years, Reedy Creek projects a maximum of 11,300 new hotel rooms, an increase of 40 percent. It projects a maximum of 8,900 new time shares — a 178 percent increase.

Plans for Flamingo Crossings, the "value-oriented" lodging-and-retail district at Disney's western entrance, account for 42 percent of the projected hotel rooms, 19 percent of the projected time shares and 74 percent of projected retail and restaurant space.

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ESPN The Magazine’s Body Issue: A Financial Success

CNBC - ESPN The Magazine’s Body Issue, which featured athletes in various stages of dress, certainly attracted plenty of buzz.

But it’s the money earned from the issue that will bring it back for at least another year.

Gary Hoenig, general manager and editorial director of ESPN publishing, told CNBC that the issue was the best issue, in terms of advertising, in the month of October since the Magazine launched in 1998.

The issue sold 35 percent more ads than the issue that ran in the same week last year, which featured Missouri quarterbacks Chase Daniel and Chase Patton.

Hoenig said The Body Issue sold “close to double" the amount that the magazine normally sells of each bi-weekly issue at the newsstand.

“It was our biggest seller on the newsstand since the college football issue in 2007 and it’s likely in the top 5 best selling in the last five years,” Hoenig said.

Hoenig said the issue sold well enough that he’s leaning towards putting next year’s Body Issue on the newsstand for a longer period of time.

The issue also led to the sale of 650 new ESPN.com Insider subscriptions at $39.99 a pop.

“I can’t say I’m surprised by how it turned out,” Hoenig said. “The more counterprogramming you can come up with in this environment, the better off you are.”

Of the six athletes that were featured on the cover, Hoenig said the issue with Serena Williams on the cover sold the best.

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Disney reviewing options on Oprah replacement

Reuters - ABC television can wait 12 to 15 months before it decides how to fill the gap left by daytime TV queen Oprah Winfrey, who plans to end her talk show in 2011, said Disney/ABC Television Group president Anne Sweeney.

"Oprah has given us two years' notice, which is not something you generally see in television," Sweeney told Reuters on Monday. "We are certainly in the process right now of reviewing our options."

Sweeney, who is also co-chair of Disney Media Networks and oversees the ABC Television Network, described Winfrey as "one of a kind" but nonetheless said she could foresee a "myriad" of ways to replace the TV star.

Sweeney declined to comment on any specific replacements for Winfrey's show.

"I think it's going to be really interesting to see who comes forward and who emerges during this time as the next great idea, personality and then the next great piece of programming," she said.

"It's a matter of understanding the marketplace and thinking about what it's going to look like in two years and what is the best thing that you could be programming at that hour for consumers, and I think it's going to vary station to station," she said.

Winfrey will end her show to focus on OWN: The Oprah Winfrey Network, a cable channel to be launched in partnership with Discovery Communications Inc.

Analysts say Disney and its ABC stations, which carry the show, could lose out financially from Oprah's decision. The show's large audiences have long boosted ratings and advertising for the stations and their local newscasts that follow it.

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Disney Reviewing Live Shows After Lambert

New York Times - Singer Adam Lambert's sexually charged performance at the American Music Awards has caused the Walt Disney Co-owned ABC-TV to review the steps it takes in preparing for live broadcasts of performers, Disney's head of television said on Monday.

Lambert, the runner-up on this year's "American Idol," gave a controversial performance during ABC's broadcast of the American Music Awards on November 22, in which he simulated oral sex on-stage with a backup dancer, kissed a man and gave the middle finger to the audience.

ABC edited Lambert's performance during the West Coast broadcast of the night-time awards show, and later canceled Lambert's scheduled November 25 appearance on its "Good Morning America" program.

Disney/ABC Television Group President Anne Sweeney told Reuters that in reaction to the Lambert performance, Disney was reviewing the steps it takes to vet live performances by getting assurances from artists that their stage shows will resemble their rehearsals, and using contractual obligations to hold them to that.

"We certainly don't want to suppress artistry at any level, but we also have to be very cognizant of who our audience is," Sweeney said at the Reuters Media Summit on Monday.

She added that it was the right decision for ABC to cancel Lambert's scheduled performance on "Good Morning America," noting that many children watch the morning news show.

"We really had to take the decision very seriously and found that his performance was very unpredictable at night and (we) didn't know what to expect in the morning," she said.

