MickeyXtreme's News Archive September 1-2 2006

Saturday September 2, 2006


 
Many people pick companies that they are familiar with to invest in. This is actually a pretty good way to develop a list of possible stocks to buy. After all if you buy the company’s product, chances are that a lot of other people do as well. One well known company is the Walt Disney Company. Their products have been popular for decades, and they have been turning a profit for most of their operating history. However, before you invest in the Walt Disney Company it is a good idea to examine the company’s recent stock performance, as well as take a look at what the entertainment industry looks like in terms of economic stability and growth.

What the Walt Disney Company (DIS) Does

The Walt Disney Company (DIS) is an entertainment empire. Not only do they produce movies and operate theme parks, but they also produce television programs, they own several different cable television networks, they own a television network, and they manufacture and distribute merchandise and consumer goods. This broad spectrum and brand diversity has allowed the Disney Empire to grow. However, it has also left it vulnerable to the fluctuations and pitfalls of a lot of different industries.

52 Week Performance Review of DIS

Over the 52 week period ending on 08/22/06 the value of DIS has fluctuated between 22.89 per share and 31.03 per share. On 08/22/06 the value of this stock ranged between 29.51 and 30.05 per share. This shows that the stock is holding onto its higher value, and in fact analysts have projected that DIS should increase to 33.56 per share within the next year. Currently this stock is only paying a dividend and yield of .9% per share.

Historical Performance Over the Last Five Years

Over the last five years DIS has had its ups and downs like any other stock. Unfortunately in 2002 DIS experienced a major set back in its value. This was probably due to the internal problems that the company was experiencing with its management structure. As the company corrected their internal problems the value of the stock rebounded from its low value in 2002. Since 2002 the stock has consistently increased in overall value year after year, although the recovery has been very slow.

Strengths of DIS

DIS has the potential to recover from the problems that it experienced in the early part of this century. This is largely due to its brand identity. Families love Disney because it is a name that they have been exposed to since they were children. The products that are produced by Disney are cutting edge, family friendly, and high quality. It would take a real disaster to damage this company to a point where their stock would not recover from a set back. Their diversity in investments is also a strength that has allowed them to prosper during set backs in one of their areas of expertise. They have expanded into television, cable television, and merchandising which has help to support their film and theme park enterprises during slumps in these industries. Finally, DIS has shown good revenue growth in recent years, especially when compared against their competitors’ numbers.

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Here's a first look at the stars of the upcoming Broadway production of Mary Poppins.

Ashley Brown, who last appeared in New York as Belle in Beauty and the Beast, has donned the famous red coat for the forthcoming Broadway musical Mary Poppins.

Gavin Lee plays opposite Brown as Bert, the role he created for the West End production of the musical. The West End run continues at London's Prince Edward Theatre.

Mary Poppins is scheduled to begin performances Oct. 14 at the New Amsterdam Theatre. The musical — a co-production between Disney Theatricals and Cameron Mackintosh — will officially open Nov. 16.

Ashley Brown and Gavin Lee star in the upcoming production of Mary Poppins on Broadway.

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“The Dog Days of Summer” took on special significance today at Disneyland with the unusual visit to “The Happiest Place on Earth” by Nutmeg (“Meg” for short), a nine-month-old Beagle whose markings include a perfect Mickey Mouse-shaped silhouette on the top of her head. Disney “Imagineers” sometimes design subtle “Hidden Mickeys” into Disneyland Resort attractions, but Meg’s natural markings make her a rarity.

 

During her visit Meg met her idol, Pluto (amiable as ever, despite the recent demotion of his namesake planet), and experienced Disneyland as it prepares to enter the final month of its 50th Anniversary celebration.  After inspecting a few of the fire hydrants along Main Street, U.S.A., Meg howled with delight as she visited some of the park’s original attractions from 1955, including Dumbo the Flying Elephant and Autopia. She was also honored as Grand Marshal of “Walt Disney’s Parade of Dreams.”

As a general rule no animals other than assistance canines are permitted inside Disneyland, however an exception was made for Meg due to her unusual “Mickey” markings and the fact that she was born during the resort’s anniversary year. Meg’s Disney connection doesn’t end with her “Mickey” spots or her birth date. According to her certified pedigree, her grandsire was named “Mr. Pluto Mickey.”

