MickeyXtreme's News Archive October 1-7 2006

Saturday October 7, 2006


 
The 12-year-old boy who died after riding a Walt Disney World roller coaster in June had a genetic heart defect that often goes undetected until it causes the person's sudden death.

The final report on the autopsy of Michael Russell, of Fort Campbell, Ky., found he had a genetic heart disease that included an abnormal aortic valve, according to the report released today by the Office of the Medical Examiner for Orange and Osceola counties.

While on vacation at Disney World with his family, Michael came off the Rock 'n' Roller Coaster at Disney-MGM Studios unconscious and in ventricular fibrillation -- a condition where the heart quivers but fails to pump any blood. Efforts by his father, Byron Russell, and paramedics to revive him did not succeed, and he died.

Sheri Blanton, spokeswoman for the medical examiner, said the autopsy found that the aortic valve in Michael's heart aortic valves had only two flaps instead of three. There also was evidence of a narrowing of the aorta.

He was born with the problems. Such defects, which frequently go unnoticed until an autopsy, can cause heart failure "at any moment," she said.

Dr. Sara Irrgang, associate medical examiner, performed the autopsy with consultation from Dr. Saroja?nBharati of the Heart Institute for Children in Chicago.

"As noted by the heart consultant, this is often an asymptomatic condition, with sudden death as the first presentation of the disease," Irrgang wrote in her report.

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Disney Channel renewed preschool series Charlie and Lola for a third season, ordering 13 shows (comprising two 11-minute segments) and a Halloween special from London-based Tiger Aspect Productions.

Based on the award-winning children’s-book series of the same name by Lauren Child, the show depicts considerate seven-year-old brother Charlie, who endures and helps his feisty yet endearing sister, Lola, work her way through preschool challenges like cleaning her room and making friends.

The episodes are presented via two-dimensional digital animation combined with paper cutout, fabric design, real textures, photo-montage and archive footage.

Airing on Disney Channel’s Playhouse Disney preschool programming block, the series through its first seven installments averaged a 3.2 rating among kids 2-5, translating into 395,000 of those watchers for all airings (since the second season began May 1-Oct. 1). That compares with a 2.7 mark and 237,000 kids 2-5 for its first season.

The six remaining second-season episodes will premiere into 2007, according to a network spokeswoman. A schedule for the third season had not been determined by press time.

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Disney attraction is one of the last bastions for imagination and play, and turns kids on to Mark Twain.
 
FOR 130 YEARS, TOM SAWYER has been among the best-known characters in American literature. For 50 of those years, he's also had his very own island at Disneyland, one of the few attractions there designed by Walt Disney himself. But he can't match the movie-star appeal of a rubber-spine pirate named Jack Sparrow.

Disney officials are reportedly considering a makeover for Tom Sawyer Island, which has been part of Disneyland almost since its opening in 1955. The park may spend $28 million to turn the attraction into a pirate-themed island in time for the third installment of the "Pirates of the Caribbean" movie series. Disney officials neither confirm nor deny the rumors.

For what's it's worth, we hope it isn't so — and not just because we're nostalgic about the hordes of make-believe invaders we repelled at Ft. Wilderness, or the furtive teenage make out sessions we had in the dark recesses of Injun Joe's Cave. Change is OK, even if it means our kids will have different memories than we do of the Magic Kingdom. Disney is wise to update some of its attractions to make them more fun and relevant for today's children.

Further, though the rumors have sparked a considerable outcry on the Internet, it's unlikely that the Imagineers would be foolish enough to change the main things that make Tom Sawyer Island a kind of oasis. The island is one of the few places in the park dedicated solely to imagination and play, rather than turning kids into passive spectators or strapped-in coasternauts. Take a quiet raft ride to the island and the energy changes from manic to manageable, from wild to mild.

What they might change is the overall theme, and that's a shame. It is undoubtedly true that most kids who take the Becky Thatcher raft to the island have never heard of its namesake, that Tom's Landing might as well be called Knot's Landing for all the rise it gets out of the youngsters, and that the name Injun Joe conjures no nightmares for those raised on DVDs. But there will always be kids whose curiosity is sparked by all these unknown references. They might even be interested enough to put down the remote and crack open a book.

After all, not every beloved literary trickster wears mascara and drinks rum. One plays hooky and talks other kids into painting white picket fences — and he has stood the test of time far better than this summer's top box-office attraction will.

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Twenty-two children, along with their families, gathered Friday for a send-off party at Charlotte Douglas International Airport. The group was preparing to leave on an all-expense paid trip to Disney World, courtesy of a local charity.

"This is a trip of a lifetime for us," said Sylvia Bumgarner, whose son Jeb was born seven-years ago with trichothiodystrophy.

The local charity, ACE and TJ’s Grin Kids, has been sending children who are terminally ill and chronically handicapped to Disney World for the past seven years.

Because of the financial hardships that living and traveling with their children causes the families, the trip is one that most would not be able to afford on their own.

“It’s amazing that two guys want to do this for these kids,” said Jane Taylor, whose daughter Madison was born with Rhett Syndrome – a rare developmental illness found in only one out of every 15,000 girls.

Those “two guys” that Taylor spoke of are local radio personalities Ace and T.J. They have been leading the Grin Kids fundraising efforts for the past seven years.

Every year the foundation sends as many children – complete with parents, siblings and nurses – as their funds allow on a trip to Disney World

“She doesn’t really understand it right now, but I’m sure once we get there it will really start to kick in,” said Nik Taylor, Madison’s father.

The trip is the first vacation for the Taylor family since Madison was born six years ago.

While a visit to Space Mountain or a trip on the Big Thunder Mountain Railroad will certainly be a thrill for the families, many said the real excitement is on an emotional level.

“I’m looking forward to getting down there and seeing the look on his face, when he gets to see the Magical Kingdom and Epcot,” said Sylvia Bumgarner of her son.

As the send-off party came to a close, some of the parents wanted to make it clear that they were grateful to everyone who made a donation, regardless of size.

Nik Taylor was taken back by the generosity of his community. “The kind of day and age we live in, that there’s people who really care enough to give their time and their money” makes it that much more special, he said.

The Grin Kids charity started in 2000. Since then, five members have passed away.

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Delta Air Lines Inc.'s liability to investors who financed 270 of its aircraft in return for tax benefits could exceed $4 billion, new court documents show.

The numbers suggest Delta faces a confrontation over its aircraft-financing deals that could be nearly as large as the one UAL Corp.'s United Airlines experienced in the final stages of its bankruptcy reorganization. United's exit from Chapter 11 proceedings was nearly delayed by a quarrel over $5.1 billion in so-called leverage-lease claims.

Delta, the country's third-largest airline by passenger traffic, has spent a year in bankruptcy proceedings and is aiming to complete its reorganization by the middle of 2007. In papers filed with the U.S. Bankruptcy Court in Manhattan, Delta has proposed rules for resolving the claims disputes, saying it wants to avoid UAL's experience.

But a growing number of aircraft financiers have objected to the proposal, saying the rules would make matters worse. Many of the financiers happen to be the same investors who quarreled with United -- including Walt Disney Co. . In separate filings with the court this week, dozens of financiers said Delta owes them more than $4 billion.

Disney said Delta's proposed rules suggested the airline hadn't learned a "lesson" from United's experience with aircraft claims. Instead, it said, Delta is "attempting to invent entirely new, untested, unwieldy, and unfair processes." Those processes, the entertainment conglomerate said, are "likely to run aground."

Leverage-lease transactions are complex financing deals that have become common in the airline industry because they provide big benefits to airlines and financiers alike. Financiers get tax deductions for interest accrued on the deals, and they get the right to collect compensation for tax losses if the leases are scuttled. Airlines, meanwhile, obtain their aircraft on relatively easy financing terms.

In recent years, the tax benefits have attracted unusual companies to the aircraft-leasing business. But big airline bankruptcies have triggered big fights over the benefits.

In 2003, United scuttled its lease on a Boeing 757 jet that was partly owned by Disney. As the airline was preparing last year to exit bankruptcy proceedings, it faced $5.1 billion in claims from Disney and other financiers of its aircraft. United eventually settled those claims for about $150 million.

Disney said in court papers this week it owns three McDonnell Douglas MD-11 aircraft and two Boeing 767s that Delta leases. The company, which joined Northwestern Mutual Life Insurance Co. in objecting to Delta's proposed rules, said the airline owes it and Northwestern Mutual $229.3 million.

A much larger group of aircraft financiers, which includes Bear Stearns Investment Products Inc. and owns all but a handful of the 270 aircraft Delta leased, has estimated its own claims against the airline at $3.5 billion. Another group of financiers, including Comcast Corp., AT&T Credit Holdings Inc. and Banc of America Leasing & Capital LLC, has said Delta owes it $380 million.

On Friday, Delta said in court documents that its proposed rules had been misunderstood and offered modifications that it said would resolve "virtually all of the issues raised in the objections." U.S. Bankruptcy Judge Adlai S. Hardin is scheduled to consider the matter at a court hearing Tuesday.

"The procedures are fair and reasonable and should be approved," Delta said. It said the tax claims related to the aircraft leases are "likely to be among the largest claims filed in these cases."

Delaying their resolution, Delta said, would hurt the ability of other unsecured creditors to be repaid. "If the litigation of relevant issues must be postponed until virtually the end of the bankruptcy process, the pendency of the relevant claims would delay and impair the distributions to which other unsecured creditors are entitled," it said.

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Cross Country Races at Disney Classic on Saturday

The UCF cross country teams race against 34 teams from around the country when the Golden Knights line up for the Disney Classic in Lake Buena Vista, Fla. on Saturday morning. The men's 8K race begins at 7:45 a.m. followed by the women's 5K at 8:55 a.m.

Despite not competing last weekend, the UCF men moved from 11th to an all-time program high of 10th in the US Track and Field/Cross Country Coaches' Association South Region Poll. The Golden Knights have continued to run well throughout the season after opening with a second-place showing at the Mountain Dew Invitational in mid-September.

Leading the team through two meets is junior Dustin Hicks (Oviedo HS), who posted the program's second-best time ever in the 8K at 25:16.39 in the team's season debut. The Golden Knights have also received impressive efforts from seniors Brent and Ryan White (Boynton Beach, Fla./Santaluces HS). The brothers continue their friendly competition as they battle for the team's No. 2 and 3 spots.

Junior captain Paul Nielsen (Oviedo HS) finished third in the squad's line-up at the Great American Classic, while his classmate Paul Fitzpatrick (Ocala, Fla/Vanguard HS) finished in the No. 4 position. Junior Matt Clements, sophomore Daniel Conn and freshman John Horst also race on Saturday.

The UCF women are looking to build a solid team performance after opening the season with strong individual efforts in their first two meets. Freshman Jenny Clausen (Jackson, N.J./Jackson Memorial HS) paces the Golden Knights as she posted a time of 18:35.49 in her collegiate debut, which ranks her second among freshmen and sixth overall in the program's record books.

Other runners have also boasted strong showings. Sophomores Shantile Blackburn (Brooklyn, N.Y./Bishop Laughlin HS) and Jamie Rzepecki (East Aurora, N.Y./East Aurora HS) opened the season with times of 18:54.32 and 19:12.08, respectively. Juniors Karen Kozub (Alden, N.Y./Alden HS), Allison Palmer (Oviedo HS) and Elizabeth Miller (Orlando, Fla./Timber Creek HS) also finished in under 20 minutes at the Mountain Dew Invitational.

The Disney course is a familiar one for the Golden Knights as they ran on the trails surrounding the Wide World of Sports Complex twice last year. At the 2005 Disney Classic, the men placed third in the field of 30 teams, while the women were fourth of 33. UCF also hosted the Conference USA meet at the course last year.

For the latest news and information on the Golden Knights, tickets or apparel log on to www.ucfathletics.com - the official site for UCF athletics.

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Friday October 6, 2006


 
Buoyed by a healthier toy industry and its popular "Cars" and "Pirates of the Caribbean" movies, Walt Disney Co's consumer products unit should enjoy a better holiday season than last year, analysts said.

Disney products generated an estimated $23 billion in retail sales this fiscal year ended in September, with more than 40 percent coming in October, November and December.

Disney, as licensor, gets a piece of the sales, which one analyst who declined to be named estimated at a high single-digit percentage. A Disney spokeswoman said it uses a variety of licensing structures and royalty breakdowns.

Coupled with the appeal of its "Little Mermaids" franchise, Disney's "Cars" and "Pirates" products should bring Disney a profitable quarter, analysts said, after a difficult holiday period for the entire toy industry in 2005.

Indeed, U.S. toy sales fell 4 percent in 2005, with toy makers hurt by higher costs, intense competition and store closings. At Disney, that meant just a 1 percent increase in consumer products revenue during last year's holiday quarter.

"They did okay last year. But they have the number one and two movies for toys this year with 'Cars' and 'Pirates'," independent toy analyst Chris Byrne said. "This is going to do very well,"

The DVD releases next month of "Cars" and "Pirates" are designed to boost sales for the franchises, which Byrne said "are going to be around for years to come."

He added: "They will be among the strongest licensed goods for this year."

Not only does Disney have a strong crop of toys this year, analysts said, but the industry itself appears to be in better shape than in 2005.

"I think it's going to be a very strong year. The industry is very robust," Byrne said.

Another analyst, Wedbush Morgan's Sean McGowan, also forecast a better year for the toy industry. "I think consumers are feeling better about their disposable income ... I think this year's going to be up a bit."

He, too, said the new offerings should fare better than what Disney had on store shelves a year ago. "I think the 'Cars' and 'Pirates' stuff is above what they had last year, and 'Princesses' too," McGowan said.

Even so, one retail analyst warned that the "Cars" and "Pirates" lines, which have been selling since the summer, may not find that many new buyers.

"We are not sure how much of a repeat business these franchises can help Disney generate, and think that incremental sales volume generated from new customers may not be enough to justify such a significant inventory investment in these two properties," J.P. Morgan analyst Brian Tunick said in research note.

Along with "Pirates" and "Cars," Disney's key 2006 franchises are Disney Princesses, featuring Ariel from "The Little Mermaid," Power Rangers, and Winnie the Pooh and Mickey Mouse Clubhouse toys.

The marquee items include the "Pirates" Ultimate Black Pearl pirate ship for $49.99, the "Cars" TV/DVD player for $159.99 and the "Little Mermaid" hair salon for $69.99.

Disney is also giving special treatment to Fairies, a line of collectible dolls and accessories aimed at tween girls. It hopes to appeal to older children with new designs for its Mix Stick MP3 players and portable video player Mix Max.

Wedbush Morgan's McGowan said that although classic Disney toys like Mickey Mouse are "not as dominant" a in years past, its newer lines will make up the slack.

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'Lost' Returns Strong for ABC Wednesday

Fast National ratings for Wednesday, Oct. 4, 2006

The season premiere of "Lost" brought more big ratings to ABC Wednesday, but a lot of its viewers decided not to stick around for the new drama "The Nine."

ABC won the night with a 10.1 rating/16 share. CBS took second with an 8.9/14. There was a sizable drop from there to third-place FOX, 5.5/8. NBC managed only a 3.9/6, and The CW came in fifth with a 2.9/4.

The Alphabet also led among adults 18-49 with a 5.5 rating. CBS came in second in the demographic with a 4.1. FOX, 3.0, was third, followed by NBC, 2.2, and The CW, 2.1.

The "Dancing with the Stars" results show, 11.6/18, put ABC on top at 8 p.m. CBS' "Jericho" finished second with a 6.8/11. "Bones," 5.1/8, was third for FOX. The CW got a 3.7/6 from "America's Next Top Model" to beat out a repeat of the "Friday Night Lights" premiere on NBC.

At 9 p.m., the "Lost" premiere (11.0/17) dipped slightly in household ratings from its lead-in but added viewers to become the most-watched show of the night. "Criminal Minds" was a strong second for CBS at 9.9/15. A "House" rerun on FOX posted a 5.9/9. NBC moved up one spot with "The Biggest Loser," 4.7/7. The CW's "One Tree Hill" trailed.

"CSI: NY," 10.2/17, won the 10 p.m. hour for CBS. The premiere of "The Nine" on ABC lost a significant number of "Lost" viewers to finish at 7.8/13. NBC's "Kidnapped" took another hit, coming at 3.7/6.

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What will you be for Halloween?

This Halloween, expect a platoon of pirates to storm stoops across the USA, demanding booty in the form of candy.

The Black Pearl's curse has proven a blessing to the costume business: Jack Sparrow wigs, swords and hats rule retailers.

"It's just ridiculous, it really is," says Dorice Dionne of Dedham, Mass.-based iParty. "Every week I look at the sales and I can't believe how many top items are pirate," from Sparrow's dreadlocks ($24.23 for kids' or adults' size) to "our plain old pirate" accessories for $7.99.

Thanks to more loot flooding the market in a broader price range, Dionne is seeing an "even bigger bump" this season than in 2003, after the release of the first Pirates of the Caribbean movie. It also helps that the sequel, Dead Man's Chest, was an even bigger box-office hit than The Curse of the Black Pearl.

Sparrow was the Disney Store's best seller in August and September, ahead of Aladdin's Jasmine, "so it takes something pretty wonderful to bump out a princess," the company's Rick Ladd says.

But swarthy trick-or-treaters will have seaworthy company on land in the form of a school of Ariels. The Little Mermaid swam to the Disney Store's top five costumes berth for the past two months. No wonder: Disney has been giving the glittery costumes a big marketing push to tie in with this week's release of The Little Mermaid DVD.

Sparrow is vying with the stars of American Idol for the No. 1 spot at Mancos, Colo.-based TotallyCostumes.com. Aspiring singer Katelyn Cabrera, 7, already has grabbed the Idol mic, even though most of her friends "don't know exactly what they're going to be yet. I decide early." Mom Cristina Cabrera, 40, of Riverside, Calif., expects this shimmery outfit to linger on her Celine Dion-wannabe daughter long after Oct. 31: "Oh, yeah."

Still, swashbucklers trounced eToys' survey of what consumers predict will dominate sidewalks and parades on Halloween. Noticeably low on the list: superheroes, including the red-caped one who starred in the summer's other big movie.

"It's something to do with being a clean, straightforward hero vs. a pirate," says eToys' Gary Lindsey. A pirate "can be dirty — and if you're a little boy, that's a good thing. Comes with mud, you know?" Another top eToys pick, the second most popular for boys, comes with grease: Tow Mater Mechanic from the movie Cars.

The roguish life doesn't just attract kids: iParty's adult Sparrow costumes are selling briskly at $71.40 apiece. Dionne has seen watering holes around Boston host pirate parties.

Las Vegas-based Halloween Mart.com offers more than a dozen adult pirate costumes, "from fully covered pirate to grungy pirate to sexy pirate," says co-owner Heather Siegel. That last one boasts "a few more tears or a little more flesh showing."

The e-tailer does more business among adults than kids. After pirates, the company's second-best-selling costume category is sexy: sexy schoolgirl, sexy nurse, sexy NASCAR fan. "They're kind of naughty," Siegel says, "but very tasteful."

The Racer Chick get-up is "flying off the hook" this year, Siegel says, after revving into view over the last four. Racer Chick is a ringer for the wife of Talladega Nights' Ricky Bobby, whose shiny Wonder Bread-emblazoned suit sold out as a preorder; the e-tailer already has ordered more.

"It's so cheeseball-looking," Siegel says. "That's why people like it."

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Where Dreams Really Do Come True!

Disney Insider - The Disney Parks have always been places where dreams come true -- you have only to look at the smiles on Guests' faces to know it. Any theme park offers food, thrills, and fun, but Guests at Disneyland Resort or Walt Disney World Resort get to experience what's been called "the Disney difference": the unfailing friendliness and attention to detail that makes people not mere "visitors," but very welcome Guests. But during one very special time, starting on October 1, 2006, and continuing until December 31, 2007, almost anything can happen -- and it will. During The Year of a Million Dreams, Guests at Disneyland Resort and Walt Disney World Resort will find whole new ways to smile.

Suddenly you are not watching a parade, you are IN the parade. Not only do you see a princess, you BECOME a princess. Or a pirate. It's imagination in full-force. Make believe, made real.

It's all part of a day's work for the Disney Cast who will roam the Resorts literally making wishes come true. During the Disney Dreams Giveaway* promotion over a million extra-special dreams, some thought impossible, will be randomly awarded. A Cast Member might tap you on the shoulder and announce that you've been invited as a special guest to enjoy a stay that night in the all-new Cinderella Castle Suite -- in the heart of the Magic Kingdom Park. You may receive a Dream FASTPASS badge to enjoy some of the most popular Disney attractions with little or no wait. Or a Cast Member might even let you know you've been selected to win a Grand Marshal World Tour trip to Disney Parks around the globe.

But can the Disney Resorts possibly deliver a million dreams? Yes indeed -- a million and a quarter, in fact! Carrie Schoen and Steven Ruffner told us what to expect and what it's been like bringing this unique event to life.

To begin with, preparing the Cast Members at the Resorts for the event has been a long -- but exciting -- process.

"We're breaking new ground and to be part of it is amazing," says Steven. "We're in training right now, and the electricity in the room is just out of control. It's so fun to be a part of this!

"Every Cast Member will go through some level of training, depending on how much they interact with Guests. We are going through the most intensive training -- but every single person in our entire Resort has gone through some sort of training."

Carrie adds, "The energy created at the resort is so exciting. The interesting thing for me was going around the room on our first day of training and hearing all our Cast's magical moments, and I'd have to say that 80% of them involved their own childhood, visiting Walt Disney World with their families or watching Walt on TV. And to know that we're contributing to that legacy. Our families and families around the world -- we're keeping that heritage alive."