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Amtrak Auto Train moves cars between Florida and D.C. for Disney fans, snowbirds

Canadian Press - All aboard on this train doesn't mean just people. It means minivans, cars and motorcycles, too.

To board you have to be packing some serious luggage: every traveler must also be transporting a vehicle. Amtrak's Auto Train, the only one like it in the nation, has only two stops: one near Orlando, Fla., and the other in Virginia near Washington, D.C. For more than 25 years it has carried vacationers and their vehicles, and a new $10 million station expected to open in Florida in 2010 may mean even more passengers.

I caught the train at its Florida stop in Sanford, about 45 kilometers from Orlando. After handing over the keys to my 1996 Volvo, I watched as Amtrak employees attached a magnetic number to its side and drove it on to a special car-carrier, a bi-level car without windows. Then it was my turn.

"You're in the adult car tonight," the ticket agent told me.

"Is there a children's car?" I asked.

The agent mumbled something about just getting off the Teacups.

I took a look around the station. There was a girl hugging a raccoon-sized Donald Duck, a man with Mickey-shaped holes in his Crocs, and a girl in a purple dress with Tinker Bell on the front, sitting beside a Cinderella pillow and drinking from a Cinderella sippy cup. For a good part of the year this is the Magic Kingdom Express - a way for families from the Northeast to visit Disney World and bypass what can be a 1,450-kilometre drive.

But the train isn't just for families. It's also for snowbirds escaping to Florida for the winter, for college students vacationing or visiting grandparents, and for the recently-out-of-college set using it to move to, or from, Florida and points north. Some 238,000 people used the train last year. Each train carries up to 600 people and a crew of about 30; Amtrak says it's the longest passenger train in the world.

With planning, fares can be reasonable. Coach seats for passengers range from $93 to $228, depending on timing, and a spot for the vehicle costs $152 to $304. For families who want to spend a little more, the train has compartments with seats that fold into beds and others with a private bathroom. The train's busiest months are April, July and August, and October through December. That's when Amtrak recommends booking four to six months in advance.

I had a seat in coach, on the upper level of the two-level train. The seat was a little wider than on an airplane, but the windows are bus-sized, and the legroom is better. With my legs sticking straight out, I could just reach the seat in front of me. I was lucky to snag a seat without a neighbor.

As I settled in in Florida, another train was readying near Washington. One northbound and one southbound train leave every day at 4 p.m. from their respective stations. If all goes according to plan, they pass each other about halfway through the 17-plus-hour trip, sometime after midnight in South Carolina. Arrival is around 9:30 a.m.

The rest of the journey is regimented, too: with set times for a movie and meal services. Dinner is served in the dining car at 5 p.m., 7 p.m. and 9 p.m.; you pick the time at boarding, but my train wasn't full, so if I wanted to eat earlier it wouldn't have been a problem. The coach menu, meanwhile, is better than what you used to get when airlines regularly served meals, and it comes with wine, though it's served in a plastic glass (first class gets the real thing). Kids can order choo-choo chewies (chicken tenders), but many travelers with children come toting coolers.

Talking with the stewards and stewardesses in the dining car is worth the trip on its own. When I arrived for the late dinner service, one stewardess told a story about the time a gerbil got loose on the train (there's a no pets rule, but some people don't listen). And when I asked another where we were, he told me "Woodside" - short for "woods on both sides" and the fact that he didn't know.

My dinner companions - a biochemistry major and a traffic controller at Andrews Air Force Base - were experienced Auto Train travelers. They recommend booking early and trying to snag an inexpensive private room. They also panned the movie that was playing on built-in TVs in the lounge car, where there are diner-like booths and free snack mix.

Lights out time was just after the last dinner service. I slept, but not well. The guy across from me - the one from the waiting area with the Mickey Mouse Crocs - was snoring, so I was still tired when the lights came on again around 6:30 a.m. I looked out the window and caught a glimpse of a sign for Charlottesville.

Breakfast was already set up in the dining car: orange juice, bagels and cereal from plastic cartons. This time my dining companions were a mom and her 17-year-old daughter, taking the train so the daughter could drive the car on vacation. Rental car companies typically require people to be older to drive their cars.

Back at my seat, I listened to a soldier chat up two students who had internships in Florida and were going back north to college. They traded Facebook contact information before we arrived at the station in Lorton, Va., about 30 minutes outside Washington.