 

Born November 30, 2005, and now 25 pounds, Meg is a purebred Beagle with lemon and white markings, including the unusual “Hidden Mickey,” approximately two-and-a-half inches long on the top of her head. Accompanying Meg on her visit were her owners Mark and Donna Montante of Ontario, Calif., along with their children and grandchildren.

 

The Disneyland 50th anniversary concludes September 30. For the next month, the celebration’s incredible array of innovative new adventures and spectacular entertainment continues, with highlights including the newly enhanced “Pirates of the Caribbean” and “Space Mountain” attractions, the “Remember … Dreams Come True” fireworks extravaganza and “Walt Disney’s Parade of Dreams.”

 

The 500-acre Disneyland Resort in southern California features two spectacular theme parks – the world-renowned original Disney theme park, Disneyland (“The Happiest Place on Earth)” and Disney’s California Adventure where Disney magic meets California fun, plus the Downtown Disney District, a public esplanade of unique and exciting dining, entertainment and shopping experiences. Resort hotels include the elegant 751-room Disney’s Grand Californian Hotel, the magical 990-room Disneyland Hotel and the surfside fun of the 502-room Disney’s Paradise Pier Hotel.

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Disney Cruise Line guests soon will be able to absorb the enriching benefits of the ocean while sailing on the high seas. Beginning in October, the cruise line is introducing H2O Plus Spa bath and shower products to all 877 guest accommodations on the Disney Magic and Disney Wonder. These high-end products, derived from marine botanicals, bring a piece of the ocean into every stateroom. 
         
The high-quality, water-based H2O Plus products being stocked on the Disney Cruise Line ships include Sea Marine Revitalizing Shampoo, Marine Collagen Conditioner and Hydrating Body Butter from the H2O Plus premium Spa line -- all in uniquely designed, co-branded bottles. Guests staying in concierge-level suites will find additional H20 Plus offerings such as Sea Salt Body Wash and Solar Relief Gel.

The upgrade of every family-friendly stateroom onboard both the Disney Magic and Disney Wonder also features new Sealy Posturepedic Premium Plush Euro-top mattresses, new pillows and Frette 300 thread-count, 100 percent Egyptian cotton linens. In addition, larger, more luxurious bath towels and bath sheets have been added to all stateroom bathrooms.
       
In all concierge-level suites, there are comfortable duvets and a new "Pillow Talk" program which allows concierge guests to choose from a selection of hypo-allergenic, feather and therapeutic memory foam pillow options.
        
Sea-derived skincare innovator H2O Plus, L.P. has been making a splash in the specialty global retail market with an array of skincare, spa, bath and shower and color cosmetics products for the last 16 years. The company's entrepreneurial founder and creative director, Cindy Melk, has grown H2O Plus from a concept of water-based, sea-derived formulations to an internationally recognized branded company.
        
A leader in the family cruise segment, Disney Cruise Line offers three-, four- and seven-night itineraries to the Bahamas and the Caribbean. Land/sea vacation packages that include a stay at the Walt Disney World Resort also are available. This fall, the Disney Wonder will sail two first-ever 10- and 11-night itineraries to the Southern Caribbean. In the summer of 2007, for the first time, Disney Cruise Line will reposition the Disney Magic to the Port of Barcelona and offer alternating 10-night and 11-night Mediterranean cruise vacations to Europe.

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"Desperate" Sex Hits YouTube, ABC Freaks

Having fans type "Desperate sex" into their Web browsers was apparently not the sort of grassroots marketing campaign ABC was hoping for to hype one of its top shows.

The Alphabet Net is calling foul after a rough cut of a sex scene from the upcoming season of Desperate Housewives was leaked on YouTube, nearly a month before the steamy footage was slated to air.

"We are looking into the unauthorized clips of Desperate Housewives on YouTube and will be having them taken down," an ABC rep said Friday.

The time-stamped, though fully edited, clip runs just over a minute and was made available by two separate YouTube posters--or at least by a YouTube devotee with more than one screen name--last Sunday. As of Friday morning, only one of the posts remained watchable. (The scene is still available by searching YouTube for the TV couple's fan-generated nickname, "Brorson.")

The scene features Bree (Marcia Cross) and new boy-toy Orson (Kyle MacLachlan) in bed, with the underwear-clad housewife protesting her partner's attempt to give her oral sex.

"I don't do that," she says. "I'm a Republican."

"I'm a Libertarian," Orson replies. "I believe in minimizing the role of the state and maximizing individual rights. Trust me, I know what I'm doing."