Of all the dreams to be randomly awarded, one of the most beguiling is the chance to stay at the new Cinderella Castle Suite at the Magic Kingdom Park, and the Mickey Mouse Penthouse at Disneyland Resort. Steve and Carrie have seen pictures, and they promise us that both destinations are spectacular -- custom-built to fulfill any Disney-lover's wildest wishes.

Both Cast Members say that "The Year of a Million Dreams" has personal meaning for them, because Disney has been a part of their own childhood dreams come true. For Steve, it was visiting Disneyland Resort on a picnic with his fellow altar boys -- "I still remember sitting there with my buddies mapping out what we were going to go to first, what attractions we were going to ride. I will always remember how much we wanted to maximize every second we were in the Park!" And for Carrie, it was a special family event. "We came to Walt Disney World the year I finished high school. I was 17. And seeing my mother's face when she got on "it's a small world," because she remembered it from the world's fair. She kept talking about it the whole trip down and was so excited to see it -- she virtually turned into a little kid in front of me. And that's when I realized it was so much more than an amusement park. That's my magical moment!"

That moment is one of untold thousands that occur at the Resorts every year -- and this year will bring that magic to life in ways that we have only dreamed of in the past.

*NO PURCHASE NECESSARY to enter or win the Disney Dreams Giveaway. A purchase will not increase your chances of winning. Open only to legal residents of 50 U.S., D.C., Puerto Rico, Canada, Mexico & UK. Void elsewhere and where prohibited. Giveaway runs October 1, 2006 - December 31, 2007 (mail-in entries postmarked starting September 18, 2006 & received by January 14, 2008, on 3.5x5 postcard with complete name, address, daytime phone #, birth date and proper postage sent to PO Box 8629, Elmhurst, IL 60126 USA). UK residents only mail to 483 Green Lanes, London N13 4BS. Castle Suite stay will be awarded most days starting January 25, 2007. It will likely be awarded early in the day for a stay that night and is only available to eligible participants at the Parks and Downtown Disney area in Florida. DREAM FASTPASS badge is only awarded at certain Theme Parks for use that day. Mail-in winners of Castle Suite stay and DREAM FASTPASS badge will receive a prize of comparable value. Approximate retail value of prizes advertised: Castle Suite stay US $587, DREAM FASTPASS badge US $5, Grand Marshal World Tour US $45,370. Prizes range in value from US $3.83 to US $83,701. All prize awards are subject to verification. Odds of winning on a given day depend on the number of eligible participants at a selected location or within the mail-in entry pool for the time or date (as applicable) selected. Subject to Official Rules (see disneyparks.com/rules). Sponsor: Magic Kingdom Productions, Inc., PO Box 10000, Lake Buena Vista, FL 32830.

For residents of Canada, a mathematical skill-testing question must be correctly answered to win any prize. 

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Disney show a collaboration on ice

Putting together one of the "Disney on Ice" extravaganzas like the new "Mickey & Minnie's Magical Journey" -- now in Wichita -- is a totally collaborative effort, say the people behind the show.

"You learn that it's not all about just the lighting," said lighting designer Patrick Dierson. "You're adding to a process that other people are adding to. The second you take away from one element, you take away from the whole. Collaboration is an art form."

Choreographer and skating champ Cindy Stuart agreed.

"Every department comes together to create the show, to breathe life into it," said Stuart, ticking off things like production design, costumes and music.

"I look at the ice surface from above and use that as my canvas rather than as a one-dimensional proscenium," said Stuart, bronze medalist at the junior nationals and two-time member of the U.S. international team.

Added Dierson: "When you are working an ice show, you immediately have this absolutely beautiful projection surface for imagery which you don't have when you're doing television."

For "Mickey & Minnie's Magical Journey," the two helped create four distinct worlds to hold characters from "Peter Pan," "101 Dalmatians," "Lilo & Stitch" and "The Little Mermaid."

Mickey and Minnie take a trip 'round the world to visit them all in the course of the show. Production designer Robert Smith created at least four set pieces for each story.

The range is from the skyline of London to the shores of Hawaii to the depths of Neptune's sea world to a 35-foot-long, 18-foot-tall pirate ship presided over by evil Capt. Hook.

"What is fun about this project is that while we want four distinct looks, they're tied together," Smith said. "Three of the four have a large water element. Neverland is an island, Ariel's domain is under the sea, and Lilo's home is Hawaii."

Choreographer Stuart provided a variety of dance movements, from a 1930s Lambeth Walk in London to the hula in Hawaii to a high-energy pirate line dance. But she was keenly aware not to showboat on blades.

"Audiences know the stories. If you go off on a tangent just skating for skating's sake, they know it. You have to surprise them but also keep to the story."

IF YOU GO

'DISNEY ON ICE: MICKEY & MINNIE'S MAGICAL JOURNEY'

What: New ice show featuring characters from "Peter Pan," "101 Dalmatians," "Lilo & Stitch" and "The Little Mermaid."

Where: Kansas Coliseum, 85th North off I-135.

When: Today at 7 p.m.; Saturday at 11 a.m., 3 and 7 p.m.; Sunday at 1 and 5 p.m.

Tickets: $14-$18; limited number of VIP and front tickets available. Go online at http://www.disneyonice.com/ or call 316-755-7328.

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"The Little Mermaid" DVD sales strong 

The fourth quarter reportedly got off to a bang this week, with both high-profile DVD releases that streeted Tuesday -- 20th Century Fox Home Entertainment's "X-Men: The Last Stand" and Buena Vista Home Entertainment's platinum edition of "The Little Mermaid" -- exceeding sales expectations.

Industry sources peg combined consumer spending on the titles to be more than $80 million, making Tuesday the biggest fourth-quarter opening day in the history of home video.
" 'X-Men' is outperforming our projections," Fox senior vp marketing communications Steve Feldstein said. "We had high hopes, and it's even outperforming those. This is a terrific start for the quarter. These two titles created a perfect demographic storm at retail."

Industry sources put first-day sales of "X-Men" at 2.6 million units and "Mermaid" at 1.6 million units. Those figures include sales to rental dealers and account for about 30% of inventory, significantly higher than normal.

"X-Men" is the biggest October DVD debut ever, and "Mermaid" is the biggest animated DVD debut for October.

"It's an encouraging sign that we're opening the fourth quarter with one new title and one classic doing solid numbers," said industry analyst Tom Adams, president of Adams Media Research.

The strong start to the fourth quarter comes in the wake of reports that the DVD business is picking up again after a lengthy slump. The year-over-year consumer spending gap, which stood at 3.7% at the midyear point, narrowed to 1.2% by the end of the third quarter, and the latest projections from Adams Media Research indicate consumer spending for the year could finish in positive territory.

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"Lost" settled a few questions -- sort of -- while posing many more on the premiere of its third season Wednesday. While the ABC mystical adventure series focused on three members (Jack, Kate and Sawyer) of the stranded community, the rest of the group (many unaccounted for after last season's finale) were unseen and unaddressed during the hour.

The episode began at the compound of the Others -- a normal-looking collection of homes in a clearing in the middle of the jungle. During a book club meeting, of all things, the participants experienced what seemed to be an earthquake and then watched Oceanic flight 815 descend overhead with a thunderous roar. The plane broke up before crashing elsewhere on the mysterious island. It was a flashback to the pivotal event that had launched the series.

Back to the present: After being taken prisoner in the last episode, Jack (Matthew Fox), Sawyer (Josh Holloway) and Kate (Evangeline Lilly) awoke separately, each in a different type of captivity.

Kate was taken to a meeting with the Other who had gone by the name of Henry Gale (Michael Emerson). He handcuffed her but also served her a nice breakfast.

"Kate, the next two weeks are going to be very unpleasant," he said evenly.

Meanwhile, a young man held captive across from Sawyer managed to pick his own lock, then open Sawyer's cell. As an alarm announced "Subject Escaped," Sawyer took off. He was quickly recaptured.

A lovely member of the Others (new cast member Elizabeth Mitchell) approached Jack in his cell. Growing more and more agitated, Jack sparred with the calm, comforting Juliet.

"You can trust me, Jack," she told him. "I'm not going to hurt you."

"What the hell is going on here?" he asked through the glass wall separating them.

Probably romance, in their future.

But first, Juliet gently let Jack know she had a full dossier on his life.

"Is it just about me," he asked, startled, "or is it about my family, too?"

"It's pretty much about everything," Juliet replied.

In a series of flashbacks, Jack obsessively tried to find the man to whom he had lost his wife, Sarah (Julie Bowen). Delusional or on solid ground -- who could tell? -- he decided the cuckolder was his own father (John Terry). But then he learned from Sarah he was wrong. She had found someone else.

Back in the present: "What," Juliet asked Jack, "would you like to find out?"

"Is she happy?" Jack haltingly inquired.

"She's very, very happy," Juliet replied, as Jack wept.

Outside of Jack's sight, the creepy Other leader who had posed as Henry told her, "Good work, Juliet."

Coldly -- and revealingly -- she responded, "Thank you, Ben."

Fade out.

But did desperate dad Michael (Harold Perrineau), who betrayed his friends to save himself and his son, Walt (Malcolm David Kelley), sail to freedom in the motorboat they commandeered on last season's finale? Did Locke (Terry O'Quinn), Mr. Eko (Adewale Akinnuoye-Agbaje) or Desmond (Henry Ian Cusick) die in the hatch explosion? And what became of Sayid (Naveen Andrews), left patrolling in a sailboat?

For answers to those and other pressing questions, viewers were kept waiting a bit longer.

This season opener was the first of six new weekly episodes that will air before "Lost" takes a hiatus until February, when it will continue without a break through May.

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Leaving behind the world of cartoon art and an opportunity of a lifetime to work at Disney/Pixar, Inc., one man chose to pick up an M16-A2 service rifle and train to become one of the few and the proud.

Pfc. Nathaniel W. Griggs, Platoon 2017, graduated from Marine Corps recruit training today to make his dream of becoming a Marine come true.

When Griggs was in the delayed entry program in his hometown of Moline, Ill., he entered a piece of art, created with ink pen and colored pencil, into a contest and won second place.

His artwork drew Disney/Pixar’s attention and they offered him an apprenticeship as a cartoonist with their company. Although he was excited about the offer, Griggs decided to turn it down and stick with his decision to join the Marine Corps as a reservist while he furthers his education in art.

Griggs’ family fully supported his decision to stick with the Marine Corps instead of taking the job offer with Disney.

He said his parents had always encouraged him to do whatever it was that made him happy. He wasn’t sure a career drawing cartoons would provide him with what he wanted in life.

When his recruiter asked him what he hoped to gain from the Marine Corps and life in general, Griggs said the most important things to him were education, professional development and challenge.

"Griggs knew what he wanted and showed a lot of contentment with his decision," said Sgt. Clemente J. Batista, Griggs’ recruiter, from Recruiting Substation Quad Cities, Recruiting Station Des Moines, Iowa.

Griggs realized how much value the Marine Corps could hold for him and knew he could go to college anytime, but he wouldn’t always have the chance to be a Marine, said Batista.

As a child doing projects in school, Griggs discovered his love of art. He polished up on his talent during high school art classes and started drawing on his own with encouragement from his father.

He said he tried to have either a camera or sketch pad on him at all times, so when he saw a subject he was interested in capturing, he could stop to do a sketch right away, or he could take a picture and draw the scene later. As he developed his drawing skills, he learned how to better express himself and become more creative with his artistic talent.

Throughout the last year and a half, before leaving for boot camp, he said he made a gradual turn from drawing mostly cartoons to composing more realistic compositions.

He became interested in artwork modeled after the armed forces, like the one he entered in the contest. Griggs said he believed being in the Marine Corps would provide him with a solid foundation to better express his thoughts of the noble aspects of military service.

Throughout training, Griggs continued to draw during his free time. He did sketches for the other recruits in the platoonand designed various items for the drill instructors as well.

Showing his creativity, Griggs also helped paint the range flag, which is a flag platoons carry for motivation during the rifle range. Platoon 2017’s flag brandished a fox holding a standard issue service rifle, targets and the senior drill instructor’s name.

During second phase, Griggs’ senior drill instructor, Staff Sgt. Abraham C. Bueno, discovered Griggs’ talent and was curious why he didn’t let anybody know of his gift sooner.

"The main trait Griggs displayed was esprit de corps," said Bueno. "I believe his love of conveying the Marine Corps and its history through art helped him maintain a positive attitude throughout training."

Griggs said he believes the values and traits instilled by the Marine Corps, such as discipline and integrity, will help him with his art and aid him in his ongoing search for self-improvement.

"I think joining the Marine Corps was the best thing I could have done because it supplies me with the best way to find out the full potential of what I have to offer myself and others around me," said Griggs.

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Next Disney Legends Announced

We've recently learned that among the honorees at the upcoming Disney Legend ceremony are Sir Elton John, Tim Considine and David Stollery, who played Spin & Marty on "The Mickey Mouse Club" and Tommy Kirk.

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Robert A. Iger, President and CEO of The Walt Disney Company, was honored tonight at UCLA's Millennium Ball 2006, a benefit gala held at the future home of the Ronald Reagan UCLA Medical Center. The event raised nearly $5 million for the new hospital which is slated to open in fall 2007.

Los Angeles Mayor Antonio Villaraigosa presented the award to Iger, recognizing his career and life accomplishments and his commitment to a new standard of excellence in medical care.

Brad Grey, Chairman and CEO of Paramount Pictures Corporation, and Jim Wiatt, CEO of The William Morris Agency, chaired the event. Capital Campaigns, run by Anne Dunsmore, spearheaded the event's fundraising efforts. Along Came Mary Productions catered and produced the dinner gala and Don Mischer Productions produced the program, which featured ABC's late-night talk show host Jimmy Kimmel as master of ceremonies and a performance by Grammy-winning singer/songwriter Alicia Keys.

Celebrity attendees included  Ellen Pompeo, star of ABC's "Grey's Anatomy"; and such stars from ABC's "Desperate Housewives" as Nicollette Sheridan, James Denton, Ricardo Antonio Chavira and Brenda Strong. Also attending were Sela Ward; Julie Andrews; Geena Davis; singer Michael Bolton; and Matt Dallas of ABC Family's "Kyle XY."

Other top executives and local luminaries who attended the event were Los Angeles Police Chief William Bratton; Eli Broad; Robert Day, TCW Group Chairman; Peter Chernin, News Corp. President and COO; Jeffrey Katzenberg, DreamWorks Animation CEO; Ron Meyer, Universal Studios Group President and COO; Jerry Perenchio, owner, Chartwell Partners LLC; Ray Irani, Chairman, President and CEO, Occidental Petroleum Corporation; Stewart Resnick, Chairman, Roll International Corporation; Robert Eckert, Chairman and Chief Executive Officer, Mattel; Haim Saban, Saban Capital Group Chairman and CEO; Steve Tisch, New York Giants Chairman and Executive Vice President; Thomas O. Staggs, Senior Executive Vice President and Chief Financial Officer, The Walt Disney Company; Richard Cook, Chairman, The Walt Disney Studios; Anne Sweeney, Co-Chair Disney Media Networks and President, Disney-ABC Television Group; among many others.

"Continuing UCLA Medical Center's tradition as one of the nation's top-ranked hospitals, the new Ronald Reagan UCLA Medical Center will provide the public with one of the world's finest medical centers," said Dr. Gerald S. Levey, Vice Chancellor of Medical Sciences, and Dean of The David Geffen School of Medicine at UCLA. "The Millennium Ball enables UCLA's David Geffen School of Medicine and the Ronald Reagan UCLA Medical Center — its teaching hospital — to maintain excellence in teaching, research and patient care. We truly appreciate the generous support of Bob Iger, Jim Wiatt, Brad Grey and all the other members of the Los Angeles community who have so graciously given of their time, energy and resources to make this event such a stellar success."

When the Northridge earthquake struck in 1994, it damaged the circa-1950 UCLA Medical Center. Due to structural damage and new California hospital seismic safety standards, the federal government allocated millions to help UCLA build a replacement hospital, since named the Ronald Reagan UCLA Medical Center. Additional funding has been provided by the State of California and generous donors in Los Angeles and elsewhere. The new facility is scheduled to open in September 2007.

Designed by renowned architect I.M. Pei, this architectural jewel will house one of the largest and most technologically advanced medical and trauma centers in the western United States. One of the first structures in the state to meet stringent California earthquake-safety standards, the replacement hospital will be a state-of-the-art facility incorporating the latest technology and design to further enhance patient care, teaching and research leading to medical breakthroughs that benefit society and improve quality of life.

"Our doctors, nurses and staff help the sick, advance medical knowledge and pursue scientific research so that the people of Los Angeles and beyond have access to the highest quality medical care," said Dr. David L. Callender, Associate Vice Chancellor and CEO, UCLA Hospital System. "This event has been a wonderful tribute to our outstanding health care team at UCLA Medical Center — and the future home of the Ronald Reagan UCLA Medical Center."

Since opening its doors in 1955, UCLA Medical Center has consistently been a healthcare innovator. Known worldwide for its pioneering technological contributions, including advancements in organ transplantation, cancer diagnosis and treatment, and treatment of stroke and neurological diseases, UCLA Medical Center year after year is ranked number one in the West by U.S. News and World Report's annual survey of "America's Best Hospitals."

More than 300,000 people from Los Angeles, from across the country, and from around the world come to UCLA Medical Center each year to receive care from some of the world's best healthcare providers. More than 120 of our physicians are cited in The Best Doctors in America, which is based on an extensive poll of thousands of medical specialists. For more information on the Ronald Reagan UCLA Medical Center, log onto http://www.ucla.edu/healthsci.html.

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Four years after it was birthed in Denver, "The Lion King" national tour has completed its circle of life.

Its triumphant return engagement is just as awe-inducing as its first performance in 2002.

Really, what more can be said about "The Lion King?" Well, "timeless" and "unforgettable" now belong atop the list. It not only stands up over time - people stand for it, by the thousands, after every performance. And not just enraptured 13-year-olds - this thing can turn anyone into an enraptured 13-year-old.

What remains most amazing about this exuberant musical is that it ever worked in the first place. After all, it blends such wildly incongruous influences that, on paper, it should clash and crash: Disney populism combined with the singular vision of purist experimental theater director Julie Taymor? A score that sets gorgeous, percussive African rhythms sung in seven dialects right up against superficial pop tunes by Elton John? Multicultural choreography blending everything from African dance to classic ballet? A dark and disturbing storyline that's part Shakespearean, part Old Testament and part "Little Shop of Horrors" ... for kids?

But together, they create a revolutionary visual spectacle that remains unprecedented in the American theater. "The Lion King" is pure magic from its opening procession of 200 puppets to its final paper sunrise. It's a celebration of the power of the theater and the potential of human imagination.

We could recount the spectacle ... the 25 species of animal puppets, the 12-foot giraffes, the sky full of bird kites, the headdresses containing 3,000 stalks of grass, the 52 wildebeests on wheels that make for a spectacular, 3-D stampede.

We could recount the many examples of Taymor's theatrical genius that are most remarkable for their utter simplicity ... the shadow puppets that toy with our perspective; the streams of ribbon that flow out from tigresses' eyes to simulate tears. We could recount the multiple remarkable individual performances, ranging from Gugwana Dlamini's spirit monkey Rafiki to Ta'Rea Campbell's jaw-dropping rendition of "Shadowlands" as adult Nala.

But what was most indelible in the minds of my youngsters Saturday was how Taymor presents all of her magic openly, making no attempt to hide any of it. Her actors are not wearing stuffed animal costumes. They are marionettes attached to the puppets they bring to life with sticks and their own limbs. So kids get to see their familiar Disney friends as they know them, such as the hornbill bird Zazu and the meerkat Timor, but also, fully, the actors (Timothy McGeever and Damian Baldet) operating them.

Some puppets require as many as four humans to manipulate. Others, such as Mufasa, are played by an actor with only a lion mask perched high above his fully visible face. This allows audiences to focus on either of the animal's two faces. The effect is to give each character a human and animal duality that personalizes them in ways never before imagined.

One can only hope Disney has not only profited from "The Lion King" but learned from it. Next summer, Denver will be the first city in the world to stage Disney's first stage adaptation of "The Little Mermaid."

Here's hoping the Disney creative team honors the tradition Taymor started with "The Lion King" and uses this next challenge as an opportunity to create more stage magic like we've never seen before.

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Young illusionist uses his special skill on Disney show tour

Gonzalez said he plays "a bumbling apprentice named Barney, who doesn't always get things right." Mickey Mouse takes Gonzalez's character under his wing (make that paw) and gives Barney a pep talk toward the end of the show about how hard work and practice can work things out.

"It's a good message for the kids," Gonzalez said.

Along the way to the happy ending, the show features a full assortment of Disney characters: Cinderella's tattered dress becomes a beautiful ball gown; Aladdin's Princess Jasmine levitates; and the dancing brooms from Fantasia sweep Minnie Mouse off her feet.

"All the princesses are there," Gonzalez said, as are Donald and Daisy Duck and Goofy.

Illusions come courtesy of Gonzalez, fellow magician Brad Ross and performers dressed as Cinderella's Fairy Godmother and Alice in Wonderland's Mad Hatter. The latter will have Alice, magic cards and a rabbit along for the fun, Gonzalez said.