After waiting for about an hour, Amtrak finally called the number that had been attached to my car in Florida: 197. With my keys back in hand, I headed to Washington, thinking it felt good to be in the driver's seat again. Then, of course, I hit traffic.

If You Go...

Amtrak Auto Train: http://tickets.amtrak.com/itd/amtrak/autotrain. Daily departures and arrivals in Lorton, Va., and Sanford, Fla., at 4 p.m. with arrival the next day at 9:30 a.m. Coach seats for passengers range from US$93 to $228, depending on timing; a spot for the vehicle costs $152 to $304. Compartments with beds and bathrooms are more. For busy months of April, July and August, and October-December, Amtrak recommends booking four to six months ahead.

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Disneyland announces new character breakfast: 'Surf's Up! Breakfast with Mickey & Friends'

Examiner - Exciting news for folks heading to Disneyland next month (December 2009)... The Disneyland Resort announced today that beginning December 11, the character breakfast at Disney's PCH Grill will change to "Surf's Up! Breakfast with Mickey & Friends." It used to be a Lilo and Stitch theme.

New breakfast buffet will include flatbreads from a wood burning oven & signature chilaquiles with shredded beef, salsa verde & queso fresco. Yum!

This new character breakfast offers dining with Mickey and friends without needing to purchase a ticket inside the park. That's because the PCH Grill is located in the Paradise Pier Hotel.

I just booked my family in for this new breakfast during our upcoming trip and will report back on the experience in December.

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High-tech wheelchair causes Disney ruckus for South Florida mayor



Sun-Sentinel - North Miami Beach Mayor Myron Rosner, a paraplegic, has a fancy, high-tech wheelchair that allows him to
elevate on two wheels. But two wheels are too few for Disney.

On Sunday, security guards at Animal Kingdom told Rosner his wheelchair violates the parks' ban against Segways. He heard
the same thing the day before at Epcot.

"I'm sorry, but this is not a Segway," said Rosner, 49, who was injured eight years ago in a construction accident. "It's an approved
medical device."

Unlike the Segway, where the rider stands up, Rosner sits in his wheelchair – but at a higher level so that he is eye-to-eye with other
people.

Rosner's iBOT Mobility System is like a Transformer wheelchair that can ride on two or four wheels, climb up stairs or plow
through sand.

Rosner said he was told to convert it to four wheels or he would be asked to leave the park. He refused.

"I'm not a dog. I don't want to be on all fours," Rosner said.

Disney officials said Rosner was informed of the park policy against two-wheeled motorized contraptions but was allowed to stay
in the parks. Rosner said he was harassed and followed by Disney employees.

"The IBOT vehicle is allowed in the park," said spokeswoman Zoraya Suarez. "To ensure the safety of our guests, we ask that they
be on all four wheels while boarding attractions."

Rosner, who is mayor of North Miami Beach, owns one of the few hundred iBOTs that were manufactured by Johnson and
Johnson until production was discontinued earlier this year. The company cited the wheelchair's $30,000 price tag, low sales and
the inability to get Medicare and Medicaid reimbursements for the chair as the reasons for its demise.

Rosner said he, his wife, and children have been coming to Walt Disney World for years and his two-wheeled iBOT has never been
a problem before.

But in 2007, Disney instituted a policy prohibiting the Segways, contending their 10 mph speed and balancing problems created
safety hazards for other guests. The ban was protested by activists for people with disabilities and resulted in a lawsuit.

"I'm not going down on four wheels, no way," Rosner said. "They're trying to push me down and I've already been there."

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Disney World's Candlelight Processional makes holidays bright for
musicians


Orlando Sentinel - For 34 days, three shows a night through Dec. 30, the Candlelight Processional is a timely holiday
boost to the economy of the Orlando musical community. Better than half of the roughly 700 members of the Central
Florida Musicians Association No. 389, the local musicians union, spend at least part of their annual working hours at
Walt Disney World.

During the candlelight shows, the amount of extra work is enviable. Each performance features a 52-member orchestra,
which includes four trumpeters in the pit as well as six featured herald trumpeters. Add in substitute musicians and there's
an abundance of work, just in time for the holidays.

As the folks at B.B. King's learned, trumpeters are most in demand.