Orson then disappears offscreen, while the camera cuts to a shot of a running faucet filling up a sink containing dirty dishes. As the sink runneth over, well, so does Bree.

Pirated though the clip may be, it's not quite the first look its buzz would suggest. The climactic portion of the scene, without the pesky 50-or-so seconds of foreplay, is included in an official promo for the show's third season released earlier this month by the network.

ABC insists that no one at the network purposely leaked the footage in an attempt to goose interest in the show after what critics, fans and even producers agreed was a sophomore slump.

But, as pointed out by Variety, many industry types expressed disbelief that such top-secret footage could have been spread by a production assistant or other low-level staffer, suggesting that the leak was an intentional promotional ploy, rather than a confidentiality breach.

"If it's in-house, you have tight controls over who has access to [the footage]," an unnamed network production veteran told Variety. "And if it's an outside facility, they can't afford a leak. They know if there's a leak, they're [fired]. I'm suspicious."

In any case, while pirated footage is nothing new for the Internet, the steamy Housewives scene may mark the first time an unaired TV segment has made it online--a development that's already making the suits sweat.

"Can you imagine the resolution to a cliffhanger being put out there?" an unidentified network executive told the trade paper. "It could be a really big problem."

Since the leak surfaced, there have been various reports claiming the scene, or at least its most salacious bits, had been removed entirely from the episode and was leaked online to drum up fan support to have the clip reinstated.

Regardless, there are still plenty of unseen scenes primed to air. Desperate Housewives kicks off its third season Sept. 24.

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Career Opportunities at WDW Offer $1,000 Hiring Bonus

Visit the official website for Walt Disney World Casting to learn more about the program and the various employment opportunities available at the resort. 

For more information click the Link below.

http://www.disney.go.com/DisneyCareers/wdwcareers/hourly/index.html

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Ed Benedict, 94; Created Cartoon Characters for Disney, MGM, Others

Ed Benedict, 94, an animator who designed many famous cartoon characters including Fred Flintstone, Yogi Bear and Huckleberry Hound, died Monday, his friend David Scheve said. Benedict died at home in Auburn, Calif. Scheve did not know the cause.

Born in Ohio and raised in L.A., Benedict started his career in cartoon animation in the 1930s at the Disney studio before moving to Universal and then back to Disney in the early '40s.

He moved to MGM in the early 1950s and became lead designer and layout artist.

His film credits for MGM include several shorts directed by Tex Avery and Michael Lah, in the "Deputy Droopy" series.

Benedict is best known for characters he designed in the late 1950s and early '60s after he moved to the Hanna-Barbera studio, including Yogi Bear and Boo Boo, his sidekick.

He also designed Huckleberry Hound, Quick Draw McGraw, Fred and Wilma Flintstone and their pals Barney and Betty Rubble for TV series starting in 1958.

Benedict moved to Carmel in the 1960s and continued freelancing for several studios until he retired.

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Friday September 1, 2006


 
Walt Disney World, which bills itself as one of the happiest and most magical places anywhere, also may be one of the most closely watched and secure.
Walt Disney World, which bills itself as one of the happiest and most magical places anywhere, also may be one of the most closely watched and secure. And control over park entrances is getting even tighter: the nation's most popular tourist attraction now is beginning to scan visitor fingerprint information.

For years, Disney has recorded onto tickets the geometry and shape of visitors’ fingers to prevent ticket fraud or resale, as an alternative to time-consuming photo identification checks.

By the end of September, all of the geometry readers at Disney’s four Orlando theme parks, which attract tens of millions of visitors each year, will be replaced with machines that scan fingerprint information, according to industry experts familiar with the technology.

“It’s essentially a technology upgrade,” said Kim Prunty, spokeswoman for Walt Disney World. The new scanner, like the old finger geometry scanner, "takes an image, identifies a series of points, measures the distance between those points, and turns it into a numerical value." She added, "To call it a fingerprint is a little bit of a stretch."
Prunty said the new system will be easier for guests to use and will reduce wait times. The old machines required visitors to insert two fingers into a reader that identified key information about the shape of the fingers. The new machines scan one fingertip for its fingerprint information. Prunty said the company does not store the entire fingerprint image, but only numerical information about certain points.

Theme park consultant Arnold Tang said parks like Disney use the technology because it is more convenient for guests than showing photo identification and more accurate for theme parks, which have a significant ticket fraud problem.

“There’s a lot of subjectivity,” Tang said about traditional identification checks. “People can look at a photo and identify it differently.”