Gonzalez, 21, of Richmond, Calif., has been with the world-touring show for about six months. He helped create some of its pieces with Jim Steinmeyer, who has worked with the likes of David Copperfield, Lance Burton and Siegfried & Roy. Gonzalez said he was "allowed to pick a solo shot. I am doing the Mystery of the Linking Rings, with a twist."

Sleight of hand, after all, is his forte, with Gonzalez taking up magic at the age of 13 after seeing an act performed by a co-worker of his father. From there it was book of magic received for Christmas, more books, his first show for his folks at 15 and winning a championship with a dove act at the age of 18.

In high school, Gonzalez said he kept his budding career pretty much a secret until administrators asked why he was missing so much class time.

"My mother had to show them press clippings to convince them I was traveling the country working as a magician," Gonzalez said.

Despite skipping school, Gonzalez said he always made the honor roll. And he didn't use magic to accomplish that feat.

"My mother made me promise I wouldn't," he said with a laugh.

If you go

What: Disney Live! presents Mickey's Magic Show

When/where: Oct. 12 to 15, Rosemont Theatre, 5400 N. River Road, Rosemont, Ill.

Nov. 3 to 5, Star Plaza Theatre, 8001 Delaware Place, Merrillville

Tickets: $15 to $45 at Rosemont; $12 to $19 at Star Plaza; available at all Ticketmaster locations, online at www.ticketmaster.com, by phone at (312) 559-1212 or through the theater box offices.

Contact: Rosemont Theatre at (847) 671-5100 or the Star Plaza Theatre at 769-6600

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2D Or Not 2D, That is the Festival

The Animaticus Foundation is presenting the inaugural 2D Or Not 2D Animation Festival in Everett, Washington Nov. 17-19. Taking place at the historic Everett Theatre, the event will feature classically animated masterworks of the past as well as contemporary productions competing for “Golden Pencil” awards. Keynote addresses will be delivered by Roy E. Disney and Ziggy cartoonist Tom Wilson.

The fest is the brainchild of Animaticus president Tony White, a fulltime associate professor at the DigiPen Institute of Technology, Redmond and author of the recently published Animation from Pencils to Pixels ~ Classical Techniques for Digital Animators. White says the event is unique in that it will not only recognize the best animated films, but also the best animation in a film. “This means that great animation in bad films and great films (albeit sometimes with bad animation) can both be recognized,” he explains.

Films will be presented in the categories 2D Film, All-Category Film, Student Film and Electronic Media Production. Students will be able to enter finished sequences from complete college projects or finished pencil animation from a single class assignment. Disney will also present the inaugural Roy E. Disney Award, a non-competitive kudo that will be presented to the person or organization identified as making the most outstanding achievement in 2D animation in the preceding year.

In addition to delivering the keynote address and presenting the award named after him, Disney will offer a retrospective of award-winning and breakthrough Disney short films from 1928’s Steamboat Willie to 2004’s Lorenzo. Wilson will be on hand to re-introduce the Emmy award-winning TV special Ziggy's Gift, and White will present Endangered Species for the first time in public. More information on the event can be found at www.2dornot2d.org. The Animaticus Foundation can be found on the web at www.animaticus.com.

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Thursday October 5, 2006


 
Disney officials closed the Rock 'n' Roller Coaster at Disney-MGM Studios on Wednesday after a rider fell ill.
 
The ride was inspected and reopened as usual on Thursday, WESH 2 News reported.
 
A Disney spokeswoman said a 59-year-old man got sick about three hours after riding the roller coaster with family members.
 
He was taken to a local hospital.

Disney officials closed the ride after they learned about the man's illness so that the ride could be investigated.

In June, a boy died after riding the Rock 'n' Roller Coaster. A medical examiner determined that the 12-year-old had an undiagnosed pre-existing heart condition.

Since 2000, six visitor deaths have been reported at the Disney World theme parks.

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ABC Mistakenly Releases ID in Page Probe

ABC News' fleeting, inadvertent publishing of a computer screen name enabled a blogger to track down and make public the supposed identity of a former congressional page who traded salacious messages with former Rep. Mark Foley.
 
In breaking the story of the now-burgeoning scandal, the network last Friday posted on its Web site a series of instant message exchanges between Foley and the teen-ager. The name of the page was not included.

But in one exchange the network inadvertently left the victim's screen name on. It was quickly discovered and removed, replaced by a version with the name redacted.

However, ABC said Thursday that a blogger was able to retrieve the deleted file. The blogger, known as "Wild Bill' from the "Passionate America" site, went on a computer detective mission he describes in detail on his site to discover the name.

"To be clear, no one visiting our Web site would have simply stumbled on the old version," ABC News spokesman Jeffrey Schneider said. "We thank the blogger and (Matt) Drudge for bringing this to our attention."

ABC has taken additional steps to make sure no one can access the deleted messages, he said.

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Mickey Mouse Penthouse Debuts For “Big Cheeses” of All Ages

Beginning December 1, 2006, the Disneyland Hotel at the Disneyland Resort in Southern California will boast one of the most unique, and certainly one of the most “Disney,” VIP lodging experiences in the world – the all-new Mickey Mouse Penthouse. Designed for “Big Cheeses” of all ages, the penthouse offers spectacular views of the 500-acre resort (including Disneyland park, Disney’s California Adventure park and the Downtown Disney District) via floor-to-ceiling windows in addition to a happy mixture of luxury, technology and whimsy featuring one-of-a-kind décor, artwork and magical touches that bring to life all the fun that Mickey represents.

Eligible guests and mail-in participants will be selected randomly as part of the unique Disney Dreams Giveaway* promotion during “The Year of a Million Dreams” Celebration at the Disneyland Resort. An overnight stay in the over-the-top penthouse is one of the dream surprises awarded most days beginning December 1 to a Disneyland guest at a park or at the Downtown Disney District randomly selected by early in the afternoon, (visit disneyparks.com/rules for more information). The eligible guest and members of his or her party – up to a total of five people plus the lucky guest – will continue all the magic of their Disneyland Resort visit by receiving an overnight stay that night in Mickey’s new digs. Mail-in winners will receive a prize of comparable value.

The swanky penthouse, featuring an interior design of bold “Mickey” colors of black, white, red and yellow, occupies an expansive 1600 square feet and includes an open living room, dining and kitchen area, 2.5 baths and two bedrooms. Classic Mickey Mouse imagery and three-dimensional artwork dominate the design scheme throughout the penthouse.

Following dinner at the famed Blue Bayou Restaurant inside the Pirates of the Caribbean attraction at Disneyland park (and other special activities such as being Grand Marshals of a Disneyland parade), and as “The Happiest Place on Earth” slowly winds down to slumber, it will be a night of immersion in fantasy and fun when the special guests walk into the Mickey Mouse Penthouse.

As guests enter, Mickey will magically appear inside a foyer Magic Mirror, personally welcoming them to his one-of-a-kind penthouse. Upon entering the living room guests will encounter very stylized contemporary décor featuring eclectic furnishings and motifs of Mickey with a primary color palette of red, black and yellow. Hardwood floors and colorful area rugs accent the living room while the formal dining area seats eight guests. A built-in media wall is the focal point of the living room and features multiple flat screen TVs and a state-of-the-art home theater system worthy of Mickey’s status as one of Hollywood’s brightest stars.

The master bedroom features a number of luxury amenities including a king size bed, lounge chairs, a “37 flat panel TV, a DVD player and is decorated with animation maquettes of Mickey Mouse in many of his most famous film roles. (Maquettes are three-dimensional models used by Disney animators to effectively render a character in two dimensions and are highly sought-after collectibles.) The master bath includes a steam shower, Jacuzzi tub and a double vanity with a built-in TV in the mirror.

The second bedroom has a more playful feel and is the perfect setting for little ones who wish to have the locale double as a playroom. The main “conversation piece” in the room is a vintage animator’s desk that will add to the Mickey Mouse and animation inspired storyline for the penthouse. The bedroom also features a stylized built-in armoire with a flat panel TV, DVD player and video games.   

“These special guests will feel extremely pampered in this unique, magical interior environment,” said Wing Chao, Executive Vice President, Master Planning, Architecture and Design, Walt Disney Imagineering. “We want guests to walk away saying, ‘This was a dream come true.’”

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Philippe Gas Named Leader of Human Resources for Walt Disney Parks and Resorts Worldwide

Jay Rasulo, Chairman of Walt Disney Parks and Resorts, today announced the promotion of Philippe Gas to Executive Vice President, Human Resources, Diversity & Inclusion for Walt Disney Parks and Resorts worldwide. Gas, a 15-year Disney veteran, previously served as Senior Vice President of International Human Resources for Walt Disney Parks and Resorts.

Effective immediately, Gas, 43, replaces Meg Crofton, who was promoted to President of Walt Disney World Resort in August. Gas will report to Rasulo and will have global responsibilities for all Human Resources-related services for nearly 100,000 Cast Members worldwide, including employee/labor relations, diversity/inclusion, compliance, recruitment, Disney University training and development, organizational development, benefits and workforce planning.

"Philippe's extensive international experience and his knowledge of our domestic and international operations will be key as we continue to look for opportunities to take Disney's unique form of immersive entertainment to new audiences and new places around the world," said Rasulo. "He is committed to continuing our efforts in providing the right work environment and experience for our nearly 100,000 Cast Members around the world. On behalf of all of our Cast Members, we look forward to his leadership."

Gas was promoted to his most recent position of Senior Vice President of International Human Resources in November 2005. In this role, he supported the Human Resources strategy for Walt Disney Parks and Resorts' three international destinations: Disneyland Resort Paris, Hong Kong Disneyland and Tokyo Disneyland Resort. In addition, he oversaw the company's overall Human Resources strategy in Asia.

"I am incredibly excited to start another chapter in my career with Walt Disney Parks and Resorts," said Gas. "I look forward to my continued work with our Cast Members around the world, who truly embody the 'Disney Difference' that is experienced by our Guests every day."

Gas joined Disney in 1991 as part of the team that opened Disneyland Resort Paris. While there, he served as Finance Controller of the Resort and later became Manager of Compensation and Benefits.

In 1997, Gas was promoted to Director, Corporate Compensation for The Walt Disney Company (NYSE:DIS) and relocated to the company's corporate office in Burbank, California. Three years later, he relocated to Tokyo and later to Hong Kong, where he served as Vice President, Human Resources, Asia-Pacific. In this role, Gas oversaw the Human Resources strategy of the Company's various businesses in 13 different countries in Asia.

In 2003 Gas rejoined Walt Disney Parks and Resorts as Senior Vice President of Human Resources for Disneyland Resort Paris, where he was responsible for more than 12,000 Cast Members and the day-to-day Human Resources operations at the resort, including labor relations and union negotiations, recruitment, compensation and benefits, internal communications and labor management.

Gas graduated from the University of Paris with a master's degree in European affairs and political science.

Walt Disney Parks and Resorts

Walt Disney Parks and Resorts is where dreams come true and magic comes to life. This division of The Walt Disney Company encompasses 11 theme parks at five of the world's leading family vacation destinations - Disneyland Resort, Walt Disney World Resort, Tokyo Disney Resort, Disneyland Resort Paris, and Hong Kong Disneyland. It also includes the Disney Cruise Line; Disney Vacation Club; Adventures by Disney; Disney Regional Entertainment; World of Disney stores in New York, Orlando and Anaheim; and Walt Disney Imagineering, which creates and designs Disney parks, resorts and attractions. Walt Disney Parks and Resorts had more than $9 billion in revenues in fiscal 2005.

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'Desperate Housewives: The Game' Now Available

The housewives of Wisteria Lane have arrived on Windows PCs. Buena Vista Games, Inc. today announced Desperate Housewives: The Game is now available at retail stores throughout the United States. Desperate Housewives: The Game is a lifestyle simulation Windows PC game inspired by the Golden Globe-winning ABC-TV series produced by Touchstone Television. In the game, the player takes on the role of a new housewife who moves to Wisteria Lane and unlocks the delicious scandals hidden in the seemingly "perfect" neighborhood.

"The global popularity and success of 'Desperate Housewives' is unsurpassed and provided the perfect inspiration for a Windows PC game that captures the essence of the series," said Graham Hopper, senior vice president and general manager, Buena Vista Games. "For the hours during the week between the Sunday night episode airings, Desperate Housewives: The Game is the ideal way for series fans to stay connected to the experience."

Desperate Housewives: The Game is a lifestyle simulation game with a 12-episode story. The game enables Windows PC users to customize a housewife and her family. The new housewife will move into a house on Wisteria Lane and uncover secrets from her past through interaction with her neighbors - including both characters from the TV series and all new characters. With a script from series writer Scott Sanford Tobis, the game is a new narrative that incorporates both drama and dark humor - a combination of characteristics familiar to fans of the show.

Brenda Strong reprises her role from the "Desperate Housewives" series as the voice of deceased housewife Mary Alice Young, who serves as the show's omniscient narrator in each episode.

Developed by Liquid Entertainment, Desperate Housewives: The Game is rated T for Teen by the Entertainment Software Rating Board (ESRB) and has a suggested retail price of $19.99.

About the series

Marc Cherry is executive producer and creator of "Desperate Housewives." The series is produced by Touchstone Television and is the winner of both the 2005 and 2006 Golden Globe Award for Best Television Series - Musical or Comedy. "Desperate Housewives" airs Sundays, 9-10 p.m. (ET/PT) on ABC.

About Buena Vista Games

Buena Vista Games, Inc. (BVG) is the interactive entertainment affiliate of The Walt Disney Company (NYSE:DIS). BVG publishes, markets and distributes a broad portfolio of multi-platform video games and interactive entertainment worldwide. The company also licenses properties and works directly with third-party interactive game publishers to bring products for all ages to market. For more information, please log on to www.bvg.com.

About Liquid Entertainment

Liquid Entertainment is a leading independent developer of entertainment software best known for its critically acclaimed strategy game Battle Realms and Lord of The Rings: War of The Ring. Liquid's passion is crafting the most entertaining and compelling games. To find out more about Liquid Entertainment and their games, please go to http://www.liquid.to.

About Touchstone Television

Touchstone Television has established itself as one of Hollywood's leading production companies, supplying critically acclaimed, quality entertainment to the broadcast and cable television industry. For the 2005-06 TV season, Touchstone Television received 18 pick-ups for new and returning scripted series on broadcast television including the critically and consumer praised phenomenons "Lost," "Desperate Housewives" and "Grey's Anatomy." www.touchstonetvpress.com.

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Coinstar Manufacturing Disney-Character Kiddie Rides

Coinstar, Inc. (CSTR) on Thursday said it is manufacturing Disney-character kiddie rides for its line of entertainment equipment. The initial line includes well-known Disney characters such as Winnie the Pooh, Dumbo, and Mickey Mouse, as well as other favorites including Pumba from The Lion King and Buzz Lightyear from Disney Pixar's Toy Story. In 2007, the line will expand to include characters from movies such as Aladdin, Pirates of the Caribbean and Lilo & Stitch. Coinstar expects to install approximately 1,000 of the Disney kiddie rides beginning this fall in high-traffic retail locations, including mass merchants and toy stores, in select regions.

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Granada Sells Animation Hit 'Pocoyo' To Disney Channel

Granada International has sold pre-school animation hit 'Pocoyo' to Disney Channel across Scandinavia and The Baltics.

The complete first series (52 x 7minutes) of the multi award-winning program, produced by Zinkia Entertainment/Granada International in association with Granada Kids and Cosgrove Hall, will air on pay and basic cable and satellite TV in Sweden, Norway, Denmark, Finland, Iceland and the Faroe Islands as well as the Republics of Estonia, Latvia and Lithuania from early 2007.

Zoe Scurfield, Director of Programs for Scandinavia commented: "Pocoyo is a charming series which sits very comfortably in our pre-school portfolio. Playhouse Disney Channel is an environment where kids can join in and have fun while learning so this show has all the necessary elements."

Rochelle Bradley, Senior International Sales Executive at Granada International who brokered the deal, added: "Pocoyo has already been a great success in more than 100 territories around the world. I am delighted that Disney Channel will air the show throughout Scandinavia and The Baltics where I am sure Pocoyo and his friends will become extremely popular.”

The first series of POCOYO has already been acquired in Scandinavia by YLE, Finland and 365 in Iceland. Production is currently underway at Zinkia in Madrid on a further 52 x 7 minute episodes of POCOYO.

Written by Andy Yerkes 'Bear In The Big Blue House', with the English version narrated by Stephen Fry 'Gosford Park'; 'Thunderpants', the series uses CGI to create a unique, tactile and visually stunning look.

Part of ITV Worldwide, Granada International is one of the largest and most successful commercial television distributors in Europe.

Madrid-based Zinkia Entertainment is a creative factory producing audiovisual content, focusing on animation and cinematic documentaries as well as interactive content for on line communities, consoles and multi-player mobile games.

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Disney's Doodlebops leap from small screen to big stage

Chad McNamara is a pop star with a huge following of frenzied fans, none of whom know his name or are allowed to stay up past 9 p.m.

His fans idolize him as Rooney Doodle, the blue-hued, poetry-reading guitar player of the Doodlebops, the singing trio giving the Wiggles a run for their money in the toddler market.

Rooney and his band mates DeeDee and Moe will be in Reading for shows at 1:30 and 6 p.m. Friday at Reading Eagle Theatre at the Sovereign Center. It's the group's first U.S. concert tour following the success of “The Doodlebops” TV show on the Disney Channel.

Part Pee Wee's Playhouse, part Partridge Family, the brothers and sister spend each episode singing and dancing their way through a variety of lessons such as reading, asking questions, being self-centered and sharing.

Toddlers eat it up.

“The stage show is great,” said McNamara, fresh from his third season as Rooney (this season will begin airing in the U.S. later in the fall). “What we try to do is basically create a stage show that is similar to the show on television, but also a great rock show. We have a lot of surprises, too, which is fun, and we really try to just have a great time.”

McNamara was chosen from more than 300 hopefuls to play Rooney and has had the joy and frustration of creating a character from scratch.

“Deedee was the girl, and so all the girls want to be her,” he said. “And Moe is just really crazy with his running around and jumping. I had it harder because my character didn't have anything like that. But it was totally fun for me.”

The first season, he said, was about finding his character's voice and how he interacted with his onstage siblings (played by Jonathan Wexler and Lisa Lennox).

“We were trying to find our boundaries,” he said. “We all had an idea of what we wanted to do and we just kind of went for it.”

There were some costume and make-up changes for the second season, too. The Doodles all wear bright colors, wigs and body makeup to look like live-action cartoon characters.

“In the second season we had all really figured out what we looked like and things were really great,” he said. “I liked the costumes for the second season better. But this past year has just been so busy. We did 16 shows in Orlando at Disney World and we've got a new CD out and the tour is so much fun. We've got Bob (the bus driver) and backup dancers, too.”

McNamara said he never imagined the popularity of the group, especially in the short time the show's been on the air.

“I never thought this would happen,” he said. “When the audition got down to just 12 of us they said this could be huge and I was like, whatever, but the past three years have been crazy. It's a great feeling.”

He's especially happy that he brings joy to so many children.

“I feel like every adult in the audience can remember the first rock show they went to,” McNamara said. “And I know that for some kids, I'm giving them that memory. When you go to a rock show you think you're the coolest kid in the world.”

McNamara added that he and his bandmates get along really well, too.

“I promise through and through that we really all get along,” he said. “I think in all the time I've known them we've had maybe three arguments. There's no time to argue!”

McNamara said he's not really looking beyond Rooney these days. He's Canadian and grew up in Ottawa and moved to Toronto to begin working on his career. He toured with the show “Mamma Mia” and enjoys singing and dancing.

“I have a huge dance background,” he said. “I feel that's what I bring to the Doodlebops.”

He did have to do some research on the character, though, as he'd never spent much time with children prior to this gig.

“We went to a daycare center just to interact with the kids,” McNamara said. “It was really neat to see them and observe them. We really learned how short their attention spans are. They could be playing with something and think it's the coolest thing in the world and then they'll go get something else in the sandbox.”

McNamara's attention span is much longer, though.

“I love what I'm doing right now,” he said. “It's so much fun and it keeps me busy and fit. The show is like one big cardio workout. We try to cram as many songs into it as we can.”

It's the kids who keep him interested in Rooney.

“I just want every kid to come out and see us on tour,” he said.

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The new ride called the Tower of Terror has opened at Tokyo DisneySea theme park in Japan. Costing a reported Y21bn (US$0.17bn, £0.09bn, 0.14bn euro), the Tower of Terror – or Tawaa obu teraa in Japanese – is similar in concept to the freefall-style rides at Disney's US-based parks and is the 26th ride to open at the Tokyo attraction.

Lasting two minutes, the 59m (194ft) tall ride reaches a maximum 38m (125ft) drop, where up to 22 riders plummet at speeds of 50kph. The ride's story revolves around a New York hotel at the turn of the 20th century which has been closed for 13 years following the disappearance of its owner, Harrison Hightower III.

Riders then progress through themed 'rooms' until they reach the elevator leading to Hightower's penthouse apartment, where the paranormal frights begin.

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So Long, Tom Sawyer. Hellooo, Keira Knightley

Is Disneyland slowly but surely morphing into ... Pirateland?

Disneyland's Tom Sawyer Island, one of the attractions personally designed and guided by Walt Disney himself 50 years ago in Anaheim, Calif., might be destined for the wrecking ball in favor of a "Pirates of the Caribbean"-themed area - replete with an animatronic Keira Knightley and Orlando Bloom replacing Becky Thatcher and Huck Finn. The Tom Sawyer Island attraction, full of treehouses, caves, and trails that refer to scenes in Mark Twain's beloved adventures, will be given a $28 million-plus makeover into a full pirate paradise. The original "Pirates" ride, by which the films were "inspired," have been tweaked to reflect Johnny Depp's portrayal of Captain Jack Sparrow.