According to statistics compiled by one veteran musician, the 2007 Candlelight Processional that affected B.B. King's
employed 35 trumpeters for three one-hour shows a night for 37 nights. That yielded roughly $70,000 of income for
trumpeters alone.

"This is a big deal economically," says trumpeter Charlie Bertini, who compiled those numbers for an industry magazine.
"It pays really well."

Bertini, a veteran jazz musician who releases albums on his own AppleJazz Records (applejazz.com), has years of experience
at the area's theme parks. He has played the Candlelight Processional since its early days at the Magic Kingdom. Because
many of the musicians return year after year, he says, the production offers a nice combination of familiarity and artistic
challenges.

"It's great, because if you are a full-time musician at Disney and, say, you work at the Magic Kingdom, you can come over
to Epcot and make a couple hundred bucks more. It's pretty much a standard presentation year after year, so it doesn't
require much rehearsal."

Putting it together

Even with so many musicians and singers involved, including hundreds of voices in volunteer choirs that rotate
throughout the show's run, the Candlelight Processional does come together quickly.

Musicians, as well as the singers in Epcot's Voices of Liberty and other professional performers, perfected parts for this
year's show in a single marathon overnight paid rehearsal after the park closed. The music is performed multiple times
to allow different combinations of musicians to take part. Some of the players must have parts memorized beforehand.

"If there's a new member of the orchestra, we need to be very sure that individual in those four hours is not only dedicated
to rehearsing the music, but to sound check, to getting on the stage and getting off," says Rick Mizell, the show's musical
director.

"We have to be very confident that they can sit down and basically sight-read that show. We do not have time to sit
down and practice."

Walt Disney World employs roughly 550 full-time and part-time musicians. With such a pool of performers in house,
auditions to add new players to the mix are rare. Because many of the musicians are experienced with the show, the
biggest logistical challenge is often moving the massive volunteer choirs on and off the backstage area without confusion
for three shows each night. The volunteer singers, including Disney cast members, also are fed along the way.

"It's a machine backstage, how we move 800 singers in and out of that space in the span of 45 minutes," Mizell says.
"From the musicians' point of view, however, there's a lot of comfort to play a part sitting next to somebody they know
and enjoy working with."

That doesn't mean there aren't challenging moments. The herald trumpeters, for instance, are stationed in the wings, at a
great distance from the rest of the musicians and singers. For that reason, the splashy fanfares must be played a split
second before a trumpeter actually hears the music. That can be unnerving.

"Until you get comfortable with it, it's very scary," says trumpeter Bertini. "You are 50 or 60 feet from the conductor,
blasting a trumpet part, and you have to play it in front of what you are hearing. It goes against all our training."

The show's success is a result of the high quality of the musicians, says Bethany Barnhorst, Walt Disney World's talent
casting director for musical acts, who coordinates about 3,000 talent bookings to fill the show's cast throughout its run.

"It's really a tribute to the musicians," Barnhorst said. "It's not easy music. It's not like a high-school student would be
able to sit up there and play it. It's very difficult at times, but performed at such a high level."

Mutual admiration

With so many players employed annually in its theme parks and shows, Walt Disney World is appreciated by local
musicians, as well.

"We have approximately 150 regular musicians, folks that are punching in every day, and then there are 300 or 400
who sub in those positions as well," says Mike Avila, president of the Central Florida Musicians Association. "They are
one of the largest single employers of musicians in the country. Even with a symphony orchestra, it's not typical to reach
100 musicians, so to have 100 full-time musicians employed by one entity is really unusual."

Neither Disney nor the union would comment about specific pay rates, but Barnhorst says the pay is "at or above the
rates appropriate for our region of the country." And Avila says that the relationship between Disney and the union is
unusually cooperative.

"We look at our relationship as a partnership," he says. "Our philosophy of negotiation is nontraditional. It's, 'Let's see
how much we can do for each other.'"

In a tough economy for entertainment, Avila applauds Disney for adding shows this past summer for two of its Epcot
musical acts, Mo' Rockin and Off Kilter, and adding an additional six-piece band to the Magic Kingdom's lineup,
Tiana's Showboat Jubilee.

"Disney has increased work for musicians over the summer, and they have extended that through the first of the
year," he says. "It's good to see your guys working when other guys aren't."

Walt Disney World's Candlelight Processional

What: Annual telling of Christmas story with choir, orchestra and celebrity narrators.