Prunty said the technology ensures that multiday passes are not resold. A one day, one-park ticket to Walt Disney World costs $67, but the daily price falls dramatically for a 10-day pass. Prunty said multiday pricing is the reason for the scanners. “It’s very important that a guest who purchases the ticket is the guest who uses it,” she said.

However, the use of this technology has riled privacy advocates, who believe Disney has not fully disclosed the purpose of its new system. There are no signs posted at the entrance detailing what information is being collected and how it is being used. Attendants at the entrance will explain the system, if asked.

“The lack of transparency has always been a problem,” said Lillie Coney, associate director of the Electronic Privacy Information Center, who added that Disney's use of technology "fails a proportionality test" by requiring too much personal information for theme park access.

"What they're doing is taking a technology that was used to control access to high-level security venues and they're applying it to controlling access to a theme park," Coney said.

"It's impossible for them to convince me that all they are getting is the fact that that person is the ticket-holder," said George Crossley, president of the Central Florida ACLU.

But Disney's Prunty downplayed privacy issues, saying the scanned information is stored "independent of all of our other systems," and "the system purges it 30 days after the ticket expires or is fully utilized." Visitors who object to the readers can provide photo identification instead – although the option is not advertised at the park entrance.

Scanning fingerprint information isn't new to private businesses or the government, which scans fingerprints of visitors entering the country.

But surprisingly, after the Sept. 11 attacks the federal government sought out Disney’s advice in intelligence, security and biometrics, a tool that teaches computers to recognize and identify individuals based on their unique characteristics.

The federal government may have wanted Disney's expertise because Walt Disney World is responsible for the nation's largest single commercial application of biometrics, said Jim Wayman, director of the National Biometric Test Center at San Jose State University.

"The government was very aware of what Disney was doing," he said. "Everybody's interested in a successful project."

Industry insiders say Disney has expressed interest in an even more advanced form of biometric technology _ automated face recognition. It has been touted as a way to pick criminals and terrorists out of a crowd.

Minnesota-based Identix Inc., which has contracts with the State Department and the Department of Homeland Security, has been in contact with Disney.

"Because it's an ongoing initiative, Identix is not at liberty to talk about it," said company spokesman Meir Kahtan said of the work with Disney on a face recognition system.

Another company, California-based A4Vision Inc., confirmed meeting with Disney officials in the past year to present its A4 facial recognition system to Disney. “They were interested," said A4Vision spokeswoman Suzanne Mattick.

Prunty, however, said face recognition is “not something we’re currently looking at.”

A4Vision is funded in part by the Department of Defense and In-Q-Tel, the CIA's venture capital firm for new technologies.

Although Disney will not disclose who makes its fingerprint scanners, biometrics experts said the new technology is likely provided by New Mexico-based Lumidigm Inc.

Lumidigm also has received funding from the CIA as well as the National Security Agency and Department of Defense, according to founder and CEO Bob Harbour.

The government has looked to Disney for advice on biometrics in the past. After 9/11, one Disney executive was part of a group convened by the Federal Aviation Administration and other federal agencies to help develop a plan for "Passenger Protection and Identity Verification" at airports, using biometrics.

The executive, Gordon Levin, also was part of a group asked by the National Institute of Standards and Technology and the National Security Agency to develop national standards for the biometrics industry.

Levin is not the only Disney employee to lend his expertise to the government.

Former Disney employees have filled some of the most sensitive positions in the U.S. intelligence and security communities. Eric Haseltine left his post as executive vice president of research and development at Walt Disney Imagineering in 2002 to become associate director for research at the NSA, and he is now National Intelligence Director John Negroponte’s assistant director for science and technology.

Another former Disney employee, Bran Ferren, has served on advisory boards for the Senate Intelligence Committee and offered his technological expertise to the NSA and the DHS.

Lumidigm's Harbour did not confirm or deny the company's role as the provider of Disney’s new scanners but said it has a "major theme park" as a client.

Disney's choice of a fingerprint sensor worries some privacy experts, especially when compared with a finger geometry reader. "It's more information," EPIC's Coney said. "That's why law enforcement agencies have relied on fingerprints for so long."

Disney’s Prunty said the company’s system will not be linked to a law enforcement fingerprint database. "Truly the only application is to link the ticket with the numerical value," she said.