The opening of the new "Pirates" attraction will be timed, says MiceAge, to coincide with the release of the third "Pirates of the Caribbean" film next summer. A source with knowledge of the park's finances and operations tells TMZ that from a financial standpoint, the move is a no-brainer: "That's very valuable real estate [in the theme park], and if you ask a hundred kids who Jack Sparrow and Tom Sawyer are, what do you think they're going to say?" The two "Pirates" films have grossed more than $1.6 billion worldwide.

A Disneyland rep said that this was "the first" he had heard of the change, and said that there were no plans to change any of the Tom Sawyer Islands, whether in Anaheim, Calif., Orlando, Fla., or Tokyo.

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Police have released surveillance tape images of two parking structure robberies at Disneyland last month in the hopes that someone will recognize the robber.

Police are not sure if one robber is behind both holdups or if there is a larger ring of people orchestrating the thefts, Anaheim police Sgt. Rick Martinez said. The way the culprits handled the robberies was almost identical, Martinez said.

Pictures captured from the Sept. 25 robbery show a black Porsche with a tan interior pull up to a parking booth about 4 p.m. A well-dressed man sporting a fedora hat; white, long-sleeved dress shirt; and black slacks got out of the car, leaned into the booth and demanded money from the attendant.

The attendant told police there was a gun sitting in the car.

A passenger wearing a T-shirt with what appears to be the Nike Swoosh remained in the car. The man in the fedora returned to the car and drove off.

The man in the fedora is described as 5 feet 8 inches to 5 feet 10 inches tall, 170 pounds and 20 to 30 years old, Martinez said.

Images captured from surveillance tape Sept. 19 shows a light-colored Toyota Camry, but the robber is not visible. The robber held a "bandana-like cloth" in his hand as he pulled up to the booth and demanded money, Martinez said.

"Something made it appear to be a weapon. Whether it was a real one or a simulated one, it was concealed in the cloth he was holding," Martinez said.

In that robbery, police are looking for a man in his mid-20s to mid-30s, 5 feet 8 inches tall, with a muscular build. He was wearing dark sunglasses and a baseball cap, police said.

Guests waiting in line to pay for parking told police they had no idea the attendant had just been robbed, Martinez said.

The amount of money stolen was not released.

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This is… another deal with Disney

The recently established in-house distribution arm of Toronto indie Marblemedia has agreed a deal with The Disney Channel US for the latest edition of the This Is... live-action preschool series.

The Mouse has acquired the first season of This Is Emily Yeung, the little girl version of marble's This is Daniel Cook. Like its predecessor, the show will air as part of the Playhouse Disney preschool programming block.

A copro between Marblemedia and fellow Canuck indie Sinking Ship Entertainment, the live-action series follows Emily as she explores, learns and creates with a number of special guests, including NBA All-Star Chris Bosh, Olympic Gold Medalist Hayley Wickenheiser, as well as a ballerina, a cake baker and a veterinarian.

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Wednesday October 4, 2006


 
For the first time in history, a family today had the Magic Kingdom all to themselves. They entered the park to a view never seen before by any Disney guest -- Main Street, U.S.A. completely empty, no other guests, no Disney cast members, just a red carpet stretching out a welcome.

The family had their pick of favorite attractions. There were no lines. Because no one else was there.

This unprecedented moment in Disney history was all part of the launch of Disney's "The Year of a Million Dreams" celebration, during which literally millions of dreams will come true at Florida's Walt Disney World Resort and California's Disneyland Resort.

"The Year of a Million Dreams" is a first-of-its-kind event celebrating the individual dreams of Disney Park guests from around the world. So Disney made the Spangler family from Randolph, Ohio -- winners of an online sweepstakes used to help kick off the celebration -- the ultimate, one-of-a-kind Magic Kingdom VIPs. Disney Parks literally rolled out the red carpet for the Spanglers on Main Street, U.S.A. at Walt Disney World Resort.

But there were more surprises in store. As the Spanglers reached the center of Main Street, U.S.A., fanfare trumpeters broke the morning silence from atop the buildings lining the street and the familiar strains of "Be Our Guest" began to play -- a signal for a whole lot of smiles. Appearing almost magically to form a receiving line fit for royalty were 1,500 Disney cast members and Disney characters, beaming and bubbly.

For the Spanglers, their morning was nothing short of incredible. In a park that hosts millions of guests each year, Magic Kingdom attendance was four as Ray and Tammy Spangler and their children, 13-year-old Derick and 11-year-old Ashley, walked toward Cinderella Castle between rows of smiles lining the red carpet. "It was amazing," said Ashley. Derick chimed in, "That was awesome!" With their Disney VIP host leading the way, they rode their favorite attractions, met their favorite Disney characters, appeared on ABC-TV's "Good Morning America" and lived out a dream.

"This is beyond the dream," Ray said. "This is something that you can't even think of dreaming of, yet we have it."

As the lands of the park filled in behind them with other guests, the Spanglers dined with Disney royalty in Cinderella Castle during A Fairytale Lunch at Cinderella's Royal Table and were named grand marshals for the "Disney Dreams Come True" parade. They were to conclude the day with an "unbirthday party" inspired by the "Alice in Wonderland" story and then enjoy exclusive viewing of the Magic Kingdom fireworks spectacular "Wishes."

For Tammy Spangler, winning this most remarkable experience was a dream-come-true -- but one she figured was probably a proverbial "pipedream" when she entered the sweepstakes.

"I hardly ever enter these things," she said, "but Disney's the most fun we've ever had on vacation, so when I discovered the contest when I was [online], I entered it. But I really didn't figure we'd win, not in a million years."

But this is "The Year of a Million Dreams" and the Spanglers won't be the only ones finding their dreams come true at Walt Disney World Resort and Disneyland Resort.

During "The Year of a Million Dreams" celebration, literally millions of dreams will come true.

"Our guests the world over have told us they believe a Disney Park is the place 'where dreams come true' and that something magical happens when they walk through our gates," said Jay Rasulo, chairman of Walt Disney Parks and Resorts. "And that's never been more true than during 'The Year of a Million Dreams' as we bring more magic to life than ever before."

Dreams to surprise and delight guests and unique experiences will be hallmarks of "The Year of a Million Dreams."

As part of the celebration, extra-special dreams will be awarded through a random process as part of the unique Disney Dreams Giveaway. With the sprinkle of a little pixie dust by day, a vacationing mom might be chosen to spend that night with her family in a new royal suite inside Cinderella Castle at Walt Disney World Resort, or at Disneyland, a lucky guest may be surrounded by All Things Mickey that night in a new Mickey Mouse Penthouse overlooking the Disney domain in California.

Disney Vacation Club memberships, traveling around the world as a parade grand marshal in each Disney theme park, sporting exclusive pins and Mouse ears -- dreams from fun to fantastic will shower down on guests during the celebration. Other amazing dreams-come-true: magical Disney Cruise Line sailings; Adventures by Disney vacations; a private shopping spree for Disney merchandise; Dream FASTPASS badges to enjoy many popular park attractions; special park after-hour events; or a visit to Walt Disney's apartment at Disneyland including a dining experience.

For the overnight stay in the Cinderella Castle Suite, a Walt Disney World guest at the parks or Downtown Disney will be selected randomly by early in the afternoon almost every day beginning in late January. The guest and up to five members of their party will begin their dream-come-true night that evening at Cinderella's Royal Table, the popular restaurant located in Cinderella Castle.

Can't be in the parks? You may still have a dream-come-true through a mail-in entry (details at www.disneyparks.com/rules). For example, mail-in winners could win prizes such as the Disney Vacation Club membership, grand marshal of a Disney parade around the world, exclusive trading pins or Mickey Ear Hat. (Some prizes, such as the Castle and Mickey Mouse Penthouse stay, require same-day use so mail-in winners will receive a prize of comparable value.)

Dreams will be awarded every day at Disney parks and Downtown Disney in Florida and California. While workers complete the Cinderella Castle Suite (opening late January 2007) and Mickey Mouse Penthouse (opening December 2006), the other fantasies begin Oct. 1 as Disney launches enough dreams to make Tinker Bell blush.

And all it takes: a tap on the shoulder by Disney cast members on special assignment as the Dream Squad during the magical year.

Meanwhile, thousands more Disney cast members -- famous for guest service every day of the year -- will be creating an unprecedented number of Magical Moments during this magical year. They're taking Disney friendliness to new heights with personal interactions marked by special surprises.

Amazed guests might find themselves leading the countdown and sprinkling pixie dust to open a Disney park in the morning. Or they might join the performers on a float in "Mickey's Jammin' Jungle" parade. Or aboard Cinderella's Golden Carrousel they might suddenly find a Disney princess sidesaddle on the next horse.

More pixie-dusted Magical Moments: being selected to be guest of honor in daily park parades; getting a Tinseltown rush doing a celebrity-style handprint ceremony; being Official Wildlife Spotter on a Disney's Animal Kingdom safari.

"Disney cast members have a rich history of making this magic, treating guests to legendary service and special moments," Rasulo said. "During 'The Year of a Million Dreams,' those moments go stratospheric as our cast members reinforce Disney parks as the place where dreams come true."

A first-of-its-kind Disney spectacular, "The Year of a Million Dreams" also includes a whole lineup of immersive entertainment that draws guests into the middle of the action.

Guests can enter into magical worlds, living the buccaneer life by being a pirate of the Caribbean, "getting royal" with a Disney prince or princess, or joining in the dancing and singing "High School Musical" pep rally. Guests at Walt Disney World Resort might be welcomed to saddle up cowboy-style with Woody and the Disney-Pixar gang.

As if thousands of dreams bestowed daily aren't enough, Disney guests will also be treated to major new attractions and shows debuting at Walt Disney World and Disneyland resorts as part of "The Year of a Million Dreams."

On top of an already magical year, special entertainment and programs will be in place at the parks and resorts so guests can follow their dreams, whether it's a princess or pirate, adventurer or space explorer. Guests will be able to customize their visit to a Disney park to pursue the Dream Paths of their choice with online planning tools and technology to help them become the hero or princess they've always dreamed of being.

For more information about "The Year of a Million Dreams" celebration, guests may visit www.disneyparks.com. For more specific information about the Disney Dreams Giveaway, visit www.disneyparks.com/rules.

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Ohio Family Plays at Disney World Alone

Walking hand-in-hand on a red carpet, Raymond and Tammy Spangler and their two children seemed unsure of their steps Wednesday at Walt Disney World.

The Magic Kingdom was eerily quiet, with only the chirping of birds, piped in orchestra music and the sound of their footsteps filling the 125-acre park. They were about halfway up the red carpet to the Cinderella Castle when all that dissolved and 1,500 mouses, maids, baseball players and princesses came streaming out of hiding to welcome them.

"There were like thousand and thousands of people in the streets all of the sudden," 13-year-old Derick Spangler said.

The Spanglers, of Randolph, Ohio, were the first to win a marquee prize in Disney's "Year of a Million Dreams" celebration. One of 50,000 online entrants, they were rewarded with a morning of the Magic Kingdom all to themselves -- and a VIP tour.

By noon the family had been on Space Mountain, to the Dumbo attraction, on a carousel filled with Disney characters and on the Jungle Cruise, where 11-year-old Ashley Spangler got to drive. All were free of lines, of course.

Other prizes to be awarded in Disney's contest include a chance to be the first to stay overnight in the Cinderella Castle, trips around the world as grand marshal in the Disney parade, a membership to the Disney Vacation Club and more.

Some, like a pass allowing guests to skip lines at attractions for the day, will be awarded at random to unsuspecting guests visiting a Disney park. All the company's worldwide properties are participating, but the biggest prizes are at Disney World and Disneyland in Anaheim, Calif.

Prize values range from $3.83 to $83,701 for the vacation club package, which provides annual points that can be redeemed for stays at Disney properties.

The Spanglers had been to Disney World before, but didn't plan on coming to Orlando now. They only found out three weeks ago that they won, but said it was no trouble to get work and school off.

"The kids' principal was like, 'Well I'd pull my kids out too!'" Tammy Spangler said.

The Magic Kingdom opened to the rest of the public at 10 a.m. Wednesday, an hour later than usual. Different sections of the park were opened to all guests after the Spanglers moved through.

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Disney Celebrates The Little Mermaid DVD Release with Expansive Consumer Products Campaign

This month, in celebration of the first-ever two-disc Platinum Edition DVD release of Disney's most beloved animated film, The Little Mermaid, Disney Consumer Products (DCP) in collaboration with Walt Disney Home Entertainment brings to stores the largest assortment of Little Mermaid merchandise available since the film's 1989 release - more than 2,200 fun and imaginative products glimmering with an "under-the-sea" theme. Available now for the first time in seven years and first time in limited edition, two-disc DVD, The Little Mermaid release and consumer products campaign reconnects families with the world's most cherished mermaid and the #1 most beloved Disney Princess, Ariel(a).

Beginning this month and into the holiday season, DCP brings the timeless story to life with an array of merchandise that glitters, sparkles and shines inspired by key moments in the film, including: toys, electronics, apparel, home decor, personal care, school supplies, party decor and much more. Products will be available at retailers nationwide, with key retailers such as Target, Toys 'R' Us and Wal-Mart displaying merchandise from varied categories alongside the DVD in one-stop feature shops fashioned in an "Under-The-Sea" theme.

Bound to top many wish lists this holiday season, following are key highlights from The Little Mermaid's magical assortment:

  • Little Mermaid Magical Talking Salon (ages 3 and up): This child-size vanity featuring voice recognition technology allows young girls to join Ariel in an interactive salon session. Little princesses will be delightfully surprised when they hear Ariel speak and see her image magically appear in the special light-up mirror. The salon with stool includes molded compartments, working drawer to store accessories, play sink, and play accessories such as a hair dryer, hair spray bottle, dingle hopper (comb), scissors and curling iron. SRP $69.99
  • Shimmer Lights Ariel (ages 3 and up): Already a hot-selling item outpacing last year's popular Twinkle Lights Cinderella Doll, the Shimmer Lights Ariel Doll invites little girls to relive the adventurous fairy tale of the Little Mermaid. Ariel's glitter-filled tail illuminates with multi-color lights as she sings and says phrases. Completely waterproof for adventures on land or at sea. SRP $19.99
  • Little Mermaid CD Boom Box: This boom box has mermaids in mind with a clam shell design that opens and locks shut. The water-resistant player is perfect for afternoons at the pool and other outdoor uses. In addition to an AM/FM tuner with a digital display, it plays CD/CD-R/RW discs through stereo speakers. Available at Toys 'R' Us, SRP $39.99
  • Little Mermaid Video Games: Join the adventures of Ariel and the cast with "Undersea Adventure for Nintendo DS" (ages 6 to 9 years, SRP $29.99) and "Magic in Two Kingdoms for Game Boy Advance" (ages 4 to 6 years, SRP $19.99).
  • Little Mermaid Books: An assortment of fun titles featuring a classic retelling of the magical world of The Little Mermaid, including from Disney Press Disney's The Little Mermaid Special Edition Book and Disney's The Little Mermaid Under the Sea Night-light and Storybook (comes with a detachable night-light); and activity storybooks such as The Little Mermaid - Storybook and Music Box ($24.99, Reader's Digest) and The Little Mermaid - Reusable Sticker Book ($6.99, Random House).
  • Little Mermaid Apparel & Accessories: An assortment of casuals and separates to complete a princess wardrobe, including sleepwear and dress up. Available at retailers such as Sears and DisneyShopping.com.
  • Little Mermaid Personal Care: Whether it's fin or skin, get protection from the elements and stay ready for adventure with essential Ariel-themed personal items, including Sun Pals Sunscreen, Chapstick lip balms and Bubble Bath. SRP $1.99 and up
  • Under-the-Sea Ariel Bedding: A new assortment of comforters, sheets and pillowcases with colorful patterns of bubbles, pearls and seashells, along with Ariel and her friends Flounder and Sebastian. Finally, a bedtime to look forward to! Available at: Sears and Kmart, SRP $19.99 to $59.99
  • Little Mermaid Aquarium Kit: Experience Ariel's underwater world with a 1.5-gallon freshwater aquarium kit, stocked with everything needed to care for a few finned pals. An air pump and overhead light provide the necessary creature comforts for pet fish, while the statuette of Ariel and Sebastian are the perfect decor for this tranquil aquatic environment. Available at Wal-Mart and Petco, SRP $29.97 to $39.99
  • Little Mermaid Assorted Party Supplies: Parties will become an affair to remember with Ariel-themed party supplies from Hallmark. From greeting cards to cake decorations, Ariel and friends are there every step of the way. The assortment also includes party plates, gift bags and scene setters for the home. Retailers: Mass and specialty retailers nationwide, SRP $0.89 to $4.99

About The Little Mermaid

The Little Mermaid was released theatrically in 1989, grossing almost $180 million at the domestic box office (adjusted to 2005 dollars). The Academy Award®-winning animated adventure (1989 Best Song and Best Original Score) combined music, fun and excitement to become one of the company's most cherished films and one of the top 10 best-selling animated films of all time on VHS. Ariel, the fun-loving and mischievous mermaid, is enchanted with all things human. Disregarding her father's order to stay away from the world above the sea, she swims to the surface and, in a raging storm, rescues the prince of her dreams. Determined to be human, she strikes a bargain with the devious seawitch, Ursula, and trades her fins and beautiful voice for legs. With her best friend, the adorable and chatty Flounder, and her reluctant chaperone Sebastian, the hilarious, reggae-singing Caribbean crab, at her side, Ariel must win the prince's love and save her father's kingdom - all in a heart-pounding race against time!

About Disney Consumer Products

Disney Consumer Products (DCP) is the business segment of The Walt Disney Company (NYSE:DIS) that extends the Disney brand to merchandise ranging from apparel, toys, home decor and books to interactive games, food and beverages, stationery, electronics and animation art. This is accomplished through the work of DCP's various lines of business: Disney Toys, Disney Softlines, Disney Home, Disney Food, Health & Beauty, Disney Stationery, Disney Publishing, Buena Vista Games, Baby Einstein, the Muppets Holding Company and Disney Shopping, Inc.'s catalog and disneyshopping.com. The Disney Store, which debuted in 1987, also falls under DCP, through stores currently owned and operated by unaffiliated third parties under licensing agreements in North America and Japan, and wholly owned stores in Europe. For more information about DCP, please visit our web site at www.disneyconsumerproducts.com.

About Walt Disney Home Entertainment

Walt Disney Home Entertainment is distributed by Buena Vista Home Entertainment, Inc., a recognized industry leader. Buena Vista Home Entertainment, Inc. is the marketing, sales and distribution company for Walt Disney, Touchstone, Miramax, Dimension and Buena Vista videocassettes and DVDs. The Little Mermaid Special Edition DVD Consumer Website: www.LittleMermaidDVD.com

(a) Research indicates Ariel is the #1 favorite Disney Princess with moms of kids 2-5.

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Army Maj. Paul R. Syverson III had plans to take his children to Disneyland, but work kept getting in the way.

Once, his tour in Iraq was extended. Another time he was injured before a planned family vacation.

In June 2004, Syverson was killed in a mortar attack in Balad just weeks before he was to return home.

This December, Syverson's family will finally visit the happiest place on Earth, thanks to a charity organizing a holiday Disney trip for grieving military families. His wife, Jackie, said her 9-year-old son is looking forward to the vacation, even if it will bring back some painful memories.

"He never made it there with Dad," she said. "And he still won't go there with Dad."

The charity, the Orange Coast Snowball Express, is being organized by California real estate consultant Mark Kerr, who ran a similar program for needy children in 1998. He started organizing this year's event 10 months ago, as a way of helping out the military community.

"This is just meant to be an incredible dream weekend for these kids," he said. "We want to help make up the difference, in whatever way we can, between where government help stops and whatever they need."

With help from local Rotary Clubs and other volunteers, Kerr has secured a host of donations to bring the grieving families to southern California in mid-December.

Southwest Airlines has pledged free flights. Marriott and Fairmont hotels have set aside rooms for their stay. Local stores have donated money and gift cards to give the families a pre-Christmas shopping spree for themselves.

So far, Kerr has a few hundred families signed up — most, like the Syversons, found out through Gold Star Wives of America — but he's hoping for more.

"There are 1,200 children out there who have lost a military mother or father since Sept. 11," he said. "We'd like to bring all of them here."

A lot needs to be done before that can happen. Kerr is still looking for ways to fly families stationed overseas back into the U.S. free of charge, and only has about 100 hotel rooms so far.

But he's confident those details will be worked out before the families start arriving, scheduled for Dec. 15.

Jackie Syverson said the chance to be with other children in the same situation is as important to her as the pomp and pageantry that her son will get to see.

"A lot of times you go somewhere and you're 'that kid,'" she said. "We moved from Fort Campbell to Pennsylvania after Paul's death. Now he's definitely the only military kid, and the only kid who's lost a father.

"But there, he won't be the only one going though it. That's really good."

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Halloween Hayride's at Disney's Fort Wilderness Resort

The Halloween Hayride 2006 will be held at Disney's Fort Wilderness Resort and Campground on the following dates: October 13, 14, 18, 20, 21, 25, 27, 28, 29, 30 and 31. Tickets will be sold on a first come, first serve basis from 8 a.m. to 5 p.m. at the Kennel at Disney's Fort Wilderness Resort and Campground or across from Pioneer Hall after 6:00 PM until sold out. Tickets are $15 (Adults), $10 (ages 3-9), and free for Guests under 3-years of age. And I better get a ticket this Year or I'll...never mind, Family website, Think Happy Thoughts.