When: 5, 6:45 and 8:15p.m. daily through Dec. 30.

Where: America Gardens Theatre, Epcot Center.

Cost: Prices vary, with packages available.

Online: disneyworld.com

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ESPN Deportes to televise World Cup in US

AP - ESPN Deportes will broadcast next year's World Cup in the United States with Portuguese commentary in what appears to be a challenge to Univision.

ESPN and ABC, both part of The Walt Disney Co., own all U.S. telecasts rights to FIFA events through the 2014 World Cup, except for Spanish-language rights. Those are held by Univision Communications Inc.

ESPN announced Wednesday that ESPN Deportes will televise more than 40 World Cup matches live. Five-time champion Brazil and Portugal are the only two Portuguese-speaking nations in the 32-team field in South Africa. ESPN360.com will show World Cup matches in Portuguese and other languages not yet announced.

Univision did not have any immediate comment.

"There's a thriving Portuguese-speaking community in the U.S. that lives and breathes soccer," ESPN Deportes general manager Lino Garcia said in a statement. "With Brazil, undoubtedly one of the most-followed soccer teams in the world, and Portugal qualifying last week, we are leveraging our multilanguage rights to better serve the passionate Portuguese-speaking fans."

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Battle of the Disneylands: Advantage Hong Kong

BusinessWeek - A month after the Chinese government finally gave the okay for Shanghai Disneyland, skeptics are pointing out the park’s success is hardly a sure thing. The latest edition of the Beijing Review (“China’s National English Weekly”), just out today, proudly states how China “will be the first country to host more than one Disneyland.” (First country outside the U.S., that should be, since the U.S. has parks in Anaheim and Orlando.) However, the Beijing Review adds, “amid the profit frenzy and hopes for commercial and industrial growth brought by the little mouse from overseas, doubts and uncertainty also arose. Shanghai’s local newspapers reported that it will cost 24.4 billion yuan ($3.6 billion) for the first phase of construction of Shanghai Disneyland. Disneyland had long been regarded as the most expensive theme park in the world, especially compared to its profitability. To date, out of the three overseas Disneylands in the world, only the Tokyo park has seen profits.”

The weekly even indulges in some French-style Disney bashing. “Targeting children as its major visitors, Shanghai Disneyland will hardly attract the millennium-born generation, which has not developed a close link with the classic Disney cartoon characters. ‘I doubt whether Chinese children will be interested in the septuagenarian and octogenarian Mickey Mouse and Donald Duck,’ said Shi Jianxiong, a professor at the School of Economics and Management of Tongji University.” Sorry, professor, but as senior citizens go, Mickey and Donald look pretty sprightly, and I doubt Chinese kids care any more than American kids do when the characters first got their start. Moreover, the quality of Disney’s rides and other attractions are really what pulls in customers, and it’s a pretty safe bet that Shanghai Disneyland’s will be much better than what local rivals can offer.

The real concern for Shanghai Disneyland is the news that the park, despite earlier hype about it being the world’s largest, is going to start off very modestly: Just 116 hectares in the first phase. That’s smaller than Hong Kong Disneyland, which has struggled since opening in 2005 because it just doesn’t have enough attractions to keep kids and their parents entertained for more than a day. (I’ve never been to Orlando but I’ve made my share of trips to Anaheim, where you need a good two or three days to see everything.) “It’s a small Disney after all for Shanghai,” crowed Hong Kong’s South China Morning Post last week. “So much for the best laid plans of mice and men,” the paper’s page-one story began. “After being billed as the mother of all theme parks, Shanghai’s new Disneyland will be the smallest yet.”

Meanwhile, Hong Kong Disneyland is growing. Disney and the Hong Kong government, the two partners in the Hong Kong Disneyland joint venture, have agreed on a plan to expand the park, adding three new lands to the existing four. (I suspect it wasn’t a coincidence that Beijing delayed giving approval to Shanghai until Disney and Hong Kong reached a deal to make Hong Kong Disneyland big enough to compete.) Hong Kong Disneyland today denied a report over the weekend that there are plans for even more expansion, but for now that’s not necessary. After years of worries here about competition from up north, Hong Kong’s much-maligned Disneyland is surprisingly well positioned.

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3 Disney OSHA probes remain open

Orlando Sentinel - While the U.S. Occupational Safety and Health Administration has just about wrapped up its investigation into a summer accident involving Universal Orlando's Dueling Dragons roller coaster, separate probes into three summer incidents at Walt Disney World have yet to be resolved.