Industry experts, including Anil Jain, who holds six patents in fingerprint matching, believe that Disney's new machines scan the entire fingerprint, even if they only store the numerical information.
Lumidigm’s Harbour said the system designed for his theme park client is not compatible with a federal law enforcement database, saying, "Their protocols don't store images."

However, Raul Diaz, Lumidigm’s vice president of sales and marketing, said it is "easy" to change a system from capturing numerical information to storing an entire fingerprint image. "It's a software option," Diaz said. "It's changing just one command." Diaz said few, if any, companies store the fingerprint images due to privacy concerns.

Coney fears Disney could share the fingerprint information. "If they maintain that data, it can be used for anything," Coney said. "If law enforcement shows up, they can gain access to it." Disney's privacy policy says that it may disclose personal information when doing so can help "protect your safety or security."

While Walt Disney World in Orlando is the only Disney location to use this biometric technology at its entrances, other theme parks – such as Sea World and Busch Gardens – have begun to use similar technology.
Civil liberties experts fear the use of biometrics by government and private companies will escalate without proper privacy protections. But industry officials say Disney’s extensive use of the technology is a sign of things to come.

"It helps public perception to have biometrics deployed on a widespread basis," said Joseph Campbell, the former chairman of the Biometrics Consortium. "The more people use biometrics, the more people are comfortable with it."

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A Turkish national was arrested at Port Canaveral on Thursday on charges that as a crew member of the Disney Wonder cruise ship, he exposed himself to three women during a voyage that ended Thursday.

Omer Yuksel Songur, 38, was taken into custody by Brevard County sheriff's agents and charged with disorderly conduct and exposing himself. He remained Thursday night in the Brevard County Jail with bail set at $500. He would be released only to federal immigration officers if he could post bail or the case is resolved, and they most likely would return him to Turkey.

According to an arrest report, Songur was seen by the three women while on duty during the cruise.

Disney Cruise Line spokeswoman Rena Langley said Thursday night that the company cooperated with Brevard agents as well as the Coast Guard and the FBI.

"The safety of our guests is the top priority at Disney Cruise Line," she said. "We take allegations like this very seriously."

She said Songur was no longer employed by the cruise line, where he worked in food service. He had been with the company 11/2 years and had never been in trouble.

Langley said Songur was "isolated from guest areas" after the incident was reported to the ship's staff.

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For years, Walt Disney World has been reading the shape of visitors' fingers on its property. Now, the upgraded controversial finger scanning machines scan fingerprint information.
 
"Privacy advocates worry that Disney is getting too much of your personal information and their concern is where that information goes after it is scanned," Local 6 reporter Jessica D'Onofrio said.

Disney representatives said the technology does not store the entire fingerprint image and scanned information is purged in 30 days.

"We are not collecting fingerprints," Disney representative Kim Prunty said. "We are not collecting personal information. The sole purpose is to create a numerical value that links out guest with their Magic Your Way tickets.

"They're collecting fingerprints," Central Florida ACLU President George Crossley said. "They're taking fingerprints. They can call it whatever they want. They're taking fingerprints. Everything that chips away at personal rights, anything that chips away at the right to privacy, I'll always be concerned about."

"The system takes an image, it identifies points on that image and measures the distance between those points and immediately creates a numerical value on the blink of an eye," Prunty said. "And it's the numerical value that's stored in our system and recalled when a guest reenters our turn styles using their Magic Your Way tickets."

The Central Florida ACLU said they know Disney is not doing anything illegal but said people should know what they're submitting to before they enter the park.

"If Uncle Sam decides to hit Walt Disney with a subpoena because they want those records, what is Walt Disney going to do?" Crossley said. "They're going to provide the records right?"

A Disney representative said visitors who object to the finger scanners can use a photo ID instead. However, that option is not advertised at the theme parks.

The machine upgrades should be completed by the end of September, the report said.

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Screenwriter Terry Rossio has confirmed that Disney is going with "Pirates of the Caribbean: At Worlds End" (with no apostrophe after World) as the full title for the anticipated third installment. The film opens in theaters on May 25th 2007.

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This fall the Disneyland Resort gives guests the opportunity to spend more time enjoying the new Disney’s HalloweenTime celebration or the Resort’s annual holiday traditions with a fourth night free added to any three night vacation package.
 