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Woods, Disney out?

Here's a new spin on a well-worn TV theme.

You have just matched the second-longest winning streak in the august history of PGA Tour competition, seemingly are playing better than at any point in your career and again have cemented your reputation as the greatest player in golf, bar none.

So the question is posed as the camera rolls: "Tiger Woods, you've just won for the ninth time worldwide in 2006. What are you going to do next?"

Hollywood scripting aside, it doesn't look like the forthcoming answer will be, "I'm going to Disney World."

Trouble is, nobody knows the real answer, including Woods, he says. When it comes to his next appearance in spikes, the world's top player has volunteered not an inkling as to where he'll next seek to pad one of the most memorable runs of his 10-year career.

After an emotional season capped by three exhausting weeks in Europe, Woods isn't committing to anything except his own pillow -- much less to playing in the Lake Buena Vista event where he won his second tour title as a scrawny 21-year-old a decade ago.

Starting with that foreshadowing fall of 1996, Woods has rolled up 54 victories, which he frequently calls "W's" for short. When a player has won six consecutive tournaments in a single season, however, the W's from the public denote something else entirely with regard to his next event.

When? Where? Why?

The Funai Classic at Disney World starts Oct. 19, and for a guy who lives approximately five miles from the theme park's back entrance, playing would be as easy as falling out of bed. Yet early evidence suggests he might not make the daily commute, despite his success at the site and some prime motivation in the form of an annual award he can't win unless he adds another play date.

With regard to his oft-discussed attributes as a player, stubbornness is clearly an offshoot of tenacity. Woods can be annoyingly cagey when pressed for answers on subjects he isn't interested in discussing, like his schedule. Here is the verbatim text from Woods' confounding confab with a room full of international press on Sunday night after he won the American Express Championship in suburban London. As with his many final-round foes, he surrendered nothing.

Q. Your next appearance is?

Woods: "Home."

Q. Tournament-wise?

Woods: "Don't know."

Q. Care to guess?

Woods: "No."

Three questions elicited a total of four words in response, but as far as playing at Disney goes, just reading between the lines, it doesn't look promising. Woods on Sunday throttled back comments he made early last week about the importance of winning the prestigious Vardon Trophy, given annually to the player with the best stroke average on tour. Woods is winning the award in runaway fashion with the second-best average of his career, but needs to play in two more tournaments to satisfy the trophy's 60-round minimum.

He is expected to play in the season-ending Tour Championship next month, so adding Disney, where he is a two-time champion, seems the most obvious and easy answer. However, Woods might have won the Vardon in six of the past seven years, but it doesn't rank atop his gotta-do list.

"Not much," he said of the Vardon's relative importance. "I've had a good year, but if you don't play enough rounds, you don't play enough rounds."

Sadly, if Woods elects not to play, it likely will mark the end of an era in Orlando, since this month probably marks the last shot Disney has at landing Woods. Next year, the event will be moved to November and the final week on the schedule as part of the tour's less-lucrative Fall Series, by which time Woods probably will be floating to a distant island on his yacht. Moreover, at some point, Woods will be relocating to his new abode in Jupiter, and playing in a Disney event wherein players must shoot 66 daily to contend is something he never has much enjoyed.

Then there are the other variables, which is a kindly euphemism for the financial particulars. Woods' lengthy contract with Disney-owned ABC Sports to appear in made-for-TV events such as the Skins Game or Battle at Bighorn expired last year. Disney World previously has hosted his annual charity foundation clinic four times, usually in the weekend before the Disney tournament, but that event has been moved permanently to the new Tiger Woods Foundation headquarters in Southern California. Then there's the matter of Woods' record at Disney. He last won the title in 1999 and since has added three top-three finishes, but missed the cut last year with one of his most sloppy performances in years.

"People asked me on the 18th, 'How do you consider this year?' " Woods said Sunday night. "I consider it as a loss. In the grand scheme of things, golf, it doesn't even compare to losing a parent."

Perhaps, after two weeks of R&R, Woods will elect to throw his name in the hat at Disney and essentially secure the Vardon Trophy for a record-extending seventh time. By the way, the honor is named after English golf trailblazer Harry Vardon, who invented the overlapping grip.

Before Woods lets go of his hometown Orlando stranglehold -- he's won at Disney and Bay Hill a combined six times -- it would be nice to see him take another at Disney. The way he's been scoring of late, with 24 of his past 27 rounds in the 60s, he might just blow up the joint.

Besides, if he wins, then he has to defend the title in '07.

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It looks like the Disney Channel in India is on a roll to bring action, adventure and entertainment to kids across the country. This time, the channel has adopted a new strategy to penetrate into smaller towns and cities with the 'Disney Channel Masti Express.'

Sensing huge growth opportunities from Tier II and III cities, the channel has designed Disney branded vehicles to journey across the country, promoting some of its most popular shows. This activity will have vans equipped with games and merchandise, showcasing properties like Recess, Kim Possible That's So Raven and recently added local production Vicky Aur Vetaal.

This 'Masti Express' will spin across 30 towns and cities from Amritsar to Lucknow and Kanpur to Kerala within a time frame of 12 months. They will be strategically placed in high traffic locations a time most frequented by kids and parents and as the name suggests the 'Masti Express' will incorporate interactivity and fun to the whole experience.

Speaking to Indiantelevision.com on this new initiative, Walt Disney Television International (India) director marketing and communications Tushar Shah said, "Our prime focus is on experiential marketing with a mix of above the line activities, however the buzz is initiated through on ground activities."

Rather than being a one off activity, "We wanted to create a consistent brand experience over a prolonged period of time" thus, multiple Disney vehicles will travel to different parts of the country.

"We need not necessarily use classical mediums to reach out to our TG. Although there is a limited opportunity in terms of the availability of media vehicles, there are no confines to reaching out to kids, as this project allows for vast 'mobility'," adds Shah.

The channel estimates that its reach in major metros extends to over 40 per cent. While an All India estimate in the Hindi speaking market (HSM), SEC A, B and C, within the age group 4-14 years old, the channel's reach would be 29 to 30 per cent.

This activity will not only sample the channel to a wider audience, but it also expected that a ratings jump will be observed in these smaller markets.

As data often supports the fact that Indian kids are more glued to General Entertainment channels, Disney's latest ramp up in localized programming, indicates that it is set to go the whole hog to create compelling content to drive these kids to more age appropriate entertainment.

Besides content, Disney India is attempting to give as many Indian kiddies a touch and feel experience, to build a comprehensive brand connect with kids across the country. "Something they will love and remember!"

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Tape Shows Parking Lot Attendant Robbery At Disneyland

Surveillance tape of a parking lot attendant robbery at Disneyland was released Monday by police in the hope the images will trigger someone's recognition, a sergeant said.

The parking structure was robbed twice, on Sept. 19 and Sept. 26, but police are not sure if the same men were involved, or if they are part of a group, said Anaheim police Sgt. Rick Martinez.

Tape picked up during the Sept. 19 robbery shows a Toyota as the suspect car, but neither suspect is shown, Martinez said.

The tape depicting the second robbery shows a man wearing a fedora hat with a band getting out, leaning into the booth and demanding money, while the passenger remained inside the car, Martinez said.

In addition to the fedora, the suspect wears a button-up, long-sleeve white dress shirt and dark slacks, Martinez said.

"He has a passenger in the seat who appears to be wearing some sort of sports attire," Martinez said. "It looks like there's the Nike symbol, or something very similar. But the actual suspect that gets out of the vehicle is nicely attired. He has the hat."

The men, who were in a possibly black Porsche with a tan interior during last Tuesday's hold-up, drove up to a parking-lot booth about 4 p.m.

After getting the money, the driver drives in and makes an immediate turn exiting the structure, Martinez said.

The attendant saw a gun in the vehicle, Martinez said, but it was not pointed at the victim.

"It appears he had something in some sort of a bandana or a towel that would give the attendant the perception that there was a weapon there," Martinez said.

Each time, the people in the car behind the suspects did not know a robbery had taken place, Martinez said.

"The suspect just wanted to create as little distraction as possible," Martinez said.

In the Sept. 19 robbery, the main suspect was described as mid-20s to mid-30s, 5 feet 8 inches with a huskey build and wearing dark sunglasses and a baseball cap, Martinez said.

Last Tuesday, the robber who demanded the money was described as 5 feet 8 inches to 5 feet 10 inches, 170 pounds and 20 to 30 years old, Martinez said.

The amount of money was not released but Martinez said, "It was not a large amount."

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Disney cruise ship in town for dry dock maintenance

It's called the Disney Wonder, and the massive 964-foot-long cruise ship - with its Mickey Mouse ears and Disney characters adorned bow and stern - was turning heads Tuesday along the Portsmouth and Norfolk downtown waterfronts.

The Port Canaveral, Fla.-based Disney Wonder, one of two ships in the Disney Cruise Line, arrived before daylight at BAE Systems Norfolk Ship Repair for a 10-day overhaul. The yard has assigned 200 employees and subcontractors to blast and paint the hull, change out propellers and do basic hull, mechanical and electrical work. Disney brought in an additional 600 contractors for interior work.

The cruise ship receives dry dock maintenance twice every five years and has visited the Norfolk shipyard twice before.

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Disney recruiters to visit Moraine Valley campus

Disney recruiters will visit Moraine Valley Community College in Palos Hills from 3 to 6 p.m. today to seek candidates for paid internships at the Walt Disney World Resort near Orlando.

The program runs from January until May or January until August.

Recruiters will interview students in the college's Moraine Room 2 in Building C.

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The double life of Monica Goguen

Monica Goguen hopped down the steps to her dressing room and over to Dwayne Johnson, better known as The Rock, for a friendly pose for a photographer.

Johnson, a former professional wrestler turned movie star, greeted the 8-year-old from Bradford with his famous smile, and the tiny girl in pigtails grinned back.

She may not be well-known yet, but Goguen is living the life of a movie star on the set of "The Game Plan," which was filming at Lawrence Municipal Airport yesterday.

Goguen is already a twin, but for the movie she is the film double for Madison Pettis, who costars with Johnson.

Goguen said she doesn't mind when people confuse her for Pettis.

"They stand outside screaming and ask you for autographs," she said. "One girl had two cell phones and she wanted me to sign them."

The young actress has her own trailer and a tutor. She has her makeup done every day and wears a wig so she has curly hair.

She also learns stunts, like how to fling herself backward when someone pretends to punch her in the face.

As a double, she won't have any speaking lines but she does action shots and will be shown from the back and other angles that won't reveal her true identity.

Her twin sister, Brianna, also will be in the film as an extra.

The premise of the Disney film is that Johnson is a quarterback for the fictitious football team the Boston Rebels. He is single, living the high life as his team approaches the championship, when a 7-year-old knocks on his door, the daughter he didn't know he had from a previous marriage.

The girl has invented a string of stories, telling her mom she is in ballet school and telling Johnson that her mom is in Africa so she can spend a month with the football star.

Goguen said she likes working with Johnson, who she said was so nice, he once stopped a phone call to pose with Goguen when her dad was taking a picture.

In one of her favorite scenes, she pretends to be nervous about going on stage for a ballet performance, and Johnson gives her a pep talk - while wearing green tights.

Working with Johnson also has impressed Goguen's friends.

"My friend, Nichole, she likes to watch pro wrestling and she said, 'Oh, my God, you got to meet The Rock,'" said Goguen, who admitted she didn't know who he was before filming started.

This is the second recent football film for Johnson, who played a coach in "The Gridiron Gang," which opened last month.

Johnson was once on his way to playing professional football before suffering a back injury. After that, he turned to professional wrestling, but he has since left the sport for movies.

"This was a chance to make a great movie, to work with Disney and a chance to work with a terrific actress," said Johnson, while hurrying across the set for his next scene.

He paused and smiled. "And a chance to play football."

There were no football scenes at the airport, however.

The office at Four Star Aviation, next to Lawrence Municipal Airport, was transformed for the one day of filming from a North Andover flight school to an office in Africa. An airport hanger was set up as an apartment, and the restaurant at the airport was closed as a staging and waiting area for extras. A sign saying "Malakal Airport" was put up on the overhang.

Michael Miller, director of the airport, said they also changed the grass in front to look more like grass in Africa, and typical cars parked outside were replaced by cars more typical in Africa.

The main change was the mob of cameras, wires and crew workers scrambling around the sets.

For Dick Hordon, who owns Four Star Aviation with his wife, Kathy, it was a day off.

As he relaxed in a recliner, he told about the day the film company knocked on his door and said they wanted to use his space, including an old baggage cart he happened to have laying around.

Hordon also got a taste of acting as the driver of a fuel truck.

"I can't believe how many takes we did," he said, estimating he drove the truck around for at least 10 takes. "I can't believe the number of people involved."

Yesterday was the only day of filming in North Andover. The rest of the filming will take place in Framingham, Worcester, Boston and other Massachusetts locations.

After that, Monica Goguen will return to school at St. Joseph's in Haverhill, but she is already thinking of doing another movie.

"I like being here; I like doing new things," Goguen said.

Her mother, Cindy, said the adjustment was hard at first, trading off going to the set with her husband, Ed, and taking care of their other daughter. Monica Goguen also has to go to school in the morning, then be taken to the set for the rest of the day for tutoring and filming.

Cindy Goguen said the schedule is demanding, but her daughter is enjoying the experience.

"People treat you like what?" prompted her mother.

"Like I'm a star," said Goguen with the smile of a celebrity.

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FX Scores "Invincible" Cable Rights

FX has bought exclusive cable rights to the Mark Wahlberg football feature ''Invincible,'' a spokesman for the network said.

Sources said the four-year deal will see FX pay 10%-12% of domestic box office for the Disney release, which has earned $56.3 million in North American theaters after six weekends.

The FX spokesman confirmed the deal but declined comment on the terms of the agreement. Because of the Yom Kippur holiday, no one was available to confirm or deny at Buena Vista Television, the Disney unit handling the sale.

The PG-rated ``Invincible,'' based on a true story, stars Mark Wahlberg as regular guy-turned-football pro Vince Papale and Greg Kinnear as former Philadelphia Eagles coach Dick Vermeil.

It's believed that FX will get the network window premiere of ``Invincible'' starting sometime in 2009, according to sources. Before that, pay TV rights to the movie will go to Starz .

FX is one of the most aggressive buyers of feature film rights among basic cable networks. It recently engineered deals to acquire exclusive rights to several 20th Century Fox titles, including ``X-Men: The Last Stand'' and ``Ice Age: The Meltdown''; New Line Cinema's ``Snakes on a Plane''; and Warner Bros. Pictures' ``Superman Returns,'' among others.

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PSP presents the 2006 World Cup at Disney's Wide World of Sports

Paintball Sports Promotions is proud to present the 2006 World Cup to be held November 8th-12th at Disney's Wide World of Sports Complex in Orlando, FL. World Cup is the largest professional paintball tournament on the planet with over 300 teams attending from around the globe to compete for their share of over $128,000 in cash prizes.
 
Despite the best efforts of Hurricane Wilma, last year's World Cup saw record numbers of attendees at the event. Saturday and Sunday hosted the largest number of people ever on the grounds at Disney's WWS. The crowds were so immense that at one point Disney staff was forced to close one lane of the road entering the complex to be used as additional parking. We expect this year?s event to be even bigger!  

In addition to the fierce competition on the fields, the 2006 World Cup will feature the largest trade show in the industry. Everyone who is anyone will be in attendance, showing off the latest and greatest gear for the new season. See what some industry insiders had to say about the World Cup:

"At NXe we view the World Cup as the one event that is truly a trade show and paintball event. We as well as most in the industry use World Cup as our launching pad for our new products and introductions for the following year. It is the one event that does bring in the most dealers and distributors from around the globe. The crowds are great and the paintball is even better. For NXe, World Cup is everything it is supposed to be."
~John Bosch
President and CEO, NXe

"World Cup is the event that all paintball players want to go to. Every year it is packed with players and vendors and having it located at Disney World is brilliant. All the vendors put forth the extra effort to make their booth as massive and impressive as possible. We can't wait for the next one."
~ Rob Astamendi
Derder

"If there is one event not to miss it is the World Cup. PSP at its best. Miss it and you will regret it."
~ Graham Easton
Executive Sales, Smart Parts

"For Virtue Paintball, the World Cup is the most important event of the year because it is the only event where Virtue can work with thousands of players and meet hundreds of paintball pro shops from around the world. Plus, what's more fun than renting a huge house with a pool for a week and hanging out at Disneyworld?"
~ Chris Williams
Virtue Paintball

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Tuesday October 3, 2006


 
Oriental Land Company, Ltd., which operates Tokyo Disney Resort, today announced that the total combined attendance at Tokyo Disneyland and Tokyo DisneySea during the first half of the current fiscal year (April 1 - September 30, 2006) was 12,044,000 people, an increase of 382,000 people, or 3.3%, over the same period last year.

Tokyo Disneyland kicked off the year with 'Lilo & Stitch's Big Panic - Find Stitch', a special event that began in April and proved popular over its three-month run. Tokyo DisneySea continues to draw crowds with a diverse line of programs tied to the Park's 5th anniversary celebration, which began in July.

Contributing to the high attendance figures was the September 4 opening of the Tower of Terror at DisneySea. The first week in particular saw guests queuing to experience the popular free-fall ride.

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ABC-TV focuses on Web sites

If you want to watch ABC-TV's new "Ugly Betty," forget buying it on Apple's iTunes Store. "Betty" and about half a dozen of the network's hit shows are available for streaming viewing, free, on the broadcaster's site. Alexis Rapo, vice president of digital media at ABC Entertainment said, "We're adding a significant amount of unique content, especially video, to make ABC.com the primary destination for fans of our programming."
 
This echoes statements made a week or so ago by Bob Iger, chairman of ABC parent Walt Disney Co. (DIS) that he wanted the company's Web sites to become "the networks." While iTunes is selling past seasons of ABC shows, the broadcaster is primarily using it as a promotional vehicle by producing "official" podcasts for series including "Grey's Anatomy," "Lost," and The Bachelor." Disclaimer: I own shares of Apple and Walt Disney.

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The Little Mermaid on DVD

For a limited time only, Walt Disney Home Entertainment proudly opens the vault to debut a spectacular new two-disc Platinum Edition of the most-requested Disney DVD title ever, the Academy Award winning (1989 Best Original Song and Best Original Score) The Little Mermaid. Available for the first time in seven years and the first time ever on a two-disc "Platinum Edition" DVD, this enchanting, music-filled adventure goes 'under the sea' and soars to new heights with bonus features for the whole family. Included is the new "Under The Sea Adventure: A Virtual Ride" (based on an actual Disney Imagineering concept); extensive background on the ride; a new "Kiss The Girl" music video performed by "High School Musical" sensation Ashley Tisdale; a new "Treasures Untold" making-of featurette about the film's history, creators and famous music, new Disney Feature Animation short film "The Little Match Girl" based on another one of "Little Mermaid" creator Hans Christian Andersen's classic tales; never-before-seen deleted scenes, and much more. The Little Mermaid ignited an animation renaissance at Disney and around the world, and this celebrated classic sparkles as never before with an all-new digital restoration and the all-new 5.1 Disney Enhanced Home Theater Mix.

The Little Mermaid Special Edition is the long-anticipated eighth addition to Disney's acclaimed "Platinum Collection." This event-making DVD debut is accompanied by an expansive Walt Disney Company-wide celebration, including a huge continuing partnership with Disney Consumer Products (DCP) that builds on the overwhelming popularity of 2005's Cinderella DVD debut.

The Little Mermaid Special Edition 2-disc DVD is available for a limited time only on October 3, 2006, for U.S. $29.99 (S.R.P.) and Canada $36.99 (S.R.P.).

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Disney to take $30 million loss on Mobile ESPN

The Walt Disney Co. (NYSE:DIS) will spend about $30 million to shut down its Mobile ESPN wireless telephone services, but remains "excited" about its family-oriented Disney Mobile phone service, Disney Chief Financial Officer Tom Staggs said on Monday.

Staggs told analysts on a conference call that Disney would write down the ESPN termination costs mainly in fiscal 2007.

The company announced last week it would shut down its Mobile ESPN phone operation and license the brand to existing mobile providers.

Disney launched Disney Mobile, a similar service aimed at families in June in the United States.

The company had discussed rolling out Disney Mobile in the United Kingdom by year's end, but postponed those plans due to what it described as "the rapidly changing environment in the UK market."

Staggs said on Monday the company believed Disney Mobile "is a very different customer proposition" that "was meeting a fundamental need of families."

Disney Mobile allows parents to regulate when, how long and to whom their children talk on cell phones and features a built-in satellite tracking feature to locate the phone.

"We remain excited about Disney Mobile service. It has been getting a lot of kudos from a lot of parents," Staggs said. "They've just really soft launched it so it's early days yet."

Mobile ESPN, launched in February on the Sprint network with a 60-second Super Bowl commercial, offered real-time sports content on a specially designed Sanyo handset, but failed to catch on with sports fans.

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Disney Offers Adventures Under the Sea and Gives the Royal Treatment With New Handheld Video Games

Disney Princesses and Ariel are joining the "Disney on the Go" portfolio of handheld video games. New handheld video game titles based on the "Disney Princess" and "The Little Mermaid" franchises are now available at retail stores throughout North America.