A spokesman for OSHA said all three of its Disney investigations — including its review of a July 5 monorail collision that occurred just four days after the Universal accident — are "continuing."

The agency has up to six months to complete each. OSHA said it does not expect any delays beyond the six-month deadline.

The monorail accident killed driver 21-year-old driver Austin Wuennenberg. OSHA is also examining the deaths of Mark Priest, 47, a performer in "Captain Jack's Pirate Tutorial," and Anislav Varbanov, 30, a performer in the " Indiana Jones Epic
Stunt Spectacular."

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Obama jobs summit to draw Google, Disney chiefs

CNN - Executives from Google and Walt Disney will join other company chiefs, academics, labor leaders and mayors at President Obama's jobs summit this week, the White House said Sunday.

Google (GOOG, Fortune 500) CEO Eric Schmidt and Disney (DIS, Fortune 500) chief Bob Iger will be among about 130 people attending Thursday's meeting, according to a partial guestlist.

Other prominent CEOs slated to attend include Randall Stephenson of AT&T (T, Fortune 500), Brian Roberts of Comcast (CMCSA, Fortune 500), James McNerney of Boeing (BA, Fortune 500) and Frederick Smith of FedEx (FDX, Fortune 500).

They'll be joined by such experts as Paul Krugman, the Nobel Prize-winning economist and New York Times columnist, former Fed vice chairman Alan Blinder, United Steel Workers president Leo Gerard and San Antonio mayor Julian Castro.

Obama discussed the summit, aimed at helping solve an employment crisis that has cost the nation 7.3 million jobs since the start of 2008, during a cabinet meeting last week.

"We are going to be bringing together people from all across the country ... to explore how we can jumpstart the hiring that typically lags behind economic growth, but we don't want to wait," the president said. "We want to see if we can accelerate it."

The summit will come on the eve of the government's November jobs report. Economists surveyed by Briefing.com expect a decline of 114,000 jobs, less than the 190,000 jobs lost in October. The unemployment rate is expected to remain at a 26-year high of 10.2%.

The Obama administration, which got a $787 billion stimulus package approved by Congress early this year in its effort to stem job losses, is not alone in trying to solve the problem. House leaders have said they're aiming to vote on a jobs bill by Dec. 18. And Senate Majority Leader Harry Reid, D-Nev., has indicated the Senate would take up a jobs bill after it completes work on health reform.

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Music is at center of two new Disney XD programs

McClatchy - Los Angeles Music continues to be a big part of Disney programming, including with two new programs -- the movie "Skyrunners" and the comedy series "I'm in the Band" -- that launch Friday on Disney XD.

For actors Kelly Blatz, who's in the movie "Skyrunners," and Logan Miller, star of "I'm in the Band," the shows allow them to combine their love of music with acting.

Miller's musical skills are a big reason he landed the series role.

The comedy series tells the story of an 1980s rock band, Iron Weasel, that turns to teenager Tripp Campbell (Miller) for help. He provides the band with a place to stay and, in return, gets a spot in the band and coaching on how to be a rock star. Steve Valentine, Greg Baker and Stephen Full play members of Iron Weasel, a mix of "Spinal Tap" and the Three Stooges.

Friday's airing is a sneak peek at the series, which is set to launch in January.

Miller started playing guitar because he thought "it was so cool." Reality hit the Dallas native with his first band: Lockdown.

"We sounded like dying animals," Miller said during a break from rehearsals.

Things went better with acting. He started filming commercials at 12 and landed his first TV role in 2008 with "The Norton Avenue All- Stars."

Miller feels like "I'm in the Band" is the perfect fit.

"The music is so much fun because we are staying true to that '80s rock stuff," Miller says.

Like so many Disney Channel stars, Blatz splits his time between acting and music.

Production of his Disney Channel series "Aaron Stone" and the new Disney XD movie "Skyrunners" has taken the Burbank native from Canada to New Zealand.

"Skyrunners," a made-for-cable film shot in New Zealand, is a sci- fi adventure that follows teenage brothers Nick (Blatz) and Tyler Burns (Joey Pollari) who commandeer a small UFO that crashes near their town. They soon learn there's an alien plot to take over Earth.

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Sunday November 29, 2009
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