Through December 17, 2006, guests receive one additional night with the purchase of a three night stay at any one of the three Disneyland Resort hotels – The Disneyland Hotel, Disney’s Paradise Pier Hotel, Disney’s Grand Californian Hotel & Spa; or at one of any participating Anaheim-area Good Neighbor Hotels. These special holiday season Disneyland Resort vacation packages include Disneyland Resort Park Hopper Bonus Tickets, entrance to Mickey’s Toontown Morning Madness, an interactive guest and character experience available before Disneyland park opens to the general public, and preferred viewing for select shows at Disney’s California Adventure park.
 
A vacation at the Disneyland Resort is special any time of the year, and during the holidays there are exceptional experiences filled with traditional Disney spirit and holiday cheer.

The new Disney’s HalloweenTime celebration is a family-friendly Halloween event that begins on September 29 and continues through October 31, 2006. During Disney’s HalloweenTime an autumn motif will welcome guests as they approach Disneyland park, where charming jack-o-lantern creations of Mickey Mouse, Minnie Mouse, Donald Duck, Pluto and Goofy will adorn the rooftop of the Main Entrance. Upon entering the park, guests will see the familiar imagery of the “Floral Mickey” planter below the Main Street Train Station transformed into a canvas of pumpkins and a masked Mickey face, featuring a skin-tone and ears created with real miniature white and orange pumpkins.
 
Across the Disneyland Resort esplanade, guests to Disney’s California Adventure park will instantly be immersed in the spirit of Halloween fun as they encounter the iconic 11 foot tall “CALIFORNIA” entranceway letters - - now seemingly made from giant pieces of candy corn.  Once inside the park, guests can meet an assortment of Disney Villains on the prowl while enjoying enhanced atmosphere décor in the Hollywood Pictures Backlot area of the park.
 
The celebrations continue through the end of the year with the Disneyland Resort’s Christmas holiday transformation. The entire Resort lights up in honor of the holidays from November 10, 2006 through January 3, 2007, with special décor and an atmosphere that is pure Disney magic.

Disneyland park celebrates the Christmas season with an array of holiday shows, seasonal attractions and live entertainment. The park’s annual holiday parade, “A Christmas Fantasy,” is presented November 17 through January 3.  This ever-popular procession depicts an enchanting collection of holiday scenes, music and a cast of Disney characters and performers in Yuletide vignettes. The classic “it’s a small world” again becomes “it’s a small world holiday” with a seasonal overlay that transforms this favorite Disneyland attraction into a holiday trip around the world.

“Haunted Mansion Holiday” returns with a madcap celebration where the traditions of Halloween and Christmas collide.  The ghoulish but well-meaning Jack Skellington from the film Tim Burton’s “The Nightmare Before Christmas” has come to the Haunted Mansion to transform it with his skewed vision of the holidays. Guests can also enjoy the nightly fireworks spectacular, “Believe…in Holiday Magic.”  During the holidays, “Believe” concludes with a magical snowfall down Main Street, U.S.A., Small World Mall and New Orleans Square.

Disney’s California Adventure celebrates the season with enhanced park-wide decorations and expanded entertainment offerings. Sunshine Plaza will become “Santa’s Beach Blast,” where the Disney characters playfully blend classic holiday images with the California beach lifestyle.  Santa the surfer will greet guests near a Woody wagon sleigh, and the area will be filled with seaside-style holiday decorations. At Flik’s Fun Fair, Flik and his bug buddies decorate with giant Christmas lights, oversized ornaments and towering candy canes throughout their realm.
 
To book reservations for Disneyland Resort vacation packages, travel agents can visit www.disneytravelagents.com or call the Walt Disney Travel Company at 1-800-854-3104.

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Magic Kingdom visitors have reported that some of the golden castle decorations from the Happiest Celebration on Earth celebrations are now being removed. So far the lower towers have had the golden swirls and characters removed.

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Disney show set for tonight

If a trip to Disneyland for the kids seems a bit too daunting, you're in luck: Mickey Mouse is coming to El Paso this weekend.

Master Magician Mickey and Minnie will co-host “Disney Live! presents Mickey's Magic Show,” a revue of magical acts with the help of Goofy and Donald Duck.

The show will feature Cinderella and her fairy godmother; Alice in Wonderland and the Mad Hatter; and Disney princesses Snow White, Belle and Jasmine.

The magic begins at 7 p.m. today and continues at 10:30 a.m., 1:30 p.m. and 4:30 p.m. Saturday; 1:30 p.m. Sunday; and 1:30 p.m. Monday at the Abraham Chavez Theatre.

Tickets are available at Ticketmaster outlets, www.ticketmaster.com or 544-8444. www.disneylive.com.