The new line-up from Buena Vista Games includes:

  • Disney's The Little Mermaid: Ariel's Undersea Adventure for the Nintendo DS(TM)
  • Disney's The Little Mermaid: Magic in Two Kingdoms for the Game Boy Advance
  • Disney Princess: Royal Adventure for the Game Boy Advance

"Inspired by the award-winning film, 'The Little Mermaid' handheld games provide interactive adventures that kids can take with them on-the-go," said Craig Relyea, vice president of marketing, Buena Vista Games. "With the release of Disney's new two-disc 'The Little Mermaid' Platinum Edition DVD today, fans of Ariel and her friends will have ample opportunities to share in the fun this holiday season."

Featuring six of Disney's most beloved princesses, Disney Princess: Royal Adventure on the Game Boy Advance will be released alongside The Little Mermaid titles.

"Since its debut in 2000, the Disney Princess franchise has become a leading girls lifestyle brand," said Relyea. "Building on the franchise's popularity, the new Disney Princess: Royal Adventure game enables young girls to interact with their favorite characters in a new magical adventure."

About Disney's The Little Mermaid: Ariel's Undersea Adventure

Ariel, Flounder and Sebastian join some new friends on a mysterious aquatic adventure based on the beloved Disney movie. Developed by Gorilla Systems Corp., the game lets players dive into 16 levels of interactive gameplay, and use the unique Nintendo DS features that include:

  • Playing music wirelessly with up to five friends in the "Barnacle Band"
  • Singing into the Nintendo DS microphone to unlock treasure chests
  • Using the Nintendo DS stylus to dig up hidden treasure

About Disney's The Little Mermaid: Magic in Two Kingdoms

Also developed by Gorilla Systems Corp., Disney's The Little Mermaid: Magic in Two Kingdoms lets players embark on a seafaring journey through some favorite "The Little Mermaid" movie moments. Explore as Ariel, Flounder, Sebastian or Prince Eric to unlock eight nautical games. Goals include racing to save Prince Eric from the sinking ship, aiding Sebastian in escaping the French Chef and defeating Ursula, the evil sea-witch.

About Disney Princess: Royal Adventure

Developed by Human Soft, Inc., Disney Princess: Royal Adventure lets players explore an enchanted castle with secret portals leading to the worlds of the Disney Princesses -- Jasmine, Cinderella, Belle, Ariel, Snow White and Sleeping Beauty -- on their quest to find a missing collection of special tiaras. Players can journey into a wonderful world inside the castle and a medley of unique environments in the surrounding village. The Disney Princesses will help players increase their skills while earning enchanted items that are used to solve a mystery that has been forgotten by the village for many years.

About Buena Vista Games

Buena Vista Games, Inc. (BVG) is the interactive entertainment affiliate of The Walt Disney Company (NYSE: DIS). BVG publishes, markets and distributes a broad portfolio of multi-platform video games and interactive entertainment worldwide. The company also licenses properties and works directly with third-party interactive game publishers to bring products for all ages to market. For more information, please log on to www.bvg.com.

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Disney Animation Establishes Submission Portal

Disney Animation is helping talent connect with animation opportunities through www.DisneyMouseLink.com, an online artistic submission portal. At the site, artists can submit their demo reels and portfolios through a secure Web-based upload system.

DisneyMouseLink.com was developed in-house by Disney Animation. Applicants interested in submitting materials can go to the site and create an account. A submission form is then downloaded for signing and return to Disney Animation.

Upon receipt, a username and password is provided via email. Visitors can provide details on their work history, skill sets and software knowledge. Media, in the form of .jpg, .pdf, and .mov files can also be uploaded.

“Creating DisneyMouseLink.com is a great service for everyone,” says Dawn Rivera-Ernster, director of animation resources for Disney Animation. “It allows artists to submit reels and portfolios whenever it is convenient for them, 24/7, with a quick and convenient process. For DA it allows us immediate access to the incredible global talent pool.”

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Disney’s ‘Year of a Million Dreams’ begins

As if they've been tapped on the shoulder by a magic wand, Disney Parks guests -- thousands every day -- are about to enter a whole new world.

For 15 magical months beginning Oct. 1, a spectacular Disney event like none other will celebrate the dreams of guests. Dreams that make them smile. Dreams that soar and spark the imagination. Dreams that fulfill their grandest Disney fantasies. Dreams from once upon a time to happily ever after.

During "The Year of a Million Dreams" celebration, literally millions of dreams will come true at Florida's Walt Disney World Resort and California's Disneyland Resort.

"Our guests the world over have told us they believe a Disney Park is the place 'where dreams come true' and that something magical happens when they walk through our gates," said Jay Rasulo, chairman of Walt Disney Parks and Resorts. "And that's never been more true than during 'The Year of a Million Dreams' as we bring more magic to life than ever before."

Dreams to surprise and delight guests and unique experiences will be hallmarks of "The Year of a Million Dreams."

As part of the celebration, extra-special dreams will be awarded through a random process as part of the unique Disney Dreams Giveaway. With the sprinkle of a little pixie dust by day, a vacationing mom might be chosen to spend that night with her family in a new royal suite inside Cinderella Castle at Walt Disney World Resort, or at Disneyland, a lucky guest may be surrounded by All Things Mickey that night in a new Mickey Mouse Penthouse overlooking the Disney domain in California.

Disney Vacation Club memberships, traveling around the world as a parade grand marshal in each Disney theme park, sporting exclusive pins and Mouse ears -- dreams from fun to fantastic will shower down on guests during the celebration. Other amazing dreams-come-true: magical Disney Cruise Line sailings; Adventures by Disney vacations; a private shopping spree for Disney merchandise; Dream FASTPASS badges to enjoy many popular park attractions; special park after-hour events; or a visit to Walt Disney's apartment at Disneyland including a dining experience.

For the overnight stay in the Cinderella Castle Suite, a Walt Disney World guest at the parks or Downtown Disney will be selected randomly by early in the afternoon almost every day beginning in late January. The guest and up to five members of their party will begin their dream-come-true night that evening at Cinderella's Royal Table, the popular restaurant located in Cinderella Castle.

Can't be in the parks? You may still have a dream-come-true through a mail-in entry (details at disneyparks.com/rules). For example, mail-in winners could win prizes such as the Disney Vacation Club membership, grand marshal of a Disney parade around the world, exclusive trading pins or Mickey Ear Hat. (Some prizes, such as the Castle and Mickey Mouse Penthouse stay, require same-day use so mail-in winners will receive a prize of comparable value.)

Dreams will be awarded every day at Disney parks and Downtown Disney in Florida and California. While workers complete the Cinderella Castle Suite (opening late January 2007) and Mickey Mouse Penthouse (opening December 2006), the other fantasies begin Oct. 1 as Disney launches enough dreams to make Tinker Bell blush.

And all it takes: a tap on the shoulder by Disney cast members on special assignment as the Dream Squad during the magical year.

Meanwhile, thousands more Disney cast members -- famous for guest service every day of the year -- will be creating an unprecedented number of Magical Moments during this magical year. They're taking Disney friendliness to new heights with personal interactions marked by special surprises.

Amazed guests might find themselves leading the countdown and sprinkling pixie dust to open a Disney park in the morning. Or they might join the performers on a float in "Mickey's Jammin' Jungle" parade. Or aboard Cinderella's Golden Carrousel they might suddenly find a Disney princess sidesaddle on the next horse.

More pixie-dusted Magical Moments: being selected to be guest of honor in daily park parades; getting a Tinseltown rush doing a celebrity-style handprint ceremony; being Official Wildlife Spotter on a Disney's Animal Kingdom safari.

"Disney cast members have a rich history of making this magic, treating guests to legendary service and special moments," Rasulo said. "During 'The Year of a Million Dreams,' those moments go stratospheric as our cast members reinforce Disney parks as the place where dreams come true."

A first-of-its-kind Disney spectacular, "The Year of a Million Dreams" also includes a whole lineup of immersive entertainment that draws guests into the middle of the action.

Guests can enter into magical worlds, living the buccaneer life by being a pirate of the Caribbean, "getting royal" with a Disney prince or princess, or joining in the dancing and singing "High School Musical" pep rally. Guests at Walt Disney World Resort might be welcomed to saddle up cowboy-style with Woody and the Disney-Pixar gang.

As if thousands of dreams bestowed daily aren't enough, Disney guests will also be treated to major new attractions and shows debuting at Walt Disney World and Disneyland resorts as part of "The Year of a Million Dreams":

At Walt Disney World Resort in Florida

"The Seas with Nemo & Friends." Epcot's newest attraction picks up where the Disney-Pixar animated hit "Finding Nemo" left off. Amazing technology gives the stars of the film the appearance of swimming amid the live marine life of the 5.7-million-gallon saltwater aquarium in The Seas with Nemo & Friends pavilion (formerly The Living Seas). Guests aboard "clam-mobiles" float amid a coral reef where they meet Mr. Ray and his class on a field trip. They soon learn that Nemo has wandered off. A journey to find the playful clownfish ensues. Along the way, familiar characters such as Dory, Bruce, Crush and Marlin join in the search. In the musical finale of the attraction, Nemo is happily reunited with his class and friends. (Late 2006) The new Future World attraction anchors the newly renamed and re-launched The Seas with Nemo & Friends pavilion, an imaginative mix of fantasy with real sea life and interactive experiences such as the breakthrough "Turtle Talk With Crush."

"Finding Nemo-The Musical." At Disney's Animal Kingdom, the undersea world that charmed audiences worldwide in the Disney-Pixar motion picture "Finding Nemo" will come to life in an all-new Broadway-caliber musical stage show. Featuring original songs by Tony Award-winning "Avenue Q" co-composer-creator Robert Lopez and a cappella musical "Along the Way" composer Kristen Anderson-Lopez, "Finding Nemo-The Musical" will immerse guests in the story of Marlin and Nemo, an overprotective clownfish father and his curious son, through a dazzling production that combines puppets, dancers, acrobats and animated backdrops. The enclosed, air-conditioned Theater in the Wild will transform into an undersea world through innovative lighting, sound, special effects and the theatrical puppetry of Michael Curry, who co-designed the detailed character puppets seen in the Broadway version of Disney's "The Lion King." "Finding Nemo-The Musical" will be staged several times daily. (Previews late 2006)

Monsters Inc. Laugh Floor Comedy Club. Magic Kingdom guests will laugh, joke, sing songs and match wits with the beloved animated characters from Disney-Pixar's "Monsters, Inc." in an engaging and interactive attraction being created by the Disney Imagineers. Monsters Inc. Laugh Floor Comedy Club features one-eyed hero Mike Wazowski, who has opened a comedy club to collect laughs that will generate electricity for the monster world of Monstropolis. As Monster-of-Ceremonies, Mike recruits two comedian wannabes whose slapstick humor delights and engages audiences. Guests will even get to text-message jokes on their cell phones for possible use in the show. The fun reigns at a 400-seat theater in Tomorrowland. (Early 2007)

"Dream Along with Mickey." Several times daily, Mickey and friends treat Magic Kingdom guests to a dreams-inspired party on the forecourt stage of Cinderella Castle. Favorite Disney characters join the party as the dreams of happily-ever-after and adventure come alive on stage amid music and dancing. So strong are the dreams that they even overcome Maleficent and her intentions of turning the dreams into nightmares. A grand finale brings the 20-minute live stage show to a close.

At Disneyland Resort in California

Finding Nemo Submarine Voyage. Inspired by Disney-Pixar's "Finding Nemo," this all-new E-ticket adventure will take guests on a real (and unbelievable) underwater excursion. Guests are treated to a view of Nemo and friends exactly as they appear in the film -- thanks to amazing new technology and effects developed by Walt Disney Imagineering. What makes it different: Nemo and the Pixar gang will be in an actual, and incredible, three-dimensional underwater setting. (Summer 2007)

Rockin' Both Parks. Space Mountain is getting a new twist. For 16 weeks (Jan. 3-April 26, 2007), Disney's classic attraction will become a new experience in which rockets will rock it through the greatest concert adventure in the universe. All-new soundtrack will fit the exciting twists and turns of Disney's rocket classic. Along with new technology and lighting, all systems are go. Riders of California Screamin' at Disney's California Adventure Park will also be treated -- and bopping -- to a new groovin' soundtrack. On-board rock 'n roll music will be choreographed to every twist, turn and drop. With a ride track-turned-soundtrack, this is one experience guaranteed to rock guests visiting the Paradise Pier section of the park. (Spring 2007)

On top of an already magical year, special entertainment and programs will be in place at the parks and resorts so guests can follow their dreams, whether it's a princess or pirate, adventurer or space explorer. Guests will be able to customize their visit to a Disney park to pursue the Dream Paths of their choice with on-line planning tools and technology to help them become the hero or princess they've always dreamed of being.

For more information about "The Year of a Million Dreams" celebration, guests may visit disneyparks.com. For more specific information about the Disney Dreams Giveaway, visit disneyparks.com/rules.

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Lacroix Promoted To Veep At Radio Disney Network

Chris Lacroix has been promoted to vice president at Radio Disney. The promotion was announced by Jill Casagrande, senior vice president and general manager, Radio Disney Network, to whom he will report. Lacroix transitions from vice president, Marketing, Disney Channel.

Casagrande said, "Chris has made significant contributions to Disney Channel, he has a finely honed understanding of the youth demographic and especially of the Disney brand. In his new post at Radio Disney, he'll continue to connect a generation of kids and their families with our content."

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More Monsters Inc. Laugh Floor Comedy Club details

Disney have today released the following information on the new attraction. Of particular interest, is the sentence mentioning text-messaging jokes for use in the show.

Monsters Inc. Laugh Floor Comedy Club. Magic Kingdom guests will laugh, joke, sing songs and match wits with the beloved animated characters from Disney-Pixar's "Monsters, Inc." in an engaging and interactive attraction being created by the Disney Imagineers. Monsters Inc. Laugh Floor Comedy Club features one-eyed hero Mike Wazowski, who has opened a comedy club to collect laughs that will generate electricity for the monster world of Monstropolis. As Monster-of-Ceremonies, Mike recruits two comedian wannabes whose slapstick humor delights and engages audiences. Guests will even get to text-message jokes on their cell phones for possible use in the show. The fun reigns at a 400-seat theatre in Tomorrowland. (Early 2007) 

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Disney boosts IP protection with London hire

The Walt Disney Company has joined the long list of companies paying ever-increasing attention to IP protection, hiring its first anti-piracy chief for Europe, the Middle East and Africa (Emea).

Disney recruited Nick Hanbidge from Hit Entertainment for the London-based role. He will report to corporate legal and anti-piracy head Mary Fossier in California.

Hanbidge has responsibility for copyright and trademark enforcement for more than 20 Emea jurisdictions.

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New enhancements for this years Osborne lights

Spectacle of Lights Transforms Disney-MGM Studios -- The Streets of America backlot area sparkles with millions of twinkling lights beginning Nov. 13 and continuing through Jan. 7, 2007, during the Osborne Family Spectacle of Lights, presented by Sylvania. This year, the spectacle has been enhanced to include choreographed “dancing” lights which swirl and soar to an exhilarating medley of holiday music every 15 minutes, thanks to electronic wizardry featuring more than 400 dimmers. Every building façade, all the trees, wreaths, bells and holiday figures dance to classic tunes among “Florida snow” flurries. Also bringing the Disney-MGM Studios backlot to life are three-dimensional and motion-based displays – some originally created at the Osborne home in Arkansas by businessman Jennings Osborne as a holiday display for the delight of his daughter.

After the home exhibit grew larger and brighter over the years, the million-light display was transported to Disney-MGM Studios in 1995, where the spectacle continues to grow larger and brighter each year. Some of Osborne's original creations still sparkling brightly at the park today are a giant Mickey Mouse light, dozens of flying angels and Santa Claus light designs.

The "Hollywood Holly-Day Parade," a festival of favorite Disney characters dressed in their dazzling holiday best, jingles down Hollywood Boulevard this holiday season as well.

Osborne Family Spectacle of Lights (Nov. 13- Jan. 7, 2007) As snow falls overhead, the Streets of America backlot cityscape at Disney-MGM Studios comes alive with millions of sparkling lights each evening. Snowflakes sparkle while colored lights put on a show -- twirling as carousels, marching on air as toy soldiers and taking flight as Santa and his reindeer. The lightshow is in collaboration with Arkansas businessman Jennings Osborne, who developed the display for his daughter. When his idea outgrew his home, he worked with Disney to provide a new home for the seasonal fun. The dazzling spectacle is included with Disney-MGM Studios admission.

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Mickey succeeds in crossing all borders

Goofy's glossy red tongue slides up the right side of my face as I attempt to grip a plump prawn dumpling with slippery chopsticks.

Breakfast is being served Disney-style at the Enchanted Garden Restaurant, an informal faux-Victorian conservatory on the ground floor of the ornate Hong Kong Disneyland Hotel.

Amid the most extensive buffet I've ever seen - would you like congee with your Coco Pops, or dim sum with your Danish pastry? - Goofy and his friends Mickey and Daisy are delighting guests with their exaggerated antics.

Look, there's Mickey enthusiastically waving his oversized white-gloved hand at a neatly-dressed family of six, and Daisy wiggling her ample tail feathers in our direction while Goofy . . . well, Goofy is naturally being goofy.

We're told by the quietly spoken waiter that the characters can sign autographs. One of my group passes Goofy a pen and paper and, while it's a bit like watching me trying to grasp my shiny black chopsticks, he signs his name neatly and silently to laughs all round.

Ah, the Disney effect: watch grown men transform into excited children in the presence of a giant dog, listen to them debate who is the hottest Disney babe - "I've always liked Ariel (The Little Mermaid)", "There was always something sexy about Snow White".

This morning, the staff's already polished smiles have extra sparkle.

It's Hong Kong Disneyland's first birthday and the star of the show is everywhere. There are Mickey Mouse balloons, a large chocolate Mickey Mouse overlooking the croissants and pastries, bite-sized Mickey Mouse-shaped cheesecakes and special celebratory badges featuring Mei k Lo shuyou (pronounced my-k lowshoe) as he is known in Cantonese.

The interactive breakfast is a feature of staying at a hotel on site and rather than join the lengthy queues in the park, it's a much less hectic opportunity to get up close and personal with the characters, who are ever popular with the snap-happy Chinese.

And while this is a familiar feature of hotel stays in Anaheim, the sentimental home of Disney, a visit to Hong Kong offers a very different experience to that in the US. As Hong Kong Disneyland executive Josh D'Amaro says: "One size does not fit all."

Arriving late the night before at the expansive, brightly lit Disneyland Hotel with its palm tree-lined entrance, glowing white facade, 400 rooms and spectacular 18-metre high atrium, I felt as though I was anywhere but South-East Asia.

The ornate iron work, dado boards, decorative furnishings and floral carpets are straight from the Victorian era.

The eager-to-please cast - Disney staff are all known as cast members - dressed in white pants and waistcoats offered effervescent greetings.

It was only when I opened the curtains in my seventh-floor suite - interestingly, there's no fourth floor because in Cantonese "four" and "death" sound similar - in the morning that I was confronted with the exotic location.

In the misty haze beyond the bay I could see mountainous grey-blue islands jutting up from the sea like a scene from a Chinese ink painting.

And there hovering above the perfectly manicured maze in the garden below was a squadron of dragonflies; a spontaneous symbol of East meeting West.

Hong Kong Disneyland's launch last September was far from a fairytale. Built on reclaimed land at a cost of $2.35 billion, the 120-hectare complex has been plagued by reports of environmental damage and the use of sweat-shop labour to produce merchandise.

During today's well-planned birthday celebrations, protesters once again capture headlines by using the media event to condemn the use of sweat-shop labour, an accusation denied by Disney.

Still, the theme park is proving popular with locals and visitors from mainland China.

Smaller than Anaheim, HKDL follows a similar footprint and includes the Sleeping Beauty Castle as well as a trimmed down Tomorrowland, Fantasyland, Adventureland and Main Street, USA, which are all faithfully re-created minus a few rides.

After walking through the turnstiles and being told to "have a magical day", it feels as though you have stepped into a bizarre portal and emerged in Anaheim.

Once inside the park with its mountainous backdrop, the differences become more obvious.

Since its troubled 1992 launch of Euro Disney in Paris (now Disneyland Paris), the company is more aware of cultural differences - a necessity here in Hong Kong, given the mystical elements within Chinese culture.

A feng shui master was consulted during the design of HKDL and some attractions were apparently rotated slightly to provide good energy flow. Outside the two on-site hotels are feng shui boulders to ensure good fortune doesn't flow out.

The other significant difference is the food. If the large hotel breakfast buffet with its Chinese and Western menu isn't enough to remind you that you are in South-East Asia, the take-away dishes within HKDL will.

In Tomorrowland's Comet Cafe, a dish of barbecue duck or pork with rice or stir-fried chicken costs about $9, and as well as soft drinks you can buy watermelon or mango juice and soy milk.

Burgers and fries are available, but it's such a relief to enjoy a healthy meal given the fare offered in Anaheim - think slices of five-layer chocolate cake, towering ice-creams and buckets of hot chips.

And, of course, the use of three languages - English, Cantonese and Putonghua - also sets HKDL apart from Anaheim. There are more performance-based attractions in Hong Kong than elsewhere, so overcoming the language barrier has been pivotal.

Signage and announcements are in English and Cantonese and subtitles are used in some performances, which are always in English.

But what about the rides?

That perennial favourite among Disney fans - Space Mountain - is here and is even slicker than the recently refurbished model in Anaheim. Designers, or "imagineers" as they are known in Disneyspeak, have had fun with technology in Hong Kong and the lighting and soundtrack in the cosmic roller-coaster ride offer a real adrenaline rush.

It is a shame the speed and excitement of Space Mountain are not matched by other rides and my feeling is that teens will be disappointed while younger children and those with a fear of hair-raising rides will feel at home in HKDL.

There are plans to expand the range of rides, but at the moment the standout features are:

* Stitch Encounter (Tomorrowland) - get up close and personal with the animated alien who likes to burp and break wind. He appears on a large screen and interacts with the audience by selecting certain people and chatting with them. He is irreverent and hilarious. Every show is different.

* Jungle River Cruise (Adventureland) - more exciting than the Anaheim version. Be prepared for life-like rhinos surging towards the boat, elephants showering in the shallows and a volcanic eruption with real flames.

* The Golden Mickeys (Fantasyland) - a punchy, professional Broadway-style revue pays tribute to Disney's films. Performed in the large Storybook Theatre, the 25-minute show includes Mickey, Minnie and a host of popular characters. A hit with young and old.

There's more than enough to keep you busy for a full day - don't overlook old favourites such as the Mad Hatter's Teacups and the Cinderella Carousel - and HKDL proves that bigger is not necessarily better.

MAKE TIME TO
* Jump on a shuttle bus or stroll to nearby Inspiration Lake, a man-made recreation area ideal for a picnic or exercise. Paddle boats can be rented.

* Visit Lantau Peak, known as Fung Wong Shan (phoenix mountain) in Cantonese. At 934 metres, it is the second-highest peak in Hong Kong. On a clear day it is possible to see Macau.

* Dine in Hong Kong Disneyland Hotel's Crystal Lotus restaurant, one of the top Chinese restaurants in the city.

TRIP NOTES
* Hong Kong Disneyland is open from 10am daily.

*Tickets can be purchased on site or see http://www.hongkongdisneyland.com.

* Hong Kong Disneyland is in Pennys Bay, on the north-east end of Lantau Island, 15 minutes drive from the international airport. A taxi costs about $HK180 ($33).

* If travelling from the city by train, take the Tung Chung line from Hong Kong Station and change at Sunny Bay for the Disneyland Resort line. The 30-minute trip costs $HK26 each way.

* Virgin Atlantic flies daily from Sydney to Hong Kong. Connections from other Australian capitals can be booked with Virgin Blue. See http://www.virginatlantic.com.au or phone 1300 727 340.

* Creative Holidays offers a two-night deal that includes accommodation in a garden view room as well as one-day admission to Hong Kong Disneyland Park from $296 staying at the Hollywood Hotel, and from $436 staying at Hong Kong Disneyland Hotel.

TIPS
* If the weather is grim or the kids are worn out, you can watch the nightly fireworks display from the balcony of the Disneyland Hotel.

* Pack swimmers, as both hotels have large outdoor pools.

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Candlelight Processional updated narrator list

Sparkling Candlelight Processional at Epcot A highlight of Holidays Around the World, the traditional Candlelight Processional at Epcot treats guests to a grand musical performance featuring a mass choir and a full orchestra accompanied by a celebrity narrator who retells the beloved story of Christmas. Celebrity narrators scheduled to appear include (subject to change):

Nov. 24-26 - NEW! David Robinson (former NBA player, San Antonio Spurs)
Nov. 27-29 - John O’Hurley (TV’s “Seinfeld” and "Dancing With The Stars")
Nov. 30-Dec. 2 - Rita Moreno (“West Side Story”)
Dec. 3-5 - Chita Rivera (Broadway’s “West Side Story”)
Dec. 6-8 - Brian Dennehy (“Tommy Boy,” TV’s “The 4400”)
Dec. 9-11 - Stephen Curtis Chapman (Christian music’s most-decorated artist)
Dec. 12-14 - NEW! Maureen McGovern (Broadway singer and recording artist)
Dec. 15-17 - NEW! Kirk Cameron (TV’s “Growing Pains”)
Dec. 18-20 - Neil Patrick Harris (TV's "How I Met Your Mother")
Dec. 21-23 - NEW! Cuba Gooding Jr. (“Jerry Maguire” and “A Few Good Men”)
Dec. 24-26 - Gary Sinise (“Forrest Gump” and TV’s “CSI: NY”)
Dec. 27-30 - Marlee Matlin (TV’s “The West Wing”)

Presentations of Candlelight Processional are daily, Nov. 24-Dec. 30, at 5, 6:45 and 8:15 p.m., and are included with regular Epcot admission. Candlelight Processional lunch and dinner packages, available for an additional charge, include preferred seating for a performance of Candlelight Processional as well as dinner at a select Epcot restaurant. To make reservations for these packages, guests can call 407/WDW-DINE.

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Lessons in Data Warehousing from Walt Disney and His Magic Kingdom

I absolutely love this time of year – summer is over, football weather is upon us, leaves are changing color (yes, even here in Northern California), and the kids are back in school. One of my favorite things about starting a new school year when I was a kid was reviewing the basics that we’d learned the year before to ease us into the harder materials that loomed before us. My other favorite thing was hearing about what all of my classmates did over the summer. It turns out that a favorite summer vacation for families here in California is a trip to Disneyland – a trip I’ve taken many times with my own family.

By now, you may be wondering: What do going back to school and Disneyland have in common with data warehousing? Join me as I review several basic tenets of data warehousing by taking you on a trip to Disneyland. And in the immortal words of Walt Disney, who in 1955 learned that all our dreams can come true if we have the courage to pursue them, “To all who come to this happy place: Welcome.”

Lesson #1
Many of you may not be aware that bank financing for Walt Disney’s dream to build a 330-acre theme park in Anaheim, California, called “Disneyland” was turned down numerous times. However, after his passionate determination to obtain financing finally came through, Disneyland became a reality in 1955. An even more ambitious plan to purchase 47 square miles of Florida swampland and build Walt Disney World was laughed at by the critics. Again, due to Disney’s determination, the 28,000-acre Walt Disney World entertainment center became a reality in 1971.

Like both Disneyland and Walt Disney World, your data warehouse initiative will be merely a vision without adequate financing and sponsorship. However, achieving the necessary sponsorship and funding can be harder than you imagine, so take a lesson from Walt Disney and find the courage to pursue your goal of turning data into information and knowledge. One of the best means of achieving sponsorship and funding is to educate executive management on the benefits of data warehousing (or enterprise information management in a broader scope). An effective way to do this is by creating a strategy alignment and business case scenario, which should:

  • Establish a clear charter, value statement and strategy map for the enterprise information management (EIM) program
     
  • Introduce and integrate best practices to the strategy and plan
     
  • Align the EIM strategy to business goals and objectives
     
  • Align the EIM strategy to technology architectures, platforms, tools and transactions systems
     
  • Produce one or more compelling business cases, which quantify increases to revenues or profits, and/or decreases to operating costs.

Lesson #2
What if, upon visiting Disneyland, you found it was just one big rollercoaster – and the line of people waiting to get on seemed miles long? You’d probably turn around and go home. Disneyland thrills and entertains its customers because it is an integrated entertainment center made up of multiple theme parks, with an appropriate infrastructure and architecture, rules and regulations, policies and processes, security, support and maintenance. As with Disneyland, you can’t just build a data warehouse and expect your customers to be thrilled and entertained. To be truly successful, you need the entire theme park, not just one attraction.

Just like the Matterhorn is to Disneyland, the data warehouse is a component of an overarching framework for enterprise information management. The EIM framework includes the following eight foundational elements, which all must be in place to allow for an effective, efficient and long-term data warehouse/business intelligence solution that will satisfy and maybe even thrill your customers:

  • Strategy/vision – goals and objectives
     
  • Stakeholder and customer communication management program
     
  • Capability blueprint and road map defining end-state requirements and phased plan
     
  • Information and data quality standards, certification and measurement
     
  • Governance – organization, resources, process, policies and controls
     
  • Methodology – processes, workflows and artifacts
     
  • Architecture – technical and data components, structures and layers
     
  • Operations – service levels and support processes

Lesson #3
Have you ever noticed that each time you visit Disneyland something new and different is offered? In 2006, for example, the Pirates of the Caribbean ride was taken offline so the characters for Captain Jack Sparrow and Captain Barbossa from the upcoming movie could be added to the attraction’s storyline. In fact, a read through the Disneyland timeline from 1955 to the present shows that something new has been added to the park in almost every single year of its operation over the past fifty years.

Just like Disneyland, your data warehouse is never “done.” Successful data warehouses attract both new users, which lead to expanded data breadth, and new uses, which lead to applications dramatically different from those for which the architecture was originally designed. Properly designed data architectures, metadata and transformational layers optimize flexibility. Parameter- and metadata-driven applications enable transformation logic to be reused for a variety of applications, including reading new sources and creating new data marts, aggregations and reports. The fact that the data warehouse will continue to grow and change over time is a very important expectation to set and manage with executives and business users, but it will also keep them coming back again and again.

Lesson #4
If you’ve ever been to Disneyland on a weekday during spring break, or pretty much any day during the summer months, then you know what it is like on the planet Gideon from Star Trek: The Original Series episode #72 – very crowded (my apologies to you non-Trekkies). And the basics of queuing theory at Disneyland dictate that the more crowded it gets, the longer you wait… and wait… and wait.

Your data warehouse can become a lot like Disneyland on a mid-summer’s day, as the volume of data increases substantially over time and the number of end users grows. To mitigate issues around performance and scalability, enterprise class data warehouses should be built and tested to “speed up” in proportion to added resources in order to hit shrinking batch windows and/or to “scale up” to handle more data in existing batch windows. Specific techniques can be deployed across hardware, application and database layers to ensure linear scalability is achieved through simple configuration changes. Additional techniques include, but are not limited to, three parallelism types (process, data and pipe-lining), data reduction (compression, aggregation, variable length records, etc.), data-sensitive partitioning schemes and indexing.

Lesson #5
Most of you have heard about rides breaking down or accidents occurring from time to time at Disneyland. However, given the sheer magnitude of computerized operations, heavy mechanical equipment and tens of thousands of humans converging every day, it is amazing that breakdowns and accidents are not more prevalent within the theme park. To provide such a high level of service to its guests, Disneyland has engineered its infrastructure and operating procedures to minimize the duration and impact of outages, breakdowns and accidents.

Again, lessons from Disneyland can be applied to the world of large-scale data warehousing. In the arena of terabytes of data, millions or even billions of rows may be processed daily, with 24x7 operations. Supporting hundreds of users while processing feeds around the clock demands stiff service levels, and catching up after prolonged outages can be complicated, if not impractical. In environments of this class, exceptions happen every day, if not every hour (e.g., missing/late feeds, bad data, corrupt disks, processor faults). The necessary response is to engineer for automated fault tolerance, repair and recovery at all levels: hardware, system software, applications and operations. Reliability features that should be implemented in the data warehouse environment include: embedded applications for audit, balance and control; automated job execution and recovery; standardized error-handling routines; automated system monitoring and alarming functions; intelligent placement of redundant layers; and fully decoupled architectures.

Lesson #6
Have you ever wondered what goes on “backstage” at Disneyland? Every attraction at Disneyland contains hidden walkways, service areas, control rooms and other behind-the-scenes operations. The only way for a guest to see these areas is to be evacuated from an attraction in the event of a breakdown. While these rare breakdowns can be wearisome, they can also offer illuminating views of the attractions – this I know from firsthand experience of having to walk through most of the Roger Rabbit ride in Toontown when the automated cars broke down. By definition, “backstage” areas are generally off-limits to park guests. This prevents guests from seeing the industrial areas that violate the "magic" of onstage and allows cast members some solace while they work or rest.

To the customers or end users of a data warehouse, a best practice is to make the data warehouse itself a “backstage” environment. End users interact with the data warehouse through a data presentation layer or through business intelligence software that should shield the end user from the complexities of the underlying data warehouse architecture. For example, a business end user should not be concerned with the physical data model, joins, indexes, primary keys or surrogate keys of the data warehouse. Nor should the business end user be expected to understand the transformations that are taking place during data movement from source tables to target tables in the warehouse. These behind-the-scenes operations are the responsibility of the IT department tasked with developing an easy-to-use information access data environment.

Lesson #7
If you’ve ever been to Disneyland, I am sure you have noticed how incredibly clean the park is. It’s fun to watch a little kid chuck his half eaten ice-cream cone at his big sister, only to miss and have it splatter on the ground at the base of Tarzan’s Treehouse. You can practically count the seconds until a Disney “cast member” comes scurrying by with a little broom and dustpan to clean up the mess! Can you imagine how unfortunate it would be if there were no cast members scurrying around sweeping up all of the litter and trash carelessly tossed by thousands of sweet little kids (and some not-so-sweet adults) every day?

Similar to Disneyland, the lack of cleanliness in your data warehouse can make for a very unpleasant experience for your customers. One consistent driver for the information management discipline is achieving and maintaining high levels of data quality or data cleanliness. The costs of bad or “dirty” data are frequently documented and can be quite large. Yet, the corresponding benefits of clean data are also large. Best practices for data quality in your warehouse environment suggest the following:

  • Moving to a metadata-driven environment with an awareness of data quality
     
  • Assuring formal, effective data governance processes
     
  • Measuring data quality and understanding the costs of defects
     
  • Building data quality into all ETL and data warehousing efforts
     
  • Applying the right tools for profiling and managing data quality
     
  • Implementing a closed-loop workflow capability to support data quality
     
  • Working to assure consistent reference data (conforming dimensions) across all repositories

Top Ten Ways Data Warehousing is Like Disneyland
In closing, I hope Walt Disney and his Magic Kingdom can serve as sources of inspiration as you embark on your own data warehousing adventures. Now let’s take a look at the top 10 ways data warehousing is like Disneyland – the two have more in common than you might think.

#10: It can take numerous attempts to get the sponsorship and funding necessary to move from vision to reality. Don’t give up on your dreams and goals.

#9: Every time you visit it, there is something new.

#8: The more crowded it gets, the longer you wait.

#7:
Building a data warehouse can be like Mr. Toad’s Wild Ride –many scary twists and turns, but in the end, a lot of fun.

#6: What happens behind the scenes should stay hidden from your guests.

#5: The data warehouse/business intelligence solution can serve visitors from many different geographies – “It’s a small world after all.”

#4: Keeping it clean is critical to visitors’ enjoyment.

#3: If you don’t plan well, you can end up spending way more than you budgeted.

#2: If you have a bad experience, you may not go back.

#1: A successful data warehouse can make your company the “Happiest Place on Earth.”

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Disney-ABC Names McNeal VP of Talent and Diversity

Disney-ABC Television Group has named Tim McNeal VP of talent development and diversity.

Mr. McNeal will oversee the Disney-ABC Television Group's talent development programs, including The Walt Disney Studios and ABC Entertainment Writing Fellowship, the ABC-DGA Directing Fellowship and the ABC Entertainment Television Group and TWDS talent development scholarship-grant program. He will work closely with Frank Gonzalez, director of talent development programs, and Adam Wolman, executive consultant for the programs. They will coordinate the Summer Television & Film Workshop at the Institute of American Indian Arts, among other workshops.

Mr. McNeal is also responsible for further expanding the scope of these programs across Disney-ABC Television Group to include cablers Disney Channel and ABC Family. He serves as a liaison between the company and numerous diversity-related organizations, non-profit arts institutions, entertainment industry guilds, colleges and universities nationwide to identify emerging writers, actors and directors.

Robert Mendez, senior VP of diversity for Disney-ABC Television Group, to whom Mr. McNeal will report, made the announcement Tuesday.

Mr. McNeal previously served as senior VP of development at the Tom Lynch Co., where he led the production company's expanse from kid-centered TV entertainment to prime-time television. He also served as a VP for interactive entertainment start-up HollywoodTicket.com and as a VP of drama development for The WB.

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Walt Disney World Resort Carries on Walt Disney's Tradition

With each new attraction and guest service, Walt Disney World Resort once again fulfills the vision that Walt Disney himself had: to always find new ways to adapt leading-edge technology to more creatively tell stories and delight theme park visitors.

Known by his intimates and contemporaries as a restless thinker and tinkerer, Walt never lost the passion to innovate and take risks during the course of a lengthy and rewarding career -- even in the face of an occasionally crushing failure.

"I can never stand still," he once observed. "I must explore and experiment. I am never satisfied with my work. I resent the limitations of my own imagination."

During Walt Disney's lifetime, his rich imagination helped produce such pioneering achievements as synchronized sound in animation, the multiplane camera to add depth to the two-dimensional medium of cartoons, the first daily operating monorail in the United States, and the groundbreaking creation of Audio-Animatronics, the use of sophisticated mechanical engineering to animate figures in three dimensions with a breathtaking degree of realism.

Today, the expansive Florida resort that bears his name proudly carries on Walt Disney's tradition of combining sophisticated technology with the storytelling prowess and guest service standards that have become a Disney hallmark worldwide.

Recent achievements at Walt Disney World Resort have included:

  • FASTPASS, the computer system that eliminates the need to wait in long lines at popular attractions.
  • Wireless personal translator units that supply synchronized creative narration in multiple languages at shows and attractions for guests with limited English fluency.
  • Wireless handheld captioning units that deliver synchronized scripted text on backlit screens at popular attractions for guests with hearing disabilities.
  • Pal Mickey, a talking tour guide in the form of an interactive Mickey Mouse toy that delivers timesaving tips and fun facts in the four Walt Disney World theme parks via an invisible infrared network.
  • "Turtle Talk With Crush," an attraction in The Living Seas pavilion at Epcot that uses digital projection and sophisticated, voice-activated animation so that guests can carry on live, unscripted conversations with the laid-back sea turtle from the Disney presentation of Pixar's "Finding Nemo."
  • Mission: SPACE at Epcot, which combines centrifuge technology with a sophisticated virtual imaging system to deliver a pulse-racing trip to Mars aboard a sleek spacecraft inspired by real science.
Walt once said, "What is needed in addition to the creative ability is courage -- courage to try new things to satisfy the endless curiosity of people for information about the world around them."

And sometimes beyond.

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Monday October 2, 2006


 
Shares in ZOO Digital Group Plc (ZOO.L) soared 43 percent after the British software technology company said it had signed a contract with Walt Disney Pictures and Television (DIS.N).

Under the contract, ZOO's video authoring tools arm ZOOtech will license its Templated Authoring System for the automated production of DVD video discs for new and existing film titles.

The shares rocketed 43 percent to 1.25 pence by 0853 GMT on Monday, valuing the group at 5.5 million pounds ($10.3 million).

In May, Chief Executive Stuart Green had told Reuters that ZOO wanted to hive off ZOO Interactive Video -- its interactive DVD division -- and make a decision on a strategic partner for ZOOtech in the next two to three months.

ZOO counts such studios as Disney, Fox (NWS.N), Dreamworks (DWA.N) and Universal (GE.N) as clients.

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In new plan, ESPN to sell content to cell companies

The planned shutdown of the Mobile ESPN cell phone service marks the first major bust in a rush of specialized wireless ventures targeting niche audiences they contend are underserved by the Cingulars and Verizons of the world.

Mobile ESPN had made the same argument since its launch less than a year ago. But in announcing the decision Thursday to close its service at year-end, the company said it will be joining the enemy: The new plan is to cut deals with major wireless carriers so it can offer the flashy multimedia features and content developed by Mobile ESPN to an established customer base of millions.

Still, ESPN was quick to stress that its change in strategy had no bearing on Disney Mobile, another ambitious foray into the cellular market by parent company Walt Disney Co. that was officially launched just recently.

Disney recently disclosed it has so far invested a combined $150 million in developing Mobile ESPN and Disney Mobile, two of the highest-profile and most-heavily marketed efforts to create what's known as an "MVNO," or mobile virtual network operator.

An MVNO doesn't have its own wireless network. Instead, it puts its own brand on another company's wireless network operator's service - for Mobile ESPN it was Sprint Nextel Corp. - paying that company to connect calls and deliver content. Globally, there were already more than 175 MVNO brands either launched or planned as of April this year, according to researcher ARCchart.

Some of the new brands stress lower prices and prepaid offerings for users who can't meet credit requirements. Others focus on immigrant communities, providing cheaper international calls or screen graphics and customer service in another language. For Amp'd Mobile and Helio, it's the youth market.

Many analysts are skeptical whether it's a business model that can succeed for the vast majority of these ventures given the marketing muscle of the national players. That a brand as popular and well-funded as ESPN couldn't make it work adds to that doubt, particularly because Mobile ESPN developed a uniquely sophisticated service.

Roughly two-thirds of the slightly more than 100 employees at Mobile ESPN will likely lose their jobs next year, though some may find positions at ESPN, executives said.

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Disney Lands In Living Room

Wall-to-Wall Walt

Moving away from traditional character-based licensing, Walt Disney Consumer Products will debut furniture and other products under the name Walt Disney Signature with a high-end line inspired by its master storyteller's character.

A 12-piece furniture collection debuts this month at licensee Drexel Heritage's 55 galleries along with specialty and department stores. Styled after Walt's own Art-Deco-era office furniture pieces, it's characterized as "sophisticated elegance with moments of Disney whimsy."

Said Jeannine D'Addario, director of marketing for Disney Home: "We looked at Tommy Bahama, Humphrey Bogart and Martha Stewart and saw a trend where endorser and brand, and a little celebrity cachet, adds a story to the business. We thought, why not champion a brand after a great storyteller?" About 50 bedroom and dining room pieces will be available in spring 2007. Next, the style, palettes and artwork of Disney artists such as Mary Blair (Alice in Wonderland) may be incorporated in the form of accessories, wall art and other accents. Drexel Heritage will advertise on design-based TV shows and in women's/shelter magazines.