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Possibilities of a price rise for La Nouba

La Nouba at Downtown Disney Westside is being rumored to be having a price increase in the near future. Recently some restructuring of the seating categories was implemented, with a new 'Front and Center' category being added to the existing Category 1, 2 and 3. The information suggests that the new 'Front and Center' section may increase to around $140, along with increases for the other categories as well. This is not yet officially confirmed, and as always is subject to change.

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Growing the teens too fast

By Brent Bozell III

Something's happening at Walt Disney Pictures. After years spent ruining its brand, the company seems determined to regain its position as the standard-bearer for family movies, recently with one winner after another. Think "Cars," "The Chronicles of Narnia" and "Pirates of the Caribbean."

Now add to that list Disney's newest offering, "Invincible," the story of Vince Papale, a nobody from Philadelphia who was given the chance for a tryout with the Philadelphia Eagles and, against all odds, made the roster. It is every young boy's Walter Mitty fantasy -- except the story is true.

My youngest son, Reid, may only be 9 years old, but he could hold his own as an ESPN commentator. There's nothing he doesn't know about sports. It explains why, after viewing a trailer for "Invincible," he announced that we would be going to see it.

So we went -- reluctantly. It's a movie about a professional football team, and it's rated "PG." One imagines the possibilities. Raunchy locker-room language. Sexual innuendo, or worse. Graphic violence. "PG" means anything these days, and anything could happen. I was prepared to leave, if necessary.

What a delight. The movie is terrific, in many ways. But the best part was that none of the ugly possibilities materialized. The MPAA rating warns of "some mild language," but I didn't hear a single curse word. No raunch. Nothing objectionable. Just a wonderful, uplifting story. You walk out of the theater wanting to shake the hands of those in charge at Disney who made a simple decision: If it's a movie with a target market being youngsters, their innocence will be protected -- period. That's the Walt Disney Co. I remember.

But then you return home and turn on your television set, and it's like a frying pan to the face. You see how others in the industry are deliberately doing the exact opposite, doing their level best to insert mature, sometimes even disgusting material into their programs, not in spite of the fact that impressionable children are watching, but because youngsters are there.

Take this year's broadcast of the "Teen Choice Awards," on the Fox network. The hosts were Jessica Simpson, recently featured vamping skimpily through the "Dukes of Hazzard" movie, and Dane Cook, a hot stand-up comic with a tour called ... "Tourgasm." Within the first 10 seconds of the show, Cook was joking about being high on drugs and, acting as a pirate in a "Pirates of the Caribbean" spoof, talked about all the "booty" he hoped to find at the awards show.

As a demonstration of the intended atmosphere, the show featured teenage girls in bikinis bathing in an on-stage hot tub directly in front of the podium. The hot tub served no purpose other than to suggest this wasn't a stuffy awards show, but a hot, happening, sexually charged party -- smack-dab in TV's family hour at 8 p.m.

Later in the show, Dane Cook introduced the two 15-year-old winners of a J.C. Penney casting call by joking, "Look at them, so young and innocent, and they'll both be pregnant by the end of the night."

Comedian Marlon Wayans presented an award for best MySpace.com video. That Website is notorious for teenagers posting inappropriate pictures of themselves, and Wayans joked to the teen audience that "you've got to be naked to get in my (MySpace) Top Eight." A rapper named Chingy helped introduce the best love-song category by noting love songs are good for "popping the buttons" of girls' clothing.

Some of the award winners did feel obligated to offer a public service to the teenagers watching. Following one of her three awards, young singer Nelly Furtado threw out the usual "safe sex" sermon: "If you are going to be sexually active, then be safe and use a condom." A rapper named Timbaland added, "Don't be promiscuous."

Ironically -- no, hypocritically -- these comments followed their performance of their big hit song, "Promiscuous Girl." Timbaland raps, "I can see you with nothing on, feeling on me before you bring that on." Furtado sings back, "Promiscuous boy ... what are you waiting for?"

Even some of the nominees and winners were objectionable. ABC's trashy series "Desperate Housewives" was nominated in the Comedy/Musical category. These are role models for children? The "Choice" animation show winner was Fox's own sleazy "Family Guy," the epitome of Hollywood's pillaging of decency in primetime.

Every -- EVERY -- episode seeks to offend on as many fronts as possible. Masturbation, defecation, racial insults, sexual innuendo, foul language ... it is all common fodder for this putrid primetime offering. In one episode this season, God was shown in bed with a woman who hands him a condom, to which God replies, "But it's my birthday!"