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Diet ads permeate TV targeting tots

When Susan Connor's 3-year-old son started humming the McDonald's jingle, a research project was born.

Connor knew where he'd heard the fast food giant's catchy tune - on the Disney Channel during "The Wiggles," a show for preschoolers.

"He had absorbed that from watching TV," said Connor, whose study on food ads aimed at toddlers appears in the October issue of Pediatrics. "It would be a marketer's dream to know they were that successful."

Messages for high-fat, high-sugar foods permeate programming for preschoolers on Nickelodeon, the study found. On the Disney Channel's shows for the youngest children and even on Public Broadcasting Service shows such as "Sesame Street," companies woo tots' loyalty by linking logos, licensed characters and slogans with fun and happiness.

Disney and PBS promote themselves as ad-free, but fast food companies dominated sponsor messages during programming for toddlers, Connor found, making up 82 percent of sponsor messages on PBS preschool programming and 36 percent of messages on Disney's toddler block of shows.

The clown character Ronald McDonald appears with shows for toddlers on Disney and PBS. And the cartoon mouse Chuck E. Cheese pops up alongside preschool programming on PBS.

Connor, research manager of Cleveland's Rainbow Babies & Children's Hospital, said adults who haven't seen children's programs lately will be surprised by the findings.

Advocates said the study adds to mounting evidence that food marketers are trying to hook the youngest children as lifelong customers. Promotions go both ways with TV characters from children's shows used on the packaging of sugary cereals, fruit-flavored snacks and other foods.

Last week, the Federal Communications Commission announced plans to study links between the ads, viewing habits and the rise of childhood obesity. For now, marketing of food to children is unregulated.

Previous studies have found that kids as young as 3 who see TV ads are more likely to request and eat advertised foods high in fat, sodium and sugar. American children from infancy to age 6 watch an average of one hour of TV daily, and 8- to-18-year-olds watch an average of three hours daily. They see roughly 40,000 TV ads a year.

"It's very concerning when childhood obesity is a major public health problem that preschool programs are still being sponsored by fast food restaurants and food that's not healthy for children," said Susan Linn of Harvard Medical School and a co-founder of the Campaign for a Commercial-Free Childhood. She was not involved in the study.

Diane Levin, of Wheelock College who is also a co-founder of the Campaign for a Commercial-Free Childhood, criticized Disney and PBS for breaching viewers' trust. She supports limits on marketing of junk food to children too young to make critical judgments about advertising.

"PBS has a special responsibility," said Levin, who was not involved in the study. With federal funding threatened, Levin said, PBS has searched for new revenue, including from sponsors who want to reach children.

PBS spokeswoman Lea Sloan said sponsors' messages don't interrupt programs and don't go longer than two minutes, 17 seconds per hour. PBS doesn't allow price information, product comparisons, depictions of children's products or superlative claims, Sloan said.

"The content of these messages is either in support of public television or around learning, education and social development," Sloan said in an e-mail. "Licensed characters or mascots often reinforce a positive educational message and their appearance is limited to five seconds."

Nickelodeon spokesman Dan Martinsen said the channel has reduced food ads during its "Nick Jr." block of programs for preschoolers by 20 percent in the last two years.

Disney Channel spokeswoman Patti McTeague said sponsor messages are accepted "only when they are connected to a pro-social message."

Chuck E. Cheese spokeswoman Brenda Holloway said the pizza restaurant chain's play areas promote physical activity, as do its ads.

"Realistically, our research shows most children come to Chuck E. Cheese's to play and have fun," Holloway wrote in an e-mail. "We think that our PBS sponsorship announcements do promote physical activity and social interaction through play and learning, which we believe are appropriate messages for preschool-age children."

McDonald's did not respond to requests for comment in time for publication. 

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HAPPY 35TH ANNIVERSARY WALT DISNEY WORLD
AND MANY MORE!

Sunday October 1, 2006



Dream Along With Mickey debuted yesterday, September 30th, 2006. The new show is part of the Year of a Million Dreams celebration and can be seen daily at the Castle Forecourt stage in Magic Kingdom. Dream Along With Mickey features Mickey, Minnie, Donald, Goofy, Cinderella, Prince Charming and many more of your favorite characters and villains. The Year of A Million Dreams officially kicks-off today, October 1, 2006.

 

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It was one of the toughest jobs in corporate America: Restoring the corporate image of The Walt Disney Company.

The House of Mouse was in the headlines more for its boardroom battles than its bottom line. Last year, after 21 years at the helm, the charismatic Michael Eisner, was forced out by angry shareholders.

And coming into the hot-seat as CEO was his long-time deputy Robert (Bob) Iger. Disney is now back on track, with its major problems in the past. CNN's Andrew Stevens began by asking Iger his strategy for restoring Disney's corporate image to its former glory.

Iger: Well, I had great training. I had worked at Disney since they bought the company that I had worked for, ABC in the mid-90s. I also had the benefit of working for Michael Eisner, who taught me a tremendous amount about the company -- about both its past and present and what the potential of the company could be. And so at the time that I got the job, I was pretty focused on what I wanted to accomplish and when. So one thing that was very important was putting some of the skirmishes that we had been embroiled in behind us. I did not feel that it was healthy for the company to have that distraction, nor was it healthy for me. Focusing the company on what really would drive the most value going forward

Stevens: Obviously easier said than done, I mean did it go according to plan?

Iger: Well, I actually feel that looking back on what has been a pretty interesting number of months in this job, that as a team we accomplished more than I had expected to in this period of time. Now that doesn't mean that it is time to become complacent or to rest on our laurels because there is always a lot more that needs to be done but I would say slightly ahead of plan.

Stevens: When you were pulling the Disney house back into shape you obviously had to deal with some pretty big egos, Michael Eisner and Steve Jobs. How did you manage those sorts of personalities? Is it compromise and consensus?

Iger: Well for me it is never about egos. It is about dealing with people in a very open, straightforward fashion. I think it is incredibly important to be open and accessible and treat people fairly and look them in the eye and tell them what is on your mind.

Stevens: Michael Eisner was at Disney for 21 years, you were his number two for five years, how important was it for you to establish yourself as your own man when you took over the top job?

Iger: I think it is important for people who are given leadership roles to assume that role immediately. So I thought it was very important when I stepped into this role, that I assume the position so to speak and act the part as a leader because I thought that the company very much needed that. So that means providing direction, creating a level of accountability but also a significant amount of empowerment to people -- in other words, giving them a framework, letting them know that they are responsible but then giving them room to operate.

Stevens: So you had a stint as a weatherman... obviously you didn't choose to pursue your on-camera career. Why not?

Iger: You know, people ask me all of the time, do you have one dream or something unfulfilled? I never wanted to be a singer or musician or athlete but I must admit that having a job like yours is something that is still intriguing to me.

Stevens: So do you think you would be good at it?

Iger: I certainly I think I would be much better at it today than I was back then because of the confidence factor. But I gave it up at the time because I did not have that confidence and I didn't think I would be good enough or it would get me far enough. I guess it was the right decision.

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The rain was pouring, the skies were a murky gray and Mickey's magic wasn't working on the visitors cursing and scampering for cover at Hong Kong Disneyland.

But Keith Simpson and his six friends from Sydney -- all Disney fanatics sporting matching polo shirts that show Mickey ears over Australia's map -- couldn't have been happier.

The group was in Hong Kong on the second leg of their Disney-themed round-the-world tour, realizing months of planning for a 32-day trip that takes them to every Disney park in the world -- from Tokyo to Hong Kong to Paris, to the U.S. flagships, Disneyland in Anaheim, Calif., and Walt Disney World near Orlando, Fla.

It was a dream come true for the ''Down Under Disneyana'' fan club members, who have all been to one or more Disney parks before but have never done them all at one go. The idea of a world tour was especially appealing for Australian fans because they live so far away from all the Disney parks, Simpson said.

''We can't go to Disneyland every week. We can only go once every year, and that's if we're lucky,'' said Simpson, 36, a fraud investigator for a bank. The nearest park -- Hong Kong -- is more than eight hours' flight away.

The fans also organized the trip so that it coincided with several important dates for Disney. The group was in Hong Kong for the first anniversary celebrations at Disney's newest theme park on Sept. 12. They planned to finish on Sept. 30, the last day of 50th anniversary festivities at the original Disneyland in Anaheim.

Along the way, members expected to mark the occasion with group photos in front of all the iconic Sleeping Beauty and Cinderella castles, said Wayne Godfrey, the organizer of the trip.

They also planned to spend minimum time sightseeing outside the parks, while trying to go on every single ride at every single park they're visiting. In fact, discounting time spent onboard flights and transfers from airports, virtually every minute of the monthlong trip was to be spent in one Disney park or another.

''It's the first time for all of us. I don't know anyone who's done quite what we're doing,'' Godfrey, 48, said. None of the seven traveling members had been to Paris before, so that was the most eagerly anticipated stop, he added.

Godfrey, who describes himself as a ''pretty big'' Disney fan, founded the Down Under Disneyana Club 13 years ago.

''I grew up watching the 'Wonderful World of Disney' on TV, with Walt Disney narrating,'' he said. He now shares his passion for all things Disney with about 200 Aussies, whom he meets regularly for themed parties and to share trip reports.

Price tag for trip: $4,661
 
The finance manager has been collecting Disney memorabilia like books, magazines and DVDs for more than 20 years. He ''got hooked'' on Disney parks ever since he visited Disney World in the early '90s, he said, and has since been back to the Orlando parks seven times, and to Disneyland in California nine times.

Simpson, meanwhile, didn't get his first taste of Disney parks until he visited Anaheim last year. The fan said the ''Beauty and the Beast'' movie and its soundtrack initiated his Disney obsession, and he has now collected so many Disney movie posters he's ''run out of wall'' for them at home.

Simpson, Godfrey and their friends agree that doing Space Mountain and spinning teacups over and over again at every Disney park is anything but repetitive.

''Every time you go to a park there's different things to do, and you get out of it what you put into it,'' explained Simpson, who said he's sure he will enjoy every moment of the world tour.

''I don't think I'll ever get tired of going. What I like about Disney parks is that once you go through those front gates you sort of leave the real world behind you. That's why it's so appealing.''

The world trip cost about $4,661, inclusive of discounted rates for hotels, transfers and passes to the parks, Godfrey said. The Tokyo leg cost an extra $526, because the air miles went over the prescribed mileage limit in the round-the-world airfare, he said.

''Coordinating the airfare was the trickiest part,'' he said. ''But once we decided to go with a regular round-the-world airfare, it all came together really quickly.''

Tips for others
 
Godfrey has a word of advice for anyone trying to organize a similar trip. ''I would book a round-the-world airfare. I would try to stay at the moderate [Disney] hotels. I'd also make sure I go out of season, not on holidays when the parks are crowded,'' he said.

Members all groaned when asked how it would it feel when the trip's all over. ''It'd be sad when you have to go back to reality,'' said Della Whitton, 41, Simpson's girlfriend and fellow Disney addict.

She didn't have to despair -- Simpson said tcouple opted out of the Tokyo leg of this trip so they could save it for later. A Disney cruise and repeat trips to Florida's parks are also in their future.

''It feels like we're saving up all our holidays for Disney trips,'' he said.

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Scots enterprise Disney get much better than this

Nicol Stephen, the enterprise minister who is rarely lost for words, had to dig deep into Scotland's enterprising past to sum up the audience of tycoons and entrepreneurs before him.

"Andrew Carnegie would have been proud," he told the 600 guests at last week's Globalscot conference dinner, and for once there seemed little spin or hype.

The feast, held in Edinburgh's Royal Museum, was part of the biggest gathering of expatriate Scottish business leaders and local entrepreneurs ever seen.

The first objective, to get people to talk to each other, was met repeatedly through formal break-out sessions, chance encounters and hundreds of prearranged one-to-one meetings in the wood-panelled rooms of the Edinburgh International Conference Centre.

The question now is whether the energy, goodwill and contacts created in the space of two days will generate real economic benefits for Scotland. One who believes it will is Jim Foley, the head of Corporate FIT Science, a staff performance enhancement company in Ayrshire.

Foley was impressed enough with the event to call Jack Perry, Scottish Enterprise chief executive, on Friday morning with his thanks. Foley said: "I went along thinking it would help me to understand what was going on and benefit from the next event. I made immediate contact with John Stewart [chief executive of National Australia Bank] and Andy Mooney [chairman of Disney consumer products], and we have at least half a dozen solid leads, as well as a whole pile of other activity to follow up on.

"One of the key things is that the Globalscots are already well disposed to help and engage with people, and that was useful."

Another Scots businessman said: "I have had five one-to-one meetings, and I got something out of all of them. One alone was worth going along for the whole day."

SE is working on an evaluation system to record the long-term benefits of the meeting. Linda McDowell, its director of strategic relationships, said: "The feedback we have had so far from the people who attended is that it has been very successful. We do not need to expand the network, we already have 900 Globalscots. We want to use that network more effectively. Now companies know we have access to this [international group] hopefully more of them will come forward and use it."

She added that a second conference was likely to be held, "perhaps not next year but in two or three years' time".

Given that the agency paid a modest £70,000 towards the event's £300,000 budget, there are unlikely to be many complaints about a misuse of funds. "I expect Scottish Enterprise will get a pretty good return on investment on that," said Foley.

Among the highlights cited by delegates were speeches from Edinburgh-born John Stewart, who gave a detailed account of the problems he faced when he took over as chief executive of NAB, owner of Clydesdale Bank, in 2004.

He drew laughter from the audience when he suggested that poorly performing employees should be "machine-gunned", and said the foreign exchange crisis which engulfed NAB just before he joined was "the best thing that ever happened to the company".

And Disney's Andy Mooney, originally from West Lothian, provided an insight into a £15bn toys and games empire that few could have expected to hear in a Scots accent.

Gavin Hastings, the former Scotland rugby captain who now runs the Scottish arm of sports agency Platinum One, said: "It was terrific. You saw the way Scots have got into business around the world, and it was a fantastic example of what Scots could achieve.

"There is so much opportunity here to lift and motivate people, and I count myself somebody who is already motivated and has shown ambition. As Jim McColl [Clyde Blowers chief executive and conference host] said, it was unashamedly a networking event and I think there was a lovely, positive atmosphere."

Hastings believes the concept should be extended: "To some extent the conference was preaching to the converted. It would be great if everybody in Scotland could be exposed to that kind of proposition."

Kevin Dorren, the former software company boss who now runs health food firm Go Lower, said he had benefited from meeting Alan Jope, the head of Unilever's North American arm. "It's a great opportunity on your doorstep to discuss the issues facing Scottish business in looking beyond its home market."

While the mood was overwhelmingly positive, there were a few gripes. One Glasgow-based businessman wanted more networking and fewer inspirational speeches: "I have worked around the world, I don't really need to be inspired."

The first day of the conference was less well attended, with a preponderance of Scottish Enterprise speakers broken up only by First Minister Jack McConnell and IBM vice-president Ian Crawford. One guest said: "It was a bit slow on the Wednesday, and heavy going at times. I went to one of the breakout sessions and it seemed badly organized. It got much better on Thursday."

But despite the niggles, support for the concept was rock solid, and the most commonly asked question last week was: "Why was this not tried earlier?"

The Globalscot concept has been around since 2002, when Wendy Alexander, the former enterprise minister, set up a website to keep track with overseas-based Scots.

Alexander initially met resistance from expatriates whose view of their homeland was still clouded by the strikes of the 1970s and industrial collapse of the early 1980s. Gradually, however, the scheme pulled together a group of exiles which was large enough to justify last week's gathering, driven partly by SE's new international advisory board.

Board member Crawford Gillies, former European managing director of management consultancy Bain & Company, said the conference provided a "stunning start" for connections between Scotland and the rest of the world. "The energy in the room was outstanding. I came across a couple of people who did real business there and then. The commitment of the people from overseas was magnificent. Now it is a question of where we go from here."

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Fullerton resident designs displays for Disneyland

This summer while the nation was wrapped in red, white and blue bunting for Independence Day celebrations, Shawna Tice-Miles was thinking orange.

Orange as in the 300 foam-core pumpkins that needed to be carved for Disneyland's Halloween windows. And orange as in the orange-and-white cobweb cakes created to dazzle children's eyes in the costume shop.

As one of the top window-display artists at Disneyland, the Fullerton resident works months in advance to capture seasonal elements for 20 showcase windows in the resort.

Tice-Miles, 28, must maintain Walt Disney's mantra: Every window on Main Street must tell a story.

"I love researching Victoriana on the Internet and in books, and trying to capture the merrymaking," Tice-Miles said.

"Designing is all in the details."

She also injects the psychology of window dressing she learned at the Fashion Institute of Los Angeles.

Boys tend to be attracted to weaponry at Halloween, while girls find costumes and characters appealing. These props will be used to emphasize the newest promotion, Disney's HalloweenTime, in which the theme park will take on the holiday's motif.

Men are magnetized by sports-related merchandise with hard lines. Women's eyes are drawn to soft florals accenting a main theme.

Green-velvet walls attract the male eye; gilded walls lure the female eye.

"At Disneyland, we don't want so much glitz," she said. "We want window displays to be homey and inviting."

Hannah Risom, a tourist from Denmark, recently interrupted her walk toward Sleeping Beauty's Castle to admire a Tice-Miles display.

"This is just like my grandmother's dining room," said Risom, pointing to the lace tablecloth, hand-painted china and Victorian lamp.

"Here at Disneyland, we want visitors to find a treasure in every corner," Tice-Miles said. "I want to work here forever."

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ABC's 'The Nine' will leave viewers twisting for more

Among new fall dramas, ABC's The Nine rates a 10.

This engrossing hour debuts at 10 p.m. Wednesday in the time slot after Lost. It's apt scheduling because The Nine and Lost share a fascination with mystery, heroism and complex characters. The first hour of The Nine ends with a twist guaranteed to lure you back for the second episode.

Long before that, the premiere showcases plenty of assets. Any longtime TV fan will delight in seeing familiar actors in change-of-pace roles. Stretching in impressive ways are Tim Daly of Wings, Chi McBride of Boston Public and Scott Wolf of Party of Five and Everwood.

The talent behind the scenes is even more important. The show's creators should ensure that The Nine has a long, compelling run. The drama comes from Hank Steinberg, creator of Without a Trace, one of the finest crime procedurals. He is collaborating with K.J. Steinberg, his sister and writing partner.

She took her inspiration from the true story of a male friend who was held up, at gunpoint, on a date. His date had been going horribly before the crime; now he and the woman are getting married.

Thanks to that unusual date, we have this fiction about a group of strangers who endure a traumatic event and bond afterward. The Nine stands for nine survivors of a 52-hour hostage crisis at a Los Angeles bank. Two brothers staged the deadly robbery.

But what precisely happened during the standoff? The Nine will dole out pieces of the puzzle for the first season.

That storytelling style guides many new dramas this fall. Do you jump in despite knowing that low ratings could end a sprawling story prematurely?

You do with The Nine, because it is better constructed than other newcomers. Hank Steinberg says the executive producers know most of what happened in the standoff and promises that the season finale will answer many questions.

"We want you to be able to watch this show, go out and buy the DVD set next year and watch Episodes 1, 2, 3, 4 and say, 'Oh, they didn't cheat,' " he says. "That's our goal."

The premiere delivers on other goals. The editing and photography have eye-catching flair. Like Lost, The Nine is one of those rare shows that deserves to be recorded to study clues in the dialogue and action.

The show's brilliant acting stands up on repeat viewing, too. McBride's bravura style on Boston Public gives way to subdued shock as the bank manager -- and also to a wig that changes the actor's look. Wolf's nice-guy manner falls away as a troubled physician. Daly's flip demeanor on Wings turns to anguish as a police detective with a gambling problem.

"Everything would have gone down a lot worse if you hadn't been there," an assistant district attorney (Kim Raver of 24) tells the detective. Raver and Daly share many yearning glances. You have to hope The Nine will exploit their chemistry as the series traces the characters' evolving relationships.

The real acting standout is John Billingsley of Prison Break as a suicidal bumbler who becomes a hero in the standoff. A fellow survivor tells him, "That was quite something you did back there."

What did he do? What did everyone do? There are few answers in this excellent premiere, but The Nine makes you want to find out.

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Disney hits a high note with post-Katrina students

St. Mary's Dominican High School, Lake Forest Charter Elementary School, Dr. Martin Luther King Jr. Charter School, and Eleanor McMain Secondary School, along with Desire Street Academy of Baton Rouge and St. Bernard Unified School in Chalmette are among the schools to benefit from the largesse of the Mr. Holland's Opus Foundation and Walt Disney World Resort in Florida as 52 donated instruments including several sets of drums, xylophones, chimes and other percussion equipment make their way to hurricane-swept schools on the Gulf Coast.

"We wanted the instruments to go to schools that had been affected by Hurricane Katrina," said Tim Hill, director of Special Programs for Disney Destinations. "Many schools from that area have entertained our Theme Park guests with their Disney Magic Music Days performances. We wanted to give something back."

"We're thrilled that Disney Magic Music Days at the Walt Disney World Resort is so supportive of music education around the country," said Mr. Holland's Opus Foundation Executive Director Felice Mancini. "Through this donation of exquisite instruments, hundreds of students in dozens of communities will now be able to enjoy the gift of music. We thank the Disney organization for such generosity."

Mr. Holland's Opus Foundation, which was inspired by the motion picture about the profound effect a dedicated music teacher had on generations of students, supports music education through the donation and repair of musical instruments.

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