All of which is why I want to shake the hands of the Disney folks.

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A shortcut to Oscar fame?

In this golden time-killing era of YouTube.com, it can sometimes feel as if everyone's a short-film auteur. In fact, the home-video geyser aesthetics that result from the combination of Mentos and Diet Coke may be the only category not offered in this year's wide-ranging Los Angeles International Short Film Festival at the ArcLight.

The festival has more than 600 live-action, animated and documentary films arranged into nearly 100 programs, with themes such as eccentric characters and children's adventures, vengeance and unexpected twists, "what if" scenarios and so forth. Those with treasure-seeker mentalities may view it as a hunt for potential Academy Award short film honorees, because the L.A. Shorts Fest, as it calls itself, has a solid record of screening eventual nominees, such as the 2005 animated Oscar winner "The Moon and the Son: An Imagined Conversation."

This year, the animated selection includes a new hand-drawn, seven-minute Disney short, "The Little Matchgirl," a quietly beautiful, poignant adaptation of the Hans Christian Andersen story that plays like a master animation class in transformational imagery and the colored interplay between winter snow and burnished light. Directed by Roger Allers ("The Lion King"), it's also that rare animated film that actually concerns a child, in this case a Russian beggar girl whose loneliest moments lead her to fantasize of a warmer world beyond the glow emanating from her matchsticks. Silently played yet memorably scored to Alexander Borodin's yearning String Quartet No. 2 in D major, this is a small, sentimental gem and, in its tale of dangerous neglect and fierce hope, a reminder that traditional animation shouldn't be allowed to die.

When Disney got involved in revitalizing Times Square in New York, though, preserving what had become a low-income, culturally diverse if vice-ridden neighborhood wasn't a priority. Paul Stone's absorbing 11-minute documentary "Tales of Times Square" — inspired by Josh Alan Friedman's book of the same name — attempts a strange mix of grimy nostalgia and hip cynicism, through the use of '70s and '80s-era still photographs of hustlers and prostitutes, tough-guy narration and 1989 interview footage of a proud Times Square denizen named Gerard "Skids" Jones, who had been moving from empty porn palace to empty porn palace as the forces of urban renewal arrived with the brooms.

For the late 19th century French entertainer Joseph Pujol, however, certain baser amusements had their rewards. Yet audiences who first caught Marseilles-born Pujol's unusual stage act — the willful, sonically complex passing of gas with the control of a skilled musician — might have assumed they had stumbled into the wrong theater. It is only one of the wry sources of humor writer-director Steve Ochs milks in his lavish biopic parody "Le Petomane: Parti Avec le Vent." Though the film is overlong at 32 minutes, Ochs at least trades the rude humor that could have overwhelmed his subject for the delicious absurdity of tortured-artist cinema, culminating in a scene in which Pujol (a perversely serious Ben Wise) points his hindquarters to a mirror, turns his head around and says: "Are you a blessing or a curse?"

Of course, the blessing of short films in this age of 2 1/2 -hour summer event flicks is that they can whip in and out of a narrative that at feature length would feel superfluous or stretched thin. The 15-minute "The Shovel," — directed by Nick Childs and featuring David Strathairn as a man whose late-night confrontation with a neighbor turns nightmarish, feels like the spiky short story suspense author Stanley Ellin never wrote. And director Adam Kane's boxing tale "The Fix," starring Robert Patrick as a washed-up fighter watching his sins visited upon his up-and-comer son (Travis Aaron Wade), has a brutally efficient way with emotion that recalls the charge of old B-movies.

The feelings that run through the documentary "Mind Over Matter: A Spiritual Journey," however, are inevitably more complex, even if the circumstances they detail are indisputably sad. In 1998, then-25-year-old Scott Gerow began the film as a chronicle of his obese father Dave's struggles to lose weight, but the emphasis changed after Scott was diagnosed with a malignant brain tumor, which meant dad and son were simultaneously in the throes of debilitating diseases. But issues of health must also contend with deep-seated family problems, and inevitably the film is less the inspirational beacon it wants to be, and more of an indirectly poignant portrait of denial and loneliness. Because while Scott's easygoing smile and good humor in the face of countless radiation treatments are undeniably powerful, what may be impossible to forget is the slow crumpling of Dave's once-jolly face as he deals with disappointment and tragedy.